Vinyl Record and Rare LP Resource Ideal For Serious Collectors

Most Recent Additions to the Vinyl Records DB

	Shake Down Used Import - LK 4883 1967 UK mono pressing. The debut album of British blues rock band Savoy Brown. At the time, the British blues scene was flourishing, and Savoy Brown distinguished themselves by reworking and reviving American blues classics. The album is notable for its faithful renditions of songs by artists such as Willie Dixon and John Lee Hooker, with the band paying homage to their musical roots rather than pursuing original compositions. Featuring the original lineup, including founder Kim Simmonds on guitar, "Shake Down" reflects the band's deep reverence for the Chicago blues style, capturing the raw energy and authenticity that characterized early British blues efforts. Historically, "Shake Down" holds significance as a representation of the cultural exchange between American blues and young British musicians during the 1960s. Unlike some of their contemporaries who quickly shifted towards more experimental or psychedelic sounds, Savoy Brown's debut remains firmly anchored in the blues tradition. Though the album did not achieve major commercial success upon release, it established the groundwork for the group’s evolving sound and growing following. Over time, "Shake Down" has been recognized for its role in introducing British audiences to blues legends and for its contribution to the enduring appeal of blues rock in the UK and beyond. ... more
	Volunteers Used Import - LSP-4238 1969 Orange label gatefold original with insert. "Volunteers" is the fifth studio album by Jefferson Airplane, released in 1969. The album reflects this tumultuous period with its politically charged lyrics and revolutionary themes. The album was produced by Al Schmitt and recorded at Wally Heider Studios in San Francisco. It features the classic Jefferson Airplane lineup of Grace Slick, Marty Balin, Paul Kantner, Jorma Kaukonen, Jack Casady, and Spencer Dryden. The album received mixed reviews upon its initial release, with some critics praising its political message and others criticizing its lack of musical coherence. However, it has since become regarded as one of the band's best albums and a landmark of the counterculture movement. "Volunteers" was also notable for its cover art, which featured a photograph of the band members dressed in revolutionary garb. The cover was designed by artist Ron Cobb and has become an iconic image of the era. The album's release coincided with the band's performance at the Woodstock festival, where they played several songs from the album to a massive crowd of over 400,000 people. The band's performance at Woodstock helped to cement their place in rock history and further solidified their status as one of the leading bands of the counterculture movement. ... more
	Baron Von Tollbooth & The Chrome Nun Used - LP - BFL1-0148 1973 Original with inner sleeve and insert. Featuring Jerry Garcia, David Crosby, The Pointer Sisters, Mickey Hart and others. "Baron Von Tollbooth & The Chrome Nun" is a collaborative album by Paul Kantner, Grace Slick, and David Freiberg, principal members of Jefferson Airplane and Jefferson Starship. The project emerged during a transitional phase for the band members following the partial dissolution of Jefferson Airplane. The album’s title is derived from the nicknames given to Kantner and Slick by David Crosby, reflecting the close-knit and often playful camaraderie within the San Francisco music scene. Musically, the record blends psychedelic rock, folk, and blues influences, showcasing the trio’s songwriting and vocal harmonies, and is notable for its blend of intricate arrangements and experimental textures. ... more
	He Ain't Heavy, He's My Brother Used - LP - BN 26538 1969 Yellow Label Original. Released in 1969, "He Ain't Heavy, He's My Brother" marked a significant moment in The Hollies’ career, as it represented both a musical evolution and a period of transition for the band. The album arrived at a time when the group was navigating the departure of founding member Graham Nash, who left in late 1968 to form Crosby, Stills & Nash. Into this gap stepped Terry Sylvester, whose addition helped maintain the band’s signature harmonies while contributing fresh energy. The album's production, led by Ron Richards, showcased a shift towards more mature themes and a blend of pop and rock arrangements, highlighting the band's ability to adapt amid the rapidly changing late-1960s musical landscape. The title track, "He Ain't Heavy, He's My Brother," became one of The Hollies’ most enduring hits, featuring Elton John on piano and resonating with audiences through its poignant lyrics and emotive delivery. Beyond the title song, the album explored a variety of sounds, from covers like Bob Dylan's "Lay Lady Lay" to originals such as "Elevated Observations?" and "You Love 'Cos You Like It." This blend of material reflected the group’s willingness to experiment beyond the pop hits that initially brought them fame. "He Ain't Heavy, He's My Brother" ultimately stands as a testament to The Hollies’ resilience, demonstrating their capacity to produce relevant and heartfelt music during a transformative era in both their own history and the wider world of rock. ... more
	Sent For You Yesterday - The Classic Blues Of Jimmy Rushing Used - LP - BLS-6057 1973 Textured Cover Compilation. Very Small Cut Out Hole. Features Rushing With Both A Big Band And A Small Group. "Sent For You Yesterday" is one of Jimmy Rushing’s iconic albums, capturing the robust charm and artistry that made him a standout blues and jazz vocalist. Rushing, often celebrated for his tenure with the Count Basie Orchestra, recorded this album for Vanguard Records, collaborating with an ensemble of seasoned jazz musicians, including Buck Clayton and Buddy Tate. The album features a selection of blues standards and swing-era favorites, offering Rushing a platform to showcase his distinctively powerful, yet nuanced voice. The recording sessions reflected the spontaneity and camaraderie of mid-century jazz, with Rushing bringing emotional authenticity and rhythmic drive to every track. ... more
	Roots of Rock Vol. 1 Used - LP - KST 554 1971 Original pressing. "Roy Milton Roots of Rock Vol. 1" is a compilation album highlighting the work of Roy Milton, an influential figure in the jump blues and R&B scenes of the 1940s and early 1950s. Milton, a drummer, bandleader, and vocalist, was pivotal in bridging big band swing with the emerging rhythm and blues sound. The tracks on this album, originally recorded for Specialty Records, showcase his signature blending of boogie-woogie piano, driving rhythms, and horn arrangements that prefigured elements of early rock and roll. Songs like "R.M. Blues" and "Hop, Skip and Jump" not only achieved chart success in their day but also serve as prime examples of the upbeat, danceable style that would heavily influence later rock musicians. ... more
	Almost Home Used - LP - SE-4708 1970 White Label Promo. Orange dj sticker on back cover. The group was known for its eclectic fusion of rock, jazz, blues, and folk influences, often combining extended improvisational passages with intricate songwriting. The album reflects the early 1970s musical landscape, when boundaries between genres were increasingly blurred. The album stands out for its sophisticated arrangements, use of horns, and narrative lyricism, capturing the spirit of experimentation prevalent in the era. Although the group disbanded not long after the album's release, ... more
	Electric Music For The Mind And Body Used - LP - VSD•79244 1967 Original Released in 1967, "Electric Music for the Mind and Body" marked the debut of Country Joe and the Fish, a band rooted in the vibrant countercultural scene of Berkeley, California. The album stands as a significant artifact of the psychedelic era, blending folk-rock with blues influences and experimental studio effects. Notably, it was recorded at Sierra Sound Laboratories in Berkeley, capturing the spirit of the San Francisco Bay Area's underground music movement. The songwriting, led by Country Joe McDonald and Barry Melton, displayed a strong mix of political engagement and surreal imagery, with tracks such as "Section 43" and "Not So Sweet Martha Lorraine" serving as exemplary pieces of psychedelic composition. ... more
	Jack-Knife Gypsy Used - LP - EKS 74081 1971 US original gatefold Santa Maria pressing. VG++ player, EX/NM- cover. Housed in a textured jacket with textured insert and original company inner. Features David Grisman, Buddy Emmons, Clarence White, Russ Kunkel & Jimmy Buchanan among others. ... more
	Live at Leeds Used - LP - MCA-37000 1980 Reissue In A Single Pocket Jacket With No Inserts. A Banging Pre-Punk Archive Of The Who Rocking Heavy. ... more