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Walls And Bridges
Used - LP - SW-3416
1978 US split apple original with die cut cover, inner sleeve and booklet. "Walls and Bridges was recorded during John Lennon's infamous "lost weekend," as he exiled himself in California during a separation from Yoko Ono. Lennon's personal life was scattered, so it isn't surprising that Walls and Bridges is a mess itself, containing equal amounts of brilliance and nonsense. Falling between the two extremes was the bouncy Elton John duet "Whatever Gets You Thru the Night," which was Lennon's first solo number one hit. Its bright, sunny surface was replicated throughout the record, particularly on middling rockers like "What You Got" but also on enjoyable pop songs like "Old Dirt Road." However, the best moments on Walls and Bridges come when Lennon is more open with his emotions, like on "Going Down on Love," "Steel and Glass," and the beautiful, soaring "No. 9 Dream." Even with such fine moments, the album is decidedly uneven, containing too much mediocre material like "Beef Jerky" and "Ya Ya," which are weighed down by weak melodies and heavy over-production. It wasn't a particularly graceful way to enter retirement." All Music Guide – Stephen Thomas Erlewine. ...
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The Captain And Me
Used - LP - BS 2694
1975 Original housed In A Gatefold. Released in 1973, The Captain and Me stands as a pivotal album in the Doobie Brothers’ discography, marking their breakthrough into mainstream success. Produced by Ted Templeman, the album showcased the band’s ability to blend rock with elements of folk, country, and rhythm and blues, a sound distinguished by their tight vocal harmonies and intricate guitar work. The record’s sessions took place at Warner Bros. Studios in North Hollywood, with the band working under tight budget and time constraints, which led to an urgency and energy captured in its tracks. Anchored by Tom Johnston’s songwriting and vocals, The Captain and Me features some of the group’s most enduring hits, including "Long Train Runnin’" and "China Grove," both of which became staples of 1970s rock radio. ...
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USA Union
Used - LP - 24-4022
1970 US original gatefold with company inner. Solid VG+. "USA Union," released in 1970, marks a distinctive period in John Mayall’s prolific career. After the dissolution of his Bluesbreakers band, Mayall moved to the United States and recorded this album with an entirely new lineup. The personnel on "USA Union" included guitarist Harvey Mandel, bassist Larry Taylor—both from Canned Heat—and violinist Don "Sugarcane" Harris. This unique configuration gave the album a character all its own, notably absent of drums, which set it apart from standard blues rock recordings of the era. The songs on "USA Union" reflect Mayall's growing environmental and social concerns, with lyrics that often address issues of nature, migration, and life on the American West Coast. ...
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Memories
Used - LP - PD 5012
1971 Gatefold Original. Recorded At Larrabee Studios In Los Angeles. After disbanding his celebrated Bluesbreakers, Mayall sought a more roots-oriented and reflective sound, choosing to record in Los Angeles and surrounding himself with a new group of musicians. Among them were guitarist Jerry McGee, known for his session work with the Ventures and others, and bassist Larry Taylor, previously of Canned Heat. This collaboration brought a distinctly American flavor to Mayall’s British blues background, blending elements of folk, country, and jazz into the album’s framework and giving “Memories” a unique sonic identity compared to his earlier, more blues-driven releases. ...
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Heroes Are Hard To Find
Used - LP - MS 2196
1974 Original. "Although This Was Bob Welch's Last Album With The Band He Had Worked With Since 1971, It Sounds Like He's At His Peak. Pared Down To A Foursome For The First And (As Of 2002) Only Time Since The Addition Of Danny Kirwan, Both Welch And Christine McVie Contribute Some Of Their Finest Songs. Bolstered By Sympathetic Self-Production And Imaginative, Often Aggressive Arrangements That Include Brassy Horns On The Title Track (A Blatant But Failed Attempt At A Hit Single), The Album Is One Of Their Most Cohesive Yet Diverse.” All Music Guide – Hal Horowitz ...
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Let's Dance
Used - LP - SO-17093
1983 Original. Includes Custom Inner Sleeve. "Let's Dance" was produced by Nile Rodgers and recorded at the Power Station in New York City. The album introduced a significant change in Bowie's musical style, with a shift towards a more commercial sound influenced by funk, soul, and dance music. The title track, "Let's Dance," became Bowie's biggest hit and remains one of his most popular songs. The album was a commercial success, reaching No. 1 in the UK and No. 4 in the US. It was certified Platinum in the UK and Triple Platinum in the US. Despite its commercial success, some critics felt that "Let's Dance" lacked the depth and experimentation of Bowie's previous work. Nevertheless, the album has come to be regarded as a significant moment in Bowie's career and a touchstone for 1980s pop music. ...
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Pretenders
Used - LP - SRK 6083
1980 US original LA Pressing with custom inner sleeve. Corner dings. “Few Rock & Roll Records Rock As Hard Or With As Much Originality As The Pretenders' Eponymous Debut Album. A Sleek, Stylish Fusion Of Stonesy Rock & Roll, New Wave Pop, And Pure Punk Aggression, Pretenders Is Teeming With Sharp Hooks And A Viciously Cool Attitude. Although Chrissie Hynde Establishes Herself As A Forceful And Distinctively Feminine Songwriter, The Record Isn't A Singer/Songwriter's Tour De Force — It's A Rock & Roll Album, Powered By A Unique And Aggressive Band. Guitarist James Honeyman-Scott Never Plays Conventional Riffs Or Leads, And His Phased, Treated Guitar Gives New Dimension To The Pounding Rhythms Of "Precious," "Tattooed Love Boys," "Up The Neck," And "The Wait," As Well As The More Measured Pop Of "Kid," "Brass In Pocket," And "Mystery Achievement." He Provides The Perfect Backing For Hynde And Her Tough, Sexy Swagger. Hynde Doesn't Fit Into Any Conventional Female Rock Stereotype, And Neither Do Her Songs, Alternately Displaying A Steely Exterior Or A Disarming Emotional Vulnerability. It's A Deep, Rewarding Record, Whose Primary Virtue Is Its Sheer Energy. Pretenders Moves Faster And Harder Than Most Rock Records, Delivering An Endless Series Of Melodies, Hooks, And Infectious Rhythms In Its 12 Songs. Few Albums, Let Alone Debuts, Are Ever This Astonishingly Addictive.” All Music Guide - Stephen Thomas Erlewine ...
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The Joy Of Living
Used - LP - M 124520
1984 US original 12 inch EP still in shrink. Obscure Post-Punk Goth Rock. ...
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50,000,000 Elvis Fans Can't Be Wrong
Used - LP - EL 5000
Lesser seen 1979 2LP unofficial release. Few light stains on jacket. Cover is a take on the classic Presley artwork. Taken from Radio and TV sessions; Track A1 to B3: Radar Records demo tapes; The rest are from shows at 1977-12-06 Utica and 4 Acres Club 1977-12-05 Cleveland, Agora. ...
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Rumours
Used - LP - BSK 3010
1977 US original. Light surface noise but music dominates. Winchester pressing without the typical symbol and "FROM Sub-I-M-2" in deadwax. The moment Fleetwood Mac released "Rumours" in 1977, it became an instant classic and a defining moment in rock music history. This album is a masterful work of art that blends intricate harmonies, soulful vocals, and a range of instruments that come together in a perfect, seamless union.
At its core, "Rumours" is a reflection of the band's tumultuous personal lives, which are laid bare in every note of the album. Through its eleven tracks, listeners are taken on an emotional rollercoaster, from the soaring highs of "Go Your Own Way" and "Don't Stop" to the melancholy beauty of "Dreams" and "Songbird."
Perhaps what makes "Rumours" so special, however, is the way it captures the heart and soul of the 1970s. There is a sense of timelessness in the album's production, with its lush arrangements and intricate instrumentation that feels both modern and classic. The result is a record that speaks to the human experience in a way that few others have before or since. ...
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