Vinyl Records by Saints

Saints

Vinyl Records and Rare LPs:

	Eternally Yours Pop Used - LP SRK 6055 Sire Mint 1978 Original, Gold Promo Stamp On Cover, Custom Inner Sleeve.... more details

	I'm Stranded Pop Used - LP SR 6039 Sire 1977 Original In Unplayed Condition.... more details

No Image Available	I'm Stranded Pop Used - LP SHSP 4065 EMI 1977 UK Original. ... more details

	All Fools Day Pop New - LP 2111 TVT Sealed 1987 Original, Clean COH. "Call This The Second Coming Of The Saints, But The Only Thing This Record Has In Common With Previous Saints Recordings Is Chris Bailey. Still, It's A Sharp, Tuneful, And (Ahem) Mature Work That Shows Bailey's Increasing Confidence As A Singer And Songwriter. One Listen To Songs As Grabbing As "Celtic Ballad" Or The Great "Just Like Fire Would" (Which Is Kind Of A Neat Pun) Will Convince You That Despite The Differences, The New Saints Were A Good Band For Completely Different Reasons Than The Old Saints." John Dougan, AMG.... more details

	I'm Stranded Punk New - LP SR 6039 Sire Factory Sealed 1977 Original. Their 5 Star Debut Album.... more details

	Prehistoric Sounds Pop Used - LP SHSP 4094 Harvest Beautiful 1978 Original. CC. Jacket VG+, Vinyl NM. “With Prehistoric Sounds (The Last Record Of The Band's Original Lineup), The Saints Provide The Textbook By Which To Make A Great Rock Record Where Horns Play As Much Of A Role As Guitar. Further Extracting Themselves From The Limitations Of Punk, The Band Retains The Attitude And Turns It Into A Smart, Bluesy, Gutsy Combination Of Controlled Power. There's More Dip In The Hip And Additional Swagger. The Days Of "(I'm) Stranded" Might Have Been Long Gone, But The Varied Tempos And Sophisticated Songwriting Don't Sacrifice The Band's Intensity At All. The Horns Are The Real Treat, A Central Element To The Record's Solidity. They Don't Make The Saints Sound Like Chicago, And They Don't Make Them Sound Like A Faux '70s Soul Band — They Don't Make Them Sound Like The Doors Of "Touch Me" Or The Bowie Of Young Americans, Either. Whether Used For The Basis Or Just Punctuation Of Each Song, The Tasteful Use Of Saxophones Is A Genuine Masterstroke. The Dynamic "Brisbane (Security City)" — Which Is Like An Update Of The Stooges' "1969" And "1970" In Terms Of Subject Matter — Is The High Point. After Two Minutes Of Chris Bailey's Iggy-Like Lament On His Hometown, The Medium Tempo Shifts Into High Gear, Thanks To Rhythmic Overdrive, Charged Guitars, And (Of Course) The Ubiquitous Horns. Other Bright Spots Include "Every Day's A Holiday, Every Night's A Party" And An Energetic Cover Of Otis Redding's "Security," Where Bailey Sounds So Much Like A Young Van Morrison That It's Scary.” – Andy Kellman, All Music Guide... more details

No Image Available	Eternally Yours Pop Used - LP SRK 6055 Sire 1978 Original. ... more details