Soft Machine

Vinyl Records and Rare LPs:

	4 New - Vinyl - FC 30754 Factory Sealed 1973 LP, Clean COH. No Bar Code On Jacket. more
	5 Used - Vinyl - KC 31604 1972 Embossed Cover Original, 1B/1A Stampers. Hint Of Ring Wear At Top Of Jacket. more
	5 Used - Vinyl - 64806 1972 UK Embossed Cover Original. A2/B1 Stampers. Hint Of Wear At Top And Near Side Of Jacket, LP Appears Unplayed. more
	7 New - Vinyl - PC 32716 Factory Sealed 1974 LP, Clean COH. No Bar Code On Jacket. more
	7 New - Vinyl - KC 32716 Sealed 1974 Original. more
	7 Used - Vinyl - 65799 1973 UK Gatefold Original. VG+ Jacket Has A Touch Of Light General Wear. Vinyl Plays With Light Surface Noise During Quieter Passages, Hence Price. more
	Alive And Well Recorded In Paris Used Import - SHSP 4083 1978 UK pressing. Alive & Well: Recorded in Paris is a live double album released by Soft Machine in 1978, capturing the band at the height of their jazz-fusion era. Recorded during a series of performances in Paris in July 1977, the album features key members like Karl Jenkins, John Marshall, John Etheridge, Ric Sanders, and Percy Jones. Showcasing energetic improvisations and complex arrangements, the record includes material from their recent studio efforts alongside fresh interpretations, reflecting the band’s dynamic live sound. "Alive & Well: Recorded in Paris" stands as a testament to Soft Machine’s enduring influence on progressive rock and jazz fusion, appealing to collectors and enthusiasts of 1970s live albums. Soft Machine are a pioneering progressive rock and jazz fusion band formed in the mid-1960s in Canterbury, England. Originally part of the influential "Canterbury Scene," the group evolved from psychedelic rock beginnings into intricate, jazz-influenced instrumental music. Known for their adventurous compositions, shifting lineups, and virtuosic musicianship, Soft Machine have played a crucial role in the development of experimental rock and jazz fusion in the UK and beyond. more
	Bundles Used Import - SHSP 4044 1975 UK Original. Their First Album That Featured Guitarist Allan Holdsworth. “Holdsworth Provided The Band Exactly The Jolt It Required; Contrast Bundles With Seven, The Comparatively Lackluster Final Columbia LP, Which Had The Same Lineup As Bundles Minus The Guitarist. Jenkins Could Be A Rather Mild And Unassertive Reed Player, Leaving It To The Ever Reliable Mike Ratledge's Keyboards To Take Up The Slack. But By The Time Of Bundles, Ratledge Himself Was Beginning To Retreat; He Had Apparently Decided To Mothball His Old Fuzz Organ, Favoring Full-Chord Fills When Comping And Analog Synth For His Solo On "Hazard Profile, Pt. 5." Given Ratledge's Diminishing Role, The Decision To Add Holdsworth To The Band Came None Too Soon. Aside From The Guitarist, Soft Machine's Most Incendiary Player On Bundles Turned Out To Be Drummer Marshall, Powerful On The Straightaway And Atmospheric While Taking Center Stage On "Four Gongs Two Drums." As For The Material Itself, Principal Composer Jenkins -- Who Had Been Gradually Taking Over The Conceptual Reins Since His First Appearance On Six -- Had An Ability To Write Sleek And Streamlined Jazz-Rock That Still Managed To Recall The Band's Past, Particularly In His Penchant For Odd Rhythmic Permutations ("Bundles") And Ethereal, Minimalist-Influenced Keyboard Ostinatos ("The Floating World") That Harked Back To Ratledge's Tape Experimentation On Third.” All Music Guide – Dave Lynch more
	Bundles New Import - SHSP 4044 Sealed 1975 UK Original With Die-Cut Yellow Card Inner Sleeve. Their First Album That Featured Guitarist Allan Holdsworth. “Holdsworth Provided The Band Exactly The Jolt It Required; Contrast Bundles With Seven, The Comparatively Lackluster Final Columbia LP, Which Had The Same Lineup As Bundles Minus The Guitarist. Jenkins Could Be A Rather Mild And Unassertive Reed Player, Leaving It To The Ever Reliable Mike Ratledge's Keyboards To Take Up The Slack. But By The Time Of Bundles, Ratledge Himself Was Beginning To Retreat; He Had Apparently Decided To Mothball His Old Fuzz Organ, Favoring Full-Chord Fills When Comping And Analog Synth For His Solo On "Hazard Profile, Pt. 5." Given Ratledge's Diminishing Role, The Decision To Add Holdsworth To The Band Came None Too Soon. Aside From The Guitarist, Soft Machine's Most Incendiary Player On Bundles Turned Out To Be Drummer Marshall, Powerful On The Straightaway And Atmospheric While Taking Center Stage On "Four Gongs Two Drums." As For The Material Itself, Principal Composer Jenkins -- Who Had Been Gradually Taking Over The Conceptual Reins Since His First Appearance On Six -- Had An Ability To Write Sleek And Streamlined Jazz-Rock That Still Managed To Recall The Band's Past, Particularly In His Penchant For Odd Rhythmic Permutations ("Bundles") And Ethereal, Minimalist-Influenced Keyboard Ostinatos ("The Floating World") That Harked Back To Ratledge's Tape Experimentation On Third.” Dave Lynch, AMG. more
	Fifth Used - Vinyl - KC 31604 Rare 1972 original avance, promo, Columbia Records radio station service copy with radio timing strip on back cover. Could this be a Hot Stamper? Their 1972 album, Fifth marks a pivotal moment in Soft Machine’s discography and the broader progressive rock landscape. As the first album recorded after Robert Wyatt’s departure, Fifth leans heavily into jazz fusion, featuring prominent contributions from saxophonist Elton Dean and keyboardist Mike Ratledge. With tracks characterized by intricate rhythms, extended improvisation, and a pronounced use of electric piano and saxophone, the album captures the group’s move toward a more abstract, jazz-oriented direction. Fifth is regarded as a seminal release within the jazz fusion movement, appealing to fans of experimental and progressive music. Soft Machine is a pioneering British progressive rock and jazz fusion band formed in the mid-1960s. Emerging from the famous Canterbury scene, they are known for their innovative blend of jazz improvisation, rock structures, and experimental soundscapes. Over the years, Soft Machine’s lineup evolved, with founding members like Mike Ratledge and Robert Wyatt paving the way for a rotating cast of virtuosic musicians. Their music’s evolution reflects a shift from psychedelic rock roots to increasingly complex and instrumental jazz fusion, helping establish them as one of the most influential groups in the genre. more
	Fifth Used - Vinyl - KC 31604 Rare 1972 original avance, promo, Columbia Records radio station service copy with radio timing strip on back cover. Could this be a Hot Stamper? Their 1972 album, Fifth marks a pivotal moment in Soft Machine’s discography and the broader progressive rock landscape. As the first album recorded after Robert Wyatt’s departure, Fifth leans heavily into jazz fusion, featuring prominent contributions from saxophonist Elton Dean and keyboardist Mike Ratledge. With tracks characterized by intricate rhythms, extended improvisation, and a pronounced use of electric piano and saxophone, the album captures the group’s move toward a more abstract, jazz-oriented direction. Fifth is regarded as a seminal release within the jazz fusion movement, appealing to fans of experimental and progressive music. Soft Machine is a pioneering British progressive rock and jazz fusion band formed in the mid-1960s. Emerging from the famous Canterbury scene, they are known for their innovative blend of jazz improvisation, rock structures, and experimental soundscapes. Over the years, Soft Machine’s lineup evolved, with founding members like Mike Ratledge and Robert Wyatt paving the way for a rotating cast of virtuosic musicians. Their music’s evolution reflects a shift from psychedelic rock roots to increasingly complex and instrumental jazz fusion, helping establish them as one of the most influential groups in the genre. more
	Fourth Used Import - S 64280 1971 Textured Cover Original In Shrink. Features Robert Wyatt, Elton Dean, Alan Skidmore And Others. Fourth is the 1971 studio album by pioneering British jazz-rock band Soft Machine, marking a significant evolution in their sound. This record is notable as the group's first entirely instrumental album, highlighting a bold departure from their psychedelic rock origins toward a more sophisticated jazz fusion approach. The lineup at this time included Mike Ratledge (keyboards), Hugh Hopper (bass), Elton Dean (saxophone), and Robert Wyatt (drums), with guest contributions from acclaimed jazz musicians such as Roy Babbington, Marc Charig, and Nick Evans. Across its four extended tracks, Fourth showcases intricate improvisation, complex time signatures, and a seamless blend of electric jazz and experimental rock influences. Often cited as a landmark release within the Canterbury scene, Fourth demonstrates Soft Machine's innovative spirit and technical prowess. The album’s standout compositions, such as “Teeth” and “Virtually,” are frequently praised for their adventurous structures and interplay between keyboards, horns, and rhythm section. Fourth is essential listening for fans of progressive rock and jazz fusion, reflecting a pivotal moment when Soft Machine embraced avant-garde jazz elements without losing their distinctive British edge. This record remains influential for its experimental approach and enduring impact on the development of progressive and jazz-influenced rock music. more
	Fourth Used - Vinyl - C 30754 1971 Textured Cover Original In Shrink. Features Robert Wyatt, Elton Dean, Alan Skidmore And Others. more
	Land Of Cockayne Used Import - EMC 3348 1981 UK Original, With Original Custom Printed Round Cornered Inner Sleeve. Stellar Work From Holdsworth, Bruce Et Al! Land Of Cockayne, released in 1981, stands out as Soft Machine’s tenth studio album and marks a unique chapter in their discography. Featuring prominent musicians such as Karl Jenkins, Allan Holdsworth, and Jack Bruce, the album showcases a polished, jazz-fusion sound characterized by lush orchestrations and sophisticated arrangements. Departing from the more experimental edge of their earlier work, "Land Of Cockayne" offers a smoother, more accessible listening experience while retaining the band’s signature musical complexity. Though it signaled the end of Soft Machine's classic era, the album remains a notable entry for fans of progressive rock and jazz fusion. Soft Machine is a pioneering British progressive rock and jazz fusion band, originally emerging from the influential Canterbury scene in the 1960s. Known for their innovative blend of jazz improvisation, psychedelic rock, and experimental soundscapes, Soft Machine played a significant role in shaping the trajectory of progressive jazz-rock. Over the decades, the band underwent numerous lineup changes, consistently pushing musical boundaries while incorporating elements of avant-garde and fusion. Their distinct, intellectually-driven approach earned them critical acclaim and a dedicated following among progressive music enthusiasts. more
	Land Of Cockayne Used Import - EMC 3348 1981 UK Original, With Original Custom Printed Round Cornered Inner Sleeve. Stellar Work From Holdsworth, Bruce Et Al! Land Of Cockayne, released in 1981, stands out as Soft Machine’s tenth studio album and marks a unique chapter in their discography. Featuring prominent musicians such as Karl Jenkins, Allan Holdsworth, and Jack Bruce, the album showcases a polished, jazz-fusion sound characterized by lush orchestrations and sophisticated arrangements. Departing from the more experimental edge of their earlier work, "Land Of Cockayne" offers a smoother, more accessible listening experience while retaining the band’s signature musical complexity. Though it signaled the end of Soft Machine's classic era, the album remains a notable entry for fans of progressive rock and jazz fusion. Soft Machine is a pioneering British progressive rock and jazz fusion band, originally emerging from the influential Canterbury scene in the 1960s. Known for their innovative blend of jazz improvisation, psychedelic rock, and experimental soundscapes, Soft Machine played a significant role in shaping the trajectory of progressive jazz-rock. Over the decades, the band underwent numerous lineup changes, consistently pushing musical boundaries while incorporating elements of avant-garde and fusion. Their distinct, intellectually-driven approach earned them critical acclaim and a dedicated following among progressive music enthusiasts. more
	Live At Royal Albert Hall In London On 13th August 1970 Colored Vinyl - B 218 New, Unplayed 2014 Limited Edition Clear Vinyl Housed In Plastic Wallet And Limited To 500 Copies. more
	Live At Royal Albert Hall In London On 13th August 1970 Colored Vinyl - B 218 2014 Limited Edition Clear Vinyl Housed In Plastic Wallet And Limited To 500 Copies. Vinyl Plays Beautifully. Writing On Label. more
	Live At The Paradiso Used - Vinyl - TPM 02212 2002 180gm Release Of The Only 1969 Live Concert Recording With This Band Version. Featuring Material From The Band's Amazing Second Album. more
	Live At The Proms 1970 Used - Vinyl - RECK 5 1988 Original. LP Appears Virtually Unplayed. “Initially Recorded For The BBC In August 1970, This Is A Good Document Of The Group In Concert Shortly After The Release Of Third, Stripped Down To The Quartet Of Wyatt, Ratledge, Hopper, And Saxophonist Elton Dean. Most Of The Material Comes From Their Second And Third Albums, And Wyatt, Disappointingly, Barely Sings At All. These Versions Aren't Much Different From The Ones Found On The Official Releases, Though They're Perhaps A Bit More Spontaneous, So This Is Primarily Recommended For Hardcore Fans.” - Richie Unterberger, All Music Guide. more
	Live At The Proms 1970 Sealed - Vinyl - RECK 5 Sealed Rare US 1988 Original. Made In USA On Rear Cover, Hole Punch. “Initially Recorded For The BBC In August 1970, This Is A Good Document Of The Group In Concert Shortly After The Release Of Third, Stripped Down To The Quartet Of Wyatt, Ratledge, Hopper, And Saxophonist Elton Dean. Most Of The Material Comes From Their Second And Third Albums, And Wyatt, Disappointingly, Barely Sings At All. These Versions Aren't Much Different From The Ones Found On The Official Releases, Though They're Perhaps A Bit More Spontaneous, So This Is Primarily Recommended For Hardcore Fans.” All Music Guide – Richie Unterberger. more
	Seven Used - Vinyl - KC 32716 1974 original. "Seven" released in 1973, marks a significant chapter in the band's discography, showcasing their fully developed jazz fusion style. On "Seven," the lineup features Karl Jenkins, Mike Ratledge, John Marshall, and Roy Babbington, resulting in a more streamlined and sophisticated sound. The album is characterized by complex time signatures, rich keyboard textures, and agile bass lines, as well as a strong emphasis on instrumental interplay. With tracks like "Day's Eye" and "Penny Hitch," "Seven" captures Soft Machine at a creative peak, solidifying their status as innovators within both the progressive rock and jazz fusion landscapes. Soft Machine is a pioneering British progressive rock and jazz fusion band, originally formed in the mid-1960s in Canterbury. Renowned for their innovative blend of jazz improvisation, rock rhythms, and avant-garde experimentation, Soft Machine played a crucial role in the evolution of the "Canterbury scene." The group's ever-evolving lineup has included influential musicians such as Robert Wyatt, Mike Ratledge, and Hugh Hopper, with their sound shifting from psychedelic rock to intricate jazz fusion over time. Their genre-blending approach and virtuosic musicianship have made them a touchstone for fans of progressive music and experimental jazz. more
	Seven Used - Vinyl - KC 32716 1974 Original With Promotional Radio Station Timing Strip On Cover. 1A/1A Stampers. Appears Glossy, Unplayed. more
	Six Used - Vinyl - 68214 1973 UK 2LP Orange Label Gatefold Original. A1/B1/A1/B1 Stampers. Both LPs Appear Glossy, Unplayed. Barely Visible JEM Sticker Residue On Back Cover. more
	Six Used - Vinyl - KG 32260 1973 2LP Original in gatefold. "Six" is the sixth studio album by Soft Machine, released in 1973 under CBS Records. This double album is noted for its distinct structure, featuring one disc of live recordings and another of studio tracks, showcasing the band's dynamic range and improvisational skills. "Six" marked a key transition in Soft Machine’s lineup with the addition of Karl Jenkins, whose compositional influence is evident throughout the album’s intricate jazz fusion arrangements. Praised for its complex rhythms, melodic experimentation, and technical mastery, "Six" stands as a landmark release in Soft Machine’s discography and a touchstone in progressive jazz fusion music. Soft Machine is a pioneering British progressive rock and jazz fusion band that emerged from the vibrant Canterbury scene in the late 1960s. Renowned for their experimental approach, the group blended elements of rock, jazz, and avant-garde music, contributing significantly to the development of progressive music in the UK and beyond. Known for their innovative compositions and virtuosic performances, Soft Machine continually evolved their sound, influencing generations of musicians in genres ranging from jazz fusion to psychedelic rock. more
	Soft Machine New - Vinyl - CPLP 4500 Sealed 1968 Second Issue. Tiny Drill-Hole. more
	Soft Machine New - Vinyl - CPLP 4500 Sealed 1968 Stereo Original In Heavy-Duty, Die-Cut Gatefold With Working Pinwheel Cover, Tiny COH. “A Wild, Freewheeling, And Ultimately Successful Attempt To Merge Psychedelia With Jazz-Rock, Soft Machine's Debut Ranges Between Lovingly Performed Oblique Pop Songs And Deranged Ensemble Playing From Drummer/Vocalist Robert Wyatt And Organist Mike Ratledge. With Only One Real Break (At The End Of Side One), The Songs Merge Into Each Other -- Not Always Smoothly, But Always With A Sense Of Flair That Rescues Any Potential Miscues. Wyatt Takes Most Of The Vocals, And Proves Himself A Surprisingly Evocative Singer Despite His Lack Of Range. Like Pink Floyd's The Piper At The Gates Of Dawn, Volume One Was One Of The Few Over-Ambitious Records Of The Psychedelic Era That Actually Delivered On All Its Incredible Promise.” John Bush, All Music Guide. more
	Soft Machine Used - Vinyl - CPLP 4500 Stunning 1968 Stereo Original Housed In A Heavy-Duty, Die-Cut Gatefold With Working Pinwheel Cover, Tiny COH. Shrink Wrap Intact. LP Appears Unplayed. “A Wild, Freewheeling, And Ultimately Successful Attempt To Merge Psychedelia With Jazz-Rock, Soft Machine's Debut Ranges Between Lovingly Performed Oblique Pop Songs And Deranged Ensemble Playing From Drummer/Vocalist Robert Wyatt And Organist Mike Ratledge. With Only One Real Break (At The End Of Side One), The Songs Merge Into Each Other -- Not Always Smoothly, But Always With A Sense Of Flair That Rescues Any Potential Miscues. Wyatt Takes Most Of The Vocals, And Proves Himself A Surprisingly Evocative Singer Despite His Lack Of Range. Like Pink Floyd's The Piper At The Gates Of Dawn, Volume One Was One Of The Few Over-Ambitious Records Of The Psychedelic Era That Actually Delivered On All Its Incredible Promise.” John Bush, All Music Guide. more
	Soft Machine New - Vinyl - LP 5341 Sealed 2010 180gm Gatefold Reissue. Mastered From The Original UK Tapes. more
	Soft Machine New - Vinyl - B0013693 Sealed 2010 Gatefold Stereo Reissue Of CPLP 4500. more
	Soft Machine Used - Vinyl - CPLP 4500 Beautiful 1968 Stereo Original Housed In A Heavy-Duty, Die-Cut Gatefold With Working Pinwheel Cover. Shrink Wrap Intact. LP Appears Unplayed. “A Wild, Freewheeling, And Ultimately Successful Attempt To Merge Psychedelia With Jazz-Rock, Soft Machine's Debut Ranges Between Lovingly Performed Oblique Pop Songs And Deranged Ensemble Playing From Drummer/Vocalist Robert Wyatt And Organist Mike Ratledge. With Only One Real Break (At The End Of Side One), The Songs Merge Into Each Other -- Not Always Smoothly, But Always With A Sense Of Flair That Rescues Any Potential Miscues. Wyatt Takes Most Of The Vocals, And Proves Himself A Surprisingly Evocative Singer Despite His Lack Of Range. Like Pink Floyd's The Piper At The Gates Of Dawn, Volume One Was One Of The Few Over-Ambitious Records Of The Psychedelic Era That Actually Delivered On All Its Incredible Promise.” John Bush, All Music Guide. more
	Soft Machine Six New - Vinyl - KG 32260 Sealed 1973 2LP Set Housed In A Gatefold Jacket. Promotional / Demo Sticker On Rear Jacket. Upper Right Shrink Wrap Is Torn And Corner Is Very Slightly Rubbed. more
	Soft Machine Six Used - Vinyl - KG 32260 1973 US 2LP Gatefold Original; Deadwax Indicates This Is A Santa Maria Pressing. Nice VG+ Copy, Light Ring Wear. Side A & B Is A Live Album, Recorded At Brighton Dome & Guildford Civic Hall IN Ocotber & November Of 1972. Side C & D Is A Studio LP, With Tracks Recorded At Advision Studios & CBS Studios In London. more
	Soft Machine Volume Two New - Vinyl - CPLP 4505 Sealed 1969 Gatefold Original. See Stephen Mejias' Review Of This Great Album In April 2011 Stereophile. more
	Softs Used - Vinyl - SHSP 4056 1976 UK Laminated Jacket Original. Appears Glossy, Unplayed. more
	Softs Used Import - SHSP 4056 1976 UK pressing. Softs, released in 1976, marks a transitional period in Soft Machine's discography. It features a refreshed lineup with guitarist John Etheridge, keyboardist John Marshall, and the debut of bassist Roy Babbington, alongside founding member Mike Ratledge, who left partway through the recording. "Softs" exhibits a smoother, more melodic approach compared to the band's earlier, more experimental work, emphasizing structured compositions and accessible jazz-rock melodies. While retaining the sophisticated musicianship associated with the band, this record stands as a testament to Soft Machine's ability to adapt and evolve within the progressive and jazz fusion landscape of the 1970s. Soft Machine played a crucial role in the development of the "Canterbury scene," influencing generations of musicians in progressive and experimental genres. The band's lineup evolved frequently, featuring notable members such as Robert Wyatt, Mike Ratledge, Hugh Hopper, and later John Etheridge and Karl Jenkins. Their music is characterized by complex time signatures, virtuosic instrumental interplay, and a seamless fusion of rock and jazz elements, making them landmarks in both progressive rock and jazz fusion circles. more
	The Soft Machine Used - Vinyl - CPLP 4500 1968 Original Stereo Housed In A Heavy-Duty, Die-Cut (Uncensored) Gatefold With Working Pinwheel Cover. “A Wild, Freewheeling, And Ultimately Successful Attempt To Merge Psychedelia With Jazz-Rock, Soft Machine's Debut Ranges Between Lovingly Performed Oblique Pop Songs And Deranged Ensemble Playing From Drummer/Vocalist Robert Wyatt And Organist Mike Ratledge. With Only One Real Break (At The End Of Side One), The Songs Merge Into Each Other -- Not Always Smoothly, But Always With A Sense Of Flair That Rescues Any Potential Miscues. Wyatt Takes Most Of The Vocals, And Proves Himself A Surprisingly Evocative Singer Despite His Lack Of Range. Like Pink Floyd's The Piper At The Gates Of Dawn, Volume One Was One Of The Few Over-Ambitious Records Of The Psychedelic Era That Actually Delivered On All Its Incredible Promise.” John Bush, All Music Guide. more
	The Soft Machine New Import - UIJY-9012 New, Unplayed 2007 Limited Edition 200gm Japanese Reissue Housed In A Killer Double Die-Cut Gimmick Cover With Working Pinwheel And Obi. Came Sealed In A Re-Sealable Outer Sleeve. “A Wild, Freewheeling, And Ultimately Successful Attempt To Merge Psychedelia With Jazz-Rock, Soft Machine's Debut Ranges Between Lovingly Performed Oblique Pop Songs And Deranged Ensemble Playing From Drummer/Vocalist Robert Wyatt, Bassist Kevin Ayers And Organist Mike Ratledge. With Only One Real Break (At The End Of Side One), The Songs Merge Into Each Other -- Not Always Smoothly, But Always With A Sense Of Flair That Rescues Any Potential Miscues. Wyatt Takes Most Of The Vocals, And Proves Himself A Surprisingly Evocative Singer Despite His Lack Of Range. Like Pink Floyd's The Piper At The Gates Of Dawn, Vol. 1 Was One Of The Few Over-Ambitious Records Of The Psychedelic Era That Actually Delivered On All Its Incredible Promise.” John Bush, All Music Guide. more
	The Soft Machine Used Import - UIJY-9012 2007 Limited Edition 200gm Japanese Reissue Housed In A Killer Double Die-Cut Gimmick Cover With Working Pinwheel And Obi. Came Sealed In A Re-Sealable Outer Sleeve. NNM. “A Wild, Freewheeling, And Ultimately Successful Attempt To Merge Psychedelia With Jazz-Rock, Soft Machine's Debut Ranges Between Lovingly Performed Oblique Pop Songs And Deranged Ensemble Playing From Drummer/Vocalist Robert Wyatt, Bassist Kevin Ayers And Organist Mike Ratledge. With Only One Real Break (At The End Of Side One), The Songs Merge Into Each Other -- Not Always Smoothly, But Always With A Sense Of Flair That Rescues Any Potential Miscues. Wyatt Takes Most Of The Vocals, And Proves Himself A Surprisingly Evocative Singer Despite His Lack Of Range. Like Pink Floyd's The Piper At The Gates Of Dawn, Vol. 1 Was One Of The Few Over-Ambitious Records Of The Psychedelic Era That Actually Delivered On All Its Incredible Promise.” John Bush, All Music Guide. more
	Third New Import - 66246 Rare sealed 1970 UK 2LP in gatefold. Soft Machine's "Third" is a truly groundbreaking and genre-defying record that showcases the band's incredible musicianship and boundary-pushing approach to jazz fusion. Released in 1970, this album is often cited as a seminal work in the Canterbury scene, a movement that fused jazz, progressive rock, and psychedelia in a totally unique way. At its core, "Third" is a double album that features four extended suites that weave together different styles and moods. From the soaring, frenetic energy of "Facelift" to the haunting beauty of "Moon in June," this record takes listeners on a journey that is equal parts thrilling and introspective. What sets "Third" apart from other records of its time is the way that it seamlessly blends together different musical influences. The band's virtuosic musicianship is on full display, with intricate interplay between the saxophone, organ, and drums creating an immersive and hypnotic sound. Overall, Soft Machine's "Third" was in big part a flint to the avant-garde and jazz fusion fire that was budding in the late 60's. Its impact and inspiration cannot be overstated. more
	Third Used Import - 66246 1970 UK 2LP in gatefold. Soft Machine's "Third" is a truly groundbreaking and genre-defying record that showcases the band's incredible musicianship and boundary-pushing approach to jazz fusion. Released in 1970, this album is often cited as a seminal work in the Canterbury scene, a movement that fused jazz, progressive rock, and psychedelia in a totally unique way. At its core, "Third" is a double album that features four extended suites that weave together different styles and moods. From the soaring, frenetic energy of "Facelift" to the haunting beauty of "Moon in June," this record takes listeners on a journey that is equal parts thrilling and introspective. What sets "Third" apart from other records of its time is the way that it seamlessly blends together different musical influences. The band's virtuosic musicianship is on full display, with intricate interplay between the saxophone, organ, and drums creating an immersive and hypnotic sound. Overall, Soft Machine's "Third" was in big part a flint to the avant-garde and jazz fusion fire that was budding in the late 60's. Its impact and inspiration cannot be overstated. more
	Third Used - Vinyl - G 30339 1970 2LP Gatefold Original. LP Appears Glossy. Light Discolor On Top Corner. This Milestone Album Dove Deeper Into Jazz And Contemporary Electronic Music Benchmarking It As Major Influence For Many Artist. more
	Triple Echo New - Vinyl - SHTW 800 First Copy We Have Come Across Of This Sealed UK 3LP Box Set With Union Jacket Sticker And Promotional Sticker On Shrink Wrap. Includes 12 True Mono Tracks From The 1966-1977 Period Plus 23 Stereo Cuts. An Exellent History Of The Machine During Its First Eight Years From English R'n'B Band To English Whimsy And Psychedelica, To Proto-Jazz Rock To The Leading European Jazz Fusion Group Before Disappearing Up Their Own Version Of Terry Riley Inspired Minimalism. more
	Triple Echo Used - Vinyl - SHTW 800 1977 UK Laminated Jacket 3LP Set With Custom Inner Sleeves And 8 Page Colour Booklet. The Flimsy, Laminated Outer Envelope-Style Jacket Is Close To Perfect (Best Copy We Have Ever Seen) With Tiny Cut Out Hole (Importers Placed Scotch Tape Across Envelope Style Spines To Prevent Customers Opening The Package. All Three LPs Appear New, Unplayed (With Thin Plastic Film Around Spindle Holes). Includes 12 True Mono Tracks From The 1966-1977 Period Plus 23 Stereo Cuts. An Excellent History Of The Machine During Its First Eight Years From English R'n'B Band To English Whimsy And Psychedelica, To Proto-Jazz Rock To The Leading European Jazz Fusion Group Before Disappearing Up Their Own Version Of Terry Riley Inspired Minimalism. more
	Triple Echo New - Vinyl - SHTW 800 Sealed 1977 UK 3LP Set Housed In A Laminated Slip-Cover With Custom Inner Sleeves And 8 Page Colour Booklet. The Laminated, Outer Envelope-Style Jacket Has A Small Cut-Out Hole And A Piece Of The Shrink Wrap Has Been Removed Across The Top With Resultant Light Wear To The Delicate Jacket. Includes 12 True Mono Tracks From The 1966-1977 Period Plus 23 Stereo Cuts. An Excellent History Of The Machine During Its First Eight Years From English R'n'B Band To English Whimsy And Psychedelica, To Proto-Jazz Rock To The Leading European Jazz Fusion Group Before Disappearing Up Their Own Version Of Terry Riley Inspired Minimalism. more
	Triple Echo Used - Vinyl - SHTW 800 1977 UK 3LP Laminated Envelope Style Box Set With Three Custom Card Inner Sleeves And Illustrated Booklet. Cover Has Some Signs Of Wear. LP's Have Some Surface, Hence Price. Includes 12 True Mono Tracks From The 1966-1977 Period Plus 23 Stereo Cuts. An Excellent History Of The Machine During Its First Eight Years From English R'n'B Band To English Whimsy And Psychedelica, To Proto-Jazz Rock To The Leading European Jazz Fusion Group Before Disappearing Up Their Own Version Of Terry Riley Inspired Minimalism. more
	Volume II Used - Vinyl - CPLP 4505 S Rare Black Label Gatefold. Vinyl In NM condition. Cover Shows Signs Of Wear. We Wouldn't Normally Sell A Record With This Wear But It's A Very Sought-after Pressing And It Sounds Killer. more
	Volume Two Used - Vinyl - SPB 1002 Stunning Archival Quality 1969 Pink Label Stereo Original Housed In A Laminated Flip-Back Jacket. more
	Volume Two New - Vinyl - LP 5342 Sealed 2010 Reissue Mastered From The Original UK Tapes. more
	Volume Two Used - Vinyl - CPLP 4505 1969 original. Released in September 1969, Volume Two is the second album by the pioneering British band Soft Machine, renowned for their influential role in the development of psychedelic rock and the burgeoning Canterbury scene. The record showcases a bold shift from their debut, blending experimental jazz fusion elements with avant-garde rock structures. Led by the creative synergy of keyboardist Mike Ratledge, drummer-vocalist Robert Wyatt, and bassist Hugh Hopper, the album introduces intricate time signatures, surreal lyrics, and quirky melodies, epitomized in tracks like "Hibou, Anemone and Bear" and the two-part suite "Rivmic Melodies." more