Weeknd

Vinyl Records and Rare LPs:

	After Hours Colored Vinyl - New - B0032474-01 Sealed 2020 2LP Gatefold Limited Edition Pressed On Red & Gold Splatter Vinyl. "The First Two Singles Off After Hours Were Released Within Three Days Of Each Other In November 2019. "Heartless," A Boastful Belter Made With Metro Boomin, Illangelo, And Dre Moon, Ticked All The Boxes To Please Abel Tesfaye's Base. Pills, Cars, Fame, Women, And The Hard-fought Reward For All The Overindulgence -- A Ruthless World View To Keep The Cycle Going -- Were All In The Mix. "Never Need A Bitch, I'm What A Bitch Need/tryin' To Find The One That Can Fix Me," Contradictory And Confused As Ever, Made The Song Entirely On Brand. Then Came The Max Martin-produced Isolation Anthem "Blinding Lights," An Instance Of Tesfaye Reanimating Mid-'80s Euro-pop Like He Did With "Wanderlust." These Contrasting Previews Didn't Give Away The Fact That After Hours Is, Above All Else, A Breakup Album. Tesfaye Fills Much Of This Neatly Sequenced, Ballad-heavy Set With Penitence And Longing. He Sets The Tone With An Escapist Fantasy That Turns Into A Nightmarish Relapse, And Is Tormented For Much Of The Duration By Seeking And Receiving Salvation And Ruination From The Same Relationship. Some Of Tesfaye's Most Vivid And Piercing Lines Are Herein. Mere Minutes After Dropping The Superbly Dispirited "I Saw You Dancing In A Crowded Room/you Look So Happy When I'm Not With You," He Taunts With "You Don't Love Him, You're Just F*ckin'," Repeating It Like He's Convincing Himself That He's Not Jealous. You Know He's Got It Bad When He Says He "Don't Even Wanna Get High No More." In Addition To Supplying Familiar Trap-styled Prowling Backdrops And Some Other '80s Flashbacks, Tesfaye And His Varying Team Of Co-producers Refer To Some Softer Points In The U.k. Hardcore Continuum Dating Back To The Late '90s -- Drum'n'bass On "Hardest To Love," 2-step Garage And Early Dubstep On "Too Late" -- Modernizing Them With Finesse. Tesfaye And Martin Venture Farthest When They Meet Synthesizer Wiz Daniel Lopatin In A Dead Mall, Down By The Old Tape World, For "Scared To Live," An Adult Contemporary Number That Alludes To '70s Elton John But Has More In Common With '80s Love Themes By Phil Collins And Lionel Richie. It's So Clean And Down The Middle That It Resembles A Box-office Crossover Bid From An Artiste Swallowing His Pride To Record A Tame Song He Didn't Write. It Happens To Be One Of Tesfaye's Best Performances, His Voice Soaring And Swooping, Signifying Numbness And Codependency, Sorrowful About Wasted Time While Encouraging Emotional Convalescence. It Fits Into The Album And Is A Weeknd Song As Much As The One In Which Tesfaye Rap-sings Of Self-harm And Addiction, Providing Financial Support For Family And Friends, And Giving His Woman "Philip K. Dick"." AMG - Andy Kellman. more
	After Hours Used - Vinyl - B0032368-01 2020 2LP limited edition clear with red splatter vinyl in gatefold. "After Hours" is another in a long line of great break up records. The message is delivered in 70's soft rock decorum with a polished 80's sensibilities. With the help of Max Martin wiz Daniel Lopatin the production is smooth and easily digested over multiple listens. more
	After Hours Colored Vinyl - Used - B0032474-01 2020 limited edition gatefold pressing on Gold & Red splatter vinyl. Light shelf/ring wear to cover. more
	After Hours New - Vinyl - B0031991-01 Sealed, latest press of the 2020 gatefold pressing on black vinyl. Custom hype sticker on shrink. "The first two singles off After Hours were released within three days of each other in November 2019. "Heartless," a boastful belter made with Metro Boomin, Illangelo, and Dre Moon, ticked all the boxes to please Abel Tesfaye's base. Pills, cars, fame, women, and the hard-fought reward for all the overindulgence -- a ruthless world view to keep the cycle going -- were all in the mix. "Never need a bitch, I'm what a bitch need/Tryin' to find the one that can fix me," contradictory and confused as ever, made the song entirely on brand. Then came the Max Martin-produced isolation anthem "Blinding Lights," an instance of Tesfaye reanimating mid-'80s Euro-pop like he did with "Wanderlust." These contrasting previews didn't give away the fact that After Hours is, above all else, a breakup album. Tesfaye fills much of this neatly sequenced, ballad-heavy set with penitence and longing. He sets the tone with an escapist fantasy that turns into a nightmarish relapse, and is tormented for much of the duration by seeking and receiving salvation and ruination from the same relationship. Some of Tesfaye's most vivid and piercing lines are herein. Mere minutes after dropping the superbly dispirited "I saw you dancing in a crowded room/You look so happy when I'm not with you," he taunts with "You don't love him, you're just f*ckin'," repeating it like he's convincing himself that he's not jealous. You know he's got it bad when he says he "don't even wanna get high no more." In addition to supplying familiar trap-styled prowling backdrops and some other '80s flashbacks, Tesfaye and his varying team of co-producers refer to some softer points in the U.K. hardcore continuum dating back to the late '90s -- drum'n'bass on "Hardest to Love," 2-step garage and early dubstep on "Too Late" -- modernizing them with finesse. Tesfaye and Martin venture farthest when they meet synthesizer wiz Daniel Lopatin in a dead mall, down by the old Tape World, for "Scared to Live," an adult contemporary number that alludes to '70s Elton John but has more in common with '80s love themes by Phil Collins and Lionel Richie. It's so clean and down the middle that it resembles a box-office crossover bid from an artiste swallowing his pride to record a tame song he didn't write. It happens to be one of Tesfaye's best performances, his voice soaring and swooping, signifying numbness and codependency, sorrowful about wasted time while encouraging emotional convalescence. It fits into the album and is a Weeknd song as much as the one in which Tesfaye rap-sings of self-harm and addiction, providing financial support for family and friends, and giving his woman "Philip K. dick." All Music Guide - Andy Kellman more
	Beauty Behind The Madness Used - Vinyl - B0023767-01 2023 Black 2LP gatefold in outer with shrink sleeve and inner sleeves. Released in August 2015, The Weeknd’s album "Beauty Behind The Madness" marked a pivotal moment in his career, thrusting him from the alternative R&B scene into the global pop spotlight. Building upon the atmospheric, moody soundscapes of his earlier mixtapes, this sophomore studio effort incorporated more mainstream pop and R&B influences, largely due to collaborations with high-profile producers like Max Martin and Kanye West. The album’s lead singles—most notably "Can’t Feel My Face," "The Hills," and "Earned It"—showcased The Weeknd’s versatility and ability to craft both radio-friendly hits and dark, introspective tracks. Notably, "Earned It" had already achieved massive success as part of the "Fifty Shades of Grey" soundtrack, broadening his audience prior to the album’s release. From a broader perspective, "Beauty Behind The Madness" played a significant role in shaping contemporary pop and R&B in the latter half of the 2010s. The album received critical acclaim and commercial success, debuting at number one on the Billboard 200 and earning multiple Grammy nominations, including a win for Best Urban Contemporary Album. Its fusion of pop, R&B, and alternative elements influenced a wave of artists who sought to emulate its brooding yet accessible sound. The project also cemented The Weeknd’s reputation for exploring themes of love, addiction, and fame, setting the stage for even more ambitious work in his subsequent releases. more
	Beauty Behind The Madness New - Vinyl - B0023767-01 Sealed 2015 2LP 150gm pressing. Beauty Behind The Madness is the second studio album by Canadian singer The Weeknd, released on August 28, 2015, by XO and Republic Records. The album marked a pivotal moment in The Weeknd’s career, blending his signature dark R&B sound with pop and alternative influences, and featuring collaborations with artists such as Lana Del Rey, Ed Sheeran, and Labrinth. Notable singles like “Can’t Feel My Face,” “The Hills,” and “Earned It” achieved international chart success, with both “Can’t Feel My Face” and “The Hills” topping the US Billboard Hot 100. The album received critical acclaim for its production, vocal delivery, and cohesive exploration of themes like love, fame, and excess. Beauty Behind The Madness won the 2016 Grammy Award for Best Urban Contemporary Album and was also nominated for Album of the Year. For vinyl enthusiasts, this album stands out with its rich, atmospheric production and dynamic range, making it a captivating listen on analog format. The vinyl release features striking cover art and includes all 14 tracks, giving music lovers a tangible connection to The Weeknd’s breakthrough era, as well as an immersive, high-fidelity experience of one of the decade’s most influential pop records. more
	Blinding Lights Used - 7 - B0031660-21 2020 7" in picture sleeve. In his critically acclaimed record "Blinding Lights," The Weeknd delivers an exhilarating synthwave anthem that has captivated fans and critics alike since its release. Through nostalgic 1980s-inspired production, the track seamlessly merges pulsating rhythms with Abel Tesfaye's signature, emotive vocal delivery. The song’s infectious energy is heightened by its lush, shimmering synthesizers and driving bassline, creating a soundscape that feels both retro and refreshingly modern. The production, crafted by Max Martin and Oscar Holter, strikes a delicate balance between buoyant euphoria and a sense of yearning, effectively capturing the essence of a nocturnal drive through a cityscape illuminated by neon lights. more
	Dawn FM Colored Vinyl - Used - B0035103-01 2022 2LP limited edition pressing on (barely) translucent silver vinyl with alternate cover art. more
	Dawn FM New - Vinyl - B0035096-01 Sealed 2022 2LP gatefold original. Custom sticker on rear shrink with track listing. ""Blinding Lights" artistically and commercially was so optimal for Abel Tesfaye that it quickly became his signature song, and was only two years old when Billboard announced that it had rocketed past Chubby Checker's "The Twist" to claim the title of all-time number one hit. For the follow-up to "Blinding Lights" parent album After Hours, Tesfaye delves deeper into the early- to mid-'80s pop aesthetic. He resurfaces with a conceptual sequel designed as a broadcast heard by a motorist stuck in a purgatorial tunnel. The primary collaborators are "Blinding Lights" co-producers Max Martin and Oscar Holter, plus fellow After Hours cohort Daniel Lopatin, whose airwaves-themed 2020 LP Magic Oneohtrix Point Never was executive produced by Tesfaye. Instead of scrambled voices like those heard on the OPN album, Dawn FM features recurrent announcements from Jim Carrey as a serene and faintly creepy character, or maybe himself, intonating end-of-life entertainment and counsel. The other unlikely appearances -- Quincy Jones with a spoken autobiographical interlude, Beach Boy Bruce Johnston somewhere in the cocksure "how it's going" outlier "Here We Go...Again" -- are ostentatious. In the main, this is a space for Tesfaye to fully indulge his frantic romantic side as his co-conspirators whip up fluorescent throwback Euro-pop with muscle and nuance. Tesfaye's almost fathomless vocal facility elevates even the most rudimentary expressions of co-dependency, despair, regret, and obsession, and he helps it all go down easier with station ID jingles and an amusingly hyped-up ad for "a compelling work of science fiction" called (the) "After Life." The set peaks early with a sequence of dejected post-disco jams that writhe, percolate, and chug. Most of these songs surpass the bulk of Daft Punk's similarly backward-gazing Random Access Memories, projecting the same lust for life with underlying existential doom as Italo disco nuggets such as Ryan Paris' "Dolce Vita." Toward the end of that first-half stretch, Tesfaye reaffirms his R&B roots and affinity for Michael Jackson with a cut built from Alicia Myers' 1981 gospel boogie classic "I Want to Thank You." After that, it slows down and stretches out a bit to varying effect, dipping into Japanese city pop for the bittersweet and remorseful "Out of Time" and edging ever so achingly toward Latin freestyle with "Don't Break My Heart." Just before Carrey's epilogue, Tesfaye and company pick up the pace with "Less Than Zero." Rather than use the title as a prompt to sink back into detailing debauchery, Tesfaye makes the song this album's "Scared to Live," a sentimental ballad that's hard to resist." All Music Guide - Andy Kellman more
	Dawn FM New - Vinyl - B0035103-01 Sealed 2022 2LP gatefold original pressed on Target exclusive translucent silver vinyl. Custom hype sticker on shrink. A bold, synth-laden concept album that immerses listeners in a surreal radio broadcast from purgatory. Featuring narration by Jim Carrey and collaborations with Tyler, the Creator, Lil Wayne, and Quincy Jones, Dawn FM blends '80s-inspired production with introspective themes of mortality and redemption. Critically acclaimed for its cohesive vision and innovative soundscapes, it's a standout in The Weeknd's discography. more
	Dawn FM New - Vinyl - B0035096-01 Sealed 2022 2LP Gatefold Original. Custom Sticker On Rear Shrink With Track Listing. ""Blinding Lights" Artistically And Commercially Was So Optimal For Abel Tesfaye That It Quickly Became His Signature Song, And Was Only Two Years Old When Billboard Announced That It Had Rocketed Past Chubby Checker's "The Twist" To Claim The Title Of All-time Number One Hit. For The Follow-up To "Blinding Lights" Parent Album After Hours, Tesfaye Delves Deeper Into The Early- To Mid-'80s Pop Aesthetic. He Resurfaces With A Conceptual Sequel Designed As A Broadcast Heard By A Motorist Stuck In A Purgatorial Tunnel. The Primary Collaborators Are "Blinding Lights" Co-producers Max Martin And Oscar Holter, Plus Fellow After Hours Cohort Daniel Lopatin, Whose Airwaves-themed 2020 Lp Magic Oneohtrix Point Never Was Executive Produced By Tesfaye. Instead Of Scrambled Voices Like Those Heard On The Opn Album, Dawn Fm Features Recurrent Announcements From Jim Carrey As A Serene And Faintly Creepy Character, Or Maybe Himself, Intonating End-of-life Entertainment And Counsel. The Other Unlikely Appearances -- Quincy Jones With A Spoken Autobiographical Interlude, Beach Boy Bruce Johnston Somewhere In The Cocksure "How It's Going" Outlier "Here We Go...again" -- Are Ostentatious. In The Main, This Is A Space For Tesfaye To Fully Indulge His Frantic Romantic Side As His Co-conspirators Whip Up Fluorescent Throwback Euro-pop With Muscle And Nuance. Tesfaye's Almost Fathomless Vocal Facility Elevates Even The Most Rudimentary Expressions Of Co-dependency, Despair, Regret, And Obsession, And He Helps It All Go Down Easier With Station Id Jingles And An Amusingly Hyped-up Ad For "A Compelling Work Of Science Fiction" Called (The) "After Life." The Set Peaks Early With A Sequence Of Dejected Post-disco Jams That Writhe, Percolate, And Chug. Most Of These Songs Surpass The Bulk Of Daft Punk's Similarly Backward-gazing Random Access Memories, Projecting The Same Lust For Life With Underlying Existential Doom As Italo Disco Nuggets Such As Ryan Paris' "Dolce Vita." Toward The End Of That First-half Stretch, Tesfaye Reaffirms His R&b Roots And Affinity For Michael Jackson With A Cut Built From Alicia Myers' 1981 Gospel Boogie Classic "I Want To Thank You." After That, It Slows Down And Stretches Out A Bit To Varying Effect, Dipping Into Japanese City Pop For The Bittersweet And Remorseful "Out Of Time" And Edging Ever So Achingly Toward Latin Freestyle With "Don't Break My Heart." Just Before Carrey's Epilogue, Tesfaye And Company Pick Up The Pace With "Less Than Zero." Rather Than Use The Title As A Prompt To Sink Back Into Detailing Debauchery, Tesfaye Makes The Song This Album's "Scared To Live," A Sentimental Ballad That's Hard To Resist." AMG Review By Andy Kellman. more
	Hurry Up Tomorrow Sealed - Vinyl - 602465994759 Sealed 2025 collectors edition. Hurry Up Tomorrow signifies his characteristic blend of emotive storytelling and immersive sound design. This release solidifies the signature ethereal production and introspective lyricism that fans expect from the acclaimed singer. Featuring compelling synth textures and a driving rhythm, Hurry Up Tomorrow offers a rich auditory experience for listeners seeking profound contemporary R&B. more
	Hurry Up Tomorrow Used - Vinyl - 602465994759 2025 US gatefold original with signed insert. EX/NM- jacket. "The Weeknd is trapped somewhere between death and rebirth on Hurry Up Tomorrow, his sixth and potentially final album. Though a lot of the experimental R&B and futuristic pop made by Abel Tesfaye as the Weeknd on his climb to worldwide fame has been heavy, moody, fatalistic, and looking towards dire endings, there's a cloud of finality that hangs aggressively and heavy-handedly over Hurry Up Tomorrow. Nearly every song here focuses on the rigors of fame, with lyrics returning time and again to being drained by the demands of touring, wanting out, being in too deep, and generally being ready to end it all. This can come off as utter desperation or self-indulgent metaphor depending on the delivery, but Tesfaye takes every opportunity to impress upon his audience that this is the end. Luckily, these depressing themes are wrapped in the same brilliant production, shiny synths, and intelligent song construction as the best of the Weeknd's output, resulting in a somewhat conflicting listen. Spending the album's 84-minute run time listening to a lesser artist go on and on about how rough his life of opulence and luxury is would be an utter slog, but Hurry Up Tomorrow is paced with calculation to keep things moving. The stabbing synth tones and darkly enchanting melodies of "Cry for Me" recall earlier Weeknd hits, and quickly transition into the quasi-Brazilian bump of "São Paulo," which is completed by an electric vocal hook from Anitta. Glum ballad "Reflections Laughing" builds in intensity until what began as a fairly minimal song becomes a cinematic experience, tapping into both the over-the-top grandeur of My Beautiful Dark Twisted Fantasy and the edgy nocturnal atmosphere of the Chromatics or Tesfaye's frequent producer and collaborator Oneohtrix Point Never. The seriousness rarely wavers throughout Hurry Up Tomorrow, but moments like the elastic bump of vaporous rap tune "Timeless" with Playboi Carti, the sunny pop of "Give Me Mercy," and the knowing re-creation of Michael Jackson's "Thriller" groove on the second half of "Wake Me Up" break up what could easily become a monotonous drag. Even still, there's just a little bit too much moping to handle as Tesfaye describes his demise (metaphorical, literal, conceptual, the death of the character that is "The Weeknd," and more) from every angle. Lana Del Rey coos in the shadows on "The Abyss" and a Giorgio Moroder sample attempts to enliven "Big Sleep," but every flash of excitement bleeds into a muted whole. Ultimately, Hurry Up Tomorrow achieves its objective of ceremoniously ending the Weeknd. It's a flawlessly executed document of pristine production and incremental bursts of verve and joy to keep the music from dissolving into its own atmosphere. The challenge here, however, is finding the right mood to appreciate the Weeknd's lengthy and elaborate funeral for himself." All Music Guide – Fred Thomas more
	One Of The Girls + Popular Used - 7 - 602465378528 2024 original 7". Released in conjunction with HBO's The Idol, this 7-inch pairs two of the soundtrack's most successful singles from The Weeknd. Both tracks blend contemporary R&B, synth-pop, and hip-hop production with the cinematic, late-night atmosphere that defined the series' soundtrack. "One of the Girls," featuring JENNIE and Lily-Rose Depp, became a major streaming hit, while "Popular," featuring Playboi Carti and Madonna, reached audiences well beyond the television series. Pressed as a 7-inch single in 2024, this release brings together two of the soundtrack's standout recordings in a collectible physical format. more
	Starboy Colored Vinyl - New - B0025919-01 Sealed 2017 US 2LP Gatefold, On Translucent Red Vinyl. "The Extent Of The 2015 Weeknd Commercial Rebound, Symbolized By Platinum Certifications For Beauty Behind The Madness And All Four Of Its Singles, Didn't Merely Embolden Abel Tesfaye. On This Follow-Up's Fourth Track, A Blithe Midtempo Cut Where Tesfaye Takes A Swipe At Pretenders While Boasting About Drinking Codeine Out Of One Of His Trophies, The Level Of Success Is A Source Of Amusement. He Notes The Absurdity In Taking A "Kids' Show" Award For "Can't Feel My Face," In Which He Was "Talkin' 'Bout A Face Numbin' Off A Bag Of Blow." The Track Actually Lost To Adele's "Hello," But It Clearly, Somewhat Comically, Reached An Unintended Demographic. It Comes As No Surprise That Tesfaye, On His Third Proper Album, Doesn't Attempt To Optimize The Reach Of His Biggest Hit By Consciously Targeting Youngsters. He Sings Of Being A "Starboy" With Access To A Fleet Of Sports Cars, But He's A "Motherfuckin' Starboy," One Who Is 26 Years Old And Proud To Observe His Woman Snort Cocaine Off His Fancy Table. While Starboy Often Reflects An Increased Opulence In The Personal And Professional Aspects Of Tesfaye's Life -- From More Upscale Pronouns To Expensive Collaborations With The Likes Of Daft Punk (Two) And "Can't Feel My Face" Producers Max Martin And Ali Payami (Four) -- The Dark Moments Of Vulnerability Are Pitch Black. Lines Like "I Switch Up My Cup, I Kill Any Pain" Could Have Come From Tesfaye's Mixtape Debut, Yet There Are New Levels Of Torment. In "Ordinary Life," He Considers Driving Off A Mulholland Drive Cliff, James Dean Style, Wishing He Could Swap Everything For Angel Status. It's Followed With "Nothing Without You," A Ballad Of Toxic Dysfunction. He Asks His Lover If She'd Feel Guilty For Not Answering His Call If He Happened To Die That Night. It's Not All Dread And Depravity. There's Some Sense Of Joy In A One-night Stand, And An Echo Of "Say Say Say" Michael Jackson, On The Luomo-ish House Track "Rockin'." Contrition Is Shown In The Slick Retro-modern Disco-Funk Of "A Lonely Night." Ironically Enough, In The Aching "True Colors," Tesfaye Sounds A Little Insecure About A Lover's Past. The Album's Lighter, Comparatively Sweeter Parts -- The Tears For Fears-Sampling/Romantics-Referencing "Secrets" And The Breezy And Only Slightly Devilish "I Feel It Coming" Among Them -- Are All Welcome Highlights. At 18 Tracks, The Album Is A "Contracted Edition" Playlist Toolkit. The Songwriting Credits List Just Under 40 Composers, And The Productions -- The Majority Of Which Involve Doc Mckinney And/Or Cirkut, Low-Lighted By Maneater Dance-Punk Dud "False Alarm" -- Are Roughly As Variable In Style As They Are In Quality. When Pared Down To Its Ten Best Songs, Starboy Sounds Like Tesfaye's Most Accomplished Work." AMG Review By Andy Kellman. more
	Starboy New - Vinyl - B0032404-01 Sealed 2020 2LP US reissue pressed on limited edition blue translucent vinyl. The Weeknd's Starboy is a captivating blend of dark, sleek R&B and electrifying pop. With pulsating beats, haunting vocals, and a star-studded feature from Daft Punk, it’s an album that balances decadence with vulnerability. A bold statement of both reinvention and superstardom. more
	Starboy Colored Vinyl - Used - B0032404-01 2020 2LP US reissue pressed on limited edition blue translucent vinyl. The Weeknd's Starboy is a captivating blend of dark, sleek R&B and electrifying pop. With pulsating beats, haunting vocals, and a star-studded feature from Daft Punk, it’s an album that balances decadence with vulnerability. A bold statement of both reinvention and superstardom. more
	The Highlights Colored Vinyl - New - B0033675-01 Sealed 2021 2LP Gatefold Compilation. more
	The Highlights Sealed - Vinyl - B0033677-01 Sealed 2021 2LP in gatefold jacket. Abel Makkonen Tesfaye, known professionally as The Weeknd, is a Canadian singer, songwriter, and record producer who has profoundly influenced contemporary R&B and pop music. He first gained recognition in the early 2010s with a series of acclaimed mixtapes like House of Balloons, characterized by his distinctive falsetto, dark lyrical themes, and atmospheric soundscapes exploring hedonism, melancholia, and urban alienation. Tesfaye’s artistic journey saw him evolve from an enigmatic figure to a global superstar, skillfully blending genres and maintaining his unique introspective style while appealing to a mass audience, making him a compelling figure for fans seeking The Weeknd music. His career is distinguished by numerous significant achievements and record-breaking milestones. Landmark albums such as Beauty Behind the Madness, Starboy, and the critically lauded After Hours have solidified his status, producing global hit singles including "Can't Feel My Face," "The Hills," and the monumental "Blinding Lights," which holds the record as the longest-charting song in Billboard Hot 100 history. A multi-Grammy Award winner and celebrated Pop superstar, Tesfaye further showcased his immense talent with a memorable Super Bowl LV halftime show performance and consistently sold-out global tours, cementing his position as a leading R&B singer and one of the most streamed Canadian artists worldwide. more
	The Highlights Colored Vinyl - New - B0033675-01 Sealed 2021 2LP Gatefold Compilation Pressed On "Clear Sparkle" Vinyl. more
	Thursday Used - Vinyl - B0034213-01 2022 Limited edition reissue; "Decade Collectors Edition" of the Weeknd's mix tape. Corner crease. more
	Thursday New - Vinyl - B0034213-01 Sealed 2022 Limited edition reissue; "Decade Collectors Edition" of the Weeknd's mix tape. more
	Thursday New - Vinyl - B0034213-01 Sealed 2022 10th anniversary, US 2LP gatefold reissue. Thursday dives deeper into the dark, hypnotic world The Weeknd introduced on House of Balloons. Moody beats, haunting vocals, and a haze of seduction and heartbreak define this cult classic. A slow-burn R&B trip that solidified Abel as a genre-shifting force. more