Vinyl Record and Rare LP Resource Ideal For Serious Collectors

Most Recent Additions to the Vinyl Records DB

	Wish Used - LP - 1-90895 1988 Original With Custom Hype Sticker On Shrink. Saw cut. Feargal Sharkey, renowned as the frontman of Northern Irish punk band The Undertones, embarked on a solo career that showcased his distinctive, soulful voice beyond his punk roots. His 1988 single "Wish" was released during a transitional period in his career, following the commercial success of his chart-topping hit "A Good Heart." "Wish" encapsulates Sharkey’s move towards a more polished pop sound, blending heartfelt lyrics with a melodic sensibility that underscores his vocal range. Produced by Danny Kortchmar, the track appeared on Sharkey’s second solo album, Wish, and reflects the late-1980s production aesthetic, marked by lush arrangements and emotive delivery. For vinyl collectors and audiophiles, the original 12" single and LP pressings capture the analog warmth and dynamic range of the era’s studio craft, offering a textured listening experience that digital formats can’t fully replicate. Vinyl editions often include extended mixes and B-sides, granting listeners deeper insight into Sharkey’s artistry and the era's recording practices. As a physical artifact, the "Wish" vinyl record stands as a testament to Sharkey’s evolution as an artist, bridging punk legacy with mainstream pop, and remains a cherished addition for music lovers seeking depth and authenticity in their collections. ... more
	Finder Of Lost Loves Used - LP - AL8-8262 1985 Original in shrink. Features Duets With Stevie Wonder, Barry Manilow And Glenn Jones. ... more
	Heartbreaker Used - LP - AL 9609 1982 US pressing. "The Barry Gibb hit machine of the early '80s kept steam rolling at a frantic pace, and Heartbreaker was a major factor in the equation. While it lacks the genius and soulful grit of Dionne Warwick's earlier classic work, the album was polished and painstakingly produced perfectly for adult pop stations. Heartbreaker was tailor made to be played right next to the soft rock hits of the era and it helped to propel the singer into the spotlight once again. Starting off with a bang courtesy of the title track, Warwick and Gibb go through all of the motions. The track sequencing gives the album a feeling of deflation at first, as tempos gradually decrease until "Take The Short Way Home," which is so Gibb-esque that it could be an outtake from Spirits Having Flown. There are a few fragments of filler, most notably with "All I Love in the World," which is almost a redux of the title track. This is not the most definitive album of Warwick's career, but is definitely one of the few highlights that a pop-heavy '80s afforded her." All Music Guide - Rob Theakston. ... more
	Being With You Used - LP - T8-375M1 1981 Original Wtih Inner Sleeve Included. Released in 1981, Being With You stands as one of Smokey Robinson’s most celebrated solo albums, marking a high point in his post-Miracles career. Issued by Tamla, a Motown subsidiary, the record’s title track became a chart-topping success, reaching number two on the US Billboard Hot 100 and securing the number one spot on the UK Singles Chart, affirming Robinson’s enduring appeal across the Atlantic. Produced by George Tobin, the album reflects a smooth blend of soul, pop, and R&B, showcasing Robinson’s signature silky vocals and romantic lyricism. The LP’s arrangements feature prominent synthesizers and lush backing harmonies, characteristic of early '80s production yet anchored by Robinson’s timeless songwriting. Noteworthy tracks include “Food for Thought,” “You Are Forever,” and “Who’s Sad,” each highlighting his knack for heartfelt melodies and relatable storytelling. ... more
	I Hope We Get To Love In Time Used - LP - ABCD-952 1976 Original. I Hope We Get to Love in Time is the debut studio album by Marilyn McCoo and Billy Davis Jr., released in 1976 by ABC Records. Both formerly members of the 5th Dimension, McCoo and Davis Jr. launched their duo career with this soulful record, blending pop, R&B, and adult contemporary influences. Produced by Don Davis, the album features the title track “I Hope We Get to Love in Time,” which became a Billboard Hot 100 Top 40 hit, and the signature song “You Don’t Have to Be a Star (To Be in My Show),” which soared to number one on the Billboard Hot 100 and won the duo a Grammy for Best R&B Performance by a Duo or Group with Vocals. The album’s arrangements showcase the pair’s dynamic vocal chemistry, melodic sensibility, and sophisticated harmonies. The warm analog production and lush instrumentation of the original vinyl pressing offer an immersive listening experience, capturing the vibrant mid-1970s soul-pop sound. For vinyl collectors and music lovers, this album not only marks an important milestone in the careers of McCoo and Davis Jr. but also serves as a testament to the enduring appeal of heartfelt duets and polished songwriting of its era. ... more
	Behind The Eight-Beat Used - LP - PR 9027 1984 Original private label pressing. “Freddie Slack And His Orchestra Featuring Ella Mae Morse / Behind The Eight-Beat” is a sought-after 1940s swing and boogie-woogie compilation that captures the vibrant energy of the era’s West Coast jazz scene. Freddie Slack, renowned for his rollicking piano style and innovative arrangements, leads the orchestra with precision and flair, blending rhythmic sophistication with danceable exuberance. This release notably features Ella Mae Morse, whose distinctive, blues-tinged vocals on tracks like “Cow-Cow Boogie” propelled her to national fame and helped bridge the gap between jazz, pop, and early rhythm and blues. The album’s title, “Behind The Eight-Beat,” references Slack’s signature rhythmic approach, emphasizing the driving, syncopated beats that powered mid-century swing music. Each track showcases top-notch musicianship from the ensemble, with tight brass sections and lively solos, providing a snapshot of the period’s musical zeitgeist. For vinyl collectors and aficionados, this record stands as an authentic document of Swing Era innovation, revealing how Freddie Slack and his collaborators, particularly Morse, contributed to shaping American popular music. The pressing quality and period-accurate production offer listeners a rich, immersive audio experience, making it a prized addition to any vintage jazz or swing collection. ... more
	White Winds Used - LP - FM 39963 1984 US original, Carrollton pressing. Glossy, NM- vinyl. Jacket still in shrink with 'digital recording' sticker intact. Small corner bump. With White Winds, Swiss harp virtuoso Andreas Vollenweider deepens his exploration of sound and spirit. The album shimmers with layered harp lines, delicate percussion, and ambient textures that evoke motion, light, and inner stillness. It’s a journey both mystical and melodic—bridging New Age, world, and jazz influences with rare cohesion. ... more
	Down To The Moon Used - LP - FM 42255 1986 US original still in shrink. Glossy, NM- vinyl. Includes insert. The Grammy Award–winning Down to the Moon finds Swiss harp innovator Andreas Vollenweider at the height of his creative and technical powers. Seamlessly blending electro-acoustic harp textures with ethereal synthesizers, world percussion, and ambient soundscapes, the album invites listeners into a luminous, otherworldly realm of calm and wonder. ... more
	Vinyl Confessions Used - LP - FZ 38002 1982 US original, Carrollton pressing. Glossy, NM- vinyl. Jacket still in shrink with custom hype sticker. A transitional yet inspired chapter in the Kansas story, Vinyl Confessions marks the band’s early-’80s rebirth with new vocalist John Elefante stepping in for Steve Walsh. The album merges the group’s trademark symphonic rock precision with a sleeker, radio-ready sound—balancing progressive ambition and melodic hooks. ... more
	Stormwatch Used - LP - CHR 1238 1979 US original still in shrink. "Stormwatch Marked The End Of An Era In Jethro Tull's History, As The Last Album On Which Longtime Members Barriemore Barlow, John Evan, And David Palmer Participated, And The Final Appearance Of Bassist John Glascock, Who Played On Three Of The Cuts (Anderson Supplied The Bass Elsewhere) And Died Following Open-heart Surgery A Few Weeks After Its Release. Anderson's Inspiration Seemed To Be Running Out Here, His Writing Covering Environmental Concerns ("North Sea Oil") And Very Scattershot Social Topical Criticism ("Dark Ages"). The Fire Is Still There In Some Of The Hard Rock Passages, Especially On "Dark Ages," But Most Of The Songs Generally Lack The Craftsmanship And Inspiration Of Such Albums As Minstrel In The Gallery Or Heavy Horses, Much Less Aqualung. Just When "Something's On The Move" Seems Like It Could Be The Most Tuneless Track In Tull's History, "Old Ghosts" And "Dun Ringill" Follow It With Even Less Memorable Melodic Material. The Latter, In Particular, Proved That Anderson's Well Of Folk-inspired Tunes Was Also Running Dry, Apart From The Instrumental "Warm Sporran." AMG Review By Bruce Eder. ... more