Vinyl Record and Rare LP Resource Ideal For Serious Collectors

Most Recent Additions to the Vinyl Records DB

	Concert In Japan Used - LP - AS 9246-2 1973 reissue on the short lived "Neon light" Impulse label which ran between '73 & '74. NM- jacket. Features extended concert performances of "Leo" and "Peace On Earth" from 1966. ... more
	Elvis Presley Used - LP - LPM-1254 1956 Original. This copy looks and plays excellent. First west coast pressing from the Hollywood plant. "Elvis Presley" is the self-titled debut studio album by Elvis Presley, released 1956, by RCA Victor. The album is a significant cornerstone in rock and roll history, capturing the raw energy and unique style that would propel Elvis to superstardom. It features a mix of previously released singles and new recordings, showcasing Presley's versatility with a blend of rock and roll, R&B, and country influences. The album includes iconic tracks such as "Blue Suede Shoes," "I Got a Woman," and "Tutti Frutti," demonstrating Elvis's ability to reinterpret and infuse songs with his distinctive sound and charisma. The cover of "Elvis Presley" is also noteworthy, featuring a striking black-and-white image of Elvis playing guitar, with his name in bold pink and green letters. This cover design would become one of the most recognizable in music history, symbolizing the rebellious and transformative spirit of rock and roll. The album's success not only established Elvis as a leading figure in popular music but also marked a cultural shift, influencing a new generation of musicians and listeners. Its release was a pivotal moment that helped shape the music landscape of the 1950s and beyond, solidifying Elvis Presley's legacy as the "King of Rock and Roll." ... more
	There's A Lot Of Lovin' In This Old Boy Yet New - LP - SE4648 Sealed 1969 Stereo Original. Hole punch. Some Purchasers Of This Album Have Commented..."Literally The Worst Album I Have Ever Purchased."...."An Album So Bad, It's Almost Un-listenable."...."Nothing Less Than A Total Gem." If you have a need to collect early 70's kitschy pop than this one sits atop the stack. Here's a chance to own the best worst album ever. ... more
	Singin' To My Baby New Import - 772015 Sealed 2015 180gm remaster from Waxtime with bonus tracks. "Singin' to My Baby" is the debut studio album by American rock and roll musician Eddie Cochran, released in 1957. This album showcases Cochran's early rockabilly style, combining elements of rock and roll with country influences. The record features a collection of upbeat tracks that highlight Cochran's guitar skills and energetic vocals. Songs like "Sittin' in the Balcony" and "Twenty Flight Rock" capture the youthful exuberance and rebellious spirit characteristic of the late 1950s rock scene. Cochran's music on this album is often noted for its catchy melodies and driving rhythms, which would later influence many rock musicians in the following decades. The album "Singin' to My Baby" is a quintessential piece of 1950s rock history and reflects Cochran's versatility as a musician. Alongside original compositions, the album includes covers that demonstrate Cochran's ability to reinterpret and breathe new life into existing songs. The production retains a raw and authentic sound, typical of the era's recording technology, which adds to the album's nostalgic appeal. While not as commercially successful as some later releases, "Singin' to My Baby" is an essential listen for fans of early rock and roll and serves as a testament to Eddie Cochran's enduring influence in the genre. ... more
	Until Spring Used - LP - Y 34158 1976 Original. Morton Subotnick's "Until Spring" is a pioneering work in the realm of electronic music, known for its innovative use of synthesizers and electronic textures. Released in 1976, the album showcases Subotnick's ability to create an immersive auditory experience through the use of the Buchla synthesizer, an instrument he helped to develop. "Until Spring" exemplifies Subotnick's exploration of new sonic landscapes, as it weaves together complex layers of sound that challenge traditional musical structures and blur the boundaries between composition and sound design. The work reflects Subotnick's commitment to pushing the limits of electronic music, using technology as a means to explore new forms of artistic expression. The album is characterized by its abstract, avant-garde approach, where traditional melody and rhythm are often eschewed in favor of evolving soundscapes and textures. Subotnick’s mastery of the Buchla synthesizer allows for the creation of a dynamic and fluid auditory experience, with sounds that seem to morph and transform organically. "Until Spring" captures a sense of temporal evolution and transformation, a theme suggested by its title, as it evokes the cyclic nature of seasons. The piece is celebrated for its contribution to the development of electronic music and its influence on subsequent generations of composers and electronic musicians who continue to explore the possibilities of synthesized sound. ... more
	Tenors West Used - LP - GNPS 9040 1977 repress. "Tenors West" was originally recorded in 1955. The record showcases Giuffre's innovative approach to jazz composition and arrangement during the 1950s. Known for his work that blurs the lines between cool jazz and West Coast jazz, Giuffre delivers a collection that emphasizes smooth harmonies and intricate interplay among the musicians. Marty Paich, a renowned arranger and bandleader, contributes significantly to the album's distinctive sound with his expert orchestration and melodic sensibilities. "Tenors West" remains a notable entry in the jazz genre, particularly for its representation of the West Coast style, which is characterized by a relaxed, yet complex musical aesthetic. ... more
	Lover Colored Vinyl - New - B0030972-01 2021 2LP Blue/Pink Vinyl repress. Guest appearance by Dixie Chicks on the cut "Soon You'll Get Better". The album "Lover" highlights a more romantic and introspective side of Taylor Swift's musical repertoire. Includes "Me!" & "You Need To Calm Down". It explores themes of love, relationships, and self-reflection, with tracks that range from upbeat pop anthems to heartfelt ballads. The production features a mix of synth-pop and indie-pop influences, showcasing Swift's continued evolution as a songwriter and artist. If you meant something else, please provide more context or details. ... more
	Out On Your Own Used Import - SYL 124 1984 UK original 12" single. Glossy, NM- vinyl. Nice VG++ sleeve. ... more
	One Great Thing (Boston Mix) Used Import - BIGCX 33 1986 UK gatefold original 12" single. Glossy, NM- vinyl. Booklet intact. ... more
	Field Day Used - LP - 1-23873 1983 original, Allied pressing. Glossy, NM- vinyl. "Marshall Crenshaw's 1982 debut album was the sort of instant classic that some musicians secretly fear making: no matter what they do, following up a near-perfect introduction is going to let someone down, and if you can't decisively top it, you get accused of the dreaded "sophomore slump." Rather than try to recreate the crisp, timeless pop perfection of Marshall Crenshaw, Crenshaw teamed with producer Steve Lillywhite for 1983's Field Day, where he aimed for a dirtier, more roomy sound that better reflected how he and his band sounded onstage. To a very real extent, they succeeded, but they also captured the sound of Crenshaw playing in a huge room lacking acoustical treatment; the huge, echo-laden sound and crashing drums of Field Day rubbed many fans and critics the wrong way, and some have cited it as the moment when Crenshaw's rising career momentum hit a major speed bump. Heard decades after the fact, Lillywhite's mix still puts too much emphasis on Robert Crenshaw's drums, but listen past that and you'll hear an album full of great songs, clever wit, potent guitar playing, killer basslines and harmonies from Chris Donato, and a lively, committed feel that flatters Crenshaw and his band. If anything, Crenshaw had grown as a songwriter in the year that separated the debut and Field Day: "Whenever You're on My Mind" is essentially a perfect pop song, but "Our Town" isn't afraid to add a bit of shade to its sunshine, and "Monday Morning Rock" and "Hold It" are mature works that deal with more complex, grown-up emotions without sacrificing Crenshaw's melodic genius. Field Day wasn't a crowd-pleasing pop masterpiece like Marshall Crenshaw, but it's also a more ambitious and complex work that rewards careful listening. Get past the drums and you'll hear something very special." All Music Guide - Mark Deming ... more