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Most Recent Additions to the Vinyl Records DB

	A Perfect Match Colored Vinyl - Used - D2312110 Beautiful 1980 US original pressed on red vinyl. "Ella Fitzgerald was just a tad past her prime during this 1979 concert at the Montreux Jazz Festival with the Count Basie Orchestra, though she still is very much a swinging vocalist who can keep an audience in the palm of her hand. With her regular trio, including pianist Paul Smith, bassist Keter Betts, and drummer Mickey Roker accompanying her for most of the concert, plus the powerful Basie band pushing her, Ella gives her all on every number, interpolating quotes from a number of different songs, both familiar and obscure. She's at her best in the up-tempo swingers that were part of her repertoire for ages, among them "Sweet Georgia Brown" and "After You've Gone." Her vibrato is a bit more noticeable during "'Round Midnight," though it is still an effective interpretation. Ella's highlight is easily her scat treatment of "Flying Home," which mixes in so many song quotes that is difficult to track all of them ("Moose the Mooche," "On the Trail," and "I'se a Muggin'" are among them), while she also simulates a number of instruments, too. Basie finally takes over at the piano for the last two numbers, including an impromptu blues that gives way to "A-Tisket, A-Tasket," followed by Ella's touching interpretation of "I've Got a Crush on You," with Smith back on piano. The audio and video have some imperfections, as it is unlikely that producer Norman Granz documented the concert with the intention of commercial issue, but any fan of Ella Fitzgerald will want this rewarding DVD in his or her collection." All Music Guide – Ken Dryden ... more
	Ella & Duke At The Côte D'Azur Used - Vinyl - V6-4072-2 Circa 1986 2LP US gatefold reissue; two pressing rings and Polydor rim text. EX jacket. "Ella Fitzgerald and Duke Ellington did not team up in concert until relatively late in their careers (although she did record her Ellington Songbook with him in the '50s). This live double-LP actually finds Fitzgerald singing six numbers with the Jimmy Jones Trio and only "Mack the Knife" and a scat-filled "It Don't Mean a Thing" with the orchestra. Ellington has eight numbers for his band, mostly remakes of older tunes (including a guest appearance by former associate Ben Webster on "All Too Soon," a remarkable Buster Cooper trombone feature, and a rowdy version of "The Old Circus Train Turn-Around Blues"). This is a spirited set of music that with better planning could have been great." All Music Guide – Scott Yanow ... more
	The Duke Ellington Songbook, Volume Two: The Small Group Sessions Used - Vinyl - VE2-2540 1982 US 2LP gatefold compilation. Reissued material. Sides One, Two, and Three Recorded in Los Angeles September 4th & 16th, 1957 Side Four recorded in Los Angeles, October 17, 1957. ... more
	Sings The Rodgers & Hart Songbook Used Import - 2683 053 1975 UK 2LP Mono gatefold reissue. "The second of Ella Fitzgerald's famed Songbook series features her singing 34 of the best songs co-written by Richard Rodgers and Lorenz Hart. The arrangements by Buddy Bregman for the string orchestra and big band only border on jazz but she manages to swing the medium-tempo numbers and give sensitivity to the ballads. With such songs as "You Took Advantage of Me," "The Lady Is a Tramp," "It Never Entered My Mind," "Where or When," "My Funny Valentine," and "Blue Moon," it is not too surprising that these recordings (originally released on a two-LP set) were so popular." All Music Guide – Scott Yanow ... more
	Rosemary Clooney Sings The Lyrics Of Ira Gershwin Used - Vinyl - CJ-112 1980 US original with Concord Jazz branded poly-inner sleeve. "Ira Gershwin himself approved of this record. Rosemary Clooney sings ten of his classic sets of lyrics, including eight songs written in collaboration with his brother George; the exceptions are "Long Ago and Far Away" (music by Jerome Kern) and "The Man That Got Away" (a later Harold Arlen song). Although not an improviser herself, Clooney excels in this swinging setting and includes occasional solos by cornetist Warren Vache, tenor saxophonist Scott Hamilton, flutist Roger Glenn, pianist Nat Pierce, and guitarist Cal Collins. All of Clooney's Concord albums are well worth acquiring." All Music Guide – Scott Yanow ... more
	With Love Used - Vinyl - CJ-144 1981 US original."Rosemary Clooney sings both old and new songs on this 1980 Concord album. With the emphasis on ballads (including "Just the Way You are," "The Way We Were," "Hello Young Lovers" and "Tenderly"), there is less variety on this set than usual although a swinging rendition of "Will You Still Be Mine" is a fine closer. Clooney is heard in prime voice as usual and there are some fine concise solos by tenor saxophonist Scott Hamilton, cornetist Warren Vache, guitarist Cal Collins, pianist Nat Pierce and guest vibraphonist Cal Tjader." All Music Guide – Scott Yanow ... more
	Prince Charming Used - Vinyl - PE 37615 1981 US original pressing with inner sleeve, still in shrink with custom hype sticker. Light warp not affecting play. "Kings of the Wild Frontier brought Adam and the Ants massive popularity in England, and it brought enormous pressure for Adam and guitarist Marco Pirroni to stand and deliver another slice of dynamite. The first single, the punchy horn-laden "Stand and Deliver," suggested that they were up to the task, but when Prince Charming appeared in late 1981, it was pretty much universally panned and it still stands as the weakest record from Ant's classic period. With its ridiculous song titles and cover photos, which suggest that the Ants were moving away from Native Americans and toward pirates, it's hard not to view it as a descent into camp, yet Adam claims in the liner notes for Antbox that he believes that Prince Charming is "a very serious record based on very classical, historical themes." That may be true on certain tracks, but it's hard to see where "Mile High Club," "S.E.X.," "Mowhok," and "Ant Rap" fit into that scheme, but he's right about the intent -- this is a markedly different record than Kings, intentionally so. The group have not only moved on in image, they've also left behind their signature Burundi beats while upping the cinematic qualities inherent in their music. So, "Five Guns West" and "Mowhok" are given neo-spaghetti western backdrops, while eerie guitars, mariachi horns, and trilling vocals underpin "That Voodoo." There are a lot of little details like that to dwell on in the production -- "Picasso Visita el Planeta de los Simios" sounds absolutely terrific -- but apart from "Scorpios," "Stand and Deliver," and the cheerfully ludicrous "Ant Rap," the songs just aren't there. Kings had style, sound, and songs, while Prince Charming simply has style and sound -- which, in retrospect, isn't all that bad, but it's also not hard to see how it sparked a backlash at the time." All Music Guide - Stephen Thomas Erlewine. ... more
	Last Night I Had The Strangest Dream New - Vinyl - A-10138 Sealed 1971 US pressing; Shrink tear and corner ding/bump. "Though this album sank without a trace when it was released, time has been kind to Last Night I Had the Strangest Dream, and it is now hailed as a work of genius. Justifiably so, since every track is proof of a band with wonderful instincts for melody and how to frame a musical idea. Mason Proffit was an ensemble that played a blend of music that was more country than rock, with occasional folk and blues influences to make things interesting. Though a few of their songs were straightforward love songs and celebrations of country virtues, many were uncommonly sophisticated for 1971. The song "Jewel" is a pure tearjerker, a sad tale of a young black woman who is used and abandoned by a wealthy white man. The tragic story is set to a weeping steel guitar and is sung in a voice that sounds anguished, and it is a marvelously affecting track. The title track and "Eugene Pratt" are noteworthy for their gentle insistence that something is wrong with the society in which we live, and something should be done about it immediately. Other bands were experimenting with country-rock but never achieved this subtlety and grace, and there was a whole genre of protest music which lacked those same two attributes. The fact that both were in the same package, but were ignored at the time that they were released, is just a darn shame. This band's catalog cries out for a re-evaluation and re-release, starting with this album." All Music Guide – Richard Foss ... more
	Movin' Toward Happiness New - Vinyl - HT-1019 Sealed 1971 US gatefold pressing. Shrink split at bottom edge. Corner rubs. "Based in Chicago, Mason Proffit played a style of country-rock that owed less to the more pop-oriented style of L.A. bands like Poco than it did to the newly bluegrass-happy Grateful Dead of American Beauty and its emerging offshoot, the New Riders of the Purple Sage. Despite the pedal steel guitar, fiddle, banjo, and Dobro, the Talbot brothers, who led the group, were less about a new Nashville than about a fusion of the Old West with hippiedom. They lamented the plight of Native Americans in "Flying Arrow," and while they could pick a mean hoedown on "Old Joe Clark," their version somehow managed to express antiwar sentiments. They recognized the connection between the cowboy myth and the independent spirit of truck drivers, and they managed to mix it all in with a sort of primitive Christianity. In this, they were very much of their time. Mike Cameron's "Good Friend of Mary's" fit into the emerging Jesus cult that identified the Christian savior as a kind of proto-hippie, preaching peace and love while wandering the country in long hair and sandals, and the Talbots sang it with their warm tenor harmony in complete sincerity. Such music wasn't going to make it far out of the early '70s, but in 1971 it was perfectly appealing, and Movin' Toward Happiness managed to make the national charts despite being released on the band's own label, suggesting that they had the potential to appeal beyond a cult." All Music Guide – William Ruhlmann ... more
	London Gumbo Used - Vinyl - EX 8023 1972 US original. VG+, sleeve scuffing/rash to vinyl but an nice listen. Recorded at Marquee Studios, London on 5th & 6th March, 1972. Nice slice of Louisiana Blues. ... more