Vinyl Record and Rare LP Resource Ideal For Serious Collectors

Most Recent Additions to the Vinyl Records DB

	Back Home Colored Vinyl - Used - KRS689 2022 Limited, foil-numbered edition from Vinyl Me, Please pressed on opaque yellow vinyl; #474/750. UK indie/post-punk outfit. ... more
	Let It Be Used - Vinyl - R1 773761 2016 US 180gm reissue. Solid VG+ vinyl overall, some light run in noise. Jacket is close to NM, small beginnings of top seam split. Released in 1984, Let It Be is the album where The Replacements' ragged punk energy collided with Paul Westerberg's rapidly developing gift for songwriting. "I Will Dare," "Androgynous," and "Unsatisfied" revealed an emotional depth that separated the Minneapolis band from much of the American hardcore scene, while "Gary's Got a Boner" and their wonderfully unlikely cover of KISS's "Black Diamond" kept the band's irreverence firmly intact. That tension between vulnerability, humor, and barely controlled rock & roll is precisely what made Let It Be such an influential record and a blueprint for much of the alternative rock that followed. ... more
	Foo Fighters Used - Vinyl - 88697983211RE1 Repressing of the 2011 US reissue of their brilliant debut. RE1 on cat number on spine. Mastered by Stephen Marcussen at Precision & lacquer cut by Chris Bellman at Bernie Grundman Mastering. Foo Fighters (1995) is the explosive debut that introduced Dave Grohl’s post-Nirvana project to the world. Recorded almost entirely by Grohl himself, the album delivers raw, high-energy alt-rock with instant classics like “This Is a Call,” “I’ll Stick Around,” and “Big Me.” Urgent, melodic, and packed with hooks, it set the stage for the Foo Fighters to become one of rock’s defining bands. A landmark ’90s debut. ... more
	Hot Sauce Committee Part Two Used - Vinyl - B0026990-01 2017 2LP 180gm Gatefold Reissue; VG+ Vinyl, NM- Jacket. "Once Adam Yauch Discovered He Had Cancer In 2009, The Beastie Boys Shelved Their Forthcoming The Hot Sauce Committee, Pt. 1 And Its Companion Volume, Gradually Reviving And Revising The Project Once Yauch Went Into Remission. At This Point, They Scrapped Their Convoluted Plans To Release Concurrent Complementary Volumes Of THSC And Simply Went Forth With The Hot Sauce Committee, Pt. 2, Which Retained The Bulk Of The Track List From Pt 1. All This Hurly-burly Camouflages The Essential Truth Of The Hot Sauce Committee: That The Beasties Could Sit On An Album For Two Years To No Ill Effect To Their Reputation Or The Record’s Quality. This Doesn’t Suggest They’re Out Of Step So Much As They’re Out Of Time, Existing In A World Of Their Own Making, Beholden To No Other Standard But Their Own. Certainly, The Beasties Stitch Together Sounds And Rhymes From Their Past Throughout The Hot Sauce Committee, Pt. 2, Laying Down Grooves À La Check Your Head But Weaving Samples Through These Rhythms, Thickly Layering The Album With Analog Synths Out Of Hello Nasty, All The While Pledging Allegiance To Old-School Rap In Their Rhymes. Nothing Here Is Exactly Unexpected -- Even The Presence Of Santogold On “Don’t Play No Game That I Can’t Win” Isn’t New, It’s New Wave -- Yet The Hot Sauce Committee, Pt. 2 Feels Fresh Because There Is Such Kinetic Joy Propelling This Music. Last Time Around, The Beasties Weighed Themselves Down By Creating Retro-Tribute To N.Y.C., Taking Everything Just A Little Bit Too Seriously, But Here They’re Free Of Any Expectations And Are Back To Doing What They Do Best: Cracking Wise And Acting So Stupid They Camouflage How Kinetic, Inventive, And Rich Their Music Is. And, Make No Mistake, The Hot Sauce Committee, Pt. 2 Does Find The Beastie Boys At Their Best. Perhaps They’re No Longer Setting The Style, But It Takes Master Musicians To Continually Find New Wrinkles Within A Signature Sound, Which Is Precisely What The Beasties Do Here." All Music Guide – Stephen Thomas Erlewine ... more
	The Birth Of Bop Box Set - Used - CR00590 2023 US remastered compilation from Craft Recordings. Nice VG+/++ vinyl. Featuring five 10 inch LP's individually housed in laminated jackets and encased in a beautifully laminated slipcover box. Compilation produced by Nick Phillips, supervised by Mason Williams. Original 10" LP album covers designed by Burt Goldblatt. Includes a 28-page printed booklet. ... more
	The Revenant Juke: A Collection Of Fables And Farce Box Set - Used - TMR-792 2022 Limited edition box set containing six 7 inch 45rpm singles, all pressed on differing coloured vinyl. VG++ box shows light shelf wear, with corner rubs and small ding to right seam edge. Incredibly, this set features the band's first ever 45rpms, highlighting the peaks of their catalog going all the way back to 1989. This is Third Man Records Vault Package #53 housed in a small telescoping box. ... more
	Nowhere Is My Home Used - 7 - R7 725214 Pristine 2023 limited edition 7 inch 45rpm single. "Nowhere is My Home" b/w the previously unreleased “Cello Version” of “Can’t Hardly Wait”. ... more
	Bella Donna Colored Vinyl - Used - RCV1 628771 2023 180gm repressed remaster from Vinyl Me, Please pressed on blue & black galaxy vinyl. NM- vinyl housed in original VMP outer resealable sleeve with hype sticker & inner Obi-style hype strip. ... more
	Monk's Music Used - Vinyl - CR00574 2023 180gm Limited edition reissue from Vinyl Me, Please. Housed in the original outer resealable sleeve with hype sticker & inner Obi-style hype strip. Exclusive listening notes booklet by Charles Waring. "Monk's Music is often cited as one of the focal points of Thelonious Monk's six-year affiliation (1955-1961) with the Riverside label. Although the original disc clocked in at slightly over 30 minutes, packed into that half hour are not only the introduction of a few of Monk's signature compositions, but also some amazing interactions from the assembled ensemble. Joining Thelonious Monk (piano) during these two recording sessions are Ray Copeland (trumpet), Gigi Gryce (alto sax), Coleman Hawkins (tenor sax), John Coltrane (tenor sax), Wilbur Ware (bass), and Art Blakey (drums). The true meaning of the album's title exists beyond just Thelonious, as the opening sacred prelude, "Abide With Me," was written by William H. Monk. This brief piece features only the horn quartet, foreshadowing their importance throughout the album. The angular stride style featured during the chorus of "Well You Needn't" is tackled with the same nimble authority as Monk's completely unfettered solos. If his ability to swing and his utilization of atomic clock accuracy have ever been questioned, the answer lies no further. So utterly free and fantastic, certain passages command immediate review to be fully comprehended. Hearing Coltrane and Hawkins together is admittedly part of the charm in these sides. "Ruby, My Dear" is bathed in the smoky essence of Hawkins' rich textures and Coltrane's playful cat-and-mouse aggression. Blakey gently propels the rhythm, never getting in the way and sporting a serene snare groove throughout. "Off Minor" is largely led by Monk, with solos that follow into and out of the memorable chorus that sparkles with the full involvement of the horn and rhythm sections. The same is true for this definitive version of "Epistrophy" -- perhaps the zenith collaborative effort between Coltrane and Monk. Additionally, Blakey is in top form, with a solo that borders on spastic precision." All Music Guide – Lindsay Planer ... more
	Black Codes (From The Underground) Used - Vinyl - 19658795151 New, unplayed 2023 180gm remastered reissue from Vinyl Me, Please. Housed in the original outer resealable sleeve with hype sticker & Obi style strip. (AAA) Lacquers cut from the original tapes by Ryan Smith at Sterling Sound; Pressed at RTI and includes listening booklet. Part of the VMP Classics series. Recorded at RCA Studio A on January 11th and 14th, 1985. ... more