Siouxsie & The Banshees
Vinyl Records and Rare LPs:
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Christine
Used - 7 - 2059 249
1980 7" 45rpm.
"Christine" is a single by the British post-punk band Siouxsie & The Banshees, released on May 30, 1980, by Polydor Records. The track is featured on their third studio album, "Kaleidoscope." Written by the group's lead vocalist Siouxsie Sioux and bassist Steven Severin, the song is notable for its swirling, hypnotic guitar riff, played by guitarist John McGeoch, and its driving rhythm. The lyrics of "Christine" refer to the dissociative identity disorder of Christine Sizemore, who was the subject of the book and film "The Three Faces of Eve."
The vinyl release of "Christine" includes the B-side "Eve White/Eve Black," which further explores themes of multiple personality disorder, complementing the A-side's concept. The single's cover art features a distinctive, eerie photograph of a mannequin's head adorned with intricate, surreal designs, reflecting the song’s haunting and fragmented nature. "Christine" is celebrated for its innovative sound and remains one of Siouxsie & The Banshees' most enduring and influential tracks, showcasing their ability to blend post-punk's raw energy with experimental and psychedelic elements.
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Happy House
Used - 7 - POSP 117
1980 7", 45rpm, Single, Stereo in cover.
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Hong Kong Garden
Used - 7 - 2059 052
1978 7", 45rpm, Single, Gatefold Sleeve, Silver Injection Labels. "Hong Kong Garden" is the debut single by British rock band Siouxsie and the Banshees, released on August 18, 1978, by Polydor Records. The vinyl record features the titular track, which is noted for its distinctive oriental-inspired guitar riff, energetic tempo, and Siouxsie Sioux's evocative vocal performance. The song was written by the band members and produced by Steve Lillywhite. The track quickly gained popularity, reaching number 7 on the UK Singles Chart. This single is often credited with helping to establish Siouxsie and the Banshees' prominence in the post-punk music scene of the late 1970s.
The B-side of the "Hong Kong Garden" vinyl features the song "Voices (On the Air)," which complements the A-side with its moody and atmospheric sound. The sleeve artwork for the single, designed by the band's bassist Steven Severin, showcases a minimalist design with oriental motifs that reflect the song's thematic elements. Collectors and fans of the band regard this vinyl as a significant release in the band's discography, marking their arrival on the music scene and showcasing their innovative approach to punk and post-punk music.
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Juju
Used - LP - PVC 8903
1981 Original With Insert. Cut Corner & Small Top Seam Split. "Juju" is the fourth studio album by the British rock band Siouxsie & The Banshees, released in 1981. The album was recorded in Berlin and produced by the band's longtime collaborator Nigel Gray. It is considered a classic of the post-punk genre.
The album's sound is characterized by its use of tribal rhythms, atmospheric guitars, and Siouxsie Sioux's distinctive vocals. The lyrics explore themes of mysticism, magic, and tribalism. The album's lead single, "Spellbound," reached No. 22 on the UK singles chart and remains one of the band's most popular songs.
"Juju" received critical acclaim upon its release and has since been regarded as a landmark album in the development of post-punk and gothic rock. It has been cited as an influence by numerous artists in the years since its release.
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Juju
Used - LP - PVC 8903
1981 Original With Insert. Cut Corner & Small Top Seam Split. "Juju" is the fourth studio album by the British rock band Siouxsie & The Banshees, released in 1981. The album was recorded in Berlin and produced by the band's longtime collaborator Nigel Gray. It is considered a classic of the post-punk genre.
The album's sound is characterized by its use of tribal rhythms, atmospheric guitars, and Siouxsie Sioux's distinctive vocals. The lyrics explore themes of mysticism, magic, and tribalism. The album's lead single, "Spellbound," reached No. 22 on the UK singles chart and remains one of the band's most popular songs.
"Juju" received critical acclaim upon its release and has since been regarded as a landmark album in the development of post-punk and gothic rock. It has been cited as an influence by numerous artists in the years since its release.
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Kaleidoscope
Used - LP - PVC 7921
1982 Blue And Yellow Label US Original Mastered At Sterling. Includes Custom Inner Sleeve. Kaleidoscope, the third studio album by British rock band Siouxsie & The Banshees, was released in 1980 and remains a highly influential and innovative record in the post-punk genre. The album features a mix of aggressive and atmospheric tracks, showcasing the band's unique sound and Siouxsie Sioux's powerful vocals.
The record's lead single, "Happy House," is a standout track with its catchy chorus and driving beat. Other notable tracks include the moody "Christine," the experimental "Red Light," and the haunting "Desert Kisses." Kaleidoscope displays the Banshees' ability to constantly evolve and experiment with their sound, making it a must-listen for any fan of post-punk or alternative rock.
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Kaleidoscope
Used - LP - PVC 7921
1982 Blue And Yellow Label US Original Mastered At Sterling. Includes Custom Inner Sleeve. Kaleidoscope, the third studio album by British rock band Siouxsie & The Banshees, was released in 1980 and remains a highly influential and innovative record in the post-punk genre. The album features a mix of aggressive and atmospheric tracks, showcasing the band's unique sound and Siouxsie Sioux's powerful vocals.
The record's lead single, "Happy House," is a standout track with its catchy chorus and driving beat. Other notable tracks include the moody "Christine," the experimental "Red Light," and the haunting "Desert Kisses." Kaleidoscope displays the Banshees' ability to constantly evolve and experiment with their sound, making it a must-listen for any fan of post-punk or alternative rock.
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Peepshow
Used Import - SHELP 5
1988 UK original. Light sleeve scuffing, music dominates. Mastered at Abbey Road Studios. "The switch to Yet Another Banshees Guitarist in Specimen vet Jon Klein might have been seen as a cue for a time of tentative rebuilding -- the more so because another new member, cellist Martin McCarrick, was recruited at the same time. Anything but -- heralded by the spectacular "Peek-A-Boo," interpolating what sounded like the Charleston into hip-hop rhythms with a brilliant, choppy arrangement, Peepshow proved the band's best album in years. Once again showcasing the band's ace in the hole -- the ability to always provide an accomplished variety of sound and approach while still recognizably maintaining a uniquely Banshees style -- Peepshow is the sound of a band reenergized. Siouxsie's thrilling call and response with herself on "Peek-A-Boo" really can't be beat, but her star turns throughout the album all deserve notice, especially with the bravura one-two conclusion of the stately "The Last Beat of My Heart" and the dramatic, lives-up-to-the-title "Rhapsody." McCarrick's cello work is excellently integrated into the music, adding a purring extra bite on songs like the pummeling "The Killing Jar," while both Steven Severin and Budgie acquit themselves well as always. If their moments of total flash are subsumed for the overall arrangements, it's to the benefit of the songs, overseen with another fine production job from semi-regular Banshees studio cohort Mike Hedges. The band's knack for a combination of title, lyric, and atmosphere remains strong -- "Carousel" sounds indeed like a slightly demented version of such a thing, while "Rawhead and Bloodybones," appropriately for two English bogeyman characters, is quiet, creepy, and very much sneaking-up-on-you-in-the-night. "Scarecrow" is a secret highlight, ominous guitar and bass tones and swirling arrangements supporting a great Siouxsie turn, while the hints of flamenco on "Turn to Stone" perhaps inadvertently suggest where the Creatures would end up with their next album two years later." All Music Guide - Ned Raggett.
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Playground Twist
Used - 7 - POSP 59
1979 7", 45rpm, Single, Silver Injection Labels. "Playground Twist" is a single by the English post-punk band Siouxsie & The Banshees, released in 1979. The song was included on their second studio album, "Join Hands." Written by the band members Siouxsie Sioux, Steven Severin, John McKay, and Kenny Morris, "Playground Twist" exemplifies the band's distinctive blend of haunting melodies and edgy, atmospheric instrumentation. The single was released by Polydor Records and featured a cover art that complements the dark, introspective nature of the track.
The song's lyrics explore themes of childhood anxiety and the darker side of playground experiences, set against a backdrop of unsettling, off-kilter rhythms and Siouxsie Sioux's evocative vocal performance. "Playground Twist" was well-received by critics and fans alike, earning praise for its originality and the band's ability to push the boundaries of the post-punk genre. The single's release was accompanied by a music video that visually captured the song's eerie and disconcerting mood.
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Song From The Edge Of The World (Columbus Mix)
Used - LP - 0-20792
1987 12" EP promo copy. Siouxsie & The Banshees' "Song From The Edge Of The World (Columbus Mix)" is a hauntingly beautiful record album that effortlessly blends elements of gothic rock, post-punk, and new wave with a touch of ethereal mystery. The titular song, a Columbus Mix produced by Mike Hedges, is a moody and atmospheric masterpiece that showcases Siouxsie Sioux's powerful vocals, punctuated by delicate guitar riffs and an infectious beat.
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The Rapture
Colored Vinyl - New - GEF 24630
Sealed 1995 Limited Edition Fluorescent Vinyl Release With Custom Song Hype Sticker And Original Tower Records Price Tag On Shrink. "It Would Have Been Easy To Write Off The Banshees After The So-So Superstition, Especially Given The Fact That It Came After Two Uneven And Disappointing Albums (Including The Unnecessary Covers Collection Through The Looking Glass) Frankly, One Of Punk's Most Consistently Invigorating Acts Seemed To Have Run Their Course. Sure Enough, The Rapture Proved To Be Their Final Recording. The Surprise Is That It's A Career Highpoint. The Band Deny, Incidentally, That They Knew This Was To Be Their Last Album. Quite How Siouxsie, Severin And Budgie Rediscovered Their Chemistry Is A Moot Point - Some Credited Producer John Cale, Who Worked On Four Tracks - But Rediscover It They Did. Despite Nods To The Band's Past In The Savage "Not Forgotten," The Real Gems Are The Sunny-Side-Up "O, Baby" (When Did Siouxsie Ever Sound So Genuinely Happy?) And An 11-Minute Title-Track That Is As Dazzling As Anything They Have Ever Performed. A Classic Case Of Leaving The Scene On A High Note, And A Fitting Final Chapter From One Of Punk's Finest, And Most Dignified, Bands." AMG - Alex Ogg
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The Staircase (Mystery)
Used - 7 - POSP 9
1979 7" 45rpm single. B-side "20 Century Boy" by Marc Bolan. "The Staircase (Mystery)" is a single by the British rock band Siouxsie and the Banshees, released in 1979. It showcases the band's early gothic rock sound, characterized by haunting melodies, atmospheric guitar work, and the distinctive vocal style of lead singer Siouxsie Sioux. The song was produced by Nils Stevenson and Mike Stavrou and marked a significant point in the band's evolution, following the success of their debut album, "The Scream."
The B-side of the single, "20th Century Boy," is a cover of the T. Rex classic, demonstrating the band's diverse influences and ability to reinterpret existing works with their unique sonic signature. This release further cemented Siouxsie and the Banshees' reputation as pioneering figures in the post-punk movement. The single's artwork, featuring minimalistic and mysterious visuals, complements the enigmatic nature of the music. "The Staircase (Mystery)" remains a notable entry in the band's discography, reflecting their innovative approach to music during the late 1970s.
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This Wheel's On Fire
New - 7 - SHEG 11
Sealed 1987 2 x 7" 45rpm singles. "This Wheel's on Fire" is a single by the British band Siouxsie & The Banshees, released in 1987. The song is a cover of a track originally written by Bob Dylan and Rick Danko, and it showcases the band's ability to reimagine and reinterpret classic songs with their unique post-punk and gothic rock style. The single features Siouxsie Sioux's distinctive vocals, which add a haunting and dramatic flair to the already evocative lyrics. The instrumentation is marked by its driving rhythm and atmospheric production, characteristic of the band's sound during this period.
The vinyl release of "This Wheel's on Fire" includes the title track as well as a B-sides, which features "Shooting Sun", "Sleepwalking (On The High Wire)" and Jonathan Richman's "She Cracked". This particular cover received attention not only for its musical qualities but also for its alignment with the band's broader artistic vision. Siouxsie & The Banshees were known for their bold aesthetic and innovative approach to music, which helped them stand out in the 1980s alternative music scene. The single continued to cement their reputation as influential artists capable of revitalizing and personalizing existing works through their creative lens.
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