Allman, Gregg
Vinyl Records and Rare LPs:
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Gregg Allman
Picture Disc - Used - 888072370180
2015 Picture Disk 4 Song EP. Custom Hype Sticker On Clear Jacket.
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Gregg Allman Tour
Used - LP - 2C 0141
Beautiful 1974 US 2LP Gatefold Original; Santa Maria Pressing. Special Guests Cowboy, Boyer & Talton And Accompanied By 24 Piece Orchestra. Mastered At Sterling. Two Small Saw Cuts. Two Tiny Corner Bumps.
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Gregg Allman Tour
New - LP - 2C 0141
Sealed 1974 2LP Gatefold Original. Special Guests Cowboy, Boyer & Talton And Accompanied By 24 Piece Orchestra. Mastered At Sterling.
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Gregg Allman Tour
New - LP - 2C 0141
Sealed 1974 2LP Gatefold Original.
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Gregg Allman Tour
Used - LP - 2C 0141
1974 2LP Gatefold Original. Special Guests Cowboy, Boyer & Talton And Accompanied By 24 Piece Orchestra. Mastered At Sterling. Two Small Saw Cuts.
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Gregg Allman Tour
Used - LP - 2C 0141
1974 2LP Gatefold Original, Santa Maria Pressing. Original Capricorn Inner Sleeves, Strong VG++ Vinyl Light Sleeve Scuff But Glossy. Touch Of Ring Wear. Special Guests Cowboy, Boyer & Talton And Accompanied By 24 Piece Orchestra. Mastered At Sterling. Original Owner's Initials On Labels And Signature Inside Gatefold.
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Just Before The Bullets Fly
Used - LP - OE 44033
Hard To Find 1988 Vinyl.
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Just Before The Bullets Fly
Used - LP - OE 44033
Hard To Find 1988 Vinyl With Custom Inner Sleeve. Appears Unplayed.
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Just Before The Bullets Fly
Used - LP - OE 44033
Hard To Find 1988 Vinyl With Gold Promo Stamp On Back. Includes Custom Inner Sleeve. Appears Unplayed.
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Laid Back
Used - LP - CP-0116
1973 White Label Promo, Gatefold Cover.
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Laid Back
Used - LP - CPN 0116
1973 Gatefold Original. LP Appears Unplayed. 1A/1B Stampers. Small Upper Left Corner Push. 5 Stars! “Recorded In The Same Year As The Brothers And Sisters Album, This Solo Debut Release Is A Beautiful Amalgam Of R&B, Folk, And Gospel Sounds, With The Best Singing On Any Of Gregg Allman's Solo Releases. He Covers His Own "Midnight Rider" In A More Mournful, Dirge-Like Manner, And Jackson Browne's "These Days" Gets Its Most Touching And Tragic-Sounding Rendition As Well. Although Chuck Leavell And Jaimoe Are Here, There's Very Little That Sounds Like The Allman Brothers Band -- Prominent Guitars, Apart From A Few Licks By Tommy Talton (Cowboy, Ex-We The People), Are Overlooked In Favor Of Gospel-Tinged Organ And Choruses Behind Allman's Soulful Singing.” Bruce Eder, All Music.
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Laid Back
Used - LP - CP 0116
Rare 1973 White Label Promo Housed In A Gatefold Cover. LP Appears Unplayed And Has A Small Name Rubber Stamped On The Label. Lp Appears Unplayed. Gatefold Jacket Is VG+.
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Laid Back
New - LP - CP 0116
Sealed 1973 Gatefold Original With CP Prefix, But Unable To Confirm Exact Pressing. Tiny Corner Ding. 5 Stars! “Recorded In The Same Year As The Brothers And Sisters Album, This Solo Debut Release Is A Beautiful Amalgam Of R&B, Folk, And Gospel Sounds, With The Best Singing On Any Of Gregg Allman's Solo Releases. He Covers His Own "Midnight Rider" In A More Mournful, Dirge-Like Manner, And Jackson Browne's "These Days" Gets Its Most Touching And Tragic-Sounding Rendition As Well. Although Chuck Leavell And Jaimoe Are Here, There's Very Little That Sounds Like The Allman Brothers Band -- Prominent Guitars, Apart From A Few Licks By Tommy Talton (Cowboy, Ex-We The People), Are Overlooked In Favor Of Gospel-Tinged Organ And Choruses Behind Allman's Soulful Singing.” AMG - Bruce Eder.
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Laid Back
New - LP - CPN 0116
Sealed 1973 Gatefold Original. Cut Corner. 5 Stars! “Recorded In The Same Year As The Brothers And Sisters Album, This Solo Debut Release Is A Beautiful Amalgam Of R&B, Folk, And Gospel Sounds, With The Best Singing On Any Of Gregg Allman's Solo Releases. He Covers His Own "Midnight Rider" In A More Mournful, Dirge-Like Manner, And Jackson Browne's "These Days" Gets Its Most Touching And Tragic-Sounding Rendition As Well. Although Chuck Leavell And Jaimoe Are Here, There's Very Little That Sounds Like The Allman Brothers Band -- Prominent Guitars, Apart From A Few Licks By Tommy Talton (Cowboy, Ex-We The People), Are Overlooked In Favor Of Gospel-Tinged Organ And Choruses Behind Allman's Soulful Singing.” Bruce Eder, All Music.
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Laid Back
Used - LP - 831 941-1
1987 Second Issue With Bar Code On Back Jacket. Originally Released On Capricorn. “Recorded In The Same Year As The Brothers And Sisters Album, This Solo Debut Release Is A Beautiful Amalgam Of R&B, Folk, And Gospel Sounds, With The Best Singing On Any Of Gregg Allman's Solo Releases. He Covers His Own "Midnight Rider" In A More Mournful, Dirge-Like Manner, And Jackson Browne's "These Days" Gets Its Most Touching And Tragic-Sounding Rendition As Well. Although Chuck Leavell And Jaimoe Are Here, There's Very Little That Sounds Like The Allman Brothers Band — Prominent Guitars, Apart From A Few Licks By Tommy Talton (Cowboy, Ex-We The People), Are Overlooked In Favor Of Gospel-Tinged Organ And Choruses Behind Allman's Soulful Singing.” – Beruce Eder, All Music Guide
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Live Picture Disc
Picture Disc - Used - 1166100278
2017 Limited Edition Color Vinyl 10 Inch EP.
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Low Country Blues
New - LP - 9112
Sealed 2011 180gm 2LP Gatefold Original With Custom Hype Sticker On Shrink. Include Two Bonus Tracks. Produced By T Bone Burnett.
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Southern Blood
Colored Vinyl - 1166100055
2017 Limited Edition "Hardwood" Colored Vinyl Housed In A Deluxe Gatefold Jacket. Includes Exclusive Lithograph Portrait.
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Southern Blood
New - LP - 1166100055
Sealed 2017 Black 180gm Vinyl US Pressing, Housed In A Deluxe Gatefold Jacket. Includes Digital Download Card. Final Studio Album, Recorded In Muscle Shoals. ""My Only True Friend," From Southern Blood, Gregg Allman's Final Album, Is A Cipher, Much Like The Man Himself -- Private, Reserved, And Complex. Though Twin, Ringing, Blues-drenched Guitars Introduce It, The Song Just As Quickly Morphs Into A Ballad: "You And I Both Know, This River Will Surely Flow To An End/keep Me In Your Heart...i Hope You're Haunted By The Music Of My Soul...but You And I Both Know, The Road Is My Only True Friend...." The Blues Guitars Cascade In Again, Adding Resonance. This Is The Only Track Here That Allman Co-wrote, But It's Fine Enough To Join The Shortlist Of His Classics -- "Midnight Rider," "Melissa," "Ain't Wastin' Time No More," Etc.
When Allman And Producer Don Was Commenced Work On Southern Blood, The Clock Was Already Ticking. The Singer Had Undergone Liver Transplant Surgery, But The Cancer Had Returned. Tunes And Charts Were Painstakingly Chosen. Allman's Road Band And Some Friends Were Invited To Fame Studios At Muscle Shoals, The Same Place That Duane Allman Had Recorded His Initial Stax Sessions, And Where, According To Was, The Allman Brothers Had Their First Rehearsals. Following "My Only True Friend" Is A Stunning Reading Of Tim Buckley's "Once I Was," Which Accentuates Its Surrender, Followed By The Bitter Acceptance In Bob Dylan's "Going Going Gone": "I'm Closing The Book On Pages And Text/and I Don't Really Care What Happens Next...." But It's Not So Cut And Dried. That Acceptance Is Balanced By A Celtic-tinged, Even Hopeful Read Of The Grateful Dead's Hymn-like "Black Muddy River." But Allman Didn't Let His Blues And R&b Roots To Be Scattered By The Winds. He Delivers Willie Dixon's "I Love The Life I Live" With Passion, Fire, And Humor As He Celebrates Hedonism. In Lowell George's "Willin'," Allman Looks Back Without Surrender; He Expresses The Desire To Keep Rolling Along Even When Discovering The Highway's Dead End In His Headlights. He Offers Johnny Jenkins' Hoodoo Blues "Blind Bats And Swamp Rats" From 1970's Capricorn-issued Ton Ton Macoute With Vengeance, As If To Make Up For Lost Time. (He Was The Only Allman Member Who Didn't Play On The Original). Muscle Shoals Makes Its Voice Heard In Spooner Oldham And Dan Penn's 1967 Deep Soul Single "Out Of Left Field." Allman Imbues It With Grit, Heart, Tenderness, And Power Enhanced By Backing Vocals From The Mccrary Sisters And A Powerful Three-piece Horn Section. Jackson Browne's "Song For Adam," Written For A Lost Comrade, Features The Songwriter On Backing Vocals. In Delivering This Song, Gregg Is Obviously Singing About Duane, Whose Premature Death Shaped His Own Life. Greg Leisz's Whining Pedal Steel Becomes Another Singing Voice, Especially At The End When Allman Gets Too Choked Up To Deliver The Final Two Lines -- And Was Didn't Even Try To Make Him. Southern Blood Is Almost Perfect; There Isn't A Better Final Album Allman Could Have Made. It Belongs On The Shelf Between 1973's Laid Back And The Mysteriously Withdrawn But Amazing One More Try: An Anthology." AMG Review By Thom Jurek.
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Southern Blood
New - LP - 1166100055
Sealed 2017 Black 180gm Vinyl US Pressing, Housed In A Deluxe Gatefold Jacket. Includes Digital Download Card. Final Studio Album, Recorded In Muscle Shoals. ""My Only True Friend," From Southern Blood, Gregg Allman's Final Album, Is A Cipher, Much Like The Man Himself -- Private, Reserved, And Complex. Though Twin, Ringing, Blues-drenched Guitars Introduce It, The Song Just As Quickly Morphs Into A Ballad: "You And I Both Know, This River Will Surely Flow To An End/keep Me In Your Heart...i Hope You're Haunted By The Music Of My Soul...but You And I Both Know, The Road Is My Only True Friend...." The Blues Guitars Cascade In Again, Adding Resonance. This Is The Only Track Here That Allman Co-wrote, But It's Fine Enough To Join The Shortlist Of His Classics -- "Midnight Rider," "Melissa," "Ain't Wastin' Time No More," Etc.
When Allman And Producer Don Was Commenced Work On Southern Blood, The Clock Was Already Ticking. The Singer Had Undergone Liver Transplant Surgery, But The Cancer Had Returned. Tunes And Charts Were Painstakingly Chosen. Allman's Road Band And Some Friends Were Invited To Fame Studios At Muscle Shoals, The Same Place That Duane Allman Had Recorded His Initial Stax Sessions, And Where, According To Was, The Allman Brothers Had Their First Rehearsals. Following "My Only True Friend" Is A Stunning Reading Of Tim Buckley's "Once I Was," Which Accentuates Its Surrender, Followed By The Bitter Acceptance In Bob Dylan's "Going Going Gone": "I'm Closing The Book On Pages And Text/and I Don't Really Care What Happens Next...." But It's Not So Cut And Dried. That Acceptance Is Balanced By A Celtic-tinged, Even Hopeful Read Of The Grateful Dead's Hymn-like "Black Muddy River." But Allman Didn't Let His Blues And R&b Roots To Be Scattered By The Winds. He Delivers Willie Dixon's "I Love The Life I Live" With Passion, Fire, And Humor As He Celebrates Hedonism. In Lowell George's "Willin'," Allman Looks Back Without Surrender; He Expresses The Desire To Keep Rolling Along Even When Discovering The Highway's Dead End In His Headlights. He Offers Johnny Jenkins' Hoodoo Blues "Blind Bats And Swamp Rats" From 1970's Capricorn-issued Ton Ton Macoute With Vengeance, As If To Make Up For Lost Time. (He Was The Only Allman Member Who Didn't Play On The Original). Muscle Shoals Makes Its Voice Heard In Spooner Oldham And Dan Penn's 1967 Deep Soul Single "Out Of Left Field." Allman Imbues It With Grit, Heart, Tenderness, And Power Enhanced By Backing Vocals From The Mccrary Sisters And A Powerful Three-piece Horn Section. Jackson Browne's "Song For Adam," Written For A Lost Comrade, Features The Songwriter On Backing Vocals. In Delivering This Song, Gregg Is Obviously Singing About Duane, Whose Premature Death Shaped His Own Life. Greg Leisz's Whining Pedal Steel Becomes Another Singing Voice, Especially At The End When Allman Gets Too Choked Up To Deliver The Final Two Lines -- And Was Didn't Even Try To Make Him. Southern Blood Is Almost Perfect; There Isn't A Better Final Album Allman Could Have Made. It Belongs On The Shelf Between 1973's Laid Back And The Mysteriously Withdrawn But Amazing One More Try: An Anthology." AMG Review By Thom Jurek.
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