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5
New - LP - VSD 79160
Factory Sealed Stereo (Label Variation Unknown). Recorded In 1964. Pristine Copy.
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5
Used - LP - VSD 79160
Stunning 1964 Stereo Original Housed In A Laminated Jacket With The Rare "There But For Fortune" Sticker Still On The Shrink Wrap.
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5
New - LP - VRS 9160
Sealed 1964 Mono Original With The Original Duford-Kaiser Inc. Price Tag On The Outer Poly Bag. Duford-Kaiser Was A Store On Colorado Avenue In Pasadena, Way Back When.
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5
Used - LP - VSD-79160
1966 US Stereo Reissue On Gold & White Label With "Stereo" At 4 O'Clock, Not "Stereolab".Liner Notes Provided By Langston Hughes.
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Any Day Now
Used - LP - VSD•79306/7
1970's 2LP Gatefold Reissue On The Wood Grains Vanguard Label; Still In Shrink. Beautiful Cover, Vg++ Vinyl. Baez Plays Bob!
Joan Baez's "Any Day Now" Album Is A Masterpiece That Showcases Her Incredible Range And Versatility As An Artist. First Released In 1968, The Album Is A Collection Of Covers Of Songs By Bob Dylan, Who Was A Close Friend And Collaborator Of Baez. The Album Features Baez's Hauntingly Beautiful Voice, Which Is Filled With Emotion And Depth.
From The Opening Track, "Love Minus Zero/no Limit," It Is Clear That This Album Is Something Special. Baez's Interpretation Of Dylan's Songs Is Powerful And Moving, And She Brings A Fresh Perspective To Each One. The Album Features Some Of Dylan's Most Iconic Songs, Including "It Ain't Me Babe" And "Don't Think Twice, It's All Right."
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Any Day Now
Used - LP - VSD•79306/7
1968 2LP Gatefold Original. Joan Sings Bob Dylan. Glossy NM- Vinyl With Crisp Custom Printed Inner Sleeves. Moderate Ring Wear To VG+ Jacket.
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Any Day Now
New - LP - VSD 79306/7
Factory Sealed 1968 2LP Gatefold With Rare, Custom "Baez Sings Dylan" Sticker On The Shrink Wrap. Pristine Copy. First Sealed Copy We Have Seen Since 2005.
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Any Day Now
New - LP - VSD 79306/7
Sealed 1968 2LP Gatefold Original. Joan Sings Bob Dylan. Bottom Of Gatefold Has Two 1 Inch Center Seam Spits, Hence Price.
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Any Day Now
Used - LP - VSD 79306/7
Beautiful 1968 2LP White Label Promo Gatefold Original. Promotion Sticker Affixed To Front Jacket. Joan Sings Bob Dylan. Pristine Copy.
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Any Day Now
Used - LP - VSD 79306/7
Beautiful 1968 2LP Gatefold Stereo Original. Joan Sings Bob Dylan. 1B/1B/1B/1B Matrices.
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Any Day Now
Audiophile - LP - VSD 79306/7
Sealed Limited Edition 180gm Analogue 2LP Audiophile Pressing Housed In A Gatefold Cover.
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Baptism
New - LP - VSD 79275
Sealed 1968 Gold Label Stereo Gatefold Original.
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Baptism
Used - LP - VSD 79275
1968 Gold Label Stereo Original Housed In A Heavy-Duty Gatefold Cover With 4 Page Lyric Insert. Appears Unplayed.
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Best Of Joan Baez
New - LP - SQ 33001
Sealed, 1962 Heavy Vinyl, Re-Processed Stereo.
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Best Of Joan C. Baez
New - LP - SP 4668
Sealed 1977 First pressing With Custom Song Hype Sticker On The Shrink Wrap.
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Blessed Are
New - LP - VSD 6570
Sealed 1971 2LP Gatefold With Bonus 7" Plus Text Insert. Two Custom Stickers Over Shrink Wrap.
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Blessed Are...
New - LP - VSD 6570
180gm hq
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Blessed Are...
New - LP - VSD 6570/1
Factory Sealed 1971 2LP Gatefold With Bonus 7" Plus Text Insert.
“With Blessed Are..., Joan Baez Found Herself With A Hit Single On The Charts. That Song, A Cover Of Robbie Robertson's "The Night They Drove Old Dixie Down," Is Just One Of The Many Surprises On Blessed Are... Once Again Using Some Of Nashville's Finest Pickers And Songwriters, Baez Runs The Gamut Of Such Influences As The Beatles, The Rolling Stones, Mickey Newberry, Jesse Winchester, Stevie Wonder And, Of Course, Herself, While Sounding Nothing More Than Like Joan Baez Always Has. Great Music, And A Lot Of It, Too, For When It Was Released On Vinyl, It Was A Double Album With A Special 7" Single Included. Altogether, 22 Tracks Of Some Of Joan's Finest.” James Crispell, AMG.
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Blessed Are...
New - LP - VSD 6570/1
Sealed 2014 2LP RSD Exclusive Housed In Gatefold Cover.
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Blessed Are...
New - LP - VSD-6570/1
Factory Sealed 1971 2LP Gatefold With Bonus 7" Plus Text Insert. Front Cover Shows Small Tear. “With Blessed Are..., Joan Baez Found Herself With A Hit Single On The Charts. That Song, A Cover Of Robbie Robertson's "The Night They Drove Old Dixie Down," Is Just One Of The Many Surprises On Blessed Are... Once Again Using Some Of Nashville's Finest Pickers And Songwriters, Baez Runs The Gamut Of Such Influences As The Beatles, The Rolling Stones, Mickey Newberry, Jesse Winchester, Stevie Wonder And, Of Course, Herself, While Sounding Nothing More Than Like Joan Baez Always Has. Great Music, And A Lot Of It, Too, For When It Was Released On Vinyl, It Was A Double Album With A Special 7" Single Included. Altogether, 22 Tracks Of Some Of Joan's Finest.” James Crispell, AMG.
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Blessed Are...
Used - LP - VSD-6570/1
Clean 1971 2LP plus 7" Housed In Gatefold Cover. Joan Baez's 1971 album "Blessed Are..." is a powerful and deeply introspective record that showcases the singer's incredible range and versatility. From the hauntingly beautiful "Las, Lonely And Wretched" to the politically charged "The Night They Drove Old Dixie Down," Baez's performances are both emotionally stirring and intellectually engaging.
The album's title track, "Blessed Are," is a standout, with Baez's angelic vocals soaring over a backdrop of acoustic guitar and strings. The song's lyrics, which celebrate the beauty and wonder of the natural world, are as relevant today as they were when the album was first released.
"Blessed Are..." is a testament to Baez's commitment to social justice and her gift for interpreting and adapting the work of other artists. With its mix of original compositions and covers of songs by Bob Dylan and others, the album remains a timeless masterpiece of folk music.
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Blowin' Away
New - LP - PR 34697
Sealed 1977 Original.
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Carry It On
Used - LP - VSD 79313
Beautiful Gold Label Stereo Original. Custom "Joe Hill" Sticker Over Shrink Wrap.
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Carry It On - Original Sound Track Album
Used - LP - VSD-79313
1971 Gold Label Stereo Original With Insert. Top Seam Wear.
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Carry It On Original Sound Track Album
New - LP - VSD 79313
Sealed 1976 Stereo Release With Cut Corner & Compression Of Cover Along Top Seam. Label Variation Unknown But Likely The Wooden Design Vanguard Label.
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Come From The Shadows
Used - LP - SP 4339
1972 US Original Monarch Pressing, Housed In An Embossed Gatefold Jacket. Moderate Edge Wear. Co-Produced With Norman Putnam, Who Also Plays Bass On The Record.
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Come From The Shadows
Used - LP - SP 3103
Beautiful 1972 White Label Promo, Gatefold Cover, Clean COH, Light Stain On Cover. Her 4 Star Debut Album For A&M Including John Lennon's "Imagine."
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Come From The Shadows
Used - LP - SP 4339
Beautiful 1972 White Label Promo Housed In An Embossed Gatefold Jacket. Clean Cut Out Hole. Appears Unplayed.
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Come From The Shadows
New - LP - SP 3103
Sealed Non-Gatefold Issue With Small COH. Her 4 Star Debut Album For A&M Including John Lennon's "Imagine."
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Come From The Shadows
New - LP - QU 54339
Sealed And Super Hefty 1972 Quadraphonic Gatefold Original. Light Rubbing On The Far Right 1" Of Bottom Seam. A&M's First Quad Release, Done With the Sansui QS System.
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David's Album
Used - LP - VSD 79308
1969 Gold Label Stereo Original.
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David's Album
Used - LP - VSD 79308
Beautiful 1969 Gold Label Stereo Original In Shrink Wrap.
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David's Album
New - LP - VSD 79308
Sealed 1969 Stereo Original. Demonstration Stamp On Back Cover.
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David's Album
Used - LP - C 062-91 34
German Gold Label Stereo Laminated Jacket Original. Appears Unplayed.
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David's Album
New - LP - VSD 79308
Sealed 1969 Gold Label Stereo Original. Archival Quality Copy.
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David's Album
Used - LP - VSD • 79308
1969 US Original In Shrink. Slight Spine Wear. Produced By Maynard Solomon. "Joan Baez Started Working With Nashville Musicians In October Of 1968, With The Combined Sessions That Yielded Any Day Now -- Her Still Highly Respected Showcase Of Bob Dylan Songs -- And David's Album. Ironically, David's Album, Intended As A Gift To Her Draft-resistor Husband, David Harris, Who Was About To Start A Three-year Jail Term For Refusing Induction, Was Her Main Motivation For Going To Cbs Studios In Nashville, But It Has Always Stood In The Shadow Of Any Day Now, Which Had The Obvious Allure Of Being An Assembly Of 16 Dylan Songs. Not Surprisingly, David's Album Has All Kinds Of Veiled Topical Resonances -- "If I Knew" Was A Heartfelt Peace Anthem That Surely Opens The Album Because Of What It Seems To Say For Harris, While "Poor Wayfaring Stranger" (Which Got Further Exposure As A Single B-side In 1970), One Of The Most Beautiful Songs That Baez Ever Recorded (Featuring Her Harmonizing With Mimi Fariña), And "Tramp On The Street" Are Both Tributes To All Of The Politically And Financially Dispossessed Of The Era; It Was The Kind Of Repertoire That Used To Get Full-blooded Country Performers Like Johnny Cash Suspected Of Being Leftists In The Ultra-right Country Music Mecca, But If Baez Managed To Mute The Topical Edge Of Such Songs, It Was Only Because They Were Sandwiched In Between Inspired Renditions Of More Typical Country Fare Such As "Green, Green Grass Of Home" And "Will The Circle Be Unbroken" And The Gospel Standard "Just A Closer Walk With Thee." The Latter Is, Incidentally, This Album's Masterpiece, Opening With An A Cappella Baez Introduction, Joined By A Gospel Organ Before The Band Comes In. The Album Also Had An Almost Preternaturally Early Cover Of Gram Parsons' "Hickory Wind," Which Hadn't Been Out All That Long At The Time. All Of This May Sound Very Quaint 40 Years On, But In 1969 It Was A Very Potent Message, And The Singing And Playing Still Hold Up. Baez Also Sets Aside Some Of Her Occasional Stridency Here, In Favor Of A More Relaxed Performance That Shows Her In The Most Engaging Manner Of Her Career On Numbers Like "Will The Circle Be Unbroken" (Where She's Joined By The Jordanaires) And The Parsons Song. David's Album Has Transcended Its Origins In Part Because Of The Sheer Range Of Material On It, As Well As The Presence Of Such Top Nashville Talent As Grady Martin, Hal Rugg, Pete Drake, Jerry Reed, Buddy Spicher, Hargus "Pig" Robbins, And Fred Carter. David Harris Is Long Since Out Of Jail, And He And Baez Parted, But It's Still An Excellent Album." AMG - Bruce Eder.
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Day After Tomorrow
New - LP - 30021
Sealed, Out Of Print 2008 180gm HQ Original.
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Day After Tomorrow
Used - LP - 30021
Out Of Print 2008 180gm HQ Original With Insert. Appears Unplayed.
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Diamonds & Rust
Audiophile - LP - MFSL 1-238
Factory Sealed, Limited Edition 200gm Half-Speed Mastered Anadisc Housed In A Deluxe Gatefold Cover. This Is Low Number 0149. Pristine Copy.
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Diamonds & Rust
TAS List - LP - MFSL 1-238
Beautiful 1995 Limited Edition, Foil Numbered Half-Speed Mastered 200gm Anadisc, Gatefold Jacket. This Is Number Low # 0114.
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Diamonds & Rust
Audiophile - LP - NR 12
First Factory Sealed Copy Of This Rare Half-Speed Master We Have Seen In Years. Tiny Crack On Center Top Seam, Hence Price.
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Diamonds & Rust
New - LP - SP 3233
Sealed Early 80's Reissue Pressed On Quiex Virgin Vinyl With Excellent Sound.
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Diamonds & Rust
Audiophile - LP - NR 12
Rare 1980 Half-Speed Master Of Her Superb 1975 5 Star Album. Includes Insert. LP Appears Unplayed.
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Diamonds & Rust
New - LP - MFSL 1-238
Factory Sealed, Limited Edition 200gm Anadisc. Low Number 0307.
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Diamonds & Rust
New - LP - SP 4527
Sealed 1975 Textured Cover Original With Very Rare Custom "Blue Sky" Sticker Over Shrink. Slight Corner Rub.
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Diamonds & Rust
Used - LP - SP 4527
1975 Textured Cover Original With Printed Inner Sleeve. Appears Glossy, Unplayed.
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Diamonds & Rust
Audiophile - LP - NR 12
1980 Half-Speed Master With Insert. LP Appears Glossy, Unplayed. Small Corner Bump, Hence Price.
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Diamonds & Rust
dbx - LP - NR 12
Factory Sealed dbx Encoded LP.
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Diamonds & Rust
Used - LP - SP 4527
Near Mint 1975 White Label Promo With Custom Inner Sleeve. Jacket Has Light Seam Wear And A Clean COH.
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Diamonds & Rust
New - LP - SP 4527
Factory Sealed 1975 Heavy Vinyl First Pressing Housed In A Textured Jacket. Gold Promo Stamp On Back Cover May Make This A White Label Promo.
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Diamonds & Rust
Audiophile - LP - 393 233
Out Of Print 180gm HQ Reissue Of Her Great 1975 Album. Shrink Wrap Intact. LP Appears Glossy, Unplayed.
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Diamonds & Rust
Used - LP - 393 233
Out Of Print 180gm HQ Reissue Of Her Great 1975 Album. Small Top Center Seam Split, Hence Great Price.
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Diamonds & Rust
New - LP - SP 4527
Factory Sealed 1975 Heavy Vinyl First Pressing Housed In A Textured Jacket. Cut Corner.
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Diamonds & Rust
dbx - LP - NR 12
1980 dbx Encoded LP With Insert. Mastered In Real Time. LP Appears Glossy, Unplayed. Cover Is NM. CAUTION: You Must Own A dbx Decoder To Play This LP.
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Diamonds & Rust
Quad - LP - QU 54527
1975 Quadraphonic (Compatible Stereo) Edition With Custom Inner Sleeve. Shrink Wrap Intact With Blue Quad Sticker. Appears Unplayed.
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Diamonds & Rust
Audiophile - LP - MFSL 1-238
Foil Numbered, Limited Edition 1995 Half-Speed Mastered 200gm Anadisc Housed In A Deluxe Gatefold Jacket. This Is Number 1505. Small Corner Crease.
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Diamonds & Rust
Used - LP - SP-4527
1975 Textured Cover Original Monarch Pressing, With Printed Inner Sleeve. Still In Shrink. "With The Vietnam War Winding Down, Joan Baez, Who Had Devoted One Side Of Her Last Album To Her Trip To Hanoi, Delivered The Kind Of Commercial Album A&m Records Must Have Wanted When It Signed Her Three Years Earlier. But She Did It On Her Own Terms, Putting Together A Session Band Of Contemporary Jazz Veterans Like Larry Carlton, Wilton Felder, And Joe Sample, And Mixing A Wise Selection From The Work Of Current Singer-songwriters Like Jackson Browne And John Prine With Pop Covers Of Stevie Wonder And The Allman Brothers Band, And An Unusually High Complement Of Her Own Writing. A&m, No Doubt Recalling The Success Of Her Cover Of The Band's "The Night They Drove Old Dixie Down," Released Her Version Of The Allmans' "Blue Sky" As A Single, And It Got Halfway Up The Charts. But The Real Hit Was The Title Track, A Self-penned Masterpiece On The Singer's Favorite Subject, Her Relationship With Bob Dylan. Outdoing The Current Crop Of Confessional Singer/songwriters At Soul Baring, Baez Sang To Dylan, Reminiscing About Her '60s Love Affair With Him Intensely, Affectionately, And Unsentimentally. It Was Her Finest Moment As A Songwriter And One Of Her Finest Performances, Period, And When A&m Finally Released It On 45, It Made The Top 40, Propelling The Album To Gold Status. But Those Who Bought The Disc For "Diamonds & Rust" Also Got To Hear "Winds Of The Old Days," In Which Baez Forgave Dylan For Abandoning The Protest Movement, As Well As The Jazzy "Children And All That Jazz," A Delightful Song About Motherhood, And The Wordless Vocals Of "Dida," A Duet With Joni Mitchell Accompanied By Mitchell's Backup Band, Tom Scott And The L.a. Express. The Cover Songs Were Typically Accomplished, Making This The Strongest Album Of Baez's Post-folk Career." AMG Review By William Ruhlmann.
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Diamonds & Rust
Used - LP - SP-4527
1975 Textured Cover Original Monarch Pressing, With Printed Inner Sleeve. Vinyl Shows Superficial Marking, But Plays NM. "With The Vietnam War Winding Down, Joan Baez, Who Had Devoted One Side Of Her Last Album To Her Trip To Hanoi, Delivered The Kind Of Commercial Album A&m Records Must Have Wanted When It Signed Her Three Years Earlier. But She Did It On Her Own Terms, Putting Together A Session Band Of Contemporary Jazz Veterans Like Larry Carlton, Wilton Felder, And Joe Sample, And Mixing A Wise Selection From The Work Of Current Singer-songwriters Like Jackson Browne And John Prine With Pop Covers Of Stevie Wonder And The Allman Brothers Band, And An Unusually High Complement Of Her Own Writing. A&m, No Doubt Recalling The Success Of Her Cover Of The Band's "The Night They Drove Old Dixie Down," Released Her Version Of The Allmans' "Blue Sky" As A Single, And It Got Halfway Up The Charts. But The Real Hit Was The Title Track, A Self-penned Masterpiece On The Singer's Favorite Subject, Her Relationship With Bob Dylan. Outdoing The Current Crop Of Confessional Singer/songwriters At Soul Baring, Baez Sang To Dylan, Reminiscing About Her '60s Love Affair With Him Intensely, Affectionately, And Unsentimentally. It Was Her Finest Moment As A Songwriter And One Of Her Finest Performances, Period, And When A&m Finally Released It On 45, It Made The Top 40, Propelling The Album To Gold Status. But Those Who Bought The Disc For "Diamonds & Rust" Also Got To Hear "Winds Of The Old Days," In Which Baez Forgave Dylan For Abandoning The Protest Movement, As Well As The Jazzy "Children And All That Jazz," A Delightful Song About Motherhood, And The Wordless Vocals Of "Dida," A Duet With Joni Mitchell Accompanied By Mitchell's Backup Band, Tom Scott And The L.a. Express. The Cover Songs Were Typically Accomplished, Making This The Strongest Album Of Baez's Post-folk Career." AMG Review By William Ruhlmann.
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Diamonds & Rust
Used - LP - SP-3233
1975 Textured Cover Original Monarch Pressing, With Printed Inner Sleeve. Still In Shrink. "With The Vietnam War Winding Down, Joan Baez, Who Had Devoted One Side Of Her Last Album To Her Trip To Hanoi, Delivered The Kind Of Commercial Album A&m Records Must Have Wanted When It Signed Her Three Years Earlier. But She Did It On Her Own Terms, Putting Together A Session Band Of Contemporary Jazz Veterans Like Larry Carlton, Wilton Felder, And Joe Sample, And Mixing A Wise Selection From The Work Of Current Singer-songwriters Like Jackson Browne And John Prine With Pop Covers Of Stevie Wonder And The Allman Brothers Band, And An Unusually High Complement Of Her Own Writing. A&m, No Doubt Recalling The Success Of Her Cover Of The Band's "The Night They Drove Old Dixie Down," Released Her Version Of The Allmans' "Blue Sky" As A Single, And It Got Halfway Up The Charts. But The Real Hit Was The Title Track, A Self-penned Masterpiece On The Singer's Favorite Subject, Her Relationship With Bob Dylan. Outdoing The Current Crop Of Confessional Singer/songwriters At Soul Baring, Baez Sang To Dylan, Reminiscing About Her '60s Love Affair With Him Intensely, Affectionately, And Unsentimentally. It Was Her Finest Moment As A Songwriter And One Of Her Finest Performances, Period, And When A&m Finally Released It On 45, It Made The Top 40, Propelling The Album To Gold Status. But Those Who Bought The Disc For "Diamonds & Rust" Also Got To Hear "Winds Of The Old Days," In Which Baez Forgave Dylan For Abandoning The Protest Movement, As Well As The Jazzy "Children And All That Jazz," A Delightful Song About Motherhood, And The Wordless Vocals Of "Dida," A Duet With Joni Mitchell Accompanied By Mitchell's Backup Band, Tom Scott And The L.a. Express. The Cover Songs Were Typically Accomplished, Making This The Strongest Album Of Baez's Post-folk Career." AMG Review By William Ruhlmann.
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Diamonds & Rust
Audiophile - Used - NR 12
1980 Half-Speed mastered superdisc. Joan Baez's 1975 album "Diamonds & Rust" is a masterpiece that shines with raw emotion and stunning musicianship. The title track, a reflection on her tumultuous relationship with Bob Dylan, is a standout, with Baez's haunting vocals and intricate guitar work creating an atmosphere of melancholy and longing. The album also features a cover of John Prine's "Hello In There" which Baez imbues with a sense of yearning that is both palpable and heartbreaking. Other highlights include "Winds of the Old Days" a gorgeous ballad that showcases Baez's vocal range, and the traditional folk song "Children and All That Jazz" which Baez infuses with a sense of urgency and rebellion. "Diamonds & Rust" hits the mark by capturing the essence of Baez's artistry and places her among the elite singer-songwriters of her generation.
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Diamonds & Rust
Audiophile - Used - NR 12
1980 Half-Speed mastered superdisc. NM- vinyl; EX jacket, ding to corner & mouth edge, close to NM. Joan Baez's 1975 album "Diamonds & Rust" is a masterpiece that shines with raw emotion and stunning musicianship. The title track, a reflection on her tumultuous relationship with Bob Dylan, is a standout, with Baez's haunting vocals and intricate guitar work creating an atmosphere of melancholy and longing. The album also features a cover of John Prine's "Hello In There" which Baez imbues with a sense of yearning that is both palpable and heartbreaking. Other highlights include "Winds of the Old Days" a gorgeous ballad that showcases Baez's vocal range, and the traditional folk song "Children and All That Jazz" which Baez infuses with a sense of urgency and rebellion. "Diamonds & Rust" hits the mark by capturing the essence of Baez's artistry and places her among the elite singer-songwriters of her generation.
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Diamonds And Rust In The Bullring
Audiophile - New - APF 080
Sealed 2014 Limited Edition 200gm Audiophile Pressing Mastered From The Original Analog Tapes. Pressed At QRP. "Diamonds & Rust In The Bullring Is Not To Be Confused With Her 1975 Studio Album Diamonds & Rust, Of Course, And It Is Not A Live Recording Of The Songs From That Album, Either, Even Though The Song "Diamonds & Rust" Itself Does Lead It Off. So, The Title Is Not Helpful. The Album Chronicles A Show Performed By Baez, In A Bullring, Naturally, In Bilbao, Spain, In 1988, And It Demonstrates What Makes Her Such A Draw Overseas. Half Of The Collection (Side Two Of The LP And Cassette, Tracks Seven Through 12 Of The CD) Consists Of Songs Sung In Spanish, Recalling Her 1974 All-Spanish Album Gracias A La Vida And Including That LP's Title Song, Here Performed As A Duet With Mercedes Sosa, "El Preso Numero Nueve" (Which Was Also On Her Debut Album, Joan Baez, In 1960), "Llego Con Tres Heridas," And "No Nos Moveran" (Aka "We Shall Not Be Moved"). Also Part Of The Spanish Side Are A Translation Of Sting's "They Dance Alone (Gueca Solo)," Called "Ellas Danzan Solas (Cueca Sola)." (Singing In Spanish Always Seems To Remind Baez Of The Bloody Chilean Military Coup And Its Aftermath.) But The Song That Most Moves The Crowd Is The Pretty "Txoria Txori," A Song In Basque With Which They Sing Along."" William Ruhlmann, AMG
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Diamonds And Rust In The Bullring
Used - LP - 71321
Hard To Find 1989 Vinyl. Absolutely Fabulous Live Recording Made In A Bullring In Bilbao, Spain, 1988.
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Diamonds And Rust In The Bullring
Used - LP - 71321
Stunning And Extremely Hard To Find 1989 Vinyl. Absolutely Fabulous Live Recording Made In A Bullring In Bilbao, Spain, 1988. Small Saw Notch. Shrink Wrap Intact.
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European Tour
Used - LP - PRT 84790
Hard To Find 1980 UK Only Vinyl.
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European Tour
Used - LP - PRT 84790
Rare 1981 Original. Features Mickey Hart, Greg Poree And Mel Martin. Recoded In France, Spain And Germany. Appears To Be UK Decca Stampers In Dead Wax. Looks Unplayed.
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European Tour
Used Import - 14446
Rare 1980 Brazilian Original. Appears Unplayed. Features Mickey Hart, Greg Poree And Mel Martin. Recorded In France, Spain And Germany.
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Farewell, Angelina
TAS List - LP - VSD-79200
2003 180gm HQ Stereo Reissue. Record Appears Glossy, Unplayed. Still Has The Original Outer Sleeve With The Cisco Sticker And Custom Hype Sticker. A Former Member Of Harry Pearson’s Renowned TAS Superdisc List Is A Worthy Member Of Your Audio Reference List. The Most Recognizable Folk Singer Of All Time In One Of Her Best Albums. By Her 5th Album For Vanguard, Joan Baez Had Already Mastered The Art Of Traditional Folk And Started Exploring New, More Topical Material. As The Title Suggests, Farewell, Angelinaincludes Songs By Joan's Close Friend Bob Dylan. Since Dylan's Songs Were Already Popping Up In Her Live Repertoire, It Was A Natural Transition. Carefully Combining Dylan Tunes, Other Contemporary Folk Fave's Like Donovan's "Colours" With Some Old-Time Classics, The Record Features "A Hard Rain's A Gonna Fall," “Daddy, You've Been On My Mind" And The Definitive Reading Of "It's All Over Now, Baby Blue.” Farewell, Angelina Is An Indispensible Classic That Belongs In Every Connoisseur’s Collection.
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Farewell, Angelina
TAS List - LP - VSD 79200
Gold Label Stereo Original, High Gloss Cover.
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Farewell, Angelina
TAS List - LP - VSD 79200
Sealed, Out Of Print 180gm HQ Vinyl. A Former Member Of Harry Pearson’s Renowned TAS Superdisc List Is A Worthy Member Of Your Audio Reference List. The Most Recognizable Folk Singer Of All Time In One Of Her Best Albums. By Her 5th Album For Vanguard, Joan Baez Had Already Mastered The Art Of Traditional Folk And Started Exploring New, More Topical Material. As The Title Suggests, Farewell, Angelinaincludes Songs By Joan's Close Friend Bob Dylan. Since Dylan's Songs Were Already Popping Up In Her Live Repertoire, It Was A Natural Transition. Carefully Combining Dylan Tunes, Other Contemporary Folk Fave's Like Donovan's "Colours" With Some Old-Time Classics, The Record Features "A Hard Rain's A Gonna Fall," “Daddy, You've Been On My Mind" And The Definitive Reading Of "It's All Over Now, Baby Blue.” Farewell, Angelina Is An Indispensible Classic That Belongs In Every Connoisseur’s Collection.
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Farewell, Angelina
TAS List - LP - VSD 79200
Out Of Print 2003 180gm HQ Stereo Reissue. Vinyl Appears Unplayed. A Former Member Of Harry Pearson’s Renowned TAS Superdisc List Is A Worthy Member Of Your Audio Reference List. The Most Recognizable Folk Singer Of All Time In One Of Her Best Albums. By Her 5th Album For Vanguard, Joan Baez Had Already Mastered The Art Of Traditional Folk And Started Exploring New, More Topical Material. As The Title Suggests, Farewell, Angelinaincludes Songs By Joan's Close Friend Bob Dylan. Since Dylan's Songs Were Already Popping Up In Her Live Repertoire, It Was A Natural Transition. Carefully Combining Dylan Tunes, Other Contemporary Folk Fave's Like Donovan's "Colours" With Some Old-Time Classics, The Record Features "A Hard Rain's A Gonna Fall," “Daddy, You've Been On My Mind" And The Definitive Reading Of "It's All Over Now, Baby Blue.” Farewell, Angelina Is An Indispensable Classic That Belongs In Every Connoisseur’s Collection.
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Farewell, Angelina
TAS List - LP - VSD 79200
Beautiful Orange Label, Heavy Vinyl Stereo In Shrink Wrap. TAS Superdisc.
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Farewell, Angelina
New - LP - VRS 9200
Sealed Mono. TAS Superdisc.
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Farewell, Angelina
New - LP - VSD 79206
Sealed 2012 Reissue. The Most Recognizable Folk Singer Of All Time In One Of Her Best Albums. By Her 5th Album For Vanguard, Joan Baez Had Already Mastered The Art Of Traditional Folk And Started Exploring New, More Topical Material. As The Title Suggests, Farewell, Angelina Includes Songs By Joan's Close Friend Bob Dylan. Since Dylan's Songs Were Already Popping Up In Her Live Repertoire, It Was A Natural Transition. Carefully Combining Dylan Tunes, Other Contemporary Folk Fave's Like Donovan's "Colours" With Some Old-Time Classics, The Record Features "A Hard Rain's A Gonna Fall," “Daddy, You've Been On My Mind" And The Definitive Reading Of "It's All Over Now, Baby Blue.” Farewell, Angelina Is An Indispensible Classic That Belongs In Every Connoisseur’s Collection.
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Farewell, Angelina
New - LP - VSD 79200
Sealed 2012 Limited Edition Record Store Day Pressing Limited To 1000 Copies.
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First 10 Years
New - LP - VSD 6560/1
Sealed 2LP First Pressing Of This Stereo Housed In A Gatefold Jacket With 12 Page Photo History Enclosed. Pristine Store Stock Copy.
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First 10 Years
Used - LP - VSD 6560/1
1970 2LP WLP Gatefold With 13 Page Color Photo History.
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From Every Stage
New - LP - SP 3704
Factory Sealed 1976 2LP (May Be A White Label Promo). Recorded Live In Hollywood, Sacramento, Berkeley And Monterey. Large Yellow Song Sticker And Promo Sticker On Cover. Clean COH.
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From Every Stage
Used - LP - SP 3704
1976 2LP White Label Promo, Gatefold Cover. COH. Both LPs Appear Unplayed.
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From Every Stage
New - LP - SP 3704
Sealed 1975 2LP Gatefold. Live Album Recorded In Sacramento, LA, Berkeley And Other Cities.
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From Every Stage
New - LP - SP 3704
Sealed 1976 2LP Gatefold Original. Custom Album Hype Sticker On Shrink Wrap. Recorded Live In Hollywood, Sacramento, Berkeley And Monterey.
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From Every Stage-Promo Only
Used - LP - SP 8375
Rare 1976 White Label Promo Only LP. Features Previously Unreleased Live Recordings Of "Please Come To Boston," "Boulder To Birmingham," "Lily, Rosemary And The Jack Of Hearts," "Love Is Just A Four-Letter-Word," "Forever Young," "I Shall Be Released" And "Diamonds And Rust."
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Gone From Danger
New - LP - DIV022
Sealed, Out Of Print 2010 180gm Gatefold Original.
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Gulf Winds
Used - LP - SP 4603
1976 White Label Promo. Clean Cut Out Hole. Appears Unplayed.
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Gulf Winds
New - LP - SP 4603
Sealed 1976 Original, Small Saw Notch.
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Gulf Winds
Used - LP - SP-4603
1976 Original With Custom Inner Sleeve.
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Gulf Winds
New - LP - SP 4603
Sealed 1976 Original. Produced by David Kershenbaum. Features studio work from Duck Dunn, Jim Gordon, Malcom Cecil and Dean Parks to name a few!
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Gulf Winds
Used - LP - SP-4603
1976 Original With Custom Inner Sleeve. Gulf Winds, the 1976 record by Joan Baez, is a must-have for any folk music enthusiast. The album is a unique blend of traditional folk songs, original compositions, and covers of contemporary hits. What sets this album apart is the rich and diverse sound that Baez creates with her voice and her choice of instruments. From the opening track "Sweeter For Me" with its haunting melody to the upbeat and lively "O Brother", Gulf Winds showcases Baez's ability to tell a story through her music and connect with her audience on a deep emotional level.
One of the standout tracks on the album is "Still Waters At Night", a beautiful ballad that showcases Baez's stunning vocals. The song is a testament to her ability to capture the essence of a complicated emotion and convey it through her music. With its lush instrumentation and poetic lyrics, Gulf Winds is a timeless album that has stood the test of time. It is a record that will transport you to another time and place and leave you feeling inspired and uplifted. Whether you are a longtime fan of Joan Baez or a newcomer to the world of folk music, Gulf Winds is a must-listen.
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Hits / Greatest & Others
New - LP - VSD 79332
Sealed 1973 Gold Label First Pressing. No Cuts, Small Corner Bump.
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Hits / Greatest & Others
Used - LP - VSD 79332
1973 Gold Label Stereo Original In Shrink Wrap. LP Looks Unplayed.
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Honest Lullaby
Used - LP - JR 35766
Hard To Find 1979 Original. First Copy We Seen In Five Years.
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In Concert
TAS List - LP - VSD 2122
First Sealed Copy Of This Gold Label Stereo TAS Superdisc We Have Seen In Years.
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In Concert
TAS List - LP - VSD 2122
Sealed, Long Out Of Print, Limited Edition 180gm HQ Stereo Reissue. A TAS Superdisc Title.
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In Concert
TAS List - LP - VRS 9112
Beautiful Red & Silver Label Deep Groove Mono Original Housed In A Heavy-Duty Laminated Jacket. Appears Unplayed. The Stereo Version Is A TAS Superdisc Title.
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In Concert
TAS List - LP - VSD 2122
Beautiful Orange Label Heavy Vinyl Stereo In Heavy Card, Laminated Jacket. TAS Superdisc.
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In Concert
TAS List - LP - VSD 2122
Long Out Of Print 180gm HQ Vinyl Stereo Reissue. A TAS Superdisc Title. Glossy, Unplayed Condition.
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In Concert Part 2
New - LP - VSD 9113
Sealed Stereo Gold Label.
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Joan
Used - LP - VSD 79240
1967 Gold Label Stereo Original. Crisp Corners, No Cut-Out Holes. Appears Unplayed.
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Joan
New - LP - VSD 79240
Sealed 1967 Stereo. Label Variation Unknown. Crisp Cornres, No Cut-Out Holes.
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Joan
Used - LP - VSD-79240
1968 US Reissue On Gold Label With White Horse Logo & "Stereo" Not Stereolab Like '67 First Pressings. Crisp Jacket Still In Shrink With Vanguard Company Die Cut Inner. "Joan Was Very Much An Album Of Its Time In Terms Of Its Sound And Production, More So Than Any Other Album That Joan Baez Ever Recorded. In 1967, Rock, Folk, Folk-rock, And Pop All Seemed To Be Headed In New And Ever-more-ornate Directions, And Joan Was A Response To That Change And, Not Coincidentally, Is Also The Most Self-consciously Beautiful Record That Baez Ever Cut. Arranger/conductor Peter Schickele, Who Had Previously Worked With Baez On Her Christmas Album, Provides Generally Restrained Orchestral Accompaniment On Ten Of The 12 Songs Here. The Latter, In Sharp Contrast To Baez's Earlier Work, Are Mostly Drawn From A Wide Range Of Such Popular Composers As John Lennon And Paul Mccartney, Donovan, Paul Simon, And Jacques Brel, As Well As Tim Hardin And Baez's Late Brother-in-law, Richard Farina. Several Of These Tracks -- "Turquoise" With Its Gorgeous Parts For The Harps And The Horns, "Children Of Darkness" With Its Beautiful Writing For The Reeds, And "Saigon Bride" With Its Haunting Brass Part -- Are Profoundly Beautiful. Others, Such As "Eleanor Rigby" And "Dangling Conversation," Don't Come Off Nearly As Well, In Part Because They're Competing Against Fairly Ornate Originals And Also -- In The Case Of The Paul Simon Song -- Because Of Baez's Decision To Alter The Words. If Joan Has One Unfortunate Attribute, It Lies In The Singer's Sinatra-like Tendency To Alter The Lyrics Of The Songs That She's Chosen To Cover, If Only By A Single Word ("Is The Theater Really Dead" Becomes "Is The Church Really Dead," For No Reason That Anyone But The Singer Has Ever Been Able To Fathom); That And Her Overly Strident Singing (Mated To An Overly Strident Brass-laden Arrangement) Of Jacques Brel's "La Colombe" Constitute The Low Point Of This Otherwise Very Fine Album. Additionally, Baez Shows Off The Two Earliest-published Products Of Her Career As A Songwriter, In The Form Of "North" And "Saigon Bride," The Latter A Particularly Poignant Anti-war Song That Expresses The Futility Of The Vietnam War About As Well As Anything This Side Of Phil Ochs' "White Boots Marching In A Yellow Land"." AMG - Bruce Eder.
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Joan Baez
Used - LP - VSD 2077
Clean 1968 US Stereo reissue on the Gold Vanguard label, still in shrink.
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Joan Baez
Audiophile - New - VSD 2077
Sealed 2007 Stereo 180gm Analogue Audiophile Reissue; UK Import. A Folk Classic And A Seminal Body Of Work.
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Joan Baez
Audiophile - New - CR00117
Sealed 2018 180gm Audiophile Reissue From Craft Recordings. All Analogue Remastering At Cohearant Audio By Kevin Gray. Exclusive Barnes & Noble Version, Pressed On Red Vinyl. Old Store Sticker Covering Portion Of Hype Sticker.
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Joan Baez
New - LP - VSD 79078
Factory Sealed, 1960 Very Heavy Vinyl Stereo (May Be An Original). Her Five Star Debut. Pristine.
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Joan Baez
New - LP - VRS 9078
Sealed 1960 Deep Groove Maroon And Silver Label Original. LP Is Sealed In The Inner Baggy.
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Joan Baez
Used - LP - VSD 2077
1964 2nd Issue Orange Label Heavy Vinyl (Released In 1960 On The Rare Black & Silver Label). Appears Glossy, Unplayed.
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Joan Baez
Audiophile - New - VSD 2077
Sealed 2007 Stereo 180gm Analogue Audiophile Reissue; UK Import. A Folk Classic And A Seminal Body Of Work.
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Live Europe 83 - Children Of The Eighties
New - LP -
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Live Europe 83 - Children Of The Eighties
New - LP - AE 260
Sealed & Rare 1983 French Original.
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Live Europe 83 - Children Of The Eighties
Used Import - GS 262
Scarce 1983 Canadian Pressing With Shrink Intact. Record Appears Unplayed.
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Live!
Used - LP - GP 90
Japan-Only White Label Promo Rarity. Recorded At Teatro Lirico In Milan, 1967. Gatefold Cover, No Obi. LP Looks Unplayed. Probably The Only Copy We Will Ever See Of This Great Title, Which Has Not Been Released On CD. Many Of The Japanese WLP's Were Not Issued With Obi Strips.
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Lovesong Album
Used - LP - VSD 79/80
2LP Gatefold Stereo Compilation With Shrink Still Intact. Cut Corner.
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Noel
Used - LP - VSD 9230
1966 Mono Original With Shrink Wrap Still Intact. Appears Glossy, Unplayed.
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Noel
Used - LP - VSD 79230
Beautiful Gold Label Stereo Original In Shrink Wrap.
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Noel
Used - LP - VSD 79230
Early 70's Gold Label Stereo All-Analogue Reissue In Shrink Wrap.
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Noel
New - LP - VSD 79230
Factory Sealed And Pristine Stereo (Label Variation Unknown). In Beautiful Condition With No Promo Cuts. Music Arranged And Conducted By Peter Schickele A.K.A. PDQ Bach.
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Noel
New - LP - VSD 79230
Sealed Mid-70s Stereo Reissue.
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One Day At A Time
Used - LP - VSD 79310
1969 Gold Label With Horseman Logo Stereo Original Housed In A Gatefold Cover. LP Appears Glossy, Unplayed. Sweet, Sweet Sound! “One Of The Oft-Overlooked Aspects Of Joan Baez's Career In The 1960s Is That After The First Four Albums, She Never Did The Same Thing Twice; What's More, With The Possible Exception Of The Baptism Album, She Succeeded At Least 90 Percent Of The Time In Practically Everything New That She Tried During That Decade. One Day At A Time Is Much Closer To 100 Percent On Target, And Was Also Startlingly New And Daring At The Time. Today It Seems Like No Big Deal, But In 1970 Very Few Singers Coming Out Of The Folk Scene As Baez Did Were Reaching Out To Willie Nelson ("One Day At A Time") And Even The Rolling Stones ("No Expectations") For Repertory, Much Less Putting Them On The Same Album With Music By Old Leftist Composers Like Earl Robinson ("Joe Hill"), And Then Interspersing Those Songs With Traditional Country Numbers. Even Better, She Was Also Writing Her Own Songs, One Of Which, "Sweet Sir Galahad," Ranks Among The Best Songs That She Ever Recorded (No Small Compliment Considering That The Latter List Includes Much Of The Dylan Catalog, Among Other Heavyweight Compositional Competition). She Was In The Middle Of Her Country Phase, Mostly Working With The Best Players In Nashville (Who Are A Pleasure To Hear As Well), But One Day At A Time Has A Freer, Looser Feel Than David's Album Or Blessed Are, Both Of Which Came Out Of The Same Orbit. Her Version Of "Long Black Veil" Could've Passed Muster At The Grand Ol' Opry, And She Could've Cut These Sessions With Dolly Parton, June Carter Cash, Or Any Other Female Country Singer Of The Era And Not Been Out Of Place. The Sheer, Understated Power Of Her Voice On Delaney & Bonnie's "Ghetto" And On "Carry It On" Is Also Something To Behold, And Makes One Wonder What Kind Of A Gospel Singer Baez Might Have Made In Another Reality. Yet She Could Also Loosen Up Enough To Do A Pure Piece Of Sentimental Traditional Country Music Like "Take Me Back To The Sweet Sunny South" And Make It Work, Too. And Amid Those Multi-Tiered, Widely Spaced Superlatives, One Day At A Time Also Had (And Still Has) An Additional Facet That Should Make It Essential Listening On Another Level, To Yet Another Audience -- It's An Excellent Companion To And Extension Of Baez's Appearance On The Woodstock Album, As Three Of The Cuts Here Feature Her Working With Jeffrey Shurtleff, Who Was Her Accompanist At The Festival As Well.” Bruce Eder, AMG.
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One Day At A Time
Used - LP - VSD 79310
1970's Reissue On The Later Vanguard "Wood Grain" Label, Still In Shrink. Nice Copy, Crisp NM- Jacket. Sweet, Sweet Sound! “One Of The Oft-Overlooked Aspects Of Joan Baez's Career In The 1960s Is That After The First Four Albums, She Never Did The Same Thing Twice; What's More, With The Possible Exception Of The Baptism Album, She Succeeded At Least 90 Percent Of The Time In Practically Everything New That She Tried During That Decade. One Day At A Time Is Much Closer To 100 Percent On Target, And Was Also Startlingly New And Daring At The Time. Today It Seems Like No Big Deal, But In 1970 Very Few Singers Coming Out Of The Folk Scene As Baez Did Were Reaching Out To Willie Nelson ("One Day At A Time") And Even The Rolling Stones ("No Expectations") For Repertory, Much Less Putting Them On The Same Album With Music By Old Leftist Composers Like Earl Robinson ("Joe Hill"), And Then Interspersing Those Songs With Traditional Country Numbers. Even Better, She Was Also Writing Her Own Songs, One Of Which, "Sweet Sir Galahad," Ranks Among The Best Songs That She Ever Recorded (No Small Compliment Considering That The Latter List Includes Much Of The Dylan Catalog, Among Other Heavyweight Compositional Competition). She Was In The Middle Of Her Country Phase, Mostly Working With The Best Players In Nashville (Who Are A Pleasure To Hear As Well), But One Day At A Time Has A Freer, Looser Feel Than David's Album Or Blessed Are, Both Of Which Came Out Of The Same Orbit. Her Version Of "Long Black Veil" Could've Passed Muster At The Grand Ol' Opry, And She Could've Cut These Sessions With Dolly Parton, June Carter Cash, Or Any Other Female Country Singer Of The Era And Not Been Out Of Place. The Sheer, Understated Power Of Her Voice On Delaney & Bonnie's "Ghetto" And On "Carry It On" Is Also Something To Behold, And Makes One Wonder What Kind Of A Gospel Singer Baez Might Have Made In Another Reality. Yet She Could Also Loosen Up Enough To Do A Pure Piece Of Sentimental Traditional Country Music Like "Take Me Back To The Sweet Sunny South" And Make It Work, Too. And Amid Those Multi-Tiered, Widely Spaced Superlatives, One Day At A Time Also Had (And Still Has) An Additional Facet That Should Make It Essential Listening On Another Level, To Yet Another Audience -- It's An Excellent Companion To And Extension Of Baez's Appearance On The Woodstock Album, As Three Of The Cuts Here Feature Her Working With Jeffrey Shurtleff, Who Was Her Accompanist At The Festival As Well.” AMG - Bruce Eder.
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Play Me Backwards
New - LP - DIV 029DLP
Sealed 180gm 2LP Gatefold Featuring The Previously Unreleased Play Me Backwards Demos.
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Play Me Backwards
New - LP - DIV 029DLP
Sealed 180gm 2LP Gatefold Featuring The Previously Unreleased Play Me Backwards Demos. Dents To Upper Corners, Hence Price. If Perfect, $50.
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Recently
New - LP - 171 004
Sealed, Rare 1987 Vinyl. Features "Brothers In Arms" Written By Mark Knopfler. Small Saw Cut. First Sealed Copy We Have Had In Stock In Five Years.
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Recently
Used - LP - 171 004
1987 Original. Jacket Is VG+, With Light Wear, Vinyl Is Near Mint.
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Satisfied Mind
Box Set - 40-5711
1979 All Analogue 4LP Box Set With 8 Page Booklet. All Four LPs (Pressed On Pure Virgin Vinyl) Appear Glossy, Unplayed. First Set We Have Had In Stock In Ten Years.
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Silent Running
Colored Vinyl - VC 81072
Rare Remastered 2nd Issue Pressed On Green Virgin Vinyl. Soundtrack Written And Conducted By Peter Schickele. Appears Glossy, Unplayed. First Copy We Have Seen In Twelve Years.
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Speaking Of Dreams
Used - LP - DI 71324
Extremely Hard To Find 1989 Vinyl.
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The Best Of Joan Baez
Used - LP - SQ 33001
1966 US Stereo Heavy Vinyl Reissue, Still In Shrink. Re-Processed Stereo. Small Corner Dings & Ding To The Mouth Of The Sleeve.
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The Best Of Joan C. Baez
New - LP - SP 3234
Sealed, Hard To Find Compilation.
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The Joan Baez Ballad Book
Used - LP - VSD 41/42
1976 or later 2LP gatefold reissue, on the wood grain Vanguard label. Strong, vibrant VG++ copy. Corner ding.
"The Joan Baez Ballad Book" is a compilation album by Joan Baez, released in 1972. The album features some of Baez's most popular songs, including "The Night They Drove Old Dixie Down", "Banks of the Ohio" and "Farewell, Angelina".
The album was released by Vanguard Records, the label that had been Baez's home for most of her career up to that point. The album was released at a time when Baez was at the peak of her popularity, having become a leading voice in the folk music revival of the 1960s.
"The Joan Baez Ballad Book" was well-received by both fans and critics, and remains a popular album among Baez's discography. It is considered a classic collection of traditional folk songs and ballads, and is often cited as an influence on later generations of folk musicians.
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The Joan Baez Ballad Book
Used - LP - VSD 41/42
1972 Two LP Gatefold Compilation. Mild Edge Warping On Cover.
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The Joan Baez Ballad Book
Used - LP - VSD 41/42
1972 2LP Gatefold Compilation.
"The Joan Baez Ballad Book" is a compilation album by Joan Baez, released in 1972. The album features some of Baez's most popular songs, including "The Night They Drove Old Dixie Down", "Banks of the Ohio" and "Farewell, Angelina".
The album was released by Vanguard Records, the label that had been Baez's home for most of her career up to that point. The album was released at a time when Baez was at the peak of her popularity, having become a leading voice in the folk music revival of the 1960s.
"The Joan Baez Ballad Book" was well-received by both fans and critics, and remains a popular album among Baez's discography. It is considered a classic collection of traditional folk songs and ballads, and is often cited as an influence on later generations of folk musicians.
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The Joan Baez Country Music Album
New - LP - VSD · 105/106
Sealed 1986 2LP Compilation. Pristine Copy. A Compilation Of Joan's Country Songs Gathered For Your Listening Pleasure.
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Very Early Joan
Used - LP - VSD 79446/7
1982 US 2LP Gatefold Compilation. Jacket in Excellent Condition With Nice Sheen, Just Light Spine Rubbing. "This Vanguard Release Is A Heartwarmingly Intimate Look At Joan Baez During Her Most Influential Period (1960-1963). The Album's 22 Tracks Are All Live, Performed Before Audiences Held In Silent And Rapt Attention In Packed Concert Halls. The Singer's Trademark Politically Tinged Folk Songs Are Charmingly Blended With A Few Pop Interpretations Like The Jerry Ragovoy Early Soul Classic "She's A Trouble Maker" And A Fun Version Of The Diamonds' "Little Darlin'," Revealing A Rarely Seen Lighthearted Side Of The Activist. Baez's Voice Never Sounded Better Than During This Era, And Her Live Performances Resonate With A Confident Honesty. The Only Detractions Of This Cd Are In The Production: The Whole Album Is Mixed Very Quietly (Requiring The Listener To Crank Up The Volume) But The Applause Between Songs Seems Brashly Loud. The Other Nitpick Is That, For Some Reason, The Album's Engineer Fades Baez's Voice From Left To Right Within The Songs; This Isn't A Tremendous Problem But Listening On Headphones To The Sound Bobbing Back And Forth Can Create A Feeling Of Seasickness. However, These Minor Flaws Should Not Discourage Anyone From Picking Up Very Early Joan, A Shining Example Of The Bridge From The Traditional Weavers/kingston Trio Folk Singing Of The Fifties And The Youthful Fire Of The Political Folk Of The '60s." AMG - Zac Johnson.
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Very Early Joan
New - LP - 79446/7
Sealed 1982 Columbia Record Club Only 2LP Original. 24 Previously Unreleased Performances Recorded During Her Concert Tours Of 1961-1963, Including Two Duets With Pete Seeger.
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Vol. 2
Used - LP - VSD 2097
1961 Deep Groove Black And Silver Label Stereo Original. A Hearty Helping Of Folk Masterpieces That All Fans Of Traditional Folk Music Should Seek Out.
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Vol. 2
Used - LP - VSD 79094
Beautiful Gold 2nd Label Stereo In Shrink Wrap.
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Vol. 2
New - LP - VRS 9094
Sealed 1961 Heavy Vinyl Mono Original. Small COH.
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Vol. 2
New - LP - VSD 79094
Sealed 1962 Heavy Vinyl Stereo Original. Pristine Copy.
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Vol. 2
Used - LP - VSD 2097
Deep Groove Orange Label Stereo Mid 60s Pressing Of 1961 Album. A Hearty Helping Of Folk Masterpieces That All Fans Of Traditional Folk Music Should Seek Out. WOBC.
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Vol. 2
Used - LP - VSD 79094 / VSD 2097
Beautiful Gold Label With Horseman Logo Stereo 2nd Issue. Shrink Wrap Intact. LP Appears Unplayed.
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Where Are You Now, My Son?
Used - LP - SP 4390
Beautiful 1973 White Label Promo In Custom Red Inner Sleeve With Lyrics. COH. 4 Stars In All Music Guide.
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Where Are You Now, My Son?
Used - LP - SP 4390
Beautiful 1973 Gold Label Original In Shrink Wrap With Original Custom Red Inner Sleeve. Unplayed Condition.
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Where Are You Now, My Son?
New - LP - SP 4390
Sealed 1973 Original. 4 Stars In All Music Guide.
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