Cars
Vinyl Records and Rare LPs:
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'59 Stude (The Backseat)
New - LP - LX 4517.1
Sealed, Rare 1979 "Live" Recording. Songs Are: "My Best Friend's Girl," "Moving In Stereo," "Since I Held You," "Just What I Needed," "Candy-O," "Don't Cha Stop," "Take What You Want."
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'59 Stude (The Backseat)
Used - LP - LX 4517.1
Rare 1979 "Live" Recording In A Plain White Jacket. Songs Are: "My Best Friend's Girl," "Moving In Stereo," "Since I Held You," "Just What I Needed," "Candy-O," "Don't Cha Stop," "Take What You Want." Appears Unplayed.
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Candy-O
New - LP - 5E-507
Sealed 1979 Original, COH. Great Vargas Cover Art.
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Candy-O
New - LP - 5E 507
Sealed 1979 Original Featuring Cover Art By Vargas. Clean COH. Custom Plastic Hype Sticker On Shrink Wrap.
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Candy-O
Audiophile - LP - NR 49
Sealed 1982 Half-Speed Master With Gold Teldec Sticker On The Shrink Wrap. First Sealed Copy We Have Seen In Four Years. Cover Art By Vargas.
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Candy-O
New - LP - 5E 507
Sealed 1979 Original Featuring Iconic Cover Art By Vargas. Clear Plastic Hype Sticker On The Shrink Wrap. Crisp Corners And Difficult To Find Without A Cut-Out Hole Or Saw Cut.
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Candy-O
Audiophile - LP - MFSL 1-324
Sealed 2011 Numbered, Limited Edition Half-Speed Mastered 180gm High Definition Vinyl.
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Candy-O
Audiophile - LP - NR 49
Beautiful Half-Speed Master Featuring Iconic Cover Art By Vargas.
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Candy-O
Audiophile - LP - NR 49
Beautiful 1982 Half Speed Master Still In Shrink. Includes Custom Insert. Cover Art By Vargas. Appears New, Unplayed.
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Candy-O
Used - LP - 5E 507
Rare 1979 White Label Promo Featuring Iconic Cover Art By Vargas. Crisp Corners And Difficult To Find Without A Cut-Out Hole Or Saw Cut. LP Appears Glossy, Unplayed. Plastic Candy-O Hype Sticker And Gold Promo Stamp On The Front Cover.
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Candy-O
New - LP - 5E 507
Sealed 1979 Original Featuring Cover Art By Vargas. Small Saw Notch.
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Candy-O
Audiophile - LP - MFSL 1-324
2011 Limited Edition #002182. Half-Speed Mastered 180gm High Definition Vinyl. Appears Unplayed.
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Candy-O
Used - LP - 5E 507
1979 Early Pressing Still In Shrink. Tiny Corner Ding Featuring Cover Art By Vargas.
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Candy-O
Used Import - P-10672E
1979 Japanese First Pressing With Obi & Insert. Clean! Tiny Corner Ding To Bottom Left. "After Releasing A Debut Album That Was Considered Perfect, Packed With Hits From Beginning To End, The Cars Faced An Interesting Dilemma On Candy-O. Should They Make An Exact Replica And Rake In The Bucks? Or Fool With The Formula Just Enough To Keep It Interesting (While Still Emptying The Tillers)? Working Again With Producer Roy Thomas Baker, The Band Wrote An Almost Entirely New Batch Of Songs That Captured The Same Pop Highs As The Cars While Sounding Different In Some Important Ways. The Group Were A Little Unhappy With How Slick Their Debut Sounded So They Asked Baker To Dial Back The Stacked Vocals And Make Sure There Was A Little Dirt In The Machine. He Did This While Still Capturing The Band's Pop Essence, Which The Group Made Easy By Cranking Out Almost As Many Timelessly Great Songs As They Did On Their Debut, Whether It Was The Punchy Title Track, The Hard-Rocking AOR Radio Staple "Dangerous Type," Or The Intensely Fun "Let's Go." They Also Wrote Some Rollicking Pop Gems; "Since I Held You" And "It's All I Can Do" Are A One-Two Punch Of Melancholy Hooks, Achingly Honest Vocals, And Brilliant Production That Any Band Of The Era Would Be Elated To Call Their Own. To Go Along With The Good-Time Rockers And Melodic Tunes, They Took A Couple Left Turns With The Robotic "Double Life" And Suicide Tribute "Shoo Be Doo," Cranked Out Some Very Solid Synth-Heavy New Wave On "Night Spots" And "Lust For Kicks," And A Couple Fun Rockers Like "Got Lot On My Head" And "You Can't Hold On For Too Long." Candy-O Is The Rare Follow-Up To A Classic Debut That Almost Reaches The Same Rarified Air. Throw In One More Absolute Classic Hit Single And It Would Have Been There. As It Stands, It May Be One Of The Best Second Albums Ever Made, Full Of Great Songs, Inspired Performances, And Sporting A Still-perfect Sound. If This Had Been The Cars' Debut Album, People Might Consider It A Classic. Coming After The Cars, It Has To Be Rated A Little Lower, But Not By Much." AMG Review By Tim Sendra.
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Candy-O
Used - LP - 5E-507
1979 Original Still In Shrink With Hype Sticker & Custom Inner Sleeve. Great Cover Art By Vargas. The Fine Follow Up To The Burgeoning Boston New Wave Act That Blew Up The 70's Rock Scene.
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Candy-O
Used - LP - 5E-507
1979 Columbia House Club Edition. A Fine Sophomore Effort From The Once Burgeoning Boston New Wave Act That Blew Up The 70's Rock Scene.
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Candy-O
Audiophile - New - MFSL 1-324
Sealed 2011 Limited Edition #3827, Half-Speed Mastered 180gm High Definition Vinyl.
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Candy-O
Audiophile - New - MFSL 1-324
Sealed 2011 Limited Edition #1032, Half-Speed Mastered 180gm High Definition Vinyl. The Cars' sophomore album, "Candy-O," is a captivating and exhilarating follow-up to their successful debut. Released in 1979, this record showcases the band's growth as songwriters and their continued exploration of catchy hooks and infectious melodies.
Right from the album's opening track, "Let's Go," the band sets the tone with its signature blend of new wave energy and rock sensibilities. "Candy-O" maintains the sleek and polished production quality that defined The Cars' sound, with a more refined and matured approach.
The album's Vargas cover art, featuring a seductive model sprawled across the hood of a car, perfectly encapsulates the album's themes of desire and allure. The visually striking imagery further solidifies "Candy-O" as a complete package, where music and visual aesthetics seamlessly intertwine.
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Candy-O
Audiophile - New - MFSL 1-324
Sealed 2011 first press of the remastered reissue from mobile fidelity sound lab. #001368. Half-speed mastered on 180gm high definition vinyl. The Cars' sophomore album, "Candy-O," is a captivating and exhilarating follow-up to their successful debut. Released in 1979, this record showcases the band's growth as songwriters and their continued exploration of catchy hooks and infectious melodies.
Right from the album's opening track, "Let's Go," the band sets the tone with its signature blend of new wave energy and rock sensibilities. "Candy-O" maintains the sleek and polished production quality that defined The Cars' sound, with a more refined and matured approach.
The album's Vargas cover art, featuring a seductive model sprawled across the hood of a car, perfectly encapsulates the album's themes of desire and allure. The visually striking imagery further solidifies "Candy-O" as a complete package, where music and visual aesthetics seamlessly intertwine.
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Candy-O
Used - LP - 5E 507
1981 Columbia House club pressing. "After releasing a debut album that was considered perfect, packed with hits from beginning to end, the Cars faced an interesting dilemma on Candy-O. Should they make an exact replica and rake in the bucks? Or fool with the formula just enough to keep it interesting (while still emptying the tillers)? Working again with producer Roy Thomas Baker, the band wrote an almost entirely new batch of songs that captured the same pop highs as The Cars while sounding different in some important ways. The group were a little unhappy with how slick their debut sounded so they asked Baker to dial back the stacked vocals and make sure there was a little dirt in the machine. He did this while still capturing the band's pop essence, which the group made easy by cranking out almost as many timelessly great songs as they did on their debut, whether it was the punchy title track, the hard-rocking AOR radio staple "Dangerous Type," or the intensely fun "Let's Go." They also wrote some rollicking pop gems; "Since I Held You" and "It's All I Can Do" are a one-two punch of melancholy hooks, achingly honest vocals, and brilliant production that any band of the era would be elated to call their own. To go along with the good-time rockers and melodic tunes, they took a couple left turns with the robotic "Double Life" and Suicide tribute "Shoo Be Doo," cranked out some very solid synth-heavy new wave on "Night Spots" and "Lust for Kicks," and a couple fun rockers like "Got Lot on My Head" and "You Can't Hold on for Too Long." Candy-O is the rare follow-up to a classic debut that almost reaches the same rarified air. Throw in one more absolute classic hit single and it would have been there. As it stands, it may be one of the best second albums ever made, full of great songs, inspired performances, and sporting a still-perfect sound. If this had been the Cars' debut album, people might consider it a classic. Coming after The Cars, it has to be rated a little lower, but not by much." All Music Guide - Tim Sendra
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Candy-O
New - LP - 5E-507
Sealed 1979 US Columbia House pressing. Unable to confirm exact label/plant info. "After releasing a debut album that was considered perfect, packed with hits from beginning to end, the Cars faced an interesting dilemma on Candy-O. Should they make an exact replica and rake in the bucks? Or fool with the formula just enough to keep it interesting (while still emptying the tillers)? Working again with producer Roy Thomas Baker, the band wrote an almost entirely new batch of songs that captured the same pop highs as The Cars while sounding different in some important ways. The group were a little unhappy with how slick their debut sounded so they asked Baker to dial back the stacked vocals and make sure there was a little dirt in the machine. He did this while still capturing the band's pop essence, which the group made easy by cranking out almost as many timelessly great songs as they did on their debut, whether it was the punchy title track, the hard-rocking AOR radio staple "Dangerous Type," or the intensely fun "Let's Go." They also wrote some rollicking pop gems; "Since I Held You" and "It's All I Can Do" are a one-two punch of melancholy hooks, achingly honest vocals, and brilliant production that any band of the era would be elated to call their own. To go along with the good-time rockers and melodic tunes, they took a couple left turns with the robotic "Double Life" and Suicide tribute "Shoo Be Doo," cranked out some very solid synth-heavy new wave on "Night Spots" and "Lust for Kicks," and a couple fun rockers like "Got Lot on My Head" and "You Can't Hold on for Too Long." Candy-O is the rare follow-up to a classic debut that almost reaches the same rarified air. Throw in one more absolute classic hit single and it would have been there. As it stands, it may be one of the best second albums ever made, full of great songs, inspired performances, and sporting a still-perfect sound. If this had been the Cars' debut album, people might consider it a classic. Coming after The Cars, it has to be rated a little lower, but not by much." AMG - Tim Sendra.
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Candy-O
Used - LP - 5E 507
1981 Columbia House club pressing still in shrink. Santa Maria press. Glossy, VG++/NM-- vinyl. "After releasing a debut album that was considered perfect, packed with hits from beginning to end, the Cars faced an interesting dilemma on Candy-O. Should they make an exact replica and rake in the bucks? Or fool with the formula just enough to keep it interesting (while still emptying the tillers)? Working again with producer Roy Thomas Baker, the band wrote an almost entirely new batch of songs that captured the same pop highs as The Cars while sounding different in some important ways. The group were a little unhappy with how slick their debut sounded so they asked Baker to dial back the stacked vocals and make sure there was a little dirt in the machine. He did this while still capturing the band's pop essence, which the group made easy by cranking out almost as many timelessly great songs as they did on their debut, whether it was the punchy title track, the hard-rocking AOR radio staple "Dangerous Type," or the intensely fun "Let's Go." They also wrote some rollicking pop gems; "Since I Held You" and "It's All I Can Do" are a one-two punch of melancholy hooks, achingly honest vocals, and brilliant production that any band of the era would be elated to call their own. To go along with the good-time rockers and melodic tunes, they took a couple left turns with the robotic "Double Life" and Suicide tribute "Shoo Be Doo," cranked out some very solid synth-heavy new wave on "Night Spots" and "Lust for Kicks," and a couple fun rockers like "Got Lot on My Head" and "You Can't Hold on for Too Long." Candy-O is the rare follow-up to a classic debut that almost reaches the same rarified air. Throw in one more absolute classic hit single and it would have been there. As it stands, it may be one of the best second albums ever made, full of great songs, inspired performances, and sporting a still-perfect sound. If this had been the Cars' debut album, people might consider it a classic. Coming after The Cars, it has to be rated a little lower, but not by much." All Music Guide - Tim Sendra
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Candy-O
Used - LP - 5E 507
1981 Columbia House club pressing. VG+ vinyl. Light run-in crackle, music dominates overall. Includes printed inner sleeve. "After releasing a debut album that was considered perfect, packed with hits from beginning to end, the Cars faced an interesting dilemma on Candy-O. Should they make an exact replica and rake in the bucks? Or fool with the formula just enough to keep it interesting (while still emptying the tillers)? Working again with producer Roy Thomas Baker, the band wrote an almost entirely new batch of songs that captured the same pop highs as The Cars while sounding different in some important ways. The group were a little unhappy with how slick their debut sounded so they asked Baker to dial back the stacked vocals and make sure there was a little dirt in the machine. He did this while still capturing the band's pop essence, which the group made easy by cranking out almost as many timelessly great songs as they did on their debut, whether it was the punchy title track, the hard-rocking AOR radio staple "Dangerous Type," or the intensely fun "Let's Go." They also wrote some rollicking pop gems; "Since I Held You" and "It's All I Can Do" are a one-two punch of melancholy hooks, achingly honest vocals, and brilliant production that any band of the era would be elated to call their own. To go along with the good-time rockers and melodic tunes, they took a couple left turns with the robotic "Double Life" and Suicide tribute "Shoo Be Doo," cranked out some very solid synth-heavy new wave on "Night Spots" and "Lust for Kicks," and a couple fun rockers like "Got Lot on My Head" and "You Can't Hold on for Too Long." Candy-O is the rare follow-up to a classic debut that almost reaches the same rarified air. Throw in one more absolute classic hit single and it would have been there. As it stands, it may be one of the best second albums ever made, full of great songs, inspired performances, and sporting a still-perfect sound. If this had been the Cars' debut album, people might consider it a classic. Coming after The Cars, it has to be rated a little lower, but not by much." All Music Guide - Tim Sendra
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Candy-O
Audiophile - New - MFSL 1-324
Sealed, Latest Run Of The 2011 Remastered Reissue From Mobile Fidelity Sound Lab. Half-Speed Mastered On 180gm High Definition Vinyl. The Cars' sophomore album, "Candy-O," is a captivating and exhilarating follow-up to their successful debut. Released in 1979, this record showcases the band's growth as songwriters and their continued exploration of catchy hooks and infectious melodies.
Right from the album's opening track, "Let's Go," the band sets the tone with its signature blend of new wave energy and rock sensibilities. "Candy-O" maintains the sleek and polished production quality that defined The Cars' sound, with a more refined and matured approach.
The album's Vargas cover art, featuring a seductive model sprawled across the hood of a car, perfectly encapsulates the album's themes of desire and allure. The visually striking imagery further solidifies "Candy-O" as a complete package, where music and visual aesthetics seamlessly intertwine.
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Candy-O Test Pressing
Used - LP - 5E-507
Double One-Sided Test Pressing LP.
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Cars
Audiophile - LP - NR 14
1978 Half-Speed Master With Insert. Small Sticker Mark On Front Cover. Appears Unplayed. “The Cars' 1978 Self-Titled Debut, Issued On The Elektra Label, Is A Genuine Rock Masterpiece. The Band Jokingly Referred To The Album As Their "True Greatest-Hits Album," But It's No Exaggeration -- All Nine Tracks Are New Wave/Rock Classics, Still In Rotation On Rock Radio. Whereas Most Bands Of The Late '70s Embraced Either Punk/New Wave Or Hard Rock, The Cars Were One Of The First Bands To Do The Unthinkable -- Merge The Two Styles Together. Add To It Bandleader/Songwriter Ric Ocasek's Supreme Pop Sensibilities, And You Had An Album That Appealed To New Wavers, Rockers, And Top 40 Fans. One Of The Most Popular New Wave Songs Ever, "Just What I Needed," Is An Obvious Highlight, As Are Such Familiar Hits As "Good Times Roll," "My Best Friend's Girl," And "You're All I've Got Tonight." But Like Most Consummate Rock Albums, The Lesser-Known Compositions Are Just As Exhilarating: "Don't Cha Stop," "Bye Bye Love," "All Mixed Up," And "Moving In Stereo," The Latter Featured As An Instrumental During A Steamy Scene In The Popular Movie Fast Times At Ridgemont High. With Flawless Performances, Songwriting, And Production (Courtesy Of Queen Alumni Roy Thomas Baker), The Cars' Debut Remains One Of Rock's All-Time Classics.” Greg Prato, AMG.
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Cars
Used - LP - P 10552E
Beautiful Japanese Pressing, No Obi. LP Looks Unplayed.
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Cars
Audiophile - LP - MFSL 1-274
2009 Limited Edition, Half Speed Mastered 180gm HQ Housed In A Deluxe Gatefold Jacket.
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Cars
Audiophile - LP - NR 14
Factory Sealed Half-Speed Master With Insert. First Sealed Copy We Have Had In Stock In Seven Years. “The Cars' 1978 Self-Titled Debut, Issued On The Elektra Label, Is A Genuine Rock Masterpiece. The Band Jokingly Referred To The Album As Their "True Greatest-Hits Album," But It's No Exaggeration -- All Nine Tracks Are New Wave/Rock Classics, Still In Rotation On Rock Radio. Whereas Most Bands Of The Late '70s Embraced Either Punk/New Wave Or Hard Rock, The Cars Were One Of The First Bands To Do The Unthinkable -- Merge The Two Styles Together. Add To It Bandleader/Songwriter Ric Ocasek's Supreme Pop Sensibilities, And You Had An Album That Appealed To New Wavers, Rockers, And Top 40 Fans. One Of The Most Popular New Wave Songs Ever, "Just What I Needed," Is An Obvious Highlight, As Are Such Familiar Hits As "Good Times Roll," "My Best Friend's Girl," And "You're All I've Got Tonight." But Like Most Consummate Rock Albums, The Lesser-Known Compositions Are Just As Exhilarating: "Don't Cha Stop," "Bye Bye Love," "All Mixed Up," And "Moving In Stereo," The Latter Featured As An Instrumental During A Steamy Scene In The Popular Movie Fast Times At Ridgemont High. With Flawless Performances, Songwriting, And Production (Courtesy Of Queen Alumni Roy Thomas Baker), The Cars' Debut Remains One Of Rock's All-Time Classics.” Greg Prato, AMG.
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Cars
Used - LP - ELK 52088
Beautiful 1979 German Original With Custom Inner Sleeve. Vinyl Appears Glossy.
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Cars
New - LP - 6E 135
Sealed 1978 Original With Small Cut Out Hole.
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Cars
Picture Disc - 000
Sealed 1981 Promotional Only Picture Disc Housed In A Die-Cut White Jacket With The Elektra/Asylum La Cienega Address Stamped On The Rear Cover.
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Cars
Audiophile - LP - NR 14
Rare Half-Speed Mastered Test Pressing Housed In A Custom Jacket Manufactured Specifically For This Title. Glossy, Unplayed Condition.
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Cars
Audiophile - LP - MFSL 1-274
Sealed 2009 Limited Edition, Numbered Half Speed Mastered 180gm HQ Housed In A Numbered Deluxe Gatefold Jacket. This Is A fairly Low Number 000339.
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Cars 78
Used - LP - ACR 52
Rare Live Album Still In Shrink Wrap.
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Door To Door
New - LP - 60747-1
Sealed 1987 Original With Custom Song Hype Sticker And DMM Sticker On Shrink. Can't Confirm Pressing Info. Hard To Find Without A Cut.
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Door To Door
Used - LP - 60747
1987 Original Club Edition.
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Door To Door
Used - LP - 9 E1-60747
1987 Original Club Edition. The Cars' Door To Door, released in 1987, marked the end of an era for the band. The album saw the departure of founding member Benjamin Orr and a marked departure from their signature new wave sound. However, the album still featured catchy hooks and the unmistakable vocals of Ric Ocasek. The lead single "You Are the Girl" is a standout track, featuring a memorable chorus and a great guitar riff. Other highlights include "Strap Me In" and "Fine Line."
While not as commercially successful as their earlier albums, Door To Door still showcases the Cars' ability to create memorable pop songs with a unique edge. The album demonstrates a matured sound that reflects the band's evolution over the years while still maintaining their signature style. For fans of the Cars, Door To Door is a must-listen, and for those unfamiliar with the band, it serves as a good introduction to their discography.
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Door To Door
Used - LP - 9 E1-60747
1987 US original Specialty pressing on Audiophile grade vinyl; VG+ cover with saw cut & small crease marks on spine. Song hype sticker affixed to front cover and "DMM" sticker on back. The Cars' Door To Door, released in 1987, marked the end of an era for the band. The album saw the departure of founding member Benjamin Orr and a marked departure from their signature new wave sound. However, the album still featured catchy hooks and the unmistakable vocals of Ric Ocasek. The lead single "You Are the Girl" is a standout track, featuring a memorable chorus and a great guitar riff. Other highlights include "Strap Me In" and "Fine Line."
While not as commercially successful as their earlier albums, Door To Door still showcases the Cars' ability to create memorable pop songs with a unique edge. The album demonstrates a matured sound that reflects the band's evolution over the years while still maintaining their signature style. For fans of the Cars, Door To Door is a must-listen, and for those unfamiliar with the band, it serves as a good introduction to their discography.
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Elektra Years 1978 - 1987
Colored Vinyl - 553559
Sealed 2016 6LP 180gm Colored Vinyl Box Set. Set Includes The Cars (1978), Candy-O (1979), Panorama (1980), Shake It Up (1981), Heartbeat City, (1984) and Door To Door (1987). Among The 60 Tracks Are The Band's Biggest Hits - "My Best Friend's Girl," "Good Times Roll," "You Are The Girl," and "Drive."
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Greatest Hits
New - LP - 60464
Sealed 1985 Original With Custom Hype Sticker. Saw Cut. Features The (Then) New Hit Single "Tonight She Comes."
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Greatest Hits
Audiophile - LP - LPZ-2056
Factory Sealed, Limited Edition 180gm HQ. This Is Mega Low Number 0014.
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Greatest Hits
Audiophile - LP - LPZ 2056
Sealed, Long Out Of Print, Limited Edition 180gm HQ Remastered By Steve Hoffman On An All Vacuum Tube Cutting System. This Is Number 2060. Includes Color Insert.
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Greatest Hits
Audiophile - LP - LPZ 2056
180gm HQ Test Pressing.
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Greatest Hits
Used - LP - 60464
1985 Original Still In Shrink With Custom Sticker. Includes Custom Inner Sleeve. Features The New Hit Single "Tonight She Comes."
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Greatest Hits
Used - LP - 60464
1985 Original With Custom Inner Sleeve. Saw Cut. Compilation Of Their Hits Plus The New Track "Tonight She Comes." Vinyl Appears Glossy.
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Greatest Hits
Audiophile - LP - LPZ 2056
Sealed, Long Out Of Print, Limited Edition 180gm HQ Remastered By Steve Hoffman On An All Vacuum Tube Cutting System. This Is Very Low Number 0214. Includes Color Insert.
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Greatest Hits
Used - LP - 60464
1985 Original White Label Promo With Hype Sticker. Gold Promo Stamp On Back Of Cover. Two Small Corner Dings. Compilation Of Their Hits Plus The New Track "Tonight She Comes."
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Greatest Hits
New - LP - 9 60464-1-E
Sealed 1985 Greatest Hits Compilation With Saw Cut. Features The (Then) New Hit Single "Tonight She Comes."
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Greatest Hits
Used - LP - 9 60464-1-E
1985 Greatest hits compilation with inner sleeve. Features the (then) new hit single "Tonight She Comes." The Cars' Greatest Hits album is a must-have for 80's music lovers who appreciate the unique mix of new wave, pop, and rock genres. This compilation of the band's most significant hits features classics like "Just What I Needed," "My Best Friend's Girl," and "Drive." The album also includes lesser-known but equally impressive tracks such as "Strap Me In" and "Tonight She Comes."
The Cars' Greatest Hits album is perfect for fans who want to listen to the band's most memorable hits all in one spot. The album's various tracks showcase the unparalleled songwriting and musicianship of the band, making it a must-have for any fan of classic rock, new wave, or pop music. Whether you're a longtime fan or a newcomer to the band's music, the Greatest Hits album is a great way to experience the unique sound of the Cars.
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Heartbeat City
Used - LP - 60296-1
1984 US original Specialty pressing with original inner sleeve. Glossy VG++. "Coming off the less-than-classic Shake It Up, the Cars decided again to change things up, this time moving from their home studio in Boston to London to record with Mutt Lange. The producer was coming off a string of sleek modern hits, most recently Def Leppard's Pyromania, and the Cars put themselves in Lange's capable and demanding hands. They spent six months in the studio painstakingly putting the album together, sometimes spending days getting the right bass sound or vocal take. The bandmembers were rarely in the room at the same time and instead of using live drums on the record, Lange and David Robinson put together drum tracks using samples of Robinson's playing. This sounds a bit like the recipe for a airless, stale album, but much like Pyromania, Heartbeat City is a gleaming pop masterpiece. The producer's golden touch, the strength of the songs Ric Ocasek wrote, and the stunning vocal performance both he and Benjamin Orr deliver make the album one of the best of the '80s and something that still sounds perfect many years later. It's a near-total reboot of the Cars' sound, giving them a thoroughly modern upgrade while still retaining enough of the DNA from their early hits to keep it a Cars album. Songs like "You Might Think" and "Magic" have the power chords and chugging rhythms, "It's Not the Night" has the dramatic emotion, and "Looking for Love" has some chirpy new wave in the verses, but most of the album takes the band to new places. "Hello Again" is arena-sized modern rock with some very Def Lep backing vocals -- something that pops up on almost every song -- and "Drive" is a timelessly romantic ballad that perfects the MOR sound that the previous album hinted at. The title track is moody soft pop with smooth synth pads and a crooning vocal by Ocasek, "Stranger Eyes" is basically a mash-up of Def Lep and the Cars with the addition of a few wonderfully corny synth sound effects, and "It's Not the Night" is pure AOR balladry that sounds like it could have been on Foreigner 4, another record Lange produced. Overall, Heartbeat City is a masterful example of how a band can reinvent itself without losing what made it great in the first place. Credit Lange's production savvy, Ocasek's songwriting genius, or the band's dedication to adding just what each song needed; when you combine them all it makes for brilliant pop and one of the landmark albums of the era." All Music Guide - Tim Sendra
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Heartbeat City
Used - LP - 60296-1
1984 original Columbia House club pressing complete with the custom printed inner sleeve. Solid VG+ vinyl. Corner crease. "Coming off the less-than-classic Shake It Up, the Cars decided again to change things up, this time moving from their home studio in Boston to London to record with Mutt Lange. The producer was coming off a string of sleek modern hits, most recently Def Leppard's Pyromania, and the Cars put themselves in Lange's capable and demanding hands. They spent six months in the studio painstakingly putting the album together, sometimes spending days getting the right bass sound or vocal take. The bandmembers were rarely in the room at the same time and instead of using live drums on the record, Lange and David Robinson put together drum tracks using samples of Robinson's playing. This sounds a bit like the recipe for a airless, stale album, but much like Pyromania, Heartbeat City is a gleaming pop masterpiece. The producer's golden touch, the strength of the songs Ric Ocasek wrote, and the stunning vocal performance both he and Benjamin Orr deliver make the album one of the best of the '80s and something that still sounds perfect many years later. It's a near-total reboot of the Cars' sound, giving them a thoroughly modern upgrade while still retaining enough of the DNA from their early hits to keep it a Cars album. Songs like "You Might Think" and "Magic" have the power chords and chugging rhythms, "It's Not the Night" has the dramatic emotion, and "Looking for Love" has some chirpy new wave in the verses, but most of the album takes the band to new places. "Hello Again" is arena-sized modern rock with some very Def Lep backing vocals -- something that pops up on almost every song -- and "Drive" is a timelessly romantic ballad that perfects the MOR sound that the previous album hinted at. The title track is moody soft pop with smooth synth pads and a crooning vocal by Ocasek, "Stranger Eyes" is basically a mash-up of Def Lep and the Cars with the addition of a few wonderfully corny synth sound effects, and "It's Not the Night" is pure AOR balladry that sounds like it could have been on Foreigner 4, another record Lange produced. Overall, Heartbeat City is a masterful example of how a band can reinvent itself without losing what made it great in the first place. Credit Lange's production savvy, Ocasek's songwriting genius, or the band's dedication to adding just what each song needed; when you combine them all it makes for brilliant pop and one of the landmark albums of the era." All Music Guide - Tim Sendra
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Heartbeat City
New - LP - 60296-1
Sealed 1983 Gatefold Original. No Deletion Cuts.
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Heartbeat City
Used - LP - 60296
1983 Gatefold In Shrink Wrap With Hype Sticker & Custom Inner Sleeve. Vinyl Appears Glossy. Hits "You Might Think" & "Hello Again".
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Heartbeat City
New - LP - 60296-1
Sealed 1984 Gatefold Columbia Music Club Issue.
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Heartbeat City
New - LP - 60296-1
Sealed 1984 Gatefold Original With Custom Album Hype Sticker On The Shrink Wrap. Microscopic Saw Cut. A Gleaming, 5 Star Pop Masterpiece Produced By Mutt Lange.
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Heartbeat City
Used - LP - 60296-1
1983 Gatefold Original Custom Inner Sleeve. Hits "You Might Think", "Hello Again" & "Drive".
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Heartbeat City
Audiophile - New - MFSL 1-442
Sealed 2016 180gm LE #1001, Analog Remaster In Gatefold With Custom Inner Sleeve. Contains The Hits "You Might Think", "Hello Again" & "Drive".
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Heartbeat City
Used - LP - 60296-1
1984 US original gatefold SRC pressing with custom printed inner sleeve. VG++ copy.
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Heartbeat City
Used - LP - 60296-1
1984 US original gatefold SRC pressing with custom printed inner sleeve.
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Heartbeat City
Used - LP - 60296-1
1984 Columbia House Club pressing complete with the original custom printed inner sleeve. Glossy, NM- vinyl. VG++ jacket. "Coming off the less-than-classic Shake It Up, the Cars decided again to change things up, this time moving from their home studio in Boston to London to record with Mutt Lange. The producer was coming off a string of sleek modern hits, most recently Def Leppard's Pyromania, and the Cars put themselves in Lange's capable and demanding hands. They spent six months in the studio painstakingly putting the album together, sometimes spending days getting the right bass sound or vocal take. The bandmembers were rarely in the room at the same time and instead of using live drums on the record, Lange and David Robinson put together drum tracks using samples of Robinson's playing. This sounds a bit like the recipe for a airless, stale album, but much like Pyromania, Heartbeat City is a gleaming pop masterpiece. The producer's golden touch, the strength of the songs Ric Ocasek wrote, and the stunning vocal performance both he and Benjamin Orr deliver make the album one of the best of the '80s and something that still sounds perfect many years later. It's a near-total reboot of the Cars' sound, giving them a thoroughly modern upgrade while still retaining enough of the DNA from their early hits to keep it a Cars album. Songs like "You Might Think" and "Magic" have the power chords and chugging rhythms, "It's Not the Night" has the dramatic emotion, and "Looking for Love" has some chirpy new wave in the verses, but most of the album takes the band to new places. "Hello Again" is arena-sized modern rock with some very Def Lep backing vocals -- something that pops up on almost every song -- and "Drive" is a timelessly romantic ballad that perfects the MOR sound that the previous album hinted at. The title track is moody soft pop with smooth synth pads and a crooning vocal by Ocasek, "Stranger Eyes" is basically a mash-up of Def Lep and the Cars with the addition of a few wonderfully corny synth sound effects, and "It's Not the Night" is pure AOR balladry that sounds like it could have been on Foreigner 4, another record Lange produced. Overall, Heartbeat City is a masterful example of how a band can reinvent itself without losing what made it great in the first place. Credit Lange's production savvy, Ocasek's songwriting genius, or the band's dedication to adding just what each song needed; when you combine them all it makes for brilliant pop and one of the landmark albums of the era." All Music Guide - Tim Sendra
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Heartbeat City
Audiophile - LP - 60296
Beautiful 1984 White Label Promo Gatefold With Custom Inner Sleeve. Pressed On Quiex Virgin Vinyl. Appears Glossy, Unplayed.
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Heartbeat City
New - LP - 60296
Sealed Gatefold Original. Custom Album Sticker Over Shrinkwrap, Clean COH.
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Heartbeat City
New - LP - 2961
Sealed 1983 Gatefold Original With Custom Inner Sleeve. Light Bottom Seam Rub And Small Start Of Split On Bottom Seam, Hence Price.
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Heartbeat City
New - LP - 60296
Sealed 1984 Gatefold Original With Custom Album Hype Sticker On The Shrink Wrap. Saw Cut.
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Heartbeat City
Used - LP - P 11463
Rare 1984 Japanese Pressing Housed In A Gatefold Cover With Custom Inner Sleeve And Obi. Appears Unplayed.
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Heartbeat City
New - LP - 60296
Sealed 1984 Gatefold Original With Custom Album Hype Sticker And The Original Department Store Price Tag On The Shrink Wrap. Very Difficult To Find Without A Saw Cut. A Gleaming, 5 Star Pop Masterpiece Produced By Mutt Lange.
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Live At The El Mocambo
Used - LP - 000
1978 Live Recording With Insert. Shrink Wrap Intact.
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Move Like This
New - LP - HRM 32907
Sealed 2011 Gatefold Original With Custom Hype Sticker On Shrink.
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Moving In Stereo: The Best Of The Cars
New - LP - R1 553560
Sealed 2016 Original, 180gm 2LP Gatefold Compilation, With Custom Hype Sticker.
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Panorama
Used - LP - 5E-514
1980 Original Still In Shrink. Original Inner Sleeve Included.
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Panorama
Used - LP - 5E-514
1980 Original Still In Shrink. Original Inner Sleeve Included. The Cars' record Panorama offers a unique blend of rock, pop, and new wave sounds, creating a new genre that would later become an inspiration for many musicians. The record features some of the most iconic tracks from the band, including "Touch and Go" and "Don't Tell Me No."
What sets Panorama apart is its experimental approach to music. The band members were not afraid to take risks and explore new territories, resulting in a truly captivating record that stands the test of time. Additionally, the production quality of the album is exceptional, with each instrument and vocal track perfectly balanced to create a cohesive sound.
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Panorama
Used - LP - P 10885E
Beautiful 1980 Japanese Pressing With Obi.
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Panorama
Used - LP - 5E 514
1980 Promo Label.
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Panorama
New - LP - 5E 514
Factory Sealed 1980 Original.
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Panorama
New - LP - 5E 514
Sealed 1980 Original With Saw Cut.
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Panorama
New - LP - 5E 514
Sealed 1980 Original With Cut Corner.
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Shake It Up
Used - LP - 11087E
Japanese Pressing With Obi.
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Shake It Up
Used - LP - 5E 567
1981 Stereo Original With Custom Inner Sleeve. LP Appears Virtually Unplayed.
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Shake It Up
New - LP - 5E 567
Sealed 1981 Original With Custom Hype Sticker On Shrink. Sticker Residue On Sticker.
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Shake It Up
Audiophile - LP - MFSL 1-325
Factory Sealed, Numbered, Limited Edition 2010 Half-Speed Mastered 180gm HQ Vinyl.
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Shake It Up
Audiophile - LP - MFSL 1-325
Factory Sealed, Numbered, Limited Edition 2010 Half-Speed Mastered 180gm HQ Vinyl.
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Shake It Up
Audiophile - LP - MFSL 1-325
Sealed, Limited Edition Half-Speed Mastered 180gm High Definition Vinyl Housed In A Deluxe Gatefold Jacket. This Is Number Low Number 00756.
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Shake It Up
Used - LP - 5E-567
1981 Original With Inner Sleeve In Shrink.
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Shake It Up
Used - LP - 5E-567
1981 US Club pressing with custom inner sleeve. Glossy VG++ vinyl; Ring wear to jacket.
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Shake It Up
Used - LP - 5E-567
1981 Columbia House Club Pressing Still In Shrink, Complete With Custom Printed Inner Sleeve. Glossy, NM- Vinyl. "After the success of their first three albums, the Cars had enough money banked that they were able to build their own recording studio in Boston, and that's where they recorded their fourth album, 1981's Shake It Up. The new setup allowed the Cars more time to tinker with their sound, but also meant that much of the album was recorded in pieces by each member of the band, instead of them being in the same room. While it's not something that seems like an issue on the album's big hits, the pensive "Since You're Gone" and the timelessly silly title track, other songs on the record mostly sound a little lifeless and mechanical, filled with tinny drum machines, odd sound effects, and not much inspiration. "Cruiser" comes across as a pale version of a rocker from either of the first two albums, "This Could Be Love" is a monochromatic ballad, and "Think It Over" is a lesser version of "Shake It Up." The admittedly pretty ballad "I'm Not the One" barely sounds like the Cars; the electronic handclaps, massed backing vocals, and tinkling modern synths make it sound like adult contemporary daytime radio fodder, which is better than the sound they got on "A Dream Away," which sounds like a demo (half)-cooked up on super-cheap gear. Only "Maybe Baby," with its massive drum overdubs and spiraling guitar work, shows the band using the studio to its fullest, matching a strong song with inventive production. Apart from that song, and the two hits that kicked off the album like vintage Cars, the album is the sound of a band spinning its wheels. Coming after the middling success of Panorama, it's not surprising that they swung back toward something more familiar; it's just too bad they didn't have the songs or production savvy to make it work." All Music Guide - Tim Sendra
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Shake It Up
Audiophile - LP - MFSL 1-325
2009 limited edition half-speed mastered 180gm audiophile reissue from Mobile Fidelity Sound Lab. Still in shrink. #01230. "After the success of their first three albums, the Cars had enough money banked that they were able to build their own recording studio in Boston, and that's where they recorded their fourth album, 1981's Shake It Up. The new setup allowed the Cars more time to tinker with their sound, but also meant that much of the album was recorded in pieces by each member of the band, instead of them being in the same room. While it's not something that seems like an issue on the album's big hits, the pensive "Since You're Gone" and the timelessly silly title track, other songs on the record mostly sound a little lifeless and mechanical, filled with tinny drum machines, odd sound effects, and not much inspiration. "Cruiser" comes across as a pale version of a rocker from either of the first two albums, "This Could Be Love" is a monochromatic ballad, and "Think It Over" is a lesser version of "Shake It Up." The admittedly pretty ballad "I'm Not the One" barely sounds like the Cars; the electronic handclaps, massed backing vocals, and tinkling modern synths make it sound like adult contemporary daytime radio fodder, which is better than the sound they got on "A Dream Away," which sounds like a demo (half)-cooked up on super-cheap gear. Only "Maybe Baby," with its massive drum overdubs and spiraling guitar work, shows the band using the studio to its fullest, matching a strong song with inventive production. Apart from that song, and the two hits that kicked off the album like vintage Cars, the album is the sound of a band spinning its wheels. Coming after the middling success of Panorama, it's not surprising that they swung back toward something more familiar; it's just too bad they didn't have the songs or production savvy to make it work." All Music Guide - Tim Sendra.
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The Cars
New - LP - 6E-135
Sealed 1978 Columbia House club pressing. Corner dings. Exact label/press info unknown. The Eponymous Debut Became A Benchmark To The New Wave Sound. The self-titled debut album marked the beginning of a new era in rock music. Released in 1978, the album is crafted with a unique blend of synthesizers, guitar riffs, and catchy pop hooks that appeal to both rock enthusiasts and mainstream listeners. With the lead singer Ric Ocasek's distinct vocals and David Robinson's steady drumming, the album features timeless classics like "Just What I Needed," "My Best Friend's Girl," and "Good Times Roll" that still resonate with audiences today. The songs on the album are pure pop perfection, with catchy hooks and infectious melodies that are impossible to resist. Whether you're a die-hard fan or a casual listener, "The Cars" is a record that is sure to leave you humming along for days to come.
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The Cars
Used - LP - 6E 135
1978 Original stereo, club edition with inner sleeve. NM- cover. The Eponymous Debut Became A Benchmark To The New Wave Sound. The self-titled debut album marked the beginning of a new era in rock music. Released in 1978, the album is crafted with a unique blend of synthesizers, guitar riffs, and catchy pop hooks that appeal to both rock enthusiasts and mainstream listeners. With the lead singer Ric Ocasek's distinct vocals and David Robinson's steady drumming, the album features timeless classics like "Just What I Needed," "My Best Friend's Girl," and "Good Times Roll" that still resonate with audiences today. The songs on the album are pure pop perfection, with catchy hooks and infectious melodies that are impossible to resist. Whether you're a die-hard fan or a casual listener, "The Cars" is a record that is sure to leave you humming along for days to come.
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The Cars
Used - LP - 6E 135
1978 Original stereo, club edition with inner sleeve. The Eponymous Debut Became A Benchmark To The New Wave Sound. The self-titled debut album marked the beginning of a new era in rock music. Released in 1978, the album is crafted with a unique blend of synthesizers, guitar riffs, and catchy pop hooks that appeal to both rock enthusiasts and mainstream listeners. With the lead singer Ric Ocasek's distinct vocals and David Robinson's steady drumming, the album features timeless classics like "Just What I Needed," "My Best Friend's Girl," and "Good Times Roll" that still resonate with audiences today. The songs on the album are pure pop perfection, with catchy hooks and infectious melodies that are impossible to resist. Whether you're a die-hard fan or a casual listener, "The Cars" is a record that is sure to leave you humming along for days to come.
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The Cars
Used - LP - 6E-135
1978 original, SRC pressing. Solid VG+ vinyl. Comes complete with the custom printed inner sleeve. Saw cut. "The Cars' 1978 self-titled debut, issued on the Elektra label, is a genuine rock masterpiece. The band jokingly referred to the album as their "true greatest-hits album," but it's no exaggeration -- all nine tracks are new wave/rock classics, still in rotation on rock radio. Whereas most bands of the late '70s embraced either punk/new wave or hard rock, the Cars were one of the first bands to do the unthinkable -- merge the two styles together. Add to it bandleader/songwriter Ric Ocasek's supreme pop sensibilities, and you had an album that appealed to new wavers, rockers, and Top 40 fans. One of the most popular new wave songs ever, "Just What I Needed," is an obvious highlight, as are such familiar hits as "Good Times Roll," "My Best Friend's Girl," and "You're All I've Got Tonight." But like most consummate rock albums, the lesser-known compositions are just as exhilarating: "Don't Cha Stop," "Bye Bye Love," "All Mixed Up," and "Moving in Stereo," the latter featured as an instrumental during a steamy scene in the popular movie Fast Times at Ridgemont High. With flawless performances, songwriting, and production (courtesy of Queen alumni Roy Thomas Baker), the Cars' debut remains one of rock's all-time classics." All Music Guide - Greg Prato
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The Cars
Audiophile - New - MFSL 1-274
Sealed, latest pressing of the 180gm 2009 remaster from Mobile Fidelity with gold-foil numbering. The rear cover has the updated audio/signal path information. From the first notes of the opening track, "Good Times Roll," it is evident that The Cars have something special to offer. The album's infectious energy, catchy hooks, and sleek production instantly captivate the listener. With its blend of pulsating synthesizers, driving guitars, and Ric Ocasek's distinctive vocals, the album establishes a sound that is simultaneously fresh and familiar.
Each track on "The Cars" is meticulously crafted, with tight arrangements and memorable melodies that have become signature elements of the band's sound. Songs like "Just What I Needed" and "My Best Friend's Girl" showcase The Cars' knack for writing irresistibly catchy pop-rock anthems that remain etched in the collective memory of music lovers.
"The Cars" is also notable for its sleek and polished production, which was ahead of its time. The band, along with producer Roy Thomas Baker, masterfully balanced the raw energy of their performances with a precise and crisp sonic quality. This attention to detail enhanced the album's radio-friendly appeal and helped solidify The Cars' sound as both accessible and groundbreaking.
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The Cars
New - LP - R1 135
Sealed, Latest Run Of The 2016 Reissue. From the first notes of the opening track, "Good Times Roll," it is evident that The Cars have something special to offer. The album's infectious energy, catchy hooks, and sleek production instantly captivate the listener. With its blend of pulsating synthesizers, driving guitars, and Ric Ocasek's distinctive vocals, the album establishes a sound that is simultaneously fresh and familiar.
Each track on "The Cars" is meticulously crafted, with tight arrangements and memorable melodies that have become signature elements of the band's sound. Songs like "Just What I Needed" and "My Best Friend's Girl" showcase The Cars' knack for writing irresistibly catchy pop-rock anthems that remain etched in the collective memory of music lovers.
"The Cars" is also notable for its sleek and polished production, which was ahead of its time. The band, along with producer Roy Thomas Baker, masterfully balanced the raw energy of their performances with a precise and crisp sonic quality. This attention to detail enhanced the album's radio-friendly appeal and helped solidify The Cars' sound as both accessible and groundbreaking.
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The Cars
Audiophile - New - MFSL 1-274
Sealed, latest pressing of the 180gm 2009 remaster from Mobile Fidelity with gold-foil numbering. The rear cover has the updated audio/signal path information. From the first notes of the opening track, "Good Times Roll," it is evident that The Cars have something special to offer. The album's infectious energy, catchy hooks, and sleek production instantly captivate the listener. With its blend of pulsating synthesizers, driving guitars, and Ric Ocasek's distinctive vocals, the album establishes a sound that is simultaneously fresh and familiar.
Each track on "The Cars" is meticulously crafted, with tight arrangements and memorable melodies that have become signature elements of the band's sound. Songs like "Just What I Needed" and "My Best Friend's Girl" showcase The Cars' knack for writing irresistibly catchy pop-rock anthems that remain etched in the collective memory of music lovers.
"The Cars" is also notable for its sleek and polished production, which was ahead of its time. The band, along with producer Roy Thomas Baker, masterfully balanced the raw energy of their performances with a precise and crisp sonic quality. This attention to detail enhanced the album's radio-friendly appeal and helped solidify The Cars' sound as both accessible and groundbreaking.
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The Cars
Used - LP - 6E-135
1978 Original In Shrink With Hype Sticker. LP Appears Glossy.
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The Cars
Used - LP - 6E-135
1978 Original With Custom Inner Sleeve. The Eponymous Debut Became A Benchmark To The New Wave Sound. Packed With Nine Solid Hits That Oozed Over The FM Airwaves Making It A Must Have Album Of The 80's. Cover Shows Light Seam Wear.
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The Cars
Used - LP - 6E-135
1978 Original Specialty Records Pressing. Hint Of Ring Wear & Gentle Shelf Scuffing.
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The Cars
Used - LP - 6E-135
1978 Original With Custom Inner Sleeve. The Eponymous Debut Became A Benchmark To The New Wave Sound. Packed With Nine Solid Hits That Oozed Over The FM Airwaves Making It A Must Have Album Of The 80's. Cover Shows Light Seam Wear.
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The Cars
Used - LP - 6E-135
1978 Original With Custom Inner Sleeve. The Eponymous Debut Became A Benchmark To The New Wave Sound. Packed With Nine Solid Hits That Oozed Over The FM Airwaves Making It A Must Have Album Of The 80's. Cover Shows Light Seam Wear.
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The Cars
Audiophile - New - MFSL 1-274
Sealed 2009 Original Run Limited Edition #6729, Half Speed Mastered 180gm HQ Housed In A Deluxe Gatefold Jacket. Recognized As One Of The Early Breaking New Wave Bands That Helped Ease Into The 80's.
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The Cars
Audiophile - New - MFSL 1-274
Sealed 2009 Original Run Limited Edition #1792, Half Speed Mastered 180gm HQ Housed In A Deluxe Gatefold Jacket. From the first notes of the opening track, "Good Times Roll," it is evident that The Cars have something special to offer. The album's infectious energy, catchy hooks, and sleek production instantly captivate the listener. With its blend of pulsating synthesizers, driving guitars, and Ric Ocasek's distinctive vocals, the album establishes a sound that is simultaneously fresh and familiar.
Each track on "The Cars" is meticulously crafted, with tight arrangements and memorable melodies that have become signature elements of the band's sound. Songs like "Just What I Needed" and "My Best Friend's Girl" showcase The Cars' knack for writing irresistibly catchy pop-rock anthems that remain etched in the collective memory of music lovers.
"The Cars" is also notable for its sleek and polished production, which was ahead of its time. The band, along with producer Roy Thomas Baker, masterfully balanced the raw energy of their performances with a precise and crisp sonic quality. This attention to detail enhanced the album's radio-friendly appeal and helped solidify The Cars' sound as both accessible and groundbreaking.
more
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The Cars
Used - LP - 6E-135
1978 Original With Custom Inner Sleeve. The Eponymous Debut Became A Benchmark To The New Wave Sound. The self-titled debut album marked the beginning of a new era in rock music. Released in 1978, the album is crafted with a unique blend of synthesizers, guitar riffs, and catchy pop hooks that appeal to both rock enthusiasts and mainstream listeners. With the lead singer Ric Ocasek's distinct vocals and David Robinson's steady drumming, the album features timeless classics like "Just What I Needed," "My Best Friend's Girl," and "Good Times Roll" that still resonate with audiences today. The songs on the album are pure pop perfection, with catchy hooks and infectious melodies that are impossible to resist. Whether you're a die-hard fan or a casual listener, "The Cars" is a record that is sure to leave you humming along for days to come.
more
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The Cars
Used - LP - 6E 135
1978 Original stereo, club edition with inner sleeve. The Eponymous Debut Became A Benchmark To The New Wave Sound. The self-titled debut album marked the beginning of a new era in rock music. Released in 1978, the album is crafted with a unique blend of synthesizers, guitar riffs, and catchy pop hooks that appeal to both rock enthusiasts and mainstream listeners. With the lead singer Ric Ocasek's distinct vocals and David Robinson's steady drumming, the album features timeless classics like "Just What I Needed," "My Best Friend's Girl," and "Good Times Roll" that still resonate with audiences today. The songs on the album are pure pop perfection, with catchy hooks and infectious melodies that are impossible to resist. Whether you're a die-hard fan or a casual listener, "The Cars" is a record that is sure to leave you humming along for days to come.
more
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The Cars
Used - LP - 6E 135
1978 Columbia House Club Edition Still In Shrink And Complete With Custom Printed Inner Sleeve. Terre Haute Pressing. Glossy, NM- Vinyl. "The Cars' 1978 self-titled debut, issued on the Elektra label, is a genuine rock masterpiece. The band jokingly referred to the album as their "true greatest-hits album," but it's no exaggeration -- all nine tracks are new wave/rock classics, still in rotation on rock radio. Whereas most bands of the late '70s embraced either punk/new wave or hard rock, the Cars were one of the first bands to do the unthinkable -- merge the two styles together. Add to it bandleader/songwriter Ric Ocasek's supreme pop sensibilities, and you had an album that appealed to new wavers, rockers, and Top 40 fans. One of the most popular new wave songs ever, "Just What I Needed," is an obvious highlight, as are such familiar hits as "Good Times Roll," "My Best Friend's Girl," and "You're All I've Got Tonight." But like most consummate rock albums, the lesser-known compositions are just as exhilarating: "Don't Cha Stop," "Bye Bye Love," "All Mixed Up," and "Moving in Stereo," the latter featured as an instrumental during a steamy scene in the popular movie Fast Times at Ridgemont High. With flawless performances, songwriting, and production (courtesy of Queen alumni Roy Thomas Baker), the Cars' debut remains one of rock's all-time classics." All Music Guide - Greg Prato
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You Might Think
New - 12 - 966968
Sealed 1984 45 RPM Picture Sleeve. "Heartbeat City" On The B-Side.
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