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24 Nights
New - LP - 26420
Sealed 1991 2LP Gatefold Rarity Only Released In The U.S. As A Columbia House Record Club Edition. First Copy We Have Seen In Ten Years. Light Bottom Right Corner "Push".
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24 Nights
Used - LP - 26420
1991 2LP Gatefold Rarity Only Released In The U.S. As A Columbia House Record Club Edition. First Copy We Have Seen In Ten Years. Light Bottom Right Corner "Push".
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24 Nights
Used - 7 - ECB 3
Very Limited, Promotional Only 1991 Box Set Containing Seven 7 Inch Singles Housed In Individual Sleeves Plus An Insert. All Seven Singles Are New, Unplayed.
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461 Ocean Blvd - Test Pressing
Audiophile - LP -
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461 Ocean Blvd - Test Pressing
Audiophile - Used - MFSL 196 A/B 6
Incredibly Rare 1993 Mobile Fidelity Test Pressing Of This Landmark LP Which Never Was Released Commercially.
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461 Ocean Boulevard
New - LP - RS-1-3023
Factory Sealed 1977 Gatefold With Cut Corner & Corner Bump. Packed With Many Hits. Including "I Shot The Sheriff", "Let It Grow" & "Motherless Children".
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461 Ocean Boulevard
New Import - 18MW 0054
New, Unplayed 1987 Japanese Pressing Housed In A Gatefold Cover With Obi. “461 Ocean Boulevard Is Eric Clapton's Second Studio Solo Album, Arriving After His Side Project Of Derek And The Dominos And A Long Struggle With Heroin Addiction. Although There Are Some New Reggae Influences, The Album Doesn't Sound All That Different From The Rock, Pop, Blues, Country, And R&B Amalgam Of Eric Clapton. However, 461 Ocean Boulevard Is A Tighter, More Focused Outing That Enables Clapton To Stretch Out Instrumentally. Furthermore, The Pop Concessions On The Album -- The Sleek Production, The Concise Running Times -- Don't Detract From The Rootsy Origins Of The Material, Whether It's Johnny Otis' "Willie And The Hand Jive," The Traditional Blues "Motherless Children," Bob Marley's "I Shot The Sheriff," Or Clapton's Emotional Original "Let It Grow." With Its Relaxed, Friendly Atmosphere And Strong Bluesy Roots, 461 Ocean Boulevard Set The Template For Clapton's '70s Albums. Though He Tried Hard To Make An Album Exactly Like It, He Never Quite Managed To Replicate Its Charms.” Stephen Thomas Erlewine, All Music.
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461 Ocean Boulevard
Used - LP - SO 4801
1974 First Pressing Housed In A Gatefold Cover. Shows Some Light Shelf Wear With A Hint Of Foxing Color To White Areas, Corner Rubs & Tiny Ding To Top And Bottom Seam. Light Crease Line at Spine Edge. Few Light Surface Marks On Vinyl Not Affecting Play.
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461 Ocean Boulevard
Used Import - MW 2098
1974 Japan Pressing With Obi & Insert.
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461 Ocean Boulevard
Used - LP - SO 4801
1974 First Pressing Housed In A Gatefold Cover. "Eric Clapton's '461 Ocean Boulevard' marked a seminal moment in the iconic guitarist's career, as he emerged from a period of personal turmoil and creative uncertainty to deliver an album that blended his signature blues-rock sound with a newfound sense of introspection and depth. From the soulful, gospel-tinged opener 'Motherless Children' to the gritty, reggae grooves of 'I Shot the Sheriff' and the haunting balladry of 'Let It Grow,' '461 Ocean Boulevard' showcases Clapton's unparalleled virtuosity and range as a musician and songwriter. But it also reveals a more vulnerable side of the artist, as he confronts themes of loss, redemption, and resilience with an unflinching honesty and emotional nuance. With its timeless melodies, masterful instrumentation, and raw, heartfelt performances, '461 Ocean Boulevard' is a true classic of the rock canon.
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461 Ocean Boulevard
Used - LP - 2479 118
Stunning Gatefold Original Pressing
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461 Ocean Boulevard
Audiophile - LP - SVLP 199
Sealed, Long Out Of Print 180gm HQ Import.
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461 Ocean Boulevard
New - LP - SO 4801
Sealed Gatefold Original, Custom "I Shot The Sheriff" Sticker Over Shrinkwrap. Pristine Copy.
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461 Ocean Boulevard
New - LP - RS-1-3023
Sealed 1975 Gatefold 2nd Pressing (First Pressings Have The SO 4801 Catalog Number) (Later Released As A Non Gatefold). Tiny Cut Corner. “461 Ocean Boulevard Is Eric Clapton's Second Studio Solo Album, Arriving After His Side Project Of Derek And The Dominos And A Long Struggle With Heroin Addiction. Although There Are Some New Reggae Influences, The Album Doesn't Sound All That Different From The Rock, Pop, Blues, Country, And R&B Amalgam Of Eric Clapton. However, 461 Ocean Boulevard Is A Tighter, More Focused Outing That Enables Clapton To Stretch Out Instrumentally. Furthermore, The Pop Concessions On The Album -- The Sleek Production, The Concise Running Times -- Don't Detract From The Rootsy Origins Of The Material, Whether It's Johnny Otis' "Willie And The Hand Jive," The Traditional Blues "Motherless Children," Bob Marley's "I Shot The Sheriff," Or Clapton's Emotional Original "Let It Grow." With Its Relaxed, Friendly Atmosphere And Strong Bluesy Roots, 461 Ocean Boulevard Set The Template For Clapton's '70s Albums. Though He Tried Hard To Make An Album Exactly Like It, He Never Quite Managed To Replicate Its Charms.” Stephen Thomas Erlewine, All Music Guide.
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461 Ocean Boulevard
Used - LP - 23MW 0009
Mint Japanese Pressing, Gatefold Cover With Obi. 4 1/2 Stars In All Music Guide.
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461 Ocean Boulevard
Used - LP - SPELP 24
Mint UK 2nd Issue.
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461 Ocean Boulevard
New - LP - UIJY 9003
New, Unplayed, Out Of Print, Limited Edition Japanese 200gm HQ Pressing Housed In A Gatefold Jacket With Obi.
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461 Ocean Boulevard
New Release - 1775318
Factory Sealed 2008 180gm Gatefold Vinyl. One In An Initial Series Of Universal Reissues In Which All Titles Are Pressed On 180gm HQ Vinyl And Retain All Elements Of The Original Artwork (Well, Except The Numbering Series And Inclusion Of Barcodes).
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461 Ocean Boulevard
New - LP - SO 4801
Factory Sealed Gatefold Original With Custom "I Shot The Sheriff" Sticker On Shrinkwrap. Saw Cut.
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461 Ocean Boulevard
Audiophile - LP - SVLP 199
Long Out Of Print 180gm HQ UK Reissue. Glossy, Unplayed Condition.
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461 Ocean Boulevard
Audiophile - LP - SVLP 199
Sealed, Long Out Of Print 180gm HQ Import. “461 Ocean Boulevard Is Eric Clapton's Second Studio Solo Album, Arriving After His Side Project Of Derek And The Dominos And A Long Struggle With Heroin Addiction. Although There Are Some New Reggae Influences, The Album Doesn't Sound All That Different From The Rock, Pop, Blues, Country, And R&B Amalgam Of Eric Clapton. However, 461 Ocean Boulevard Is A Tighter, More Focused Outing That Enables Clapton To Stretch Out Instrumentally. Furthermore, The Pop Concessions On The Album -- The Sleek Production, The Concise Running Times -- Don't Detract From The Rootsy Origins Of The Material, Whether It's Johnny Otis' "Willie And The Hand Jive," The Traditional Blues "Motherless Children," Bob Marley's "I Shot The Sheriff," Or Clapton's Emotional Original "Let It Grow." With Its Relaxed, Friendly Atmosphere And Strong Bluesy Roots, 461 Ocean Boulevard Set The Template For Clapton's '70s Albums. Though He Tried Hard To Make An Album Exactly Like It, He Never Quite Managed To Replicate Its Charms.” Stephen Thomas Erlewine, All Music Guide.
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461 Ocean Boulevard
Used - LP - SO 4801
1974 First Pressing Housed In A Gatefold Cover.
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461 Ocean Boulevard
New - LP - RS-1-3023
Sealed 1975 Gatefold Original (Later Released As A Non Gatefold). Cut Corner. “461 Ocean Boulevard Is Eric Clapton's Second Studio Solo Album, Arriving After His Side Project Of Derek And The Dominos And A Long Struggle With Heroin Addiction. Although There Are Some New Reggae Influences, The Album Doesn't Sound All That Different From The Rock, Pop, Blues, Country, And R&B Amalgam Of Eric Clapton. However, 461 Ocean Boulevard Is A Tighter, More Focused Outing That Enables Clapton To Stretch Out Instrumentally. Furthermore, The Pop Concessions On The Album -- The Sleek Production, The Concise Running Times -- Don't Detract From The Rootsy Origins Of The Material, Whether It's Johnny Otis' "Willie And The Hand Jive," The Traditional Blues "Motherless Children," Bob Marley's "I Shot The Sheriff," Or Clapton's Emotional Original "Let It Grow." With Its Relaxed, Friendly Atmosphere And Strong Bluesy Roots, 461 Ocean Boulevard Set The Template For Clapton's '70s Albums. Though He Tried Hard To Make An Album Exactly Like It, He Never Quite Managed To Replicate Its Charms.” Stephen Thomas Erlewine, All Music Guide.
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461 Ocean Boulevard
Gold - CD - UDCD 594
1993 Limited Edition, Ultradisc II 24kt Gold Plated Audiophile CD Housed In Original Lift-Lock Jewel Case. CD And Fold Out Insert In Excellent Condition, Light Shelf Wear To Case.
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461 Ocean Boulevard
Used - LP - 2394 138
1974 German Gatefold. Appears Unplayed. “461 Ocean Boulevard Is Eric Clapton's Second Studio Solo Album, Arriving After His Side Project Of Derek And The Dominos And A Long Struggle With Heroin Addiction. Although There Are Some New Reggae Influences, The Album Doesn't Sound All That Different From The Rock, Pop, Blues, Country, And R&B Amalgam Of Eric Clapton. However, 461 Ocean Boulevard Is A Tighter, More Focused Outing That Enables Clapton To Stretch Out Instrumentally. Furthermore, The Pop Concessions On The Album -- The Sleek Production, The Concise Running Times -- Don't Detract From The Rootsy Origins Of The Material, Whether It's Johnny Otis' "Willie And The Hand Jive," The Traditional Blues "Motherless Children," Bob Marley's "I Shot The Sheriff," Or Clapton's Emotional Original "Let It Grow." With Its Relaxed, Friendly Atmosphere And Strong Bluesy Roots, 461 Ocean Boulevard Set The Template For Clapton's '70s Albums. Though He Tried Hard To Make An Album Exactly Like It, He Never Quite Managed To Replicate Its Charms.” Stephen Thomas Erlewine, All Music Guide.
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74
Used - LP - 200
Rare Gatefold Bootleg Featuring 7 Tracks Including Layla.
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After Midnight Live
New - LP - VP 80100
Sealed 2008 2LP 180gm HQ Gatefold Original. Recorded Live At The Shoreline Amphitheatre, Mountain View, California, September 21st, 1988.
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After Midnight Live
New Import - VP 80100
Sealed 2008 2LP 180gm HQ Gatefold Original. Recorded Live At The Shoreline Amphitheatre, Mountain View, California, September 21st, 1988. The album includes performances from four different shows, and features some of Clapton's most iconic songs, such as "Layla" and "Crossroads". The album was recorded during Clapton's tour to promote his album August, and it showcases his exceptional guitar skills and soulful vocals. The band consists of Mark Knopfler, Nathan East on bass, Alan Clark on Keys & Steve Ferrone on drums.
What makes After Midnight Live unique is the powerful live energy that Clapton and his band brought to each performance. With his signature blend of blues and rock, Clapton delivers electrifying renditions of classic tracks that will thrill any music lover. Whether you're a long-time fan or a newcomer to Clapton's music, After Midnight Live is a must-have album that captures the essence of one of rock's greatest guitarists at the top of his game.
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Another Ticket
Used - LP - RX-1-3095
1981 Original Still In Shrink. Light Edge Wear
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Another Ticket
Used - LP - RX-1-3095
1981 US Original, Compton Press. Includes Custom Inner Sleeve. Includes The Big Hit "I Can't Stand It". VG+ Cover, With Seam & Corner Rubbing.
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Another Ticket
Used - LP - RX-1-3095
1981 US Original. Includes Custom Inner Sleeve. Includes The Big Hit "I Can't Stand It". "Another Ticket" is an album by Eric Clapton, released in February 1981. It marks Clapton's seventh solo studio album and was produced by Tom Dowd, a long-time collaborator known for his work with a variety of artists in rock and soul music. The album features a blend of rock and blues influences, showcasing Clapton's distinctive guitar work and soulful vocals. Notable tracks include "I Can't Stand It," which became a hit single and highlights Clapton's ability to merge catchy melodies with gritty guitar riffs. The album also includes tracks like "Something Special" and "Black Rose," which reflect Clapton's introspective songwriting style.
The recording of "Another Ticket" took place during a period of personal and professional transition for Clapton. It was his last album for RSO Records before moving to Warner Bros. Records. This album captures a moment in Clapton's career where he was navigating changes both in his music and in his personal life. Thematically, the songs explore love, heartache, and self-reflection, elements that have consistently been present in Clapton's work. "Another Ticket" is often noted for its polished production and the cohesive work of the supporting musicians, contributing to a sound that both complements and enhances Clapton's guitar and vocal performance.
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Another Ticket
New - LP - RX-1-3095
Sealed 1981 Original.
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Another Ticket
New - LP - RX-1-3095
Sealed 1981 Original With Custom Song Hype Sticker On Shrink Wrap. Saw Cut.
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Another Ticket
New - LP - RX-1-3095
Sealed 1981 Original With Custom Song Hype Sticker On Shrink Wrap. Cut Corner.
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Another Ticket
Audiophile - LP - 28MW 0006
Japanese Pressing With Obi. LP Appears New, Unplayed.
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Another Ticket
New - LP - RX-1-3095
Sealed 1981 Original With Custom Song Hype Sticker On The Shrink Wrap. Very Difficult To Find Without A Saw Cut Or Cut Out Hole.
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Another Ticket
Used - LP - RX-1-3095
1981 Original. Includes Custom Inner Sleeve. Includes The Big Hit "I Can't Stand It".
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Another Ticket / Cocaine
New - 12 - RSX 106412
Rare, Sealed 1981 Canadian-Only 12" Vinyl.
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At His Best
New - LP - 35MW 0018/9
Sealed Japanese First Pressing Of This 2LP Gatefold With Obi. Pristine Copy.
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August
New - LP - 25476
Sealed 1986 Gatefold Original, Clean COH. Featuring "It's In The Way That You Use It" From The Movie "Color Of Money."
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August
New - LP - 95476
Sealed 1986 Gatefold Original, Small Saw Notch, Custom Song Hype Sticker On Shrink. Features "It's In The Way That You Use It" From The Movie "Color Of Money."
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August
New - LP - 25476
Sealed 1986 Gatefold Original, Saw Cut. Custom "It's In The Way That You Use It" Song Hype Sticker On The Shrink Wrap.
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August
New - LP - 25476
Sealed 1986 Gatefold Original. Custom "It's In The Way That You Use It" Song Hype Sticker On The Shrink Wrap.
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August
Used - LP - 9 W1-25476
1986 Gatefold, Columbia House Pressing. Featuring "It's In The Way That You Use It" From The Movie "Color Of Money". "Eric Clapton Adopted A New, Tougher, Hard R&b Approach On August, Employing A Stripped-down Band Featuring Keyboard Player Greg Phillinganes, Bassist Nathan East, And Drummer/producer Phil Collins, Plus, On Several Tracks, A Horn Section And, On A Couple Of Tracks, Backup Vocals By Tina Turner, And Performing Songs Written By Old Motown Hand Lamont Dozier, Among Others. The Excellent, But Incongruous, Leadoff Track, However, Was "It's In The Way That You Use It," Which Clapton And Robbie Robertson Had Written For Robertson's Score To The Film The Color Of Money. Elsewhere, Clapton Sang And Played Fiercely On Songs Like "Tearing Us Apart," "Run," And "Miss You," All Of Which Earned Aor Radio Play. That Radio Support May Have Helped The Album To Achieve Gold Status In Less Than Six Months, Clapton's Best Commercial Showing Since 1981's Another Ticket, Despite The Album's Failure To Generate A Hit Single. " AMG Review By William Ruhlmann.
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August
Used - LP - 9 W1-25476
1986 Gatefold. Featuring "It's In The Way That You Use It" From The Movie "Color Of Money". "Eric Clapton Adopted A New, Tougher, Hard R&b Approach On August, Employing A Stripped-down Band Featuring Keyboard Player Greg Phillinganes, Bassist Nathan East, And Drummer/producer Phil Collins, Plus, On Several Tracks, A Horn Section And, On A Couple Of Tracks, Backup Vocals By Tina Turner, And Performing Songs Written By Old Motown Hand Lamont Dozier, Among Others. The Excellent, But Incongruous, Leadoff Track, However, Was "It's In The Way That You Use It," Which Clapton And Robbie Robertson Had Written For Robertson's Score To The Film The Color Of Money. Elsewhere, Clapton Sang And Played Fiercely On Songs Like "Tearing Us Apart," "Run," And "Miss You," All Of Which Earned Aor Radio Play. That Radio Support May Have Helped The Album To Achieve Gold Status In Less Than Six Months, Clapton's Best Commercial Showing Since 1981's Another Ticket, Despite The Album's Failure To Generate A Hit Single. " All Music Guide - William Ruhlmann.
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Back Home
Audiophile - LP - 49395
Sealed 2005 180gm HPV Vinyl Original Housed In A Deluxe Gatefold Cover. Half-Speed Mastered By Stan Ricker.
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Back Home
Audiophile - LP - 49395
Mint, Out Of Print 2005 2LP Pressed On 180gm HPV Vinyl Housed In A Deluxe Gatefold Cover. Half-Speed Mastered By Stan Ricker.
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Back Home
Audiophile - LP - 49395
2005 180gm Test Pressing Of The Out Of Print Half-Speed Vinyl Mastered By Stan Ricker. Open Copy. Appears Unplayed.
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Backless
New - LP - RS-1-3039
Sealed 1978 Embossed Gatefold Original. Cut Corner.
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Backless
Used - LP - 5001
1978 UK Gatefold Original
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Backless
New - LP - 3039
Sealed 1978 Textured And Embossed Gatefold Cover Original. Custom Gold Song Hype Sticker On Front Cover. CC.
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Backless
New - LP - RS-1-3039
Sealed, Embossed 1978 Gatefold Original.
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Backless
Used - LP - RS-1-3039
1978 White Label Promo, Gatefold Cover, Custom Gold Song Sticker, Gold Demo Stamp On Cover. Appears Virtually Unplayed.
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Backless
New - LP - 0798
Sealed 1978 Embossed Original. Crisp Corners, No Cut-Out Holes.
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Backless
New - LP - RS-1-3039
Sealed, Perfect 1978 Textured Gatefold Original With Custom Sticker Over Shrink. Hard To Find Without Saw Cut Or Deletion Holes.
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Backless
Used - LP - MWF 1056
Japanese Gatefold Original With Obi. Jacket Has Some Very Light Seam Wear, Hence Price.
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Backless
New - LP - RS-1-3039
Sealed 1978 Textured, Gold Foil Embossed Gatefold Original With Custom Gold Song Hype Sticker On The Shrink Wrap.
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Backless
New - LP - RS-1-3039
Sealed 1978 Textured, Gold Embossed Gatefold Original With Custom Gold Song Hype Sticker On The Shrink Wrap. This Particular Copy Comes From Dr. Demento's Personal Archives. Cut Corner.
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Backless
Used - LP - RS-1-3039
1978 Original In Gatefold Cover, With Embossed Gold Foil Writing. Cut Corner. "Having Made His Best Album Since 461 Ocean Boulevard With Slowhand, Eric Clapton Followed With Backless, Which Took The Same Authoritative, No-nonsense Approach. If It Wasn't Quite The Masterpiece, Or The Sales Monster, That Slowhand Had Been, This Was Probably Because Of That Usual Clapton Problem: Material. Once Again, He Returned To Those Oklahoma Hills For Another Song From J.J. Cale, But "I'll Make Love To You Anytime" Wasn't Quite Up To "Cocaine" Or "After Midnight." Bob Dylan Contributed Two Songs, But You Could See Why He Hadn't Saved Them For His Own Album, And Clapton's Own Writing Contributions Were Mediocre. Clapton Did Earn A Top Ten Hit With Richard Feldman And Roger Linn's Understated Pop Shuffle "Promises," But It Wasn't One Of His More Memorable Recordings. Of Course, Clapton's Blues Playing On The Lone, Obligatory Blues Cut, "Early In The Morning," Was Stellar. Backless Was His Last Album To Feature The Backup Group That Had Been With Him Since 1974." AMG Review By William Ruhlmann.
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Backless
Used - LP - RS-1-3039
1978 Original In Gatefold Cover, With Embossed Gold Foil Writing. Without Original Inner. Mastered By Mastering Lab, Unknown Pressing Plant. Glossy Vinyl, Cover VG+ With Some Light Edge/Corner Rubs. "Having Made His Best Album Since 461 Ocean Boulevard With Slowhand, Eric Clapton Followed With Backless, Which Took The Same Authoritative, No-nonsense Approach. If It Wasn't Quite The Masterpiece, Or The Sales Monster, That Slowhand Had Been, This Was Probably Because Of That Usual Clapton Problem: Material. Once Again, He Returned To Those Oklahoma Hills For Another Song From J.J. Cale, But "I'll Make Love To You Anytime" Wasn't Quite Up To "Cocaine" Or "After Midnight." Bob Dylan Contributed Two Songs, But You Could See Why He Hadn't Saved Them For His Own Album, And Clapton's Own Writing Contributions Were Mediocre. Clapton Did Earn A Top Ten Hit With Richard Feldman And Roger Linn's Understated Pop Shuffle "Promises," But It Wasn't One Of His More Memorable Recordings. Of Course, Clapton's Blues Playing On The Lone, Obligatory Blues Cut, "Early In The Morning," Was Stellar. Backless Was His Last Album To Feature The Backup Group That Had Been With Him Since 1974." AMG Review By William Ruhlmann.
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Backtrackin'
Used - LP - ERIC 1
Beautiful 1984 2LP Uk Gatefold Compilation. Jacket Has A Hint Og Ring Wear, Vinyl Is Gorgeous.
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Behind The Sun
Used - LP - 25166
1985 Gatefold Original With Gold Promo Stamp And Custom Song Sticker On Front Jacket. Appears Unplayed.
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Behind The Sun
New - LP - 25166
Sealed 1985 Gatefold Original, Clean COH. Custom Song Hype Sticker On Shrink Wrap.
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Behind The Sun
Used - LP - P 13069
Japanese Gatefold With Obi.
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Behind The Sun
New - LP - 25166
Sealed 1985 Gatefold Original With Large Promo Sticker On The Shrink Wrap. Saw Cut.
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Behind The Sun
New - LP - 25166
Sealed Gatefold Record Club Edition.
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Behind The Sun
Used - LP - 25166
1985 US Gatefold Original; Allied Pressing. Beautiful Copy. "Although He Is Universally Considered Among The Most Important Figures In Rock & Roll, Eric Clapton Has Not Had Consistent Success In Translating His Stature Into Record Sales, Partially Because He Is, In Essence, A Great Blues Guitarist Rather Than A Great Pop/rock Singer/songwriter. Clapton's Career Was In Decline In The Early '80s When He Switched Record Labels From Polydor To Warner Bros., And His Debut Warner Album, Money And Cigarettes, Became His First To Fall Below Gold Record Status In More Than Six Years. As A Result, Warner Looked Critically At His Follow-up, The Phil Collins-produced Behind The Sun, In The Fall Of 1984 And Rejected The First Version Submitted, Insisting That He Record Several New Songs Written By Jerry Williams, Backed By Los Angeles Session Players Under The Auspices Of Company Producers Lenny Waronker And Ted Templeman. Warner Then Emphasized The New Tracks, Releasing Two Of Them, "Forever Man" (Which Reached The Top 40) And "See What Love Can Do," As Singles. The Resulting Album, Not Surprisingly, Was Somewhat Schizophrenic. It Was Hard To Believe That Warner Could Have Heard The Leadoff Track, "She's Waiting," And Not Realized Its Potential To Be A Hit Single, Though The Company May Have Been Correct In Thinking That The Album As A Whole Was Competent Without Being Very Exciting. The Added Tracks Were Not Bad (And, In Fact, Clapton Later Would Add Session Players Nathan East And Greg Phillinganes To His Band), But They Were Not The Sure-fire Hits They Were Supposed To Be. As Usual, There Was Some Effective Guitar Soloing (Notably On "Same Old Blues"), But Despite The Tinkering, Behind The Sun Was Not Among Clapton's Best -- Although It Went Gold After Nearly Two Years In Release." AMG - William Ruhlmann.
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Behind The Sun
Audiophile - New - 47735
Sealed, Out Of Print 2010 180gm Gatefold Remastered Reissue. Cut From The Original Analog Tapes. Custom Hype Sticker On Shrink.
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Behind The Sun
Used - LP - 25166
1985 Gatefold Original. LP Appears Virtually Unplayed. Saw Cut.
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Behind The Sun
Used - LP - 25166
1985 US Gatefold Original; Allied Pressing. This Is A Promo Copy From Image Consultants With Blue Survey Insert. Beautiful Copy. "Although He Is Universally Considered Among The Most Important Figures In Rock & Roll, Eric Clapton Has Not Had Consistent Success In Translating His Stature Into Record Sales, Partially Because He Is, In Essence, A Great Blues Guitarist Rather Than A Great Pop/rock Singer/songwriter. Clapton's Career Was In Decline In The Early '80s When He Switched Record Labels From Polydor To Warner Bros., And His Debut Warner Album, Money And Cigarettes, Became His First To Fall Below Gold Record Status In More Than Six Years. As A Result, Warner Looked Critically At His Follow-up, The Phil Collins-produced Behind The Sun, In The Fall Of 1984 And Rejected The First Version Submitted, Insisting That He Record Several New Songs Written By Jerry Williams, Backed By Los Angeles Session Players Under The Auspices Of Company Producers Lenny Waronker And Ted Templeman. Warner Then Emphasized The New Tracks, Releasing Two Of Them, "Forever Man" (Which Reached The Top 40) And "See What Love Can Do," As Singles. The Resulting Album, Not Surprisingly, Was Somewhat Schizophrenic. It Was Hard To Believe That Warner Could Have Heard The Leadoff Track, "She's Waiting," And Not Realized Its Potential To Be A Hit Single, Though The Company May Have Been Correct In Thinking That The Album As A Whole Was Competent Without Being Very Exciting. The Added Tracks Were Not Bad (And, In Fact, Clapton Later Would Add Session Players Nathan East And Greg Phillinganes To His Band), But They Were Not The Sure-fire Hits They Were Supposed To Be. As Usual, There Was Some Effective Guitar Soloing (Notably On "Same Old Blues"), But Despite The Tinkering, Behind The Sun Was Not Among Clapton's Best -- Although It Went Gold After Nearly Two Years In Release." AMG - William Ruhlmann.
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Behind The Sun
New - LP - 25166
Sealed 1985 Gatefold Original. EX Jacket, Tiny Corner Dings, Small Shrink Tear.
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Best Of Eric Clapton
New - LP - 849 162
New, Unplayed 7 Track Compilation Housed In A Resealable Bag. German Address On Back Cover; Labels State Made In Holland.
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Best Of Eric Clapton
New - LP - 47564
New, Unplayed 1999 2LP With Custom Inner Sleeves. Features 2 New Songs "Blue Eyes Blue" from The Film "Runaway Bride" And "Get Lost."
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Blues
New - LP - 528599-1
Sealed 2011 180gm 5LP Deluxe Box Set Limited To 3,000 Copies. This Set Has Been Carefully Recut For Vinyl At Bernie Grundman Mastering By Chris Bellman And Pressed On The Finest Grade European Vinyl For The Highest Quality Analogue Sound Imaginable. The Albums Are "From The Cradle," "Me And Mr. Johnson" And "Riding With The King" With B.B. King.
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Blues World Of Eric Clapton
Used - LP - SPA 387
Blues Breakers Compilation.
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Blues World Of Eric Clapton
New - LP - SPA 387
Sealed 1969 Compilation Featuring Bluesbreakers Tracks & More.
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Blues World Of Eric Clapton
Used - LP - SPA 387
Beautiful UK Compilation Featuring John Mayall. Some Eletronic Stereo Plus Mono. 1W/2W Stampers.
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Chronicles - The Best Of Eric Clapton
New - LP - 47564
New, Unplayed 1999 2LP With Custom Inner Sleeves. Includes 2 New Songs: "Blue Eye Blues" (From The Film Runaway Bride) And "Get Lost." Also Includes The Unplugged Version Of "Layla," The Live Vesion Of "Wonderful Night" And Much More. Rare!
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Clapton
Used - LP - PD 5526
1973 Original Compiled From Previously Released Albums. Features Leon Russell, Bonnie Bramlett, Rita Coolidge, Stephen Stills And Others. Shrink Wrap Intact With Custom "Clapton" Sticker Over Shrink.
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Clapton
Used - LP - 2383 021
Beautiful German Red & Black Label Original Housed In A Laminated Jacket. The Name "Hancock" Is Neatly Written In Italic Print On The Labels. Appears Unplayed. His Superb, Eponymous Solo Debut Recorded In 1970.
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Clapton
New - LP - 525325
Sealed 2010 2LP Gatefold Original. “There’s No Record Quite Like "Clapton" In His Catalog. The Closest May Be Unplugged, Which Also Ambles Along With An Unhurried Shuffle, But This Boasts A Greater Musical Range, Mixing Up Fats Waller And Robert Wilkins With Hoagy Carmichael And Irving Berlin, Finding Room For Guests Appearances By Winwood, Allen Toussaint, Wynton Marsalis, Sheryl Crow, Derek Trucks And Selected Members From Preservation Hall Jazz Band. Yes, It Is Eclectic, Even Dipping Into A Bit Of A Soulful Soft-Rock Groove On “Everything Will Be Alright,” But Not Self-Consciously So. Clapton Flows Easily, The Blues Never Hitting Too Hard, The New Orleans Jazz Never Getting Too Woozy, The Standards Never Too Sleepy, The Sounds Subtly Shifting But Changing All The Same. It’s Leisurely In Its Performance And Its Length, Perhaps Running Just A Little Too Long, But It’s Hard To Complain Because The Slow Ramble Is So Enjoyable. Eric Clapton Has Never Sounded So Relaxed On Record, Either As A Singer -- He Is Supple And Casually Authoritative, A Far Cry From The Tentative Lead Vocalist Of His Earliest Solo Records -- Or A Bandleader, Sounding At Peace With His Past Yet Harboring No Desire To Recycle It, Even If He’s Reaching Back Far Beyond The Blues That Initially Sparked His Interest In Music. He’s Simply Laying Back And Enjoying What He’s Playing, Winding Up With One Of His Simplest And Best Records.” - Stephen Thomas Erlewine, AMG
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Clapton
New Import - 9362-49635-7
Sealed 2010 2LP Gatefold Original. “There’s No Record Quite Like "Clapton" In His Catalog. The Closest May Be Unplugged, Which Also Ambles Along With An Unhurried Shuffle, But This Boasts A Greater Musical Range, Mixing Up Fats Waller And Robert Wilkins With Hoagy Carmichael And Irving Berlin, Finding Room For Guests Appearances By Winwood, Allen Toussaint, Wynton Marsalis, Sheryl Crow, Derek Trucks And Selected Members From Preservation Hall Jazz Band. Yes, It Is Eclectic, Even Dipping Into A Bit Of A Soulful Soft-Rock Groove On “Everything Will Be Alright,” But Not Self-Consciously So. Clapton Flows Easily, The Blues Never Hitting Too Hard, The New Orleans Jazz Never Getting Too Woozy, The Standards Never Too Sleepy, The Sounds Subtly Shifting But Changing All The Same. It’s Leisurely In Its Performance And Its Length, Perhaps Running Just A Little Too Long, But It’s Hard To Complain Because The Slow Ramble Is So Enjoyable. Eric Clapton Has Never Sounded So Relaxed On Record, Either As A Singer -- He Is Supple And Casually Authoritative, A Far Cry From The Tentative Lead Vocalist Of His Earliest Solo Records -- Or A Bandleader, Sounding At Peace With His Past Yet Harboring No Desire To Recycle It, Even If He’s Reaching Back Far Beyond The Blues That Initially Sparked His Interest In Music. He’s Simply Laying Back And Enjoying What He’s Playing, Winding Up With One Of His Simplest And Best Records.” - Stephen Thomas Erlewine, AMG
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Cocaine / The Core / Lay Down Sally / Wonderful Tonight
Colored Vinyl - PRO 035
1977 Promo Only White Vinyl Rarity. Appears Glossy, Unplayed. Some Light Age "Yellowing" To The Cover.
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Complete Clapton
Used - LP - 294332
New, Unplayed Copy Of This 2007 4LP Half-Speed Mastered Box Set. 36 Of Eric's Greatest Songs From 1968 To 2006 Half-Speed Mastered By Stan Ricker. This Set Was sealed, But The Shrink Separated.
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Complete Clapton
Audiophile - LP - 294332
Out Of Print 2007 4LP Half-Speed Mastered Box Set. 36 Of Eric's Greatest Songs From 1968 To 2006 Half-Speed Mastered By Stan Ricker. All Four LPs Appear New, Unplayed. Box Contains Two Heavy-Duty 2LP Gatefolds Entitled "1966-1981" And "1982-2006."
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Complete Clapton
Audiophile - LP - 294332
Factory Sealed 2007 4LP Half-Speed Test Pressing. 36 Of Eric's Greatest Songs From 1968 To 2006 Half-Speed Mastered By Stan Ricker. Pristine Copy.
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Complete Clapton
Audiophile - LP - 294332-1
Sealed 2007 4LP 180gm Half-Speed Mastered RTI Box Set. 36 Of Eric's Greatest Songs From 1968 To 2006 Half-Speed Mastered By Stan Ricker. Small Shrink Tear With Corner Rub Wear.
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Complete Clapton
New - LP - 566004
Sealed 2018 4LP Record Store Day Box Set. Includes Limited Edition 45rpm Single: "The Shape You're In" B/W "See What Love Can Do".
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Crossroads
Used - LP - 835 261
1988 6LP Embossed Box Set With 32 Page Booklet. Each LP Is Housed In An Individual Custom Sleeve. Features All The Classics Plus Dozens Of Rare And Unreleased Recordings By The Yardbirds, Bluesbreakers, Cream, Blind Faith And Derek & The Dominos. Also Features A New Version Of "After Midnight."
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Crossroads
New - LP - 835 261
Factory Sealed 1988 6LP Box Set With 32 Page Booklet, Custom Silver Sticker Over Shrink Wrap. Features All The Classics Plus Dozens Of Rare And Unreleased Recordings By The Yardbirds, Bluesbreakers, Cream, Blind Faith And Derek & The Dominos. Also Features A New Version Of "After Midnight." Thin Saw Cut.
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Crossroads
New - LP - 835 261
Factory Sealed, Embossed German 6LP Box Set With 32 Page Booklet, Custom Sticker Over Shrink Wrap Which Is Separating. Features All The Classics Plus Dozens Of Rare And Unreleased Recordings By The Yardbirds, Bluesbreakers, Cream, Blind Faith And Derek & The Dominos. Also Features A New Version Of "After Midnight."
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Crossroads - Eric Clapton Guitar Festival
New - LP - R1 537929
Sealed 4LP Set Recorded Live At Madison Square Garden In 2013. Scratch Though Barcode On Back.
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E.C. Was Here
New - LP - SO 4809
Sealed 1975 Original With Custom Album Hype Sticker On The Shrink Wrap. Also Includes Custom Red Inner Sleeve.
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E.C. Was Here
Used - LP - MW 2141
Beautiful Japanese Pressing With Obi.
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E.C. Was Here
Used - LP - SO 4809
1975 Yellow Label Original With Custom Album Hype Sticker On The Shrink Wrap. Also Includes Custom Red Inner Sleeve. LP Appears Unplayed.
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E.C. Was Here
New - LP - SO 485
Sealed 1975 Yellow Label Original With Custom Album Hype Sticker On The Shrink Wrap. Cut Corner.
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E.C. Was Here
Used - LP - SO 4809
1975 Original MO, With Custom Red Inner Sleeve. "E.C. Was Here" is a live album recorded during Clapton's tour in 1974 and originally released in 1975. The album features a mix of blues & rock with Clapton's signature guitar playing front and center. The album includes some of Clapton's most popular songs, such as "Further On Up The Road" and "Presence of the Lord," as well as covers of blues classics like "Have You Ever Loved a Woman" and "Driftin' Blues."
The album received generally positive reviews from critics, with many praising Clapton's virtuosic guitar playing and the energy of his live performances. The album also helped solidify Clapton's reputation as one of the greatest guitarists of his generation and cemented his place in the pantheon of rock and blues music.
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EC Was Here
Used - LP - SO 4809
1975 Original With Custom Red Inner Sleeve. Shrink Wrap Intact. Rear Cover Features A Superb Cleavage Shot Of The Model On The Front. Appears Unplayed. Shrink Wrap Has The Original Record Baron Price Tag In Place.
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EC Was Here
Used - LP - SO 4809
1975 Original With Custom Red Inner Sleeve. Shrink Wrap Intact. Rear Cover Features A Superb Cleavage Shot Of The Model On The Front. Appears Unplayed. Shrink Wrap Has The Original Record Factory Price Tag In Place. Saw Cut.
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Eric Clapton
Used - LP - RS-1-3008
White Label Promo Collector's Edition. Unplayed Condition.
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Eric Clapton
New - LP - 2658 148
Sealed 13 LP German Only Box Set. Includes "Eric Clapton", "Rainbow Concert", "461 Ocean Boulevard", "There's One In Every Crowd", "EC Was Here", "No Reason To Cry", Slowhand", "Backless", "Another Ticket" "Just One Night" "History Of Eric Clapton".
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Eric Clapton
New - LP - RS1 3008
Sealed Original. Features Leon Russell, Delaney & Bonnie, Stephen Stills. CC.
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Eric Clapton
Audiophile - LP - SVLP 105
Sealed 1999 Limited Edition 180gm HQ Reissue. His 5 Star Debut Recorded In 1970.
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Eric Clapton
New - LP - MFSL 1-220
Factory Sealed, Limited Edition 200gm Anadisc, Number 4143.
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Eric Clapton
Audiophile - LP - MFSL 1-220
Factory Sealed, Limited Edition Half-Speed Mastered 200gm Anadisc Housed In A Deluxe Gatefold Jacket. This Is Number 2618. Pristine Copy. His Superb, Eponymous Solo Debut Recorded In 1970.
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Eric Clapton
Used - LP - PD 5526
Beautiful 1973 White Label Promo In Shrink Wrap With Promo Insert.
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Eric Clapton
Audiophile - LP - MFSL 1-220
Sealed 1995 Low Limited Edition 200gm Anadisc Half-Speed Master Housed In A Super-Deluxe, Heavy-Futy Gatefold Cover. This Is Foil Embossed Low Number 1408.
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Eric Clapton
New - LP - SD 33-329
Sealed 1970 Yellow Label, Heavy Vinyl Original. “Eric Clapton's Eponymous Solo Debut Was Recorded After He Completed A Tour With Delaney & Bonnie. Clapton Used The Core Of The Duo's Backing Band And Co-Wrote The Majority Of The Songs With Delaney Bramlett — Accordingly, Eric Clapton Sounds More Laid-Back And Straightforward Than Any Of The Guitarist's Previous Recordings. There Are Still Elements Of Blues And Rock & Roll, But They're Hidden Beneath Layers Of Gospel, R&B, Country, And Pop Flourishes. And The Pop Element Of The Record Is The Strongest Of The Album's Many Elements — "Blues Power" Isn't A Blues Song And Only "Let It Rain," The Album's Closer, Features Extended Solos. Throughout The Album, Clapton Turns Out Concise Solos That De-Emphasize His Status As Guitar God, Even When They Display Astonishing Musicality And Technique.” Stephen Thomas Erlewine, AMG.
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Eric Clapton
Used - LP - SD 33-329
1970 White Label Promo.
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Eric Clapton
Used - LP - PD 5526
Beautiful 1973 White Label Promo In Shrink Wrap With Promo Insert. Appears Unplayed.
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Eric Clapton
Audiophile - LP - SVLP 105
Long Out Of Print 1999 180gm HQ Reissue. Glossy, Unplayed Condition.
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Eric Clapton
New - LP - RS-1-3008
Factory Sealed Collector's Edition With Embossed Gold Sticker On The Shrink Wrap. Small Cut Corner. May Be A White Label Promo.
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Eric Clapton
New - LP - RS-1-3008
Sealed 1978 Reissue. Small Cut Corner.
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Eric Clapton
Used - LP - 2394 186
1983 German Reissue. Appears Glossy, Unplayed.
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Eric Clapton
Audiophile - Used - MFSL 1-220
1995 Limited Edition 200gm Anadisc Half-Speed Master Housed In A Super-Deluxe, Heavy-Duty Gatefold Cover. This Is Foil Stamped Low Number 1656. His Superb, Eponymous Solo Debut Recorded In 1970.
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Eric Clapton
Used - LP - SD 33-329
1970 Yellow Label, Heavy Vinyl Original, Still In Shrink. “Eric Clapton's Eponymous Solo Debut Was Recorded After He Completed A Tour With Delaney & Bonnie. Clapton Used The Core Of The Duo's Backing Band And Co-Wrote The Majority Of The Songs With Delaney Bramlett — Accordingly, Eric Clapton Sounds More Laid-Back And Straightforward Than Any Of The Guitarist's Previous Recordings. There Are Still Elements Of Blues And Rock & Roll, But They're Hidden Beneath Layers Of Gospel, R&B, Country, And Pop Flourishes. And The Pop Element Of The Record Is The Strongest Of The Album's Many Elements — "Blues Power" Isn't A Blues Song And Only "Let It Rain," The Album's Closer, Features Extended Solos. Throughout The Album, Clapton Turns Out Concise Solos That De-Emphasize His Status As Guitar God, Even When They Display Astonishing Musicality And Technique.” Stephen Thomas Erlewine, AMG.
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Eric Clapton
Used - LP - RS-1-3008
80's Reissue On Red Polydor Label, Still In Shrink. Very Similar Matrix To An RSO Silver Label Reissue. Mastered By Trutone. Glossy Vinyl. "Eric Clapton's Eponymous Solo Debut Was Recorded After He Completed A Tour With Delaney & Bonnie. Clapton Used The Core Of The Duo's Backing Band And Co-wrote The Majority Of The Songs With Delaney Bramlett -- Accordingly, Eric Clapton Sounds More Laid-back And Straightforward Than Any Of The Guitarist's Previous Recordings. There Are Still Elements Of Blues And Rock & Roll, But They're Hidden Beneath Layers Of Gospel, R&b, Country, And Pop Flourishes. And The Pop Element Of The Record Is The Strongest Of The Album's Many Elements -- "Blues Power" Isn't A Blues Song And Only "Let It Rain," The Album's Closer, Features Extended Solos. Throughout The Album, Clapton Turns Out Concise Solos That De-emphasize His Status As Guitar God, Even When They Display Astonishing Musicality And Technique. That Is Both A Good And A Bad Thing -- It's Encouraging To Hear Him Grow And Become A More Fully Rounded Musician, But Too Often The Album Needs The Spark That Some Long Guitar Solos Would Have Given It. In Short, It Needs A Little More Of Clapton's Personality." AMG Review Stephen Thomas Erlewine.
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Eric Clapton
Used - LP - SD 33-329
1970 US Original, Monarch Pressing With Custom ATCO Inner Sleeve. Cover VG+, Small Ding To Top Right Corner & Seam Rubs. Vinyl Is Glossy Strong VG+/EX. "Eric Clapton's Eponymous Solo Debut Was Recorded After He Completed A Tour With Delaney & Bonnie. Clapton Used The Core Of The Duo's Backing Band And Co-Wrote The Majority Of The Songs With Delaney Bramlett -- Accordingly, Eric Clapton Sounds More Laid-Back And Straightforward Than Any Of The Guitarist's Previous Recordings. There Are Still Elements Of Blues And Rock & Roll, But They're Hidden Beneath Layers Of Gospel, R&B, Country, And Pop Flourishes. And The Pop Element Of The Record Is The Strongest Of The Album's Many Elements -- "Blues Power" Isn't A Blues Song And Only "Let It Rain," The Album's Closer, Features Extended Solos. Throughout The Album, Clapton Turns Out Concise Solos That De-Emphasize His Status As Guitar God, Even When They Display Astonishing Musicality And Technique. That Is Both A Good And A Bad Thing -- It's Encouraging To Hear Him Grow And Become A More Fully Rounded Musician, But Too Often The Album Needs The Spark That Some Long Guitar Solos Would Have Given It. In Short, It Needs A Little More Of Clapton's Personality." AMG Review By Stephen Thomas Erlewine.
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Eric Clapton
Audiophile - Used - MFSL 1-220
1995 Limited Edition 200gm Anadisc Half-Speed Master Housed In A Super-Deluxe, Heavy-Duty Gatefold Cover. This Is Foil Stamped Low Number 4918. His Superb, Eponymous Solo Debut Recorded In 1970.
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Eric Clapton
Audiophile - New - MFSL 1-220
Sealed 1995 Limited Edition 200gm Anadisc Half-Speed Master Housed In A Super-Deluxe, Heavy-Duty Gatefold Cover. This Is Foil Stamped Low Number 5050. His Superb, Eponymous Solo Debut Recorded In 1970. Basically recorded with Delaney & Bonnie and gang after a long tour with many songs cowritten by them too. Clapton shows a different side moving away from the heavy rock and with songs like "After Midnight", "Blues Power" & "let It Rain".
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Eric Clapton At His Best
Used - LP - PD 3503
1972 2LP Housed In An Envelope Style Cover. Both Records Appear Glossy, Unplayed. Mastered At Sterling Sound. Small CRC (Columbia Record Club) Stamp On Spine.
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Eric Clapton At His Best
New - LP - PD 3503
Sealed 2LP White Lable Promo, Embossed, Flip-Open Jacket. Promo Sheet Is Taped To Jacket Under Shrink. Rare Custom Sticker Over Shrink Wrap.
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Eric Clapton's Rainbow Concert
New - LP - SO 877
Sealed 1973 Gatefold Original, Clean COH. Features Ronnie Wood, Pete Townshend, Jim Capaldi, Steve Winwood, Rebop And Others.
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Eric Clapton's Rainbow Concert
Used - LP - 2394 116
Beautiful 1981 UK Tan Label With Raised Rim Original Housed In A Gatefold Cover. LP Appears Glossy, Unplayed.
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Eric Clapton's Rainbow Concert
New - LP - 2479 274
Sealed 1973 Holland Original. Features Ronnie Wood, Pete Townshend, Jim Capaldi, Steve Winwood, Rebop And Others.
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Eric Clapton's Rainbow Concert
Used - LP - SO 877
1973 Gatefold Original. Features Ronnie Wood, Pete Townshend, Jim Capaldi, Steve Winwood, Rebop And Others. Saw Cut & Bottom Seam Tear. Cover Is VG+. LP Appears Glossy.
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Eric Clapton's Rainbow Concert
Used Import - 23MW 0014
1973 Japanese First Pressing With Obi. Features Ronnie Wood, Pete Townshend, Jim Capaldi, Steve Winwood, Rebop And Others. LP Appears Glossy
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Every Little Thing
New - 12 - 55153
Sealed 2013 180gm 4 Track 12 Inch.
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Forever Man
Used - 12 - PRO A 2248
Mint 1985 33 1/3rpm 12 Inch Promo Label, Custom Picture Sleeve.
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Forever Man: Best Of Eric Clapton
New - LP - 549267
Sealed, Out Of Print 2015 19-Track 2LP 180gm HQ Gatefold With Custom Hype Sticker On Shrink. Featuring Guest Performers B.B. King, J.J. Cale And Others.
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From The Cradle
New - LP - 45735
Beautiful, Hard To Find 1994 German Gatefold. 1A/1B Alsdorf Stampers. New, Unplayed Copy. "For Years, Fans Craved An All-Blues Album From Eric Clapton; He Waited Until 1994 To Deliver From The Cradle. The Album Manages To Re-Create The Ambience Of Postwar Electric Blues, Right Down To The Bottomless Thump Of The Rhythm Section. If It Wasn't For Clapton's Labored Vocals, Everything Would Be Perfect. As Long As He Plays His Guitar, He Can't Fail — His Solos Are White-Hot And Evocative, Original And Captivating. When He Sings, Clapton Loses That Sense Of Originality, Choosing To Mimic The Vocals Of The Original Recordings. At Times, His Overemotive Singing Is Painful; He Doesn't Have The Strength To Pull Off Howlin' Wolf's Growl Or The Confidence To Replicate Muddy Waters' Assured Phrasing. Yet, Whenever He Plays, It's Easier To Forget His Vocal Shortcomings. Even With Its Faults, From The Cradle Is One Of Clapton's Finest Moments." Stephen Thomas Erlewine, AMG.
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From The Cradle
New - LP - 45735
Sealed 2014 2LP 180gm HQ Gatefold Reissue Of His 1994 Masterpiece.
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From The Cradle
New - LP - 45735
Sealed 2LP 180gm HQ Gatefold Reissue Of His 1994 Masterpiece. Small Upper Left Corner Dent, Hence Price.
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Give Me Strength (The '74/'75 Recordings)
Box Set - New - 0602537545964
Sealed 2013 3LP box set. Score & permanent marker through barcode on rear cover. This collection celebrates April 1974 and June 1975 when Clapton produced the studio albums 461 Ocean Boulevard and There’s One In Every Crowd, as well as the live double set E.C. Was Here. "461 Ocean Boulevard was Eric Clapton's comeback, the record that saw him returning from a struggle with heroin addiction to reclaim his position as one of the world's biggest rock stars. The 1974 album forms the core of Give Me Strength: The 1974/1975 Recordings, a massive five-CD/one-BluRay box set documenting Clapton's mid-'70s recordings. The first CD is dedicated to an expanded version of 461 Ocean Boulevard -- an expansion that is different than the 2004 double-disc Deluxe Edition -- while the second CD is an expanded version of 1975's There's One in Every Crowd. Discs three and four are handed over to an expanded version of the 1975 live album E.C. Was Here, turning the single-LP into a double, while the fifth disc is devoted to a jam session at Criteria Studios with Freddie King. Finally, the BluRay contains a previously unreleased 5.1 mix of 461 Ocean Boulevard, along with its original quadraphonic mix, plus the quad mix of There's One in Every Crowd. It's a rather exhaustive overhaul of an era of E.C.'s career that isn't particularly storied, and all the extra material doesn't add mystique but it does re-create context, capturing how the mid-'70s could often feel like a long series of languid, meandering blues and reggae jams. Neither There's One in Every Crowd nor E.C. Was Here were particularly focused, and the additional material accentuates their laziness while having the side effect of having 461 Ocean Boulevard sound bolder (even though it already was a decidedly relaxed affair). All this drifting blues doesn't mean Give Me Strength isn't worthwhile. Quite the contrary: this is precisely the kind of archival release that does deepen the historical record, revealing the extent of the guitarist's reggae fixation while emphasizing how quickly Clapton settled into a relaxed groove after his comeback. Sometimes the jams do wind up cooking -- this is particularly true of the jam with King -- but usually they're improvisation as mood music, smoke-filled superstar sessions where the intention is to play on and on until the night is gone." AMG - Stephen Thomas Erlewine.
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Hello Old Friends
Used - LP - RR 1 EC
1986 Limited Edition, Clear Virgin Vinyl Bootleg. Mega Low Number 08 of 100 Copies.
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History Of Eric Clapton
New - LP - SD 2 803
Sealed 2LP Gatefold, Clean COH. Custom "Layla" Hype Sticker Over Shrinkwrap.
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History Of Eric Clapton
Used - LP - SD 2-803
1972 Yellow Label 2LP Gatefold Compilation. Appears Glossy. Mark On Front Cover
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History Of Eric Clapton
Used - LP - 2658 149
1972 2LP Gatefold Reissue Compilation Originally Released By Atco. Small Corner Crease. Both LP's Appear Unplayed.
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History Of Eric Clapton
New - LP - SD 2-803
Sealed 1972 2LP Gatefold Original. "This Two-lp Compilation Was A Crucial Factor In The Development Of Eric Clapton's Solo Status At A Time When The Artist Himself Was Incapacitated By Drug Problems -- A Fact That Was Not Widely Known To The Public At That Time. And It Was Not Only A Revelation In Terms Of The Guitarist's Career, Covering The Years 1964 To 1970 By Weaving Together Tracks From Clapton's Various Bands -- The Yardbirds, John Mayall's Bluesbreakers, Cream, Blind Faith, Delaney & Bonnie & Friends, And Derek & The Dominos -- But It Was Also The First Compilation Of Its Kind In Rock Music. Never Before Had A Collection Aimed At A Rock Audience Focused On A Single Musician Working Across Time In A Wide Variety Of Group Contexts And Music Styles And Idioms, And Drawn From A Multitude Of Labels. That Sort Of Profile Was Well Known In Jazz Circles, But Wholly New As A Commercial Venture In Rock -- And, In A Somewhat Ironic Twist, History Of Eric Clapton Was Sufficiently Successful To Pave The Way For The Release Eight Months Later Of Duane Allman: An Anthology, Devoted To The Work Of Clapton's Deceased Derek & The Dominos Stablemate (Including The Repetition Of "Layla" Which, By Then, Was A Huge Hit). Its Success Was A Turning Point For Clapton, Whose Already Considerable International Fame Achieved Critical Mass In The Wake Of This Release (Especially In The United States), As Well As For Rock Music, Which Suddenly Seemed To Be Taken A Lot More Seriously By Casual Listeners, And Record Labels And Producers. As For The Revelations Contained Herein, They Seemed Boundless At The Time -- Even The One Yardbirds Track That Was Featured, "I Ain't Got You," Easily The Most Primitive And Straightforward Track On The Album, Was Something New To Most Listeners, Especially In America, As The Latter Song Had Only Previously Been Available On Two Very Poorly Selling American Compilations And A Budget U.k. Collection. And From What Was Then The Other End Of His Career, The "Tell The Truth" Jam Was A Serious Vault Raid Of A Sort Previously Unknown In Rock Music, And Helped To Make This A Priority Acquisition, Even For Those Listeners Who Had Followed Clapton's Career Religiously (As In "Clapton Is God," A Piece Of Graffiti Common In London In The Mid-'60s). The Stuff In Between Those Two Poles Was Also New To Most Casual Listeners, And Diverse Enough, Between The Stylized Blues Of John Mayall's Band And The Psychedelic-tinged Work Of The Cream, So That It Only Stimulated Interest In The Guitarist's Entire Catalog. And What's Even More Astonishing To Consider, In Retrospect, Is That The 11 Songs Represented Here Only Went Two Years Deep Into Clapton's Actual Solo Career -- There Was Still A Lot More To Come, Although Ending, As This Set Did, With "Layla" By Derek & The Dominos Was A Fortuitous Choice; The Original Layla And Other Assorted Love Songs Album Had Passed Largely Unnoticed When Issued In 1970, But This Compilation Gave That Earlier Album's Title Song A New Lease On Life, Especially On Am Radio, Turning It Into A Top 10 Hit Which, In Turn, Revived Interest In The Original Album And Sent It Soaring Up The Charts Well Over A Year After Its Original Release. Curiously, The U.s. And U.k. Versions Of History Differed Slightly -- Side One, Track Three Of The U.k. Version Was "Tales Of Brave Ulysses," A Killer Clapton Original Recorded By The Cream In 1967; Whereas On The U.s. Version, That Track Was Replaced By "Tribute To Elmore," A Mid-'60s Elmore James Homage By Clapton And Jimmy Page, Part Of A Group Of Jams Featuring Clapton, Page, And Jeff Beck, Recorded By Page And Later Released Without The Knowledge Or Approval Of The Other Guitarists. Today, With Its Essential Tracks, Rarities, And Previously Unreleased Studio Jam On "Tell The Truth," Plus Liner Notes, History Looks Like The Prototype For The Box Set Retrospectives Of The '80s And '90s (Which Were, In Turn, Spearheaded By The Clapton Crossroads Four-disc Set And Its Mega-platinum Success, Not Quite Two Decades After This Set). In 1972, The Latter Defined Clapton And Helped Save His Career. And It Still Doesn't Make A Bad Summation Of His Best Work." AMG - Bruce Eder.
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History Of Eric Clapton
Used - LP - SD 2-803
1972 US Yellow Label 2LP Gatefold Vinyl Compilation; Original Monarch Pressing With Atco Company Inners. Light Cover Wear. "This Two-lp Compilation Was A Crucial Factor In The Development Of Eric Clapton's Solo Status At A Time When The Artist Himself Was Incapacitated By Drug Problems -- A Fact That Was Not Widely Known To The Public At That Time. And It Was Not Only A Revelation In Terms Of The Guitarist's Career, Covering The Years 1964 To 1970 By Weaving Together Tracks From Clapton's Various Bands -- The Yardbirds, John Mayall's Bluesbreakers, Cream, Blind Faith, Delaney & Bonnie & Friends, And Derek & The Dominos -- But It Was Also The First Compilation Of Its Kind In Rock Music. Never Before Had A Collection Aimed At A Rock Audience Focused On A Single Musician Working Across Time In A Wide Variety Of Group Contexts And Music Styles And Idioms, And Drawn From A Multitude Of Labels. That Sort Of Profile Was Well Known In Jazz Circles, But Wholly New As A Commercial Venture In Rock -- And, In A Somewhat Ironic Twist, History Of Eric Clapton Was Sufficiently Successful To Pave The Way For The Release Eight Months Later Of Duane Allman: An Anthology, Devoted To The Work Of Clapton's Deceased Derek & The Dominos Stablemate (Including The Repetition Of "Layla" Which, By Then, Was A Huge Hit). Its Success Was A Turning Point For Clapton, Whose Already Considerable International Fame Achieved Critical Mass In The Wake Of This Release (Especially In The United States), As Well As For Rock Music, Which Suddenly Seemed To Be Taken A Lot More Seriously By Casual Listeners, And Record Labels And Producers. As For The Revelations Contained Herein, They Seemed Boundless At The Time -- Even The One Yardbirds Track That Was Featured, "I Ain't Got You," Easily The Most Primitive And Straightforward Track On The Album, Was Something New To Most Listeners, Especially In America, As The Latter Song Had Only Previously Been Available On Two Very Poorly Selling American Compilations And A Budget U.k. Collection. And From What Was Then The Other End Of His Career, The "Tell The Truth" Jam Was A Serious Vault Raid Of A Sort Previously Unknown In Rock Music, And Helped To Make This A Priority Acquisition, Even For Those Listeners Who Had Followed Clapton's Career Religiously (As In "Clapton Is God," A Piece Of Graffiti Common In London In The Mid-'60s). The Stuff In Between Those Two Poles Was Also New To Most Casual Listeners, And Diverse Enough, Between The Stylized Blues Of John Mayall's Band And The Psychedelic-tinged Work Of The Cream, So That It Only Stimulated Interest In The Guitarist's Entire Catalog. And What's Even More Astonishing To Consider, In Retrospect, Is That The 11 Songs Represented Here Only Went Two Years Deep Into Clapton's Actual Solo Career -- There Was Still A Lot More To Come, Although Ending, As This Set Did, With "Layla" By Derek & The Dominos Was A Fortuitous Choice; The Original Layla And Other Assorted Love Songs Album Had Passed Largely Unnoticed When Issued In 1970, But This Compilation Gave That Earlier Album's Title Song A New Lease On Life, Especially On Am Radio, Turning It Into A Top 10 Hit Which, In Turn, Revived Interest In The Original Album And Sent It Soaring Up The Charts Well Over A Year After Its Original Release. Curiously, The U.s. And U.k. Versions Of History Differed Slightly -- Side One, Track Three Of The U.k. Version Was "Tales Of Brave Ulysses," A Killer Clapton Original Recorded By The Cream In 1967; Whereas On The U.s. Version, That Track Was Replaced By "Tribute To Elmore," A Mid-'60s Elmore James Homage By Clapton And Jimmy Page, Part Of A Group Of Jams Featuring Clapton, Page, And Jeff Beck, Recorded By Page And Later Released Without The Knowledge Or Approval Of The Other Guitarists. Today, With Its Essential Tracks, Rarities, And Previously Unreleased Studio Jam On "Tell The Truth," Plus Liner Notes, History Looks Like The Prototype For The Box Set Retrospectives Of The '80s And '90s (Which Were, In Turn, Spearheaded By The Clapton Crossroads Four-disc Set And Its Mega-platinum Success, Not Quite Two Decades After This Set). In 1972, The Latter Defined Clapton And Helped Save His Career. And It Still Doesn't Make A Bad Summation Of His Best Work." AMG - Bruce Eder.
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History Of Eric Clapton
Used - LP - SD 2-803
1972 Yellow Label 2LP Gatefold Compilation. Two Inch Top And Bottom Cover Seam Splits.
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History Of Eric Clapton
Used - LP - SD 2-803
1972 US Yellow Label 2LP Gatefold Vinyl Compilation; Original Monarch Pressing With Atco Company Inners. Light Cover Wear. "This Two-lp Compilation Was A Crucial Factor In The Development Of Eric Clapton's Solo Status At A Time When The Artist Himself Was Incapacitated By Drug Problems -- A Fact That Was Not Widely Known To The Public At That Time. And It Was Not Only A Revelation In Terms Of The Guitarist's Career, Covering The Years 1964 To 1970 By Weaving Together Tracks From Clapton's Various Bands -- The Yardbirds, John Mayall's Bluesbreakers, Cream, Blind Faith, Delaney & Bonnie & Friends, And Derek & The Dominos -- But It Was Also The First Compilation Of Its Kind In Rock Music. Never Before Had A Collection Aimed At A Rock Audience Focused On A Single Musician Working Across Time In A Wide Variety Of Group Contexts And Music Styles And Idioms, And Drawn From A Multitude Of Labels. That Sort Of Profile Was Well Known In Jazz Circles, But Wholly New As A Commercial Venture In Rock -- And, In A Somewhat Ironic Twist, History Of Eric Clapton Was Sufficiently Successful To Pave The Way For The Release Eight Months Later Of Duane Allman: An Anthology, Devoted To The Work Of Clapton's Deceased Derek & The Dominos Stablemate (Including The Repetition Of "Layla" Which, By Then, Was A Huge Hit). Its Success Was A Turning Point For Clapton, Whose Already Considerable International Fame Achieved Critical Mass In The Wake Of This Release (Especially In The United States), As Well As For Rock Music, Which Suddenly Seemed To Be Taken A Lot More Seriously By Casual Listeners, And Record Labels And Producers. As For The Revelations Contained Herein, They Seemed Boundless At The Time -- Even The One Yardbirds Track That Was Featured, "I Ain't Got You," Easily The Most Primitive And Straightforward Track On The Album, Was Something New To Most Listeners, Especially In America, As The Latter Song Had Only Previously Been Available On Two Very Poorly Selling American Compilations And A Budget U.k. Collection. And From What Was Then The Other End Of His Career, The "Tell The Truth" Jam Was A Serious Vault Raid Of A Sort Previously Unknown In Rock Music, And Helped To Make This A Priority Acquisition, Even For Those Listeners Who Had Followed Clapton's Career Religiously (As In "Clapton Is God," A Piece Of Graffiti Common In London In The Mid-'60s). The Stuff In Between Those Two Poles Was Also New To Most Casual Listeners, And Diverse Enough, Between The Stylized Blues Of John Mayall's Band And The Psychedelic-tinged Work Of The Cream, So That It Only Stimulated Interest In The Guitarist's Entire Catalog. And What's Even More Astonishing To Consider, In Retrospect, Is That The 11 Songs Represented Here Only Went Two Years Deep Into Clapton's Actual Solo Career -- There Was Still A Lot More To Come, Although Ending, As This Set Did, With "Layla" By Derek & The Dominos Was A Fortuitous Choice; The Original Layla And Other Assorted Love Songs Album Had Passed Largely Unnoticed When Issued In 1970, But This Compilation Gave That Earlier Album's Title Song A New Lease On Life, Especially On Am Radio, Turning It Into A Top 10 Hit Which, In Turn, Revived Interest In The Original Album And Sent It Soaring Up The Charts Well Over A Year After Its Original Release. Curiously, The U.s. And U.k. Versions Of History Differed Slightly -- Side One, Track Three Of The U.k. Version Was "Tales Of Brave Ulysses," A Killer Clapton Original Recorded By The Cream In 1967; Whereas On The U.s. Version, That Track Was Replaced By "Tribute To Elmore," A Mid-'60s Elmore James Homage By Clapton And Jimmy Page, Part Of A Group Of Jams Featuring Clapton, Page, And Jeff Beck, Recorded By Page And Later Released Without The Knowledge Or Approval Of The Other Guitarists. Today, With Its Essential Tracks, Rarities, And Previously Unreleased Studio Jam On "Tell The Truth," Plus Liner Notes, History Looks Like The Prototype For The Box Set Retrospectives Of The '80s And '90s (Which Were, In Turn, Spearheaded By The Clapton Crossroads Four-disc Set And Its Mega-platinum Success, Not Quite Two Decades After This Set). In 1972, The Latter Defined Clapton And Helped Save His Career. And It Still Doesn't Make A Bad Summation Of His Best Work." AMG - Bruce Eder.
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Homeboy
Used - LP - 91241
Hard To Find 1988 Soundtrack. 14 Original Tracks By Clapton. Also Features Magic Sam, J.B. Hutto And The New Hawks, Peggy Scott & Jo Benson And The Brakes. Custom Song Sticker On Front Cover, Small Saw Cut, Gold Demo Stamp On Back Cover.
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I Get Lost
Used - 12 - PRO A 4200
1999 Promo-Only Double 12 Incher. 8 Remixes By David Morales And Kevin Yost Totaling Over 57 Minutes Of Music.
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I Get Lost
Used - 12 - 44783
1999 Picture Sleeve 12 Inch. 4 Remixes.
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I Shot The Sheriff
Used - LP - RSOX 88
1982 UK 3 Track 45rpm 12" Single Featuring Previously Unissued Live Version Of "Knockin' On Heaven's Door" Plus "Cocaine." Appears Unplayed.
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I Still Do
New - LP - 51266
Sealed 2016 US 2LP 180gm 45RPM Gatefold. Music Legend Eric Clapton Reunites With Glyn Johns For His 23rd Studio Album. Includes Download Card.
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I've Got A Rock 'N' Roll Heart
Used - 12 - W 9780 T
Beautiful 1983 UK 45rpm 12" Single Housed In A Picture Sleeve With Shrink Wrap Intact. Record Appears Glossy, Unplayed. Title Track B/W "Man In Love" And "Everybody Ought To Make A Change."
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I've Got A Rock 'N' Roll Heart + 2 Tracks
Used - LP - W978OT
Sealed 3 Track 45rpm 12" Single
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Icon
New - LP - B0032457-01
Sealed 2020 colored vinyl. Eric Clapton's "Icon" album is a masterful display of the legendary guitarist's unparalleled talent. From the soaring riffs of "Layla" to the emotive vocals of "Let It Rain" every track on this record is a testament to Clapton's status as a true rock icon. With a mix of blues, rock, and even a touch of country on tracks like "Wonderful Tonight," "Icon" is a journey through the many facets of Clapton's musical prowess. His unmistakable guitar work and soulful lyrics make for an album that is both timeless and unforgettable. Whether you're a die-hard Clapton fan or simply a lover of great music, "Icon" is an absolute must-have for any collection.
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It's In The Way That You Use It
Used - 12 - PRO A 2616
Mint 1986 33 1/3rpm 12 Inch Promo Label.
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Journeyman
Used - LP - 26074
Hard To Find 1989 Vinyl With Custom Inner Sleeve. Gold Promo Stamp On Gatefold Cover.
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Journeyman
Audiophile - LP - 296 074
Sealed, Limited Edition, Long Out Of Print 180gm Import Housed In A Deluxe Gatefold Jacket.
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Journeyman
New - LP - 26074
Sealed 1989 Gatefold Original. 4½ Stars In All Music Guide. Crisp Corners, No Cut-Out Holes. First Copy We Have Seen With The Tiny Song Hype Sticker On The Shrink Wrap.
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Journeyman
Used - LP - 26074
1989 Gatefold Original With Custom Inner Sleeve. 4½ Stars In All Music Guide. Crisp Corners, No Cut-Out Holes. Appears Unplayed.
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Journeyman
Used - LP - 60741
1989 Club Edition In Gatefold Cover With Custom Inner Sleeve. LP Appears Unplayed.
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Journeyman
New - LP - 26074
Sealed 1989 Gatefold Original. 4½ Stars In All Music Guide. Small Saw Notch.
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Journeyman
New - LP - 523108
Sealed 2LP 180gm Reissue Of The 1989 Album Housed In A Deluxe Gatefold Jacket. Remastered From The Original Analogue Tapes.
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Journeyman
Audiophile - LP - 7599 26074
Out Of Print 180gm HQ Import Housed In A Deluxe Gatefold Cover. Appears Glossy, Unplayed.
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Journeyman
Audiophile - LP - 26074
Long Out Of Print, Limited Edition 180gm German Reissue Housed In A Gatefold Cover. Appears New, Unplayed.
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Journeyman
Used - LP - W1- 26074
1989 Gatefold Rarer Club Edition, Pressed At Carrollton And Mastered At Sterling. 4½ Stars In All Music Guide. Contains The Hit "Pretending". Produced By Russ Titelman.
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Just One Night
Used - LP - RS-2-4202
Near Mint 1980 2LP Tan Label Gatefold. Recorded 'LIVE' At The Budokan Theatre, Tokyo, December 1979.
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Just One Night
Audiophile - LP - NR 32
Factory Sealed, Half-Speed Mastered 2LP Gatefold Rarity. Pristine Copy Of A Magnificent Rock Album.
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Just One Night
Audiophile - LP - NR 32
Factory Sealed, Half-Speed Mastered 2LP Gatefold Rarity. Gold Teldec Sticker On Shrink Wrap. Pristine Copy Of A Magnificent Rock Album.
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Just One Night
New - LP - RS-2-4202
Sealed 1980 2LP Gatefold Original With The Custom Hype Sticker And The Original Record Store Price Tag On The Shrink Wrap. Pristine Copy Of An All-Time Classic.
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Just One Night
New - LP - RS-2-4202
Sealed 1980 2 LP Original, Gatefold Cover. Very Hard To Find This Title Unopened. Small CC. Custom Sticker Over Shrink Wrap.
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Just One Night
Used - LP - RS-2-4202
Beautiful 1980 2LP Silver Label Gatefold Original. Both LPs Appear Unplayed.
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Just One Night
Used - LP - RS-2-4202
1980 White Label Promo Rarity Of This Classic Double Album. Both LPs Look Unplayed. Light Top Left Corner Crease.
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Just One Night
Audiophile - LP - NR 32
1981 Half-Speed Mastered 2LP Gatefold Rarity. Both LPs Appear Glossy, Unplayed.
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Just One Night
New - LP - RS-2-4202
Sealed 1980 2LP Gatefold Original With The Custom Hype Sticker. Rounded Cut Corner.
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Just One Night
Used - LP - RS-2-4202
1980 2LP Tan Label Gatefold. Cover is VG++
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Life In 12 Bars
Box Set - New - 673 213-2
Sealed 2018 4LP box set; the official soundtrack companion album to the film "Life In 12 Bars". Custom hype sticker on shrink. Remastered at Abbey Road Studios. Features over 2½ hours of Eric Clapton’s career highlights from The Yardbirds, John Mayall’s Bluesbreakers, Cream, The Beatles, Delaney & Bonnie & Friends, Derek & The Dominos, Blind Faith, George Harrison and Others…
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Limited Backless
Colored Vinyl - New - RPO 1009
Sealed 1978 Promotional Only White Vinyl Housed In A Die-Cut Jacket. No Cuts.
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Limited Backless
Colored Vinyl - Used - RPO 1009
1978 Promo Only White Vinyl Housed In A Die Cut Cover.
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Live Album Collection 1970-1980
New - LP - 475 049-0
Sealed 2016, 6 LP, 70's Compilation Box Set.
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Live At Budokan
New - LP - VP 80113
Sealed 2010 2LP 180gm Gatefold Original. Recorded On December 4th, 2001.
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Live In San Diego With Special Guest JJ Cale
New - LP - 556370
Sealed 2016 3LP Trifold Original. On March 15, 2007, Eric Clapton's World Tour Stopped At San Diego's Ipayone Center (Originally The San Diego Sports Arena And Now The Valley View Casino Center). The Band Lineup For The Tour Continues To Be A Firm Fan-Favorite, With Derek Trucks And Doyle Bramhall Ii On Guitars, Chris Stainton And Tim Carmon On Keyboards, Willie Weeks On Bass, Steve Jordan On Drums And Backing Vocalists Michelle John And Sharon White During The Set, Ec's Long-Time Musical Inspiration, Jj Cale, Sat In For Five Songs, Including Three From Their Grammy-Award Winning Album, The Road To Escondido, Released In 2006.
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Me And Mr. Johnson
Audiophile - LP - 48423
Sealed, Out Of Print 200gm Quiex SV-P Original. Eric Clapton's Breathtaking Repertoire Of Blues Tunes Comes Home Again With The Release Of His Newest Effort, Me & Mr. Johnson. Joined By Master Keyboardist Billy Preston, With Steve Gadd On Drums And Jerry Portnoy On Harmonica, Robert Johnson's Catalog Gets The Royal Treatment. Slick Production And Effortless Fluid Transitions Pour Out Of The Tracks With A Smoothness That Johnson's Original Versions Couldn't Have Foreseen. Mastered By Bernie Grundman, This Record Truly Is A Classic.
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Me And Mr. Johnson
New - LP - 48423
Sealed 2014 180gm 2LP Gatefold Reissue With Custom Hype Sticker On Shrink. Eric Clapton's Breathtaking Repertoire Of Blues Tunes Comes Home Again With The Release Of Me And Mr. Johnson. Joined By Master Keyboardist Billy Preston, With Steve Gadd On Drums And Jerry Portnoy On Harmonica, Robert Johnson's Catalog Gets The Royal Treatment. Slick Production And Effortless Fluid Transitions Pour Out Of The Tracks With A Smoothness That Johnson's Original Versions Couldn't Have Foreseen.
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Me And Mr. Johnson
Used - LP - 48423
2004 140gm Original In Shrink Wrap With Sticker And Insert. Appears Unplayed. Eric Clapton's Breathtaking Repertoire Of Blues Tunes Comes Home Again With The Release Of His Newest Effort, Me & Mr. Johnson. Joined By Master Keyboardist Billy Preston, With Steve Gadd On Drums And Jerry Portnoy On Harmonica, Robert Johnson's Catalog Gets The Royal Treatment. Slick Production And Effortless Fluid Transitions Pour Out Of The Tracks With A Smoothness That Johnson's Original Versions Couldn't Have Foreseen. Mastered By Bernie Grundman, This Record Truly Is A Classic.
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Miss You
Used - 12 - PRO A 2683
Mint 1986 12 Inch Promo Label.
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Money And Cigarettes
Used - LP - 23773
1983 Duck Label Original. Features The One And Only Ry Cooder On Slide. Gold Promo Stamp On Cover, Custom Inner Sleeve. SH1/SH1 Stampers. Glossy, Unplayed Condition.
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Money And Cigarettes
Audiophile - LP - P-11322
1983 Japan Pressing With Obi. Obi Shows Wear. LP Appears Glossy, Unplayed. Features The One And Only Ry Cooder On Slide.
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Money And Cigarettes
New - LP - 23773
Sealed 1983 Original. No Cuts. Features The One And Only Ry Cooder On Slide And A Stax/Muscle Shoals Combo Holding Down The Rhythm Section, With Duck Dunn & Roger Hawkins.
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Money And Cigarettes
New - LP - 1-23773
Sealed 1983 Original With Custom Inner Sleeve. Small Saw Notch. Features Ry Cooder.
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Money And Cigarettes
New - LP - 523482-1
Sealed 2010 Reissue, Remastered From The Original 1983 Analog Tapes.
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No Reason To Cry
Used - LP - RS-1-3004
1976 Embossed (Guitar Pick) Jacket Original Complete With The Custom Printed Inner Sleeve. Solid VG+ Vinyl. Corner Cut. "When he gave a speech inducting the Band into the Rock & Roll Hall of Fame, Eric Clapton said that after he heard their debut album, Music from Big Pink, he wanted to join the group, the fact that they already had a guitarist in Robbie Robertson notwithstanding. In the winter of 1975-1976, when he cut No Reason to Cry at the Band's Shangri-La Studio in Malibu, California, he came as close as he ever would to realizing that desire. Clapton is a musical chameleon; though some of No Reason to Cry is identifiable as the kind of pop/rock Clapton had been making since the start of his solo career (the best of it being "Hello Old Friend," which became his first Top 40 single in two years), the most memorable music on the album occurs when Clapton is collaborating with members of the Band and other guests. He duets with Band bassist Rick Danko on Danko's "All Our Past Times," and with Bob Dylan on Dylan's "Sign Language," as Robertson's distinctive lead guitar is heard rather than Clapton's. As a result, the album is a good purchase for fans of Bob Dylan and the Band, but not necessarily for those of Eric Clapton." All Music Guide - William Ruhlmann
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No Reason To Cry
Used - LP - RS1 3004
1976 Embossed Guitar Pick Cover Original Still In Shrink Wrap. Includes Custom Inner Sleeve. Crisp Corners, No Cut-Out Holes.
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No Reason To Cry
New - LP - MWF 1013
Japanese Pressing With Obi. LP In New, Unplayed.
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No Reason To Cry
New - LP - RS-1-304
Sealed 1976 Embossed (Guitar Pick) Jacket Original. First Sealed Copy We Have Had In Stock In Eight Years. “When He Gave A Speech Inducting The Band Into The Rock & Roll Hall Of Fame, Eric Clapton Said That After He Heard Their Debut Album, Music From Big Pink, He Wanted To Join The Group, The Fact That They Already Had A Guitarist In Robbie Robertson Notwithstanding. In The Winter Of 1975-1976, When He Cut No Reason To Cry At The Band's Shangri-La Studio In Malibu, California, He Came As Close As He Ever Would To Realizing That Desire. Clapton Is A Musical Chameleon; Though Some Of No Reason To Cry Is Identifiable As The Kind Of Pop/Rock Clapton Had Been Making Since The Start Of His Solo Career (The Best Of It Being "Hello Old Friend," Which Became His First Top 40 Single In Two Years), The Most Memorable Music On The Album Occurs When Clapton Is Collaborating With Members Of The Band And Other Guests. He Duets With Band Bassist Rick Danko On Danko's "All Our Past Times," And With Bob Dylan On Dylan's "Sign Language," As Robertson's Distinctive Lead Guitar Is Heard Rather Than Clapton's. As A Result, The Album Is A Good Purchase For Fans Of Bob Dylan And The Band, But Not Necessarily For Those Of Eric Clapton.” William Ruhlmann, AMG.
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No Reason To Cry
New - LP - RS-1-304
Sealed 1976 Embossed (Guitar Pick) Jacket Original With Custom Inner Sleeve. CC.
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No Reason To Cry
Used - LP - RS-1-3004
Very Nice 1976 Embossed (Guitar Pick) Jacket Original With Custom Inner Sleeve. Vinyl Is Beautiful.
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Old Sock
New - LP - 1-18016
Sealed 2013 180gm Audiophile 2LP Gatefold Original. Features Guest Appearances By Paul McCartney, Steve Winwood, Chaka Khan, J.J. Cale And Others.
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On White
Used - LP - PRO 035
Beautiful 1977 Original White Vinyl, Promotional EP With Four Songs, "Cocaine", "The Core", "Lay Down Sally" & Wonderful Tonight".
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Palasport Genova
Used - LP - VAL 01
Beautiful 2LP "Live" Album In Laminated Full Color Jacket. Recorded On The 3rd May, 1983.
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Pilgrim
Used - LP - 46577
Beautiful 1998 German 2LP Original With Custom Inner Sleeves. Both Records Appear Glossy, Unplayed. Pressed At The Alsdorf Pressing Plant. Not The Recent Reissue.
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Pilgrim
Used - LP - R1 46577
2013 180gm 2LP Gatefold Reissue With Shrink Still Intact. Both Records Appear Glossy, Unplayed. First Time Available On Vinyl Domestically. Pressed At Optimal In Germany.
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Pilgrim
New - LP - R1 46577
Sealed 2013 180gm 2LP Gatefold Reissue. First Time Available On Vinyl Domestically. Pressed At Optimal In Germany.
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Pilgrim
Used Import - WPJR-2001/2
1998 Limited Edition 2LP 180gm White Label (Export To Japan Only) Gatefold. Jacket Is Printed "Made In Japan" But The LPs Were Pressed In Germany. Includes The Three Inserts. Both LPs Appear Glossy
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Reptile
Used - LP - 47966
2001 2LP 180gm Import Gatefold Original. Both LPs Appear Unplayed.
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Royal Treatment
Used - LP - EC 44
Mint 1990 3LP "Live" Set From The Royal Albert Hall Housed In A Full Color Sleeve.
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Royalty Of Rock Radio Show
Used - LP - ROR CLAP
Mint 1983 Promo Only Radio Show Pressed On Purple Quiex Virgin Vinyl.
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Run
Used - 12 - PRO A 2700
Mint 1986 33 1/3rpm 12 Inch Promo.
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Rush
Used - LP - 26794
1992 German Only Vinyl Rarity. Includes "Tears In Heaven". Clapton's First Ever Soundtrack. Appears Glossy, Unplayed.
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Rush
New - LP - 1-26794
Sealed 1992 Original With "Tears In Heaven" Hype Sticker On The Shrink Wrap. Promo Mark Through Bar Code On Back Cover. First Copy We Have Ever Had In Stock.
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See What Love Can Do
Used - 12 - PRO-A-2306
1985 Promo Only 12" Single In Picture Sleeve. Same Track On Both Sides. Vinyl Appears Glossy, Unplayed.
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Shape You're In
Used - 12 - W 9701
1983 45rpm UK 12" Single Housed In A Picture Sleeve. Title Track B/W "Crosscut Saw" And "Pretty Girl." Record Appears New, Unplayed.
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Slowhand
Used - LP - EC 1978
Plain White Jacket "Boot" W/Insert.
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Slowhand
Used - LP - 2479 201
Sealed UK Original
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Slowhand
Used - LP - MFSL 1-030
1980 Half-Speed Master Housed In A Gatefold Cover. LP Pressed In Japan By JVC. Appears Virtually Unplayed. An All-Time Classic.
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Slowhand
New - LP - RS-1-3030
Sealed 1977 Gatefold Original. Shrink Is Separated, But Still Sealed.
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Slowhand
Audiophile - LP - MFSL 1-030
Factory Sealed Half-Speed Master, Gatefold Jacket. Two Custom Stickers Over Loose Outer Bag. Gold Promo Stamp On Cover.
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Slowhand
New - LP - RS-1-3030
Sealed 1977 Gatefold Original. One Of The Most Iconic Albums Of The 70s. Hearing Clapton At A High Point With Monster Hits Cocaine And Lay Down Sally.
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Slowhand
Audiophile - LP - MFSL 1-030
Stunning Open Copy Of This 1980 Half-Speed Master Housed In A Deluxe Gatefold Jacket. Outer Poly Bag Has Two Stickers.
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Slowhand
Used - LP - RS 1 3030
1977 Gatefold Original Still In Shrink With Hype Sticker. Appears Glossy, Unplayed. PRC Pressing. One Of Clapton's Most Complete Solo LP. No Filler.
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Slowhand
Audiophile - LP - MFSL 1-030
Pristine Copy Of This Half-Speed Master, Gatefold Jacket With Original Outer Sleeve And Super High Fidelity Sticker. A Classic Piece Of Rock History.
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Slowhand
New - LP - UIJY 9024
Sealed, Out Of Print 2008 Japanese 180gm HQ Pressing In Deluxe Gatefold Jacket With Obi.
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Slowhand
New - LP - UIJY-9024
Sealed 2007 Japanese 180gm HQ Pressing With Obi.
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Slowhand
New - LP - 817 188-1
Sealed, Long Out Of Print 180gm Gatefold Reissue From The Late 1990s.
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Slowhand
Audiophile - LP - B0017702
Sealed 2012 Limited Edition 200gm 35th Anniversary Pressing Housed In A Gatefold Cover.
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Slowhand
New - LP - RS-1-3030
Sealed 1977 Gatefold Original. Small Cut Corner.
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Slowhand
New - LP - 817 188-1
Sealed, Long Out Of Print 180gm Gatefold Reissue From The Late 1990s. Rear Shrink Has The Original Stock Sticker From The Long Defunct "Red Trumpet" Mail Order Co.
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Slowhand
New - LP - 0042281718816
Sealed 2008 180gm Gatefold Reissue.
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Slowhand
Audiophile - LP - MFSL 1-030
Factory Sealed, Limited Edition 1980 Half-Speed Master Housed In A Gatefold Jacket. Yellow "Super High Fidelity" Sticker On The Outer Poly Bag. Archival Quality Copy.
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Slowhand
Gold - CD - UDCD 553
1991 Ultradisc II, 24kt Gold Plated Audiophile CD Made In Japan And Housed In Original Lift-Lock Jewel Case. Comes With Large Fold Out Poster Insert. Light Shelf Wear To Case.
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Slowhand
New - LP - 0042281718816
Sealed 2008 180gm Gatefold Reissue.
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Slowhand
New - LP - 0042281718816
Sealed 2008 180gm Gatefold Reissue.
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Slowhand
Used - LP - RS-1-3030
1977 Original Gatefold With Hype Sticker On Shrink. Produced By Glyn Johns. Contains The Hits "Cocaine", "Wonderful Tonight" & "Lay Down Sally".
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Slowhand
Audiophile - Used - MFSL 1-030
1980 Original Pressing, Housed In Gatefold Jacket With Original Insert & Sleeve. One Very Tiny Corner Ding, Immaculate Other Than That. "After The Guest-Star-Drenched No Reason To Cry Failed To Make Much Of An Impact Commercially, Eric Clapton Returned To Using His Own Band For Slowhand. The Difference Is Substantial -- Where No Reason To Cry Struggled Hard To Find The Right Tone, Slowhand Opens With The Relaxed, Bluesy Shuffle Of J.J. Cale's "Cocaine" And Sustains It Throughout The Course Of The Album. Alternating Between Straight Blues ("Mean Old Frisco"), Country ("Lay Down Sally"), Mainstream Rock ("Cocaine," "The Core"), And Pop ("Wonderful Tonight"), Slowhand Doesn't Sound Schizophrenic Because Of The Band's Grasp Of The Material. This Is Laid-Back Virtuosity -- Although Clapton And His Band Are Never Flashy, Their Playing Is Masterful And Assured. That Assurance And The Album's Eclectic Material Make Slowhand Rank With 461 Ocean Boulevard As Eric Clapton's Best Albums." AMG Review by Stephen Thomas Erlewine.
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Slowhand
Box Set - New - 0600753407257
Sealed 2012 Super Deluxe Edition Box Set. Includes Three CDs (Slowhand Expanded Plus 2 Discs Recorded Live At Hammersmith Odeon On April 27, 1977), One 5.1 Surround Sound DVD (Audio Only), Vinyl LP Remastered From The Original Analogue Masters, 3 Replica Tour Programmes, And A Book Featuring A Behind The Scenes Look At The Recording.
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Slowhand
New - LP - B0017702-01
2012 Pressing Housed In A Gatefold Cover. Supposedly Remastered From Original Analogue Masters Used On The 35th Anniversary Edition.
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Slowhand
Used - LP - B0017702-01
2012 US gatefold remastered reissue, NM-. Lacquer cut by Miles Showell at Metropolis, not long before joining Abbey Road's ranks in 2013. Doesn't feel like the 200gm pressing. Purportedly remastered from original analogue masters used on the 35th anniversary edition.
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Slowhand (35th Anniversary Super Deluxe Edition)
Box Set - 0600753407257
Sealed, Out Of Print 2012 35th Anniversary Super Deluxe Edition Which Includes Two CDs Devoted To Presenting Clapton And His Band's Complete 14-Track Performance At London's Hammersmith Odeon Theater On April 27, 1977, A Week Before Recording Sessions For The Album Began. Songs Featured At The Hammersmith Odeon Show Include "Tell The Truth," "Knocking On Heaven's Door," "Can't Find My Way Home," "Stormy Monday," "Badge," "I Shot The Sheriff" And "Layla." The Remaining CD Includes The Original Nine Album Tracks Remastered From The Original Olympic Studios 1/4-Inch Analog Master Tapes Plus Four Bonus Songs. The Songs Are Slowhand Session Outtakes (Three Of Them Previously Unreleased) "Looking At The Rain," "Alberta," "Greyhound Bus" And "Stars, Strays And Ashtrays." The Included Audio-Only DVD Offers The Album In 5.1 Surround Sound (Not Hi-Res) And A Hi-Res Stereo Version. Lastly, Included With The Super Deluxe Edition Is An LP Version Of The Remastered Album, Three Replica Tour Programs From The Period And A Book Featuring A Behind-The-Scenes Look At The Recording.
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Slowhand At 70: Live At The Royal Albert Hal
New - LP - 307399
Sealed, Out Of Print 2015 180gm 3LP + DVD Set, This Was Clapton's 200th Concert Just Two Months After Turning 70 And Marks The 50th Anniversary Of Playing The Royal Albert Hall For The First Time With Yardbirds. Housed In A Heavy Duty Triple Gatefold Cover And Comes With Custom Hype Sticker On Shrink.
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Slowhand Serenade
New - LP - DRA 5506
Sealed 1989 2LP Original. Recorded "Live" At The Pacific Amphitheatre Costa Mesa California, 4/13/87. See 2nd Scan For Track Listing.
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Snowhead
New - LP - EC 1978
Sealed 1978 "Live" Original. King Biscuit Flour Hour Compilation Of Clapton's Second Show At The Santa Monica Civic Auditorium On February 12, 1978, Plus One Track (“Sign Language”) From The KBFH Dallas, TX, November 15, 1976 Partial Recording.
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Tearing Us Apart
Used - 12 - PRO A 2578
Mint 1986 12 Inch Promo Label. Contains LP Version And Edit.
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There's One In Every Crowd
Used - LP - 2479 132
1975 UK Original.
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There's One In Every Crowd
New - LP - SO 4806
Sealed 1975 Original. Small Saw Cut.
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There's One In Every Crowd
Used - LP - 2479 132
1975 UK Original Including The Hard To Find Insert Featuring Artwork By Eric.
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There's One In Every Crowd
New - LP - SO 4806
Sealed 1975 Original With Impressive Saw Cut. The Original Wherehouse Record Store Price Tag Is Still On The Rear Shrink Wrap.
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There's One In Every Crowd
New - LP - SO 4806
Sealed 1975 Original. No Saw Cuts. Recorded quickly after making "461 Ocean Boulevard" many felt the worked lacked direction with Gospel, Reggae and Rock songs. However, it holds up rather well as a down to earth soulful feeling. It contains "Swing Low, Sweet Chariot", "I Shot The Sheriff" & "Don't Blame Me".
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Timepieces - The Best Of Eric Clapton
New - LP - 825 382
Sealed, Hard To Find 1982 Record Club Pressing.
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Timepieces - The Best Of Eric Clapton
Used - LP - 825 382
1982 Original In Glossy, Unplayed Condition.
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Timepieces Vol. II-Live In The Seventies
New - LP - 811 835
Sealed 1983 Original Featuring Featuring Two Previously Unissued Tracks: "Smile" And "Knockin' On Heaven's Door." All Songs On The Album Recorded Live Between 1971 And 1979.
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Timepieces Vol. II-Live In The Seventies
New - LP - 811 835
New, Unplayed Dutch Pressing Housed In A Resealable Bag.
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Unplugged
Used - LP - 45024
Out Of Print 180gm HQ Original (First Pressings Were Germany Only) Housed In A Gatefold Jacket With Custom Inner Sleeve.
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Unplugged
New - LP - 468412
Sealed 180gm 2LP Gatefold Reissue Pressed At Pallas In Germany. Grammy Awards Hype Sticker On Shrink. Tiny Top Seam Split, Hence Price.
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Unplugged
New - LP - 468412
Sealed 2011 180gm 2LP Gatefold Pressed At Pallas In Germany.
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Unplugged
Used Import - 9362-45024-1
1992 First Press Original (From The Alsdorf Pressing Plant) Original Housed In A Gatefold Cover. Few Crease Lines Along Jacket Edges With Rubbing, Corner Rubs And Small Bump To Bottom Right Corner. Glossy Vinyl.
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Unplugged
New - LP - 468412
Sealed 180gm 2LP Gatefold Reissue Pressed At Pallas In Germany. Grammy Awards Hype Sticker On Shrink.
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Very Best Of Eric Clapton
Used - LP - MWF 1046
Beautiful Copy Of This 1978 Japanese Compilation With Obi.
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