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1969/1972
Used - LP - SHSM 2003
Beautiful First Pressing Of This UK Compilation Housed In A Textured Jacket. Minor Corner Crease.
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A Lot Of Bottle
New - LP - SR 6004
Sealed 2nd Issue Of SASD 7518. COH.
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A Lot Of Bottle
New - LP - SASD 7518
Factory Sealed 1976 First U.S. Release Of Their Great 1970 UK Harvest Album. Small Saw Cut.
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A Lot Of Bottle
Used - LP - SASD 7518
1976 First U.S. Release Of Their Great 1970 UK Harvest Album. Cut Corner. Appears Unplayed.
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Climax Blues Band Plays On
Used - LP - SES 97023
1969 Gatefold Original. Appears Unplayed. Their Excellent Debut Album. "Following On From The Hard-Hitting Blues Of Their Debut Album, Plays On Caught The Climax Chicago Blues Band In Somewhat Transitional Waters, Testing Any Number Of Different Musical Styles, But Never Really Settling On Any. Certainly The Funk Thump That Characterized Their Better Later Work Was Still An Idea Waiting To Be Explored, As The Group Instead Fluttered Between The Scurrying Jazz Of The Opening "Flight," The Psychedelic Tinge Of "Hey Baby, Everything's Gonna Be Alright Yeh Yeh Yeh," The Semi-Santana Fusion Of "Cubano Chant," And The Heavy Blues Of "So Many Roads," All Interrupted By "Mum's The Word," A Dynamic Moog Sequence That Builds Out Of The Theme From 2001, And Then Freefalls Into Total Space Rock." Dave Thompson, AMG.
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Flying The Flag
Used - LP - BSK 3493
Mint 1980 Original In Shrink Wrap, Saw Cut.
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Flying The Flag
New - LP - BSK 3493
Sealed 1980 Original. COH.
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Flying The Flag
New - LP - BSK 3493
Sealed 1980 Original With Custom "Gotta Have More Love" Hype Sticker On The Shrink Wrap. Small Cut Out Hole.
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FM/Live
Used - LP - SAS-2-7411
1973 Us Original 2lp Gatefold. Monarch Press, Promo Copy With Sticker On Front Gatefold. Saw Cut. Glossy Vinyl. Light Corner Rubs. "Heavy On The Kind Of Blues-rock Favored By Humble Pie, This Is A Live Outing In Front Of A Too-loud New York Audience. Sax Player Colin Cooper Helps To Separate These English Midland Lads From The Heads-down No-nonsense Boogie Competition, Although The Emphasis Is Squarely On Guitarist Peter Haycock. His Solo Electric Slide Showcase "Country Hat" Is A Marvel. The Band's Pop Leanings Featured So Strongly On Their Studio Recordings Come Through In "I Am Constant." It's A Solid Outing, And Much Meatier Than Subsequent Offerings." AMG - Mark Allan.
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Gold Plated
New - LP - SASD 7523
Sealed 1976 Gatefold Original With Saw Cut.
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Gold Plated
Used - LP - SASD 7523
1976 Gatefold Original Still In Shrink Wrap With Custom "Couldn't Get It Right" Hype Sticker. Appears Glossy, Unplayed.
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Live From Miami
Used - LP - WBMS 108
1979 Promo Only LP. Looks Unplayed.
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Lucky For Some
Used - LP - BSK 3623
1981 Test Pressing.
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Lucky For Some
New - LP - BSK 3623
Sealed 1981 Original.
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Real To Reel
New - LP - BSK 3334
Sealed 1975 Gatefold Original. Exact press unknown.
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Real To Reel
Used - LP - BSK 3334
1975 Gatefold Original. Appears Unplayed.
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Rich Man
Used - LP - SAS 7402
Original Still In Shrink. Corner rubs & Light Wear to The mouth Of The Sleeve.
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Sense Of Direction
Used - LP - SAS-7501
1974 Original. Corner Crease. "Nogales" A Song About A True Lock-Up South Of The Border Is The Standout On This Strong Album.
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Shine On
New - LP - SRK 6056
Sealed 1978 Gatefold Original. Pristine Store Stock Copy.
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Stamp Album
New - LP - SR 6016
Sealed 1975 Gatefold Original. Small Saw Notch.
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Stamp Album
New - LP - SASD-7507
Sealed 1975 Textured Gatefold Original. Small Saw Cut. Features The Brilliant "Running Out Of Time." Unable To Confirm Exact Press.
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Tightly Knit
Used - LP - SI 5903
1972 Original 1st US Press, Monarch. Light Corner/Edge Rubbing, Two Tiny Corner Dings & Touch Of Ring Wear. Glossy Vinyl. "By The Time Of 1971's Tightly Knit, The Group Had Settled Into A Very Comfortable Groove And Suddenly Didn't Seem To Be Trying So Hard, Instead Letting The Music Speak For Itself. This Newfound Confidence Was Also Mirrored In The Fact That Eight Of The Ten Tunes Aboard Were Group-Penned Originals. While They Showed Some Versatility On Tunes Like "Little Link" And "Shoot Her If She Runs" (Both Exhibiting A Strong Country Rock Flavor), They Still Managed To Sound Like No One Else But The Climax Blues Band On Such Familiar Warhorses As "Spoonful" And Robert Johnson's "Come On In My Kitchen." Peter Haycock's Lead Guitar Reached Scorching Levels On The Almost-Ten-Minute-Long "St. Michael's Blues"; "Who Killed Mcswiggin" Explored The Bo Diddley Beat For All Its Worth, And The Closing "That's All" Took The Pan-Flute New Orleans Groove Into Folk-Singalong Territory, Making A Top-Notch Finish For The Group's Most Varied Outing.” Cub Koda, AMG.
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Tightly Knit
New - LP - SR 6008
Sealed 2nd Issue.
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Tightly Knit
New - LP - SASD 7517
Sealed 1976 Original. Small Saw Cut. “By The Time Of 1971's Tightly Knit, The Group Had Settled Into A Very Comfortable Groove And Suddenly Didn't Seem To Be Trying So Hard, Instead Letting The Music Speak For Itself. This Newfound Confidence Was Also Mirrored In The Fact That Eight Of The Ten Tunes Aboard Were Group-Penned Originals. While They Showed Some Versatility On Tunes Like "Little Link" And "Shoot Her If She Runs" (Both Exhibiting A Strong Country Rock Flavor), They Still Managed To Sound Like No One Else But The Climax Blues Band On Such Familiar Warhorses As "Spoonful" And Robert Johnson's "Come On In My Kitchen." Peter Haycock's Lead Guitar Reached Scorching Levels On The Almost-Ten-Minute-Long "St. Michael's Blues"; "Who Killed Mcswiggin" Explored The Bo Diddley Beat For All Its Worth, And The Closing "That's All" Took The Pan-Flute New Orleans Groove Into Folk-Singalong Territory, Making A Top-Notch Finish For The Group's Most Varied Outing.” Cub Koda, AMG.
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