Hathaway, Donny

Vinyl Records and Rare LPs:

	A Donny Hathaway Collection (Drop-Ship) New - LP - RCV1 82092 Sealed 2021 2LP reissue from Rhino Records. more
	Best Of Donny Hathaway New - LP - SD 38-107 Sealed 1978 Hits Compilation Which Includes The Previously Unreleased "You Were Meant For Me." Also Includes His Classic Duets With Roberta Flack. Custom Hype Sticker On Shrink Wrap. Small Saw Cut. more
	Donny Hathaway Used - LP - SD 33-360 1971 Yellow Label Original. LP Appears Glossy, Unplayed. Jacket Has A Hint Of Ring Wear. more
	Donny Hathaway New - LP - SD 33-360 Sealed 1971 Yellow Label Original With Custom Song Hype Sticker On The Shrink Wrap. more
	Donny Hathaway Used - LP - SD 33-360 1971 Yellow label original with inner sleeve. Donny Hathaway’s self-titled 1971 album is a cornerstone of soul music and a testament to his multifaceted artistry. Released on Atco Records, this sophomore studio effort showcases Hathaway’s signature blend of gospel, jazz, and R&B, marked by his emotive vocals and sophisticated arrangements. The record features standout tracks like “A Song for You,” a heartfelt Leon Russell cover delivered with stirring vulnerability, as well as Hathaway’s own compositions, including “Giving Up” and “Little Girl.” Notably, the album includes covers of classics such as “He Ain’t Heavy, He’s My Brother” and “Magnificent Sanctuary Band,” highlighting Hathaway’s ability to reinterpret familiar material with fresh, soulful depth. The session musicians—among them bassist Chuck Rainey and drummer Al Jackson Jr.—create a lush, organic backdrop, elevating Hathaway’s piano-driven sound. The album’s production, handled primarily by Jerry Wexler and Arif Mardin, is warm and intimate, a quality treasured by vinyl collectors seeking that analog richness. For music lovers, this record not only cements Hathaway’s legacy as a vocalist and arranger but offers a deeply personal listening experience, reflecting the artist’s emotional honesty and musical intelligence. Spinning this on vinyl reveals nuances in Hathaway’s voice and the instrumental interplay, making it a must-have for any soulful collection. more
	Everything Is Everything Audiophile - New - SD 33-332 Sealed 2019 All Analogue Remastered Reissue, Pressed At Pallas In Germany On Virgin Vinyl. “Everything Is Everything Sounded Like Nothing Before It, Based In Smooth Uptown Soul But Boasting A Set Of Excellent, Open-Ended Arrangements Gained From Hathaway's Background In Classical And Gospel Music. After Gaining A Contract With Atco Through King Curtis, Hathaway Wrote And Recorded During 1969 And 1970 With Friends Including Drummer Ric Powell And Guitarist Phil Upchurch, Both Of Whom Lent A Grooving Feel To The Album That Hathaway May Not Have Been Able To Summon On His Own (Check Out Upchurch's Unforgettable Bassline On The Opener, "Voices Inside (Everything Is Everything)"). All Of The Musical Brilliance On Display, Though, Is Merely The Framework For Hathaway's Rich, Emotive Voice, Testifying To The Power Of Love And Religion With Few, If Any, Concessions To Pop Music. Like None Other, He Gets To The Raw, Churchy Emotion Underlying Ray Charles' "I Believe To My Soul" And Nina Simone's "To Be Young, Gifted And Black," The Former With A Call-And-Response Horn Chart And His Own Glorious Vocal, The Latter With His Own Organ Lines. Everything Is Everything Was One Of The First Soul Records To Comment Directly On An Unstable Period; "Tryin' Times" Speaks To The Importance Of Peace And Community With An Earthy Groove, While The Most Familiar Track Here, A Swinging Jam Known As "The Ghetto," Places Listeners Right In The Middle Of Urban America. Donny Hathaway's Debut Introduced A Brilliant Talent Into The World Of Soul, One Who Promised To Take R&B Farther Than It Had Been Taken Since Ray Charles Debuted On Atlantic.” John Bush, AMG. more
	Everything Is Everything Audiophile - New - SD 33-332 Sealed 2019 All Analogue Remastered Reissue, Pressed At Pallas In Germany On Virgin Vinyl. “Everything Is Everything Sounded Like Nothing Before It, Based In Smooth Uptown Soul But Boasting A Set Of Excellent, Open-Ended Arrangements Gained From Hathaway's Background In Classical And Gospel Music. After Gaining A Contract With Atco Through King Curtis, Hathaway Wrote And Recorded During 1969 And 1970 With Friends Including Drummer Ric Powell And Guitarist Phil Upchurch, Both Of Whom Lent A Grooving Feel To The Album That Hathaway May Not Have Been Able To Summon On His Own (Check Out Upchurch's Unforgettable Bassline On The Opener, "Voices Inside (Everything Is Everything)"). All Of The Musical Brilliance On Display, Though, Is Merely The Framework For Hathaway's Rich, Emotive Voice, Testifying To The Power Of Love And Religion With Few, If Any, Concessions To Pop Music. Like None Other, He Gets To The Raw, Churchy Emotion Underlying Ray Charles' "I Believe To My Soul" And Nina Simone's "To Be Young, Gifted And Black," The Former With A Call-And-Response Horn Chart And His Own Glorious Vocal, The Latter With His Own Organ Lines. Everything Is Everything Was One Of The First Soul Records To Comment Directly On An Unstable Period; "Tryin' Times" Speaks To The Importance Of Peace And Community With An Earthy Groove, While The Most Familiar Track Here, A Swinging Jam Known As "The Ghetto," Places Listeners Right In The Middle Of Urban America. Donny Hathaway's Debut Introduced A Brilliant Talent Into The World Of Soul, One Who Promised To Take R&B Farther Than It Had Been Taken Since Ray Charles Debuted On Atlantic.” John Bush, AMG. more
	Everything Is Everything Audiophile - New - SD 33-332 Sealed 2019 All Analogue Remastered Reissue From Speakers Corner, Pressed At Pallas In Germany On Virgin Vinyl. “Everything Is Everything Sounded Like Nothing Before It, Based In Smooth Uptown Soul But Boasting A Set Of Excellent, Open-Ended Arrangements Gained From Hathaway's Background In Classical And Gospel Music. After Gaining A Contract With Atco Through King Curtis, Hathaway Wrote And Recorded During 1969 And 1970 With Friends Including Drummer Ric Powell And Guitarist Phil Upchurch, Both Of Whom Lent A Grooving Feel To The Album That Hathaway May Not Have Been Able To Summon On His Own (Check Out Upchurch's Unforgettable Bassline On The Opener, "Voices Inside (Everything Is Everything)"). All Of The Musical Brilliance On Display, Though, Is Merely The Framework For Hathaway's Rich, Emotive Voice, Testifying To The Power Of Love And Religion With Few, If Any, Concessions To Pop Music. Like None Other, He Gets To The Raw, Churchy Emotion Underlying Ray Charles' "I Believe To My Soul" And Nina Simone's "To Be Young, Gifted And Black," The Former With A Call-And-Response Horn Chart And His Own Glorious Vocal, The Latter With His Own Organ Lines. Everything Is Everything Was One Of The First Soul Records To Comment Directly On An Unstable Period; "Tryin' Times" Speaks To The Importance Of Peace And Community With An Earthy Groove, While The Most Familiar Track Here, A Swinging Jam Known As "The Ghetto," Places Listeners Right In The Middle Of Urban America. Donny Hathaway's Debut Introduced A Brilliant Talent Into The World Of Soul, One Who Promised To Take R&B Farther Than It Had Been Taken Since Ray Charles Debuted On Atlantic.” All Music Guide - John Bush more
	Everything Is Everything New - LP - PLP 7801 / SD 33-332 1995 Japanese Reissue With Custom Insert. No Obi (This Series Did Not Come With Obis). Record Is New, Unplayed (These Were $59.99 When Released). “Everything Is Everything Sounded Like Nothing Before It, Based In Smooth Uptown Soul But Boasting A Set Of Excellent, Open-Ended Arrangements Gained From Hathaway's Background In Classical And Gospel Music. After Gaining A Contract With Atco Through King Curtis, Hathaway Wrote And Recorded During 1969 And 1970 With Friends Including Drummer Ric Powell And Guitarist Phil Upchurch, Both Of Whom Lent A Grooving Feel To The Album That Hathaway May Not Have Been Able To Summon On His Own (Check Out Upchurch's Unforgettable Bassline On The Opener, "Voices Inside (Everything Is Everything)"). All Of The Musical Brilliance On Display, Though, Is Merely The Framework For Hathaway's Rich, Emotive Voice, Testifying To The Power Of Love And Religion With Few, If Any, Concessions To Pop Music. Like None Other, He Gets To The Raw, Churchy Emotion Underlying Ray Charles' "I Believe To My Soul" And Nina Simone's "To Be Young, Gifted And Black," The Former With A Call-And-Response Horn Chart And His Own Glorious Vocal, The Latter With His Own Organ Lines. Everything Is Everything Was One Of The First Soul Records To Comment Directly On An Unstable Period; "Tryin' Times" Speaks To The Importance Of Peace And Community With An Earthy Groove, While The Most Familiar Track Here, A Swinging Jam Known As "The Ghetto," Places Listeners Right In The Middle Of Urban America. Donny Hathaway's Debut Introduced A Brilliant Talent Into The World Of Soul, One Who Promised To Take R&B Farther Than It Had Been Taken Since Ray Charles Debuted On Atlantic.” John Bush, AMG. more
	Everything Is Everything Used - LP - SD 33-332 1970 Yellow Label Original. LP Appears Unplayed. “Everything Is Everything Sounded Like Nothing Before It, Based In Smooth Uptown Soul But Boasting A Set Of Excellent, Open-Ended Arrangements Gained From Hathaway's Background In Classical And Gospel Music. After Gaining A Contract With Atco Through King Curtis, Hathaway Wrote And Recorded During 1969 And 1970 With Friends Including Drummer Ric Powell And Guitarist Phil Upchurch, Both Of Whom Lent A Grooving Feel To The Album That Hathaway May Not Have Been Able To Summon On His Own (Check Out Upchurch's Unforgettable Bassline On The Opener, "Voices Inside (Everything Is Everything)"). All Of The Musical Brilliance On Display, Though, Is Merely The Framework For Hathaway's Rich, Emotive Voice, Testifying To The Power Of Love And Religion With Few, If Any, Concessions To Pop Music. Like None Other, He Gets To The Raw, Churchy Emotion Underlying Ray Charles' "I Believe To My Soul" And Nina Simone's "To Be Young, Gifted And Black," The Former With A Call-And-Response Horn Chart And His Own Glorious Vocal, The Latter With His Own Organ Lines. Everything Is Everything Was One Of The First Soul Records To Comment Directly On An Unstable Period; "Tryin' Times" Speaks To The Importance Of Peace And Community With An Earthy Groove, While The Most Familiar Track Here, A Swinging Jam Known As "The Ghetto," Places Listeners Right In The Middle Of Urban America. Donny Hathaway's Debut Introduced A Brilliant Talent Into The World Of Soul, One Who Promised To Take R&B Farther Than It Had Been Taken Since Ray Charles Debuted On Atlantic.” John Bush, AMG. more
	Everything Is Everything Audiophile - New - SD 33-332 Sealed 2019 All Analogue Remastered Reissue, Pressed At Pallas In Germany On Virgin Vinyl. “Everything Is Everything Sounded Like Nothing Before It, Based In Smooth Uptown Soul But Boasting A Set Of Excellent, Open-Ended Arrangements Gained From Hathaway's Background In Classical And Gospel Music. After Gaining A Contract With Atco Through King Curtis, Hathaway Wrote And Recorded During 1969 And 1970 With Friends Including Drummer Ric Powell And Guitarist Phil Upchurch, Both Of Whom Lent A Grooving Feel To The Album That Hathaway May Not Have Been Able To Summon On His Own (Check Out Upchurch's Unforgettable Bassline On The Opener, "Voices Inside (Everything Is Everything)"). All Of The Musical Brilliance On Display, Though, Is Merely The Framework For Hathaway's Rich, Emotive Voice, Testifying To The Power Of Love And Religion With Few, If Any, Concessions To Pop Music. Like None Other, He Gets To The Raw, Churchy Emotion Underlying Ray Charles' "I Believe To My Soul" And Nina Simone's "To Be Young, Gifted And Black," The Former With A Call-And-Response Horn Chart And His Own Glorious Vocal, The Latter With His Own Organ Lines. Everything Is Everything Was One Of The First Soul Records To Comment Directly On An Unstable Period; "Tryin' Times" Speaks To The Importance Of Peace And Community With An Earthy Groove, While The Most Familiar Track Here, A Swinging Jam Known As "The Ghetto," Places Listeners Right In The Middle Of Urban America. Donny Hathaway's Debut Introduced A Brilliant Talent Into The World Of Soul, One Who Promised To Take R&B Farther Than It Had Been Taken Since Ray Charles Debuted On Atlantic.” John Bush, AMG. more
	Everything Is Everything Audiophile - New - SD 33-332 Sealed 2019 All Analogue Remastered Reissue, Pressed At Pallas In Germany On Virgin Vinyl. “Everything Is Everything Sounded Like Nothing Before It, Based In Smooth Uptown Soul But Boasting A Set Of Excellent, Open-Ended Arrangements Gained From Hathaway's Background In Classical And Gospel Music. After Gaining A Contract With Atco Through King Curtis, Hathaway Wrote And Recorded During 1969 And 1970 With Friends Including Drummer Ric Powell And Guitarist Phil Upchurch, Both Of Whom Lent A Grooving Feel To The Album That Hathaway May Not Have Been Able To Summon On His Own (Check Out Upchurch's Unforgettable Bassline On The Opener, "Voices Inside (Everything Is Everything)"). All Of The Musical Brilliance On Display, Though, Is Merely The Framework For Hathaway's Rich, Emotive Voice, Testifying To The Power Of Love And Religion With Few, If Any, Concessions To Pop Music. Like None Other, He Gets To The Raw, Churchy Emotion Underlying Ray Charles' "I Believe To My Soul" And Nina Simone's "To Be Young, Gifted And Black," The Former With A Call-And-Response Horn Chart And His Own Glorious Vocal, The Latter With His Own Organ Lines. Everything Is Everything Was One Of The First Soul Records To Comment Directly On An Unstable Period; "Tryin' Times" Speaks To The Importance Of Peace And Community With An Earthy Groove, While The Most Familiar Track Here, A Swinging Jam Known As "The Ghetto," Places Listeners Right In The Middle Of Urban America. Donny Hathaway's Debut Introduced A Brilliant Talent Into The World Of Soul, One Who Promised To Take R&B Farther Than It Had Been Taken Since Ray Charles Debuted On Atlantic.” John Bush, AMG. more
	Everything Is Everything Used - LP - SD 33-332 Beautiful 1970 Original In Shrink With Custom Hype Sticker And Original Greenwich Village Record Breaker $4.69 Tag. “Everything Is Everything Sounded Like Nothing Before It, Based In Smooth Uptown Soul But Boasting A Set Of Excellent, Open-Ended Arrangements Gained From Hathaway's Background In Classical And Gospel Music. After Gaining A Contract With Atco Through King Curtis, Hathaway Wrote And Recorded During 1969 And 1970 With Friends Including Drummer Ric Powell And Guitarist Phil Upchurch, Both Of Whom Lent A Grooving Feel To The Album That Hathaway May Not Have Been Able To Summon On His Own (Check Out Upchurch's Unforgettable Bassline On The Opener, "Voices Inside (Everything Is Everything)"). All Of The Musical Brilliance On Display, Though, Is Merely The Framework For Hathaway's Rich, Emotive Voice, Testifying To The Power Of Love And Religion With Few, If Any, Concessions To Pop Music. Like None Other, He Gets To The Raw, Churchy Emotion Underlying Ray Charles' "I Believe To My Soul" And Nina Simone's "To Be Young, Gifted And Black," The Former With A Call-And-Response Horn Chart And His Own Glorious Vocal, The Latter With His Own Organ Lines. Everything Is Everything Was One Of The First Soul Records To Comment Directly On An Unstable Period; "Tryin' Times" Speaks To The Importance Of Peace And Community With An Earthy Groove, While The Most Familiar Track Here, A Swinging Jam Known As "The Ghetto," Places Listeners Right In The Middle Of Urban America. Donny Hathaway's Debut Introduced A Brilliant Talent Into The World Of Soul, One Who Promised To Take R&B Farther Than It Had Been Taken Since Ray Charles Debuted On Atlantic.” John Bush, AMG. more
	Extension Of A Man New - LP - PLP 7802 New, Unplayed 1995 Japanese Reissue With Custom Insert. Ranging From Inner-City Soul To Orchestral Grandeur To A Bluesy Ballad To Easy-Listening Pleasantries, Extension Of A Man Was Donny Hathaway's Most Ambitious LP, The Justly Titled Capstone To His Phenomenal Career. more
	Extension Of A Man New - LP - SD 7029 Sealed 1973 Laminated Gatefold Original. Ranging From Inner-City Soul To Orchestral Grandeur To A Bluesy Ballad To Easy-Listening Pleasantries, Extension Of A Man Was Donny Hathaway's Most Ambitious LP, The Justly Titled Capstone To His Phenomenal Career. Top Recommendation. more
	Extension Of A Man Used - LP - SD 7029 1973 Yellow Label, Laminated Gatefold Original. Ranging From Inner-City Soul To Orchestral Grandeur To A Bluesy Ballad To Easy-Listening Pleasantries, Extension Of A Man Was Donny Hathaway's Most Ambitious LP, The Justly Titled Capstone To His Phenomenal Career. Top Recommendation. Some Light Foxing Colour To Cover. more
	In Performance Used - LP - SD 19278 Difficult To Find 1980 Original, Saw Cut. Features Phil Upchurch, Richard Tee And Others. Appears Unplayed. more
	Live Used - LP - SD 33-386 1972 Gatefold Original. Jacket Is VG+ And The LP Appears Virtually Unplayed. An All-Time Classic Recorded Live At The Troubador In Los Angeles And The Bitter End In New York City. Includes "What's Going On," "The Ghetto," "You've Got A Friend" And More. more
	Live New - LP - SD 33-386 Sealed Reissue Of The 1972 Original. An All-Time Classic Recorded Live At The Troubador In Los Angeles And The Bitter End In New York City. Includes "What's Going On," "The Ghetto," "You've Got A Friend" And More. more
	Live New - LP - SD 33-386 Sealed Limited Edition 180 Gram Vinyl. more
	Live At The Bitter End 1971 New - LP - 541097 Factory Sealed, Out Of Print, Limited Edition 2LP Gatefold Reissue. This Is A Non-Numbered Promo Copy. Songs Are: "What's Going On," "Sack Full Of Dreams," "Little Ghetto Biy," "You've Got A Friend," "Voices Inside (Everything Is Everything)," "He Ain't Heavy He's My Brother," "Jealous Guy," "I Love You More Than You'll Ever Know," "Hey Girl" And "The Ghetto." more