Eno, Brian
Vinyl Records and Rare LPs:
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Ambient 1 Music For Airports
Used Import - MPF 1229
Japanese Pressing With Obi. LP Appears Glossy.
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Ambient 1: Music For Aiports
Used - LP - AMB 001
Stunning 1978 UK Original With Custom Inner Sleeve. A1/B1 Stampers. “Four Subtle, Slowly Evolving Pieces Grace Eno's First Conscious Effort At Creating Ambient Music. The Composer Was In Part Striving To Create Music That Approximated The Effect Of Visual Art. Like A Fine Painting, These Evolving Soundscapes Don't Require Constant Involvement On The Part Of The Listener. They Can Hang In The Background And Add To The Atmosphere Of The Room, Yet The Music Also Rewards Close Attention With A Sonic Richness Absent In Standard Types Of Background Or Easy Listening Music.” Linda Kohanov, All Music Guide. 5 Stars.
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Ambient 1: Music For Airports
Used - LP - EGS 201
1978 Second Issue In Custom Inner. Appears New, Unplayed. “Four Subtle, Slowly Evolving Pieces Grace Eno's First Conscious Effort At Creating Ambient Music. The Composer Was In Part Striving To Create Music That Approximated The Effect Of Visual Art. Like A Fine Painting, These Evolving Soundscapes Don't Require Constant Involvement On The Part Of The Listener. They Can Hang In The Background And Add To The Atmosphere Of The Room, Yet The Music Also Rewards Close Attention With A Sonic Richness Absent In Standard Types Of Background Or Easy Listening Music.” Linda Kohanov, All Music Guide. 5 Stars.
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Ambient 1: Music For Airports
Used - LP - PVC 7908
1978 EG Label Original, Issued Through PVC In The States. Includes The Custom Inner Sleeve. Amazing Groove Modulations Cut At Sterling. Glossy, Unplayed Condition.
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Ambient 4 (On Land)
New Import - ENOLP8
Sealed 2018 vinyl reissue; EU Import. “On Land Represented A Significant Move Away From The Strategies Brian Eno Had Employed In Earlier Ambient Releases Such As Discreet Music And Music For Airports. Instead Of Using A Specific Process To Generate Music With Minimal Interference From The Composer, He Here Opts For A More Gestural And Intuitive Approach, Creating Dreamy Pictures Of Some Specific Geographical Points Or Evocative Memories Of Them. It's Quite Easy To Imagine These Works As Soundtracks To Mysterious Footage Of Imprecisely Glimpsed Landscapes. On Land Is An Album That Would Become Highly Influential With The Rising Tide Of New Age Composers, Though Few If Any Would Capture The Chilly Beauty Or Latent Romanticism That Is Part And Parcel Of Eno. The First Piece, "Lizard Point," Includes An Early Recorded Performance Of Bill Laswell On Bass, And One Imagines That His Association With Eno Was A Crucial Factor In The Ambient Directions His Later Work Would Sometimes Take. On Land Remains A Landmark Event In The Genre, As Well As One Of Its High-Water Marks, And Sounds Entirely Up To Date 20 Years After Its Initial Release. A Superb Effort.” Brian Olewnick, All Music Guide.
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Ambient 4 On Land
Used - LP - EGED 20
1982 Original With Custom Insert/Book. Still In Shrink, Saw-Cut.
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Ambient 4: On Land
Used - LP - EGED 20
Mint 1982 Original. No Insert. Features Michael Beinhorn, Axel Gros, Bill Laswell, Jon Hassell, Michael Brook And Daniel Lanois. “On Land Represented A Significant Move Away From The Strategies Brian Eno Had Employed In Earlier Ambient Releases Such As Discreet Music And Music For Airports. Instead Of Using A Specific Process To Generate Music With Minimal Interference From The Composer, He Here Opts For A More Gestural And Intuitive Approach, Creating Dreamy Pictures Of Some Specific Geographical Points Or Evocative Memories Of Them. It's Quite Easy To Imagine These Works As Soundtracks To Mysterious Footage Of Imprecisely Glimpsed Landscapes. On Land Is An Album That Would Become Highly Influential With The Rising Tide Of New Age Composers, Though Few If Any Would Capture The Chilly Beauty Or Latent Romanticism That Is Part And Parcel Of Eno. The First Piece, "Lizard Point," Includes An Early Recorded Performance Of Bill Laswell On Bass, And One Imagines That His Association With Eno Was A Crucial Factor In The Ambient Directions His Later Work Would Sometimes Take. On Land Remains A Landmark Event In The Genre, As Well As One Of Its High-Water Marks, And Sounds Entirely Up To Date 20 Years After Its Initial Release. A Superb Effort.” Brian Olewnick, AMG.
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Ambient: 4 On Land
Used - LP - 28MM 0142
1982 Japanese Pressing With Obi. Appears Glossy, Unplayed. “On Land Represented A Significant Move Away From The Strategies Brian Eno Had Employed In Earlier Ambient Releases Such As Discreet Music And Music For Airports. Instead Of Using A Specific Process To Generate Music With Minimal Interference From The Composer, He Here Opts For A More Gestural And Intuitive Approach, Creating Dreamy Pictures Of Some Specific Geographical Points Or Evocative Memories Of Them. It's Quite Easy To Imagine These Works As Soundtracks To Mysterious Footage Of Imprecisely Glimpsed Landscapes. On Land Is An Album That Would Become Highly Influential With The Rising Tide Of New Age Composers, Though Few If Any Would Capture The Chilly Beauty Or Latent Romanticism That Is Part And Parcel Of Eno. The First Piece, "Lizard Point," Includes An Early Recorded Performance Of Bill Laswell On Bass, And One Imagines That His Association With Eno Was A Crucial Factor In The Ambient Directions His Later Work Would Sometimes Take. On Land Remains A Landmark Event In The Genre, As Well As One Of Its High-Water Marks, And Sounds Entirely Up To Date 20 Years After Its Initial Release. A Superb Effort.” Brian Olewnick, All Music Guide.
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Ambient: 4 On Land
Used - LP - 28MM 0142
1982 Japanese First Pressing. Appears Glossy, Unplayed. “On Land Represented A Significant Move Away From The Strategies Brian Eno Had Employed In Earlier Ambient Releases Such As Discreet Music And Music For Airports. Instead Of Using A Specific Process To Generate Music With Minimal Interference From The Composer, He Here Opts For A More Gestural And Intuitive Approach, Creating Dreamy Pictures Of Some Specific Geographical Points Or Evocative Memories Of Them. It's Quite Easy To Imagine These Works As Soundtracks To Mysterious Footage Of Imprecisely Glimpsed Landscapes. On Land Is An Album That Would Become Highly Influential With The Rising Tide Of New Age Composers, Though Few If Any Would Capture The Chilly Beauty Or Latent Romanticism That Is Part And Parcel Of Eno. The First Piece, "Lizard Point," Includes An Early Recorded Performance Of Bill Laswell On Bass, And One Imagines That His Association With Eno Was A Crucial Factor In The Ambient Directions His Later Work Would Sometimes Take. On Land Remains A Landmark Event In The Genre, As Well As One Of Its High-Water Marks, And Sounds Entirely Up To Date 20 Years After Its Initial Release. A Superb Effort.” Brian Olewnick, All Music Guide.
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Another Green World
New - LP - 2302 069
Sealed 1975 UK Red Label 2nd Issue (Released Shortly After island ILPS 9351).
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Another Green World
Used Import - 2302 069
1975 UK Red Label 2nd Issue (Released Shortly After island ILPS 9351). LP Appears Glossy. A Solid Universal 5 star Album.
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Apollo
Used - LP - 28MM 0298
Japanese Pressing, No Obi. Features Daniel Lanois And Roger Eno. LP Is New, Unplayed.
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Baby's On Fire
Used - 7 - EN 01
Unofficial 7" Housed In A Picture Sleeve. Recorded With The Winkies. Title Track B/W "Fever."
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BBC Sessions
Used - LP - ICL 109
Hard To Find Italian Black Vinyl Pressing. Includes Killer Cover Versions Of "Fever" And "Wimoweh." Most Of The Tracks Have The Winkies Backing Eno. Appears Unplayed. Custom Hype Sticker On The Cover.
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Before And After Science
Used - LP - 2302 071
Stunning, Archival Quality 1977 UK Original With All Four Art Prints In Custom Folder. First Copy We Have Seen With The Prints In Six Years. A3/B2 (Lowest) Stampers. LP Appears Glossy, Unplayed. Dead Wax Inscribed By The Mastering Engineer: "Gone Before To That Unknown And Silent Shore" And "Arcane Benefits Of Creed."
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Before And After Science
Used - LP - MPF 1131
1977 Japanese Pressing With Obi And Insert (No Art Prints). 5 Stars. LP Appears Glossy, Unplayed.
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Before And After Science
Used - LP - ILPS 9478
Beautiful 1977 US Original With Black Insert. One Of The Essential Eno Albums To Have. 1A/B2 Stampers. Sterling In Dead Wax. Very Slight Creasing To The Spine & Top Of The sleeve.
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Before And After Science
Used - LP - ILPS 9478
1977 Original With Card Inner Sleeve. Sterling In Dead Wax, WW1/WW1 Stampers. Light Staining On Rear Jacket (See Scan), Hence Price.
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Before And After Science
Used - LP - ILPS 9478
1977 original with die cut inner sleeve. "Before and After Science is really a study of "studio composition" whereby recordings are created by deconstruction and elimination: tracks are recorded and assembled in layers, then selectively subtracted one after another, resulting in a composition and sound quite unlike that at the beginning of the process. Despite the album's pop format, the sound is unique and strays far from the mainstream. Eno also experiments with his lyrics, choosing a sound-over-sense approach. When mixed with the music, these lyrics create a new sense or meaning, or the feeling of meaning, a concept inspired by abstract sound poet Kurt Schwitters (epitomized on the track "Kurt's Rejoinder," on which you actually hear samples from Schwitters' "Ursonate"). Before and After Science opens with two bouncy, upbeat cuts: "No One Receiving," featuring the offbeat rhythm machine of Percy Jones and Phil Collins (Eno regulars during this period), and "Backwater." Jones' analog delay bass dominates on the following "Kurt's Rejoinder," and he and Collins return on the mysterious instrumental "Energy Fools the Magician." The last five tracks (the entire second side of the album format) display a serenity unlike anything in the pop music field. These compositions take on an occasional pastoral quality, pensive and atmospheric. Cluster joins Eno on the mood-evoking "By This River," but the album's apex is the final cut, "Spider and I." With its misty emotional intensity, the song seems at once sad yet hopeful. The music on Before and After Science at times resembles Another Green World ("No One Receiving") and Here Come the Warm Jets ("King's Lead Hat") and ranks alongside both as the most essential Eno material." All Music Guide - David Ross Smith.
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Before And After Science
New Import - ENOLP4
Sealed 2017 Remastered reissue. "Before and After Science is really a study of "studio composition" whereby recordings are created by deconstruction and elimination: tracks are recorded and assembled in layers, then selectively subtracted one after another, resulting in a composition and sound quite unlike that at the beginning of the process. Despite the album's pop format, the sound is unique and strays far from the mainstream. Eno also experiments with his lyrics, choosing a sound-over-sense approach. When mixed with the music, these lyrics create a new sense or meaning, or the feeling of meaning, a concept inspired by abstract sound poet Kurt Schwitters (epitomized on the track "Kurt's Rejoinder," on which you actually hear samples from Schwitters' "Ursonate"). Before and After Science opens with two bouncy, upbeat cuts: "No One Receiving," featuring the offbeat rhythm machine of Percy Jones and Phil Collins (Eno regulars during this period), and "Backwater." Jones' analog delay bass dominates on the following "Kurt's Rejoinder," and he and Collins return on the mysterious instrumental "Energy Fools the Magician." The last five tracks (the entire second side of the album format) display a serenity unlike anything in the pop music field. These compositions take on an occasional pastoral quality, pensive and atmospheric. Cluster joins Eno on the mood-evoking "By This River," but the album's apex is the final cut, "Spider and I." With its misty emotional intensity, the song seems at once sad yet hopeful. The music on Before and After Science at times resembles Another Green World ("No One Receiving") and Here Come the Warm Jets ("King's Lead Hat") and ranks alongside both as the most essential Eno material." AMG - David Ross Smith.
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Before And After Science
New Import - ENOLP4
Sealed 2017 Remastered reissue. "Before and After Science is really a study of "studio composition" whereby recordings are created by deconstruction and elimination: tracks are recorded and assembled in layers, then selectively subtracted one after another, resulting in a composition and sound quite unlike that at the beginning of the process. Despite the album's pop format, the sound is unique and strays far from the mainstream. Eno also experiments with his lyrics, choosing a sound-over-sense approach. When mixed with the music, these lyrics create a new sense or meaning, or the feeling of meaning, a concept inspired by abstract sound poet Kurt Schwitters (epitomized on the track "Kurt's Rejoinder," on which you actually hear samples from Schwitters' "Ursonate"). Before and After Science opens with two bouncy, upbeat cuts: "No One Receiving," featuring the offbeat rhythm machine of Percy Jones and Phil Collins (Eno regulars during this period), and "Backwater." Jones' analog delay bass dominates on the following "Kurt's Rejoinder," and he and Collins return on the mysterious instrumental "Energy Fools the Magician." The last five tracks (the entire second side of the album format) display a serenity unlike anything in the pop music field. These compositions take on an occasional pastoral quality, pensive and atmospheric. Cluster joins Eno on the mood-evoking "By This River," but the album's apex is the final cut, "Spider and I." With its misty emotional intensity, the song seems at once sad yet hopeful. The music on Before and After Science at times resembles Another Green World ("No One Receiving") and Here Come the Warm Jets ("King's Lead Hat") and ranks alongside both as the most essential Eno material." AMG - David Ross Smith.
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Before And After Science
Used Import - 2302 071
1977 UK original with grey/light blue portfolio with four offset prints on rough paper by Peter Schmidt. Back cover shows printed name. "Before and After Science is really a study of "studio composition" whereby recordings are created by deconstruction and elimination: tracks are recorded and assembled in layers, then selectively subtracted one after another, resulting in a composition and sound quite unlike that at the beginning of the process. Despite the album's pop format, the sound is unique and strays far from the mainstream. Eno also experiments with his lyrics, choosing a sound-over-sense approach. When mixed with the music, these lyrics create a new sense or meaning, or the feeling of meaning, a concept inspired by abstract sound poet Kurt Schwitters (epitomized on the track "Kurt's Rejoinder," on which you actually hear samples from Schwitters' "Ursonate"). Before and After Science opens with two bouncy, upbeat cuts: "No One Receiving," featuring the offbeat rhythm machine of Percy Jones and Phil Collins (Eno regulars during this period), and "Backwater." Jones' analog delay bass dominates on the following "Kurt's Rejoinder," and he and Collins return on the mysterious instrumental "Energy Fools the Magician." The last five tracks (the entire second side of the album format) display a serenity unlike anything in the pop music field. These compositions take on an occasional pastoral quality, pensive and atmospheric. Cluster joins Eno on the mood-evoking "By This River," but the album's apex is the final cut, "Spider and I." With its misty emotional intensity, the song seems at once sad yet hopeful. The music on Before and After Science at times resembles Another Green World ("No One Receiving") and Here Come the Warm Jets ("King's Lead Hat") and ranks alongside both as the most essential Eno material." All Music Guide - David Ross Smith.
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Before And After Science
Used - LP - ENO 4
1981 repress in shrink. Saw Cut. Light tic on end of one song, otherwise excellent vinyl. "Before and After Science is really a study of "studio composition" whereby recordings are created by deconstruction and elimination: tracks are recorded and assembled in layers, then selectively subtracted one after another, resulting in a composition and sound quite unlike that at the beginning of the process. Despite the album's pop format, the sound is unique and strays far from the mainstream. Eno also experiments with his lyrics, choosing a sound-over-sense approach. When mixed with the music, these lyrics create a new sense or meaning, or the feeling of meaning, a concept inspired by abstract sound poet Kurt Schwitters (epitomized on the track "Kurt's Rejoinder," on which you actually hear samples from Schwitters' "Ursonate"). Before and After Science opens with two bouncy, upbeat cuts: "No One Receiving," featuring the offbeat rhythm machine of Percy Jones and Phil Collins (Eno regulars during this period), and "Backwater." Jones' analog delay bass dominates on the following "Kurt's Rejoinder," and he and Collins return on the mysterious instrumental "Energy Fools the Magician." The last five tracks (the entire second side of the album format) display a serenity unlike anything in the pop music field. These compositions take on an occasional pastoral quality, pensive and atmospheric. Cluster joins Eno on the mood-evoking "By This River," but the album's apex is the final cut, "Spider and I." With its misty emotional intensity, the song seems at once sad yet hopeful. The music on Before and After Science at times resembles Another Green World ("No One Receiving") and Here Come the Warm Jets ("King's Lead Hat") and ranks alongside both as the most essential Eno material." All Music Guide - David Ross Smith.
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Discreet Music
Used - LP - AN-7030
1975 Original In Shrink Wrap. LP Appears Glossy, Unplayed. 5 Star Eno!
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Discreet Music
Used Import - obscure no. 3
1975 UK Original Grey Labels. A2/B2 Stampers. Glossy VG++/Ex Vinyl. Jacket Shows Minimal Wear With A Few Small Crease Lines & Gentle Compressing Along Spine. "The Latter Part Of 1975 Was A Remarkably Creative Period For Brian Eno. With His Masterpiece Another Green World, Eno Began Moving Away From The Structure And Sound Of Pop Music Toward A More Static Instrumental Model, Influenced In Part By Erik Satie And Strongly Informed By His Prior Collaborations With Robert Fripp. Recorded Just A Month After Another Green World, Discreet Music Is His First Full Foray Into What Has Become Known As Ambient Music. Using The Same System Of Two Reel-To-Reel Tape Recorders As No Pussyfooting And Evening Star, Eno Was Able To Layer Simple Parts Atop One Another, Resulting In A Beautiful Piece Of Music That Never Really Changes But Constantly Evolves With The Addition And Decay Of Different Parts. And While There Were Elements Of Noise And Dissonance On The Albums With Fripp, All The Sounds Here Are Calming And Serene. The Second Half Of The Album Deals With The Same Ideas Of Recurring Themes And Evolution But Uses A Different Approach. Here, Members Of The Cockpit Ensemble Use Pieces Of The Score Of Pachelbel's Canon In D Major, But The Relation Of These Elements Changes Over Time By Having The Parts Slow At Differing Intervals Or Using Different Lengths Of The Musical Score. The Same Notions Of Theme And Constant Variation Appear, But Without The Aid Of The Tape Delay System. The Tones Of The Strings Are Vastly Different From The Synth Tones Of The Title Track, But The Effect On The Listener Is The Same, With The Pieces Delicately Unfolding Over Time. Discreet Music's Reputation As A Groundbreaking And Influential Work Is Surpassed Only By Its Placid Beauty. Highly Recommended." AMG Review By Sean Westergaard.
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Discreet Music
Used Import - 25MM 0158
1975 Japanese First Pressing, With Insert, Missing Obi. LP Appears Glossy, EX. 5 Star Eno. Jacket With Small Crease Marks Down Spine Edge & Light Corner Pushes. "The Latter Part Of 1975 Was A Remarkably Creative Period For Brian Eno. With His Masterpiece Another Green World, Eno Began Moving Away From The Structure And Sound Of Pop Music Toward A More Static Instrumental Model, Influenced In Part By Erik Satie And Strongly Informed By His Prior Collaborations With Robert Fripp. Recorded Just A Month After Another Green World, Discreet Music Is His First Full Foray Into What Has Become Known As Ambient Music. Using The Same System Of Two Reel-To-Reel Tape Recorders As No Pussyfooting And Evening Star, Eno Was Able To Layer Simple Parts Atop One Another, Resulting In A Beautiful Piece Of Music That Never Really Changes But Constantly Evolves With The Addition And Decay Of Different Parts. And While There Were Elements Of Noise And Dissonance On The Albums With Fripp, All The Sounds Here Are Calming And Serene. The Second Half Of The Album Deals With The Same Ideas Of Recurring Themes And Evolution But Uses A Different Approach. Here, Members Of The Cockpit Ensemble Use Pieces Of The Score Of Pachelbel's Canon In D Major, But The Relation Of These Elements Changes Over Time By Having The Parts Slow At Differing Intervals Or Using Different Lengths Of The Musical Score. The Same Notions Of Theme And Constant Variation Appear, But Without The Aid Of The Tape Delay System. The Tones Of The Strings Are Vastly Different From The Synth Tones Of The Title Track, But The Effect On The Listener Is The Same, With The Pieces Delicately Unfolding Over Time. Discreet Music's Reputation As A Groundbreaking And Influential Work Is Surpassed Only By Its Placid Beauty. Highly Recommended." AMG Review By Sean Westergaard.
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Discreet Music
New Import - ENOLP5
Sealed 2018 Remastered 180gm Vinyl. Small Top Seam Split.
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Discreet Music
New - LP - No. 3
Sealed Original.
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Discreet Music
Used - LP - EGS 303
Bautiful 2nd Issue. Appears Unplayed.
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Discreet Music
Used - LP - OBS 3
1975 UK Original In Glossy, Unplayed Condition. Jacket Is Near Mint. A4/B1 Stampers.
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Discreet Music
New - LP - EGS 303
Sealed Second Issue. “The Latter Part Of 1975 Was A Remarkably Creative Period For Brian Eno. With His Masterpiece Another Green World, Eno Began Moving Away From The Structure And Sound Of Pop Music Toward A More Static Instrumental Model, Influenced In Part By Erik Satie And Strongly Informed By His Prior Collaborations With Robert Fripp. Recorded Just A Month After Another Green World, Discreet Music Is His First Full Foray Into What Has Become Known As Ambient Music. Using The Same System Of Two Reel-To-Reel Tape Recorders As No Pussyfooting And Evening Star, Eno Was Able To Layer Simple Parts Atop One Another, Resulting In A Beautiful Piece Of Music That Never Really Changes But Constantly Evolves With The Addition And Decay Of Different Parts.” - Sean Westergaard, AMG
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Floating In Sequence
Used - LP - IMP 1-30
1979 "Live" Recording With Shrink Wrap Intact. Four Songs Taken From February 1974 BBC Recordings And Two Songs Pulled From Eno's 1976 Performance At The Reading Festival.
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Fractal Zoom
Used - 12 - W0116T
Beautiful 1992 Six-Track 12" Single In Picture Sleeve. Features Remix And Production Work By Moby. Rare.
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Here Come The Warm Jets
Used - LP - ILPS 9268
Beautiful 1973 Original. A1/B1 Stampers. Appears Glossy, Unplayed.
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Here Come The Warm Jets
Used - LP - ILPS 9268
Beautiful 1973 UK Palm Tree Label Original. A1-E/B1-E Stampers. Guest Appearances By Phil Manzanera, Andy Mackay, Chris Spedding, Robert Fripp And John Wetton.
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Here Come The Warm Jets
Used - LP - ILPS 9268
Beautiful 1973 UK Palm Tree Label Original With Shrink Wrap Intact. Guest Appearances By Phil Manzanera, Andy Mackay, Chris Spedding, Robert Fripp And John Wetton.
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Here Come The Warm Jets
Used - LP - 2302 063
Beautiful UK Red Label 2nd Issue (Originally Released On Island ILPS 9268). Some Light Stains On The Cover. LP Appears Glossy, Unplayed. A1/B1 Stampers.
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Here Come The Warm Jets
Used - LP - ENO 1
Beautiful 1982 Reissue. Vinyl Appears Unplayed. Guest Appearances By Phil Manzanera, Andy Mackay, Chris Spedding, Robert Fripp And John Wetton.
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Here Come The Warm Jets
Used - LP - ENO 1
1982 Reissue. Guest Appearances By Phil Manzanera, Andy Mackay, Chris Spedding, Robert Fripp And John Wetton. Slight Edge And Corner Wear.
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Lux
New Import - WARPLP 231
Sealed 2012 First Edition 2LP 180gm Gatefold Import With Custom Hype Sticker On The Shrink Wrap. "On His Third Offering For Warp, Brian Eno Returns To Ambient Music Once Again. He Displayed It On His Label Debut, 2010's Small Craft On A Milk Sea, But The Various Pieces On It Were Either Rejects From The Lovely Bones Soundtrack Or Developed With Leo Abrahams On The Everything That Happens Will Happen Today Tour. The Music On Lux Is A Single, 75-Minute Composition Divided Into Four Segments That Are Between 18 And 20 Minutes. They Were Composed To Accompany An Exhibit Of Eno's Visual Art In Turin. Lux Adheres To His Ambient Principle Of Making Music That Is "Rewarding Attention But Not Being So Strict As To Demand It. There Is An Elemental Drift In All Four Parts Of This Work, But That's Not All There Is. Aided Once Again By Abrahams On Moog Guitar, And Violins And Violas By Neil Catchpole, Eno's Electronic Textures And Drones Are Also Accented By The Piano's Stray Single Notes Or Minimal Chords, And Skeletal Use Of Bass And/or Acoustic Guitar. But That Sense Of Drift, While Inescapable, Is Actually Deliberate And Tactile. Music Swells And Wanes. Alterations Of Mood And The Suggestion Of Various Light Shades Can Be Altered In Startling Fashion--15:47 Of "Lux 1," When The Piece's Tonality Drops With Piano Keys Played In The Lower Register Deliberately Adding An Ominous Sense Of Drama. Here Again, Eno's Sense Of Creating Space All Around The Droning Themes Simply Moves One Idea Along To The Next Place. As Each Section Fades And Disappears, The Next Emerges, Unobtrusively, The New One Contains Only The Trace Memory Of What Previously Transpired. While Each Track Exists In A Self-contained Sphere, It Is Holistic In Its Relationship To The Others. The Listener's Isn't So Much Absorbed In Actively Engaging The Composition, But Absorbed By It. That Said, There Is Great Reward In Focusing On What "Happens." That's Because Lux Betrays Implications Of Vastness Just Underneath Its Dulcet Tones And Restrained Palette." AMG Review by Thom Jurek.
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More Blank Than Frank
Used - LP - EGLP 65
1986 Compilation With Promo Sticker On Back Cover And Cut Corner. Includes Custom Insert And Custom Inner Sleeve. Tracks Were Compiled By Eno And Recorded 1973-1977.
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Music For Airplay
Used - LP - ENO-DJ
1981 Promo Only Original. Recordings Culled From "Here Come The Warm Jets," "Taking Tiger Mountain," "Another Green World" And "Before And After Science." Appears Glossy, Unplayed.
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Music For Airplay
Used - LP - ENO DJ
1981 Promo Only Original. Recordings Culled From "Here Come The Warm Jets," "Taking Tiger Mountain," "Another Green World" And "Before And After Science." LP Appears Glossy, Unplayed.
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Music For Airplay
New - LP - ENO DJ
Sealed 1981 Promo Only Original. Recordings Culled From "Here Come The Warm Jets," "Taking Tiger Mountain," "Another Green World" And "Before And After Science."
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Music For Fans Vol. 2
Used - LP - ENO 802
Unofficial Live Album In A Generic White Cover With Paste On Info Sheet. Side 1 Was Recorded For Top Gear On BBC-Radio In February, 1974 With The Winkies. Side 2 Is From 1976's Reading Festival Where Eno Played With The 801.
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Music For Films
Used - LP - MPF 1203
1978 Japanese Pressing With Obi. Glossy, Unplayed Condition.
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Music For Films
Used - LP - EGS 105
Beautiful 1978 Second Issue Still In Shrink Wrap. Appears Unplayed. "The Album Is Identical In Content To The First Edition Released In 1978 But Has Been Rearranged Into What I Consider A More Satisfactory Track Sequence." - Taken From Eno's Notes On The Back Jacket.
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Music For Films
Used - LP - AN 7070
1978 First Label Original Still In Shrink Wrap. Cut At Sterling.
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Music For Films
Used - LP - 2310 623
Stone Mint 1978 UK Original With A3/B2 Stampers And Housed In A Textured Jacket With The original Inner Sleeve. Original Importer's Shrink Wrap Is Still (R.J. Imports).
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Music For Films
Used - LP - EGS 105
Beautiful 1978 Second Issue. Vinyl Appears Glossy, Unplayed. Cover Has Very Slight Corner Bump. "This Album Is Identical In Content To The First Edition Released In 1978 But Has Been Rearranged Into What I Consider A More Satisfactory Track Sequence." - Taken From Eno's Notes On The Back Jacket.
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Music For Films Volume 2
Used - LP - EGBS 2
Very Hard To Find 1983 White Label Original. Glossy, Unplayed Condition. Features Daniel Lanois.First Copy We Have Had In Stock In Eight Years.
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Music For Palaces
Used - LP - 12 Cent
Rare UK 2LP "Live" Recording.
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My Squelchy Life
New Import - ENORSD2015
Sealed 2LP Gatefold Original. Limited release of 4000 copies issued for Record Store Day 2015 with printed inner sleeves. First official vinyl release for legendary 'lost' Eno album. Includes a previously unheard track from the vaults, "Rapid Eye".
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Small Craft On A Milk Sea Box Set
New - LP - WARPLP207R
Sealed 2010 Limited Edition Box Set Version (Although It's A Slim Box With A Mouth). Packaged In A Rigid, Birch Paper-Covered Slipcase With Printed And Foil-Blocked Cover And Spine, Included In This Edition Are A 180g Heavyweight, Double Disc 12" Vinyl Pressing Of The Album, In Full-Colour, Case-Bound 12" Cover.,Lined In Crimson Stock With Foil Block. A CD Pressing Of The Album, Along With Extra Disc Containing Four Extra Tracks, In Full-Colour, Case-Bound 12" Cover. Lined In Crimson Stock With Foil Blocked Credit Sheet. A High Quality 12" Square Lithographic Print Of New Brian Eno Artwork, Printed On 352gsm Mohawk Superfine Stock, Presented In Full-Colour, Case-Bound 12" Cover. Lined In Crimson Stock With Tissue Paper Protection. Audiophile Quality Downloads: 24-Bit WAV Album AND 320kbps MP3 Album.
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Taking Tiger Mountain (By Strategy)
Used - LP - 35MM0123
Beautiful Japanese Gatefold With Obi.
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Taking Tiger Mountain (By Strategy)
Used - LP - 2302 068
1977 Red Polydor Label Gatefold 2nd Issue Of Island ILSP 9309. LP Appears Glossy, Unplayed. “Continuing The Twisted Pop Explorations Of Here Come The Warm Jets, Eno's Sophomore Album, Taking Tiger Mountain (By Strategy), Is More Subdued And Cerebral, And A Bit Darker When He Does Cut Loose, But It's No Less Thrilling Once The Music Reveals Itself. It's A Loose Concept Album -- Often Inscrutable, But Still Playful -- About Espionage, The Chinese Communist Revolution, And Dream Associations, With The More Stream-Of-Consciousness Lyrics Beginning To Resemble The Sorts Of Random Connections Made In Dream States. Eno's Richly Layered Arrangements Juxtapose Very Different Treated Sounds, Yet They Blend And Flow Together Perfectly, Hinting At The Directions His Work Would Soon Take With The Seamless Sound Paintings Of Another Green World. Although Not Quite As Enthusiastic As Here Come The Warm Jets, Taking Tiger Mountain Is Made Accessible Through Eno's Mastery Of Pop Song Structure, A Form He Would Soon Transcend And Largely Discard.” Steve Huey, AMG.
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Taking Tiger Mountain (By Strategy)
Used - LP - ENO 2
Near Mint 70's Gatefold 2nd Issue.
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Taking Tiger Mountain (By Strategy)
Used - LP - ILPS 9309
Beautiful 1974 Pink Rimmed Label Gatefold Original. A-3U / B-4U Stampers. “Continuing The Twisted Pop Explorations Of Here Come The Warm Jets, Eno's Sophomore Album, Taking Tiger Mountain (By Strategy), Is More Subdued And Cerebral, And A Bit Darker When He Does Cut Loose, But It's No Less Thrilling Once The Music Reveals Itself. It's A Loose Concept Album -- Often Inscrutable, But Still Playful -- About Espionage, The Chinese Communist Revolution, And Dream Associations, With The More Stream-Of-Consciousness Lyrics Beginning To Resemble The Sorts Of Random Connections Made In Dream States. Eno's Richly Layered Arrangements Juxtapose Very Different Treated Sounds, Yet They Blend And Flow Together Perfectly, Hinting At The Directions His Work Would Soon Take With The Seamless Sound Paintings Of Another Green World. Although Not Quite As Enthusiastic As Here Come The Warm Jets, Taking Tiger Mountain Is Made Accessible Through Eno's Mastery Of Pop Song Structure, A Form He Would Soon Transcend And Largely Discard.” – Steve Huey, AMG
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Taking Tiger Mountain (By Strategy)
Used - LP - ENO 2
1982 Gatefold Repress. Tiny Saw Cut & Light Edge Wear.
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Taking Tiger Mountain (By Strategy)
Used - LP - ILPS 9309
1974 Gatefold Original. 1B/1A Stampers & Artisan Logo. Gentle Cover Wear With Small Crease Marks On Front Cover, Tiny Corner Rubs & Light Cover Scuffs With A Hint Of Ring Wear.
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Taking Tiger Mountain (By Strategy)
New Import - ENO2LP2
Sealed 2017 2LP, 45rpm Gatefold. Half Speed Mastered At Abby Road Studios. The First Of His Pop-Art-Rock Trilogy, TTM Introduces Us To Unexpected Textures And Sounds Within Familiar Pop Song Structures. An Album Of Intrigue Which Unveils Accessibility Upon Every Listen.
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The BBC Sessions
Used Import - ICL-09
Hard To Find Italian Grey Marbled Vinyl Pressing. Limited edition colored vinyl of 100 copies. Includes Killer Cover Versions Of "Fever" And "Wimoweh." Most Of The Tracks Have The Winkies Backing Eno.
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The BBC Sessions
Used Import - ICL-09
Hard To Find 2010 Italian Black Vinyl Pressing. Includes Killer Cover Versions Of "Fever" And "Wimoweh." Most Of The Tracks Have The Winkies Backing Eno. LP Appears Glossy
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Working Backwards 1983-1973
Used - LP - EGBS 2
Beautiful 11LP Box Set. Contains The Following Albums: "Apollo," "On Land," "Music For Airports," "Music For Films," "Before And After Science," "Discreet Music," "Another Green World," "Taking Tiger Mountain," "Here Come The Warm Jets" And A Special Edition Of "Music For Films II" For Box Set And Directors Only Plus The Previously Unreleased "Rarities." All LPs Appear New, Unplayed.
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Working Backwards: 1983-1973
Box Set - Used - EGBS 2
1983 11LP Box Set. Box is strong but shows signs of flecking. Contains The Following Albums: "Apollo," "On Land," "Music For Airports," "Music For Films," "Before And After Science," "Discreet Music," "Another Green World," "Taking Tiger Mountain," "Here Come The Warm Jets" And A Special Edition Of "Music For Films II" For Box Set And Directors Only Plus The Previously Unreleased "Rarities." All LPs Appear New, Unplayed.
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