Vanilla Fudge

Vinyl Records and Rare LPs:

Beat Goes On
Used - LP - SD 33-237
Beautiful 1968 Purple And Mustard Color Label Laminated Gatefold Stereo Original. more
Beat Goes On
Used - LP - SD 33-237
Beautiful 1968 Yellow Second Label Stereo Housed In A Laminated Gatefold Cover. Saw Cut. Vinyl Appears Glossy, Unplayed. First Copy We Have Had In 5 Years! more
Mystery
New - LP - 90149
Sealed 1984 Original, Cut Out Hole. more
Near The Beginning
New - LP - SD 33-278
Sealed 1969 Stereo Original, Small Saw Notch. Vanilla Fudge Was One Of The Few American Links Between Psychedelia And What Soon Became Heavy Metal. While The Band Did Record Original Material, They Were Best Known For Their Loud, Heavy, Slowed-Down Arrangements Of Contemporary Pop Songs, Blowing Them Up To Epic Proportions And Bathing Them In A Trippy, Distorted Haze. more
Near The Beginning
Used - LP - SD 33-278
1969 Yellow Label Stereo Original. Back Cover And One Label Have "Wever" Written In Ballpoint, Hence Way Reduced Price. LP Appears Glossy, Unplayed.Vanilla Fudge Was One Of The Few American Links Between Psychedelia And What Soon Became Heavy Metal. While The Band Did Record Original Material, They Were Best Known For Their Loud, Heavy, Slowed-Down Arrangements Of Contemporary Pop Songs, Blowing Them Up To Epic Proportions And Bathing Them In A Trippy, Distorted Haze. more
Renaissance
Used - LP - SD 33-244
1968 Purple & Tan Label Heavy Vinyl Stereo Original. more
Renaissance
Used - LP - SD 33-244
Stunning 1968 Purple & Tan Label Heavy Vinyl Stereo Original. Shrink Wrap Still Intact. Appears Glossy, Unplayed. more
Rock & Roll
New - LP - SD 33-303
Sealed 1970 Yellow Label Original. Beautiful Copy. more
Rock & Roll
Used - LP - SD 33-303
1970 Yellow Label Original With Saw Cut. Still In Shrink. Corner Bump/Corner Crease. more
The Beat Goes On
Used - LP - SD 33-237
1968 Original In Laminated Gatefold. Cut Out Hole. Shows Some Delaminating. more
The Beat Goes On
New - LP - SD 33-237
Sealed 1968 Heavy-Duty Gatefold Stereo. We Believe This Is A Purple And Tan First Pressing, But Can't Swear To It. Priced As A 2nd Label. more
Vanilla Fudge
Used - LP - SD33-224
Mint 1969 Yellow Label 2nd Issue In Shrink Wrap With Custom "You Keep Me Hangin' On" Sticker Over Shrink. "In A Debut Consisting Of Covers, Nobody Could Accuse Vanilla Fudge Of Bad Taste In Their Repertoire; With Stoned-Out, Slowed-Down Versions Of Such Then-Recent Classics As "Ticket To Ride," "Eleanor Rigby," And "People Get Ready," They Were Setting The Bar Rather High For Themselves. Even The One Suspect Choice — Sonny Bono's "Bang Bang" — Turns Out To Be Rivaled Only By Mott The Hoople's Version Of "Laugh At Me" In Putting Bono’s Songwriting In The Kindest Possible Light. Most Of The Tracks Here Share A Common Structure Of A Disjointed Warm-Up Jam, A Hammond-Heavy Dirge Of Harmonized Vocals At The Center, And A Final Flat-Out Jam. Still, Some Succeed Better Than Others: "You Keep Me Hanging On" Has A Wonderfully Hammered-Out Drum Part, And "She's Not There" Boasts Some Truly Groovy Organ Jams. While The Pattern Can Sound Repetitive Today, Each Song Still Works As A Time Capsule Of American Psychedelia." Paul Collins, AMG. more
Vanilla Fudge
Used - LP - SD33-224
Beautiful Yellow Label 2nd Issue In Shrink Wrap. Name Stamped On Label In Feint Ink. "In A Debut Consisting Of Covers, Nobody Could Accuse Vanilla Fudge Of Bad Taste In Their Repertoire; With Stoned-Out, Slowed-Down Versions Of Such Then-Recent Classics As "Ticket To Ride," "Eleanor Rigby," And "People Get Ready," They Were Setting The Bar Rather High For Themselves. Even The One Suspect Choice — Sonny Bono's "Bang Bang" — Turns Out To Be Rivaled Only By Mott The Hoople's Version Of "Laugh At Me" In Putting Bono’s Songwriting In The Kindest Possible Light. Most Of The Tracks Here Share A Common Structure Of A Disjointed Warm-Up Jam, A Hammond-Heavy Dirge Of Harmonized Vocals At The Center, And A Final Flat-Out Jam. Still, Some Succeed Better Than Others: "You Keep Me Hanging On" Has A Wonderfully Hammered-Out Drum Part, And "She's Not There" Boasts Some Truly Groovy Organ Jams. While The Pattern Can Sound Repetitive Today, Each Song Still Works As A Time Capsule Of American Psychedelia." Paul Collins, AMG. more
Vanilla Fudge
New - LP - SD 33-224
Hard To Find Sealed 1967 Stereo Original With Hype Sticker & Price Tag. more
Vanilla Fudge
New - LP - SD33-224
Factory Sealed 1967 Heavy Vinyl Stereo. We Believe This Is The Purple & Tan Label First Issue. more
Vanilla Fudge
Used - LP - P-8106A
1974 Japanese Pressing With Obi And Custom Lyric Insert. Appears Unplayed. more
Vanilla Fudge
Used - LP - LP 5168
2004 Mono Reissue. "Nine Of The 11 Tracks Here Are Ballads. Their Uncluttered Arrangements Spotlight Jacintha's Smooth And Sensuous Voice, While Her Expressive Phrasing Draws The Most From The Classic Johnny Mercer Lyrics. Jacintha Includes The Original Lyrics To "Autumn Leaves," Done In Soft And Flawless French; Otherwise, Her Primary Innovation Is To Deliver The Tunes Straight And Sincerely, With Minimal Improvisation And Maximum Tenderness. There's No Trace Of The Customary Bitterness In "One More For The Road," And Her Unaccompanied Reading Of "Moon River" Liberates That Song From Any Prior Goopy Associations. In Fact, Her Version Brings Out The Poignancy Of The Lyrics So Purely That Her Additional Chorus, Coming After A Rather Wandering Piano Interlude, Seems Redundant. The Band Is Good But Pretty Restrained Throughout, Supplying Subtle Commentary And Close Support, Then Breaks Out Nicely On The Two Up-tempo Tracks: "And The Angels Sing" And "Something's Got To Give." Jacintha's Measured, Legato Approach Isn't Very Conducive To Swinging, But Listening To "Skylark"And "Midnight Sun," In Particular, Is Like Sipping Cool Champagne In A Fragrant Hot Tub. Another Highlight Is The Bonus Track, "Here's To Life," A Signature Tune For Shirley Horn, Which Jacintha Takes At A Slightly Faster Tempo. While It's Not A Mercer Lyric, Its Beautiful Sentiments And Melody Fit Nicely Into This Relaxed And Intimate Set. Whatever This Cd May Lack In Fire, It Makes Up For In Warmth.in A Debut Consisting Of Covers, Nobody Could Accuse Vanilla Fudge Of Bad Taste In Their Repertoire; With Stoned-out, Slowed-down Versions Of Such Then-recent Classics As "Ticket To Ride," "Eleanor Rigby," And "People Get Ready," They Were Setting The Bar Rather High For Themselves. Even The One Suspect Choice -- Sonny Bono's "Bang Bang" -- Turns Out To Be Rivaled Only By Mott The Hoople's Version Of "Laugh At Me" In Putting Bono's Songwriting In The Kindest Possible Light. Most Of The Tracks Here Share The Common Structure Of A Disjointed Warm-up Jam, A Hammond-heavy Dirge Of Harmonized Vocals At The Center, And A Final Flat-out Jam. Still, Some Succeed Better Than Others: "You Keep Me Hanging On" Has A Wonderfully Hammered-out Drum Part, And "She's Not There" Boasts Some Truly Groovy Organ Jams. While The Pattern Can Sound Repetitive Today, Each Song Still Works As A Time Capsule Of American Psychedelia." Paul Collins, AMG more
Vanilla Fudge
Used - LP - SD 33-224
1967 Purple And Yellow Label Stereo Original. Very Interesting Covers Of The Beatles, "Ticket To Ride" & "Eleanor Rigby" Along With A Great Version Of "Bang Bang" By Sonny Bono. more
Vanilla Fudge
New - LP - LP 5168
Sealed 2004 180gm Mono Reissue Cut Form The Original Master Tapes. more
Vanilla Fudge
Used Import - P-8106A
Stunning 1974 Japanese Pressing With Obi & Insert. Clean Copy, One Tiny Corner Ding To Bottom Right Of Jacket. "In A Debut Consisting Of Covers, Nobody Could Accuse Vanilla Fudge Of Bad Taste In Their Repertoire; With Stoned-Out, Slowed-Down Versions Of Such Then-Recent Classics As "Ticket To Ride," "Eleanor Rigby," And "People Get Ready," They Were Setting The Bar Rather High For Themselves. Even The One Suspect Choice -- Sonny Bono's "Bang Bang" -- Turns Out To Be Rivaled Only By Mott The Hoople's Version Of "Laugh At Me" In Putting Bono's Songwriting In The Kindest Possible Light. Most Of The Tracks Here Share The Common Structure Of A Disjointed Warm-up Jam, A Hammond-heavy Dirge Of Harmonized Vocals At The Center, And A Final Flat-out Jam. Still, Some Succeed Better Than Others: "You Keep Me Hanging On" Has A Wonderfully Hammered-out Drum Part, And "She's Not There" Boasts Some Truly Groovy Organ Jams. While The Pattern Can Sound Repetitive Today, Each Song Still Works As A Time Capsule Of American Psychedelia." AMG Review By Paul Collins. more

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