Green Day

Vinyl Records and Rare LPs:

	¡TRÉ! New - LP - 531978-1 Sealed 2013 Original With Custom Hype Sticker On Shrink. "Green Day's ¡TRÉ! is a raucous and energetic offering from the iconic punk rock band. This album delivers the raw and unapologetic sound that fans have come to love and expect from the band, with driving guitar riffs and pounding drums that never let up. With tracks like 'X-Kid' and '99 Revolutions', the band takes listeners on a wild ride through their signature sound, while also exploring new territory with the introspective ballad 'The Forgotten'. Overall, ¡TRÉ! is a testament to Green Day's enduring talent and influence in the world of punk rock music." more
	21st Century Breakdown New - 10 - 518069 Sealed, Out Of Print, Limited Edition Triple 10 Inch Set Housed In An Exceedingly Heavy-Duty Book Held Together With Giant Rivets. A Gorgeous Piece. Promotional Strike Through The UPC Code On The Back. more
	39 / Smooth Used - LP - 22 Near Mint 1989 Black Vinyl Original With Insert. more
	39/Smooth New - LP - 517708 Factory Sealed Out Of Print 2009 Gatefold Reissue With Two Bonus 7" Singles ("Slappy" & "1000 Hours"). more
	39/Smooth New - LP - 517708 Factory Sealed 2009 Gatefold Reissue With Two Bonus 7" Singles ("Slappy" & "1000 Hours"). Custom Hype Sticker On Shrink. more
	39/Smooth New - LP - 517708 Sealed 2009 Gatefold Reissue With Two Bonus 7" Singles ("Slappy" & "1000 Hours"). Custom Hype Sticker On Shrink. Slight Corner Ding, Hence Selling At Cost. more
	American Idiot Audiophile - LP - AR033 Sealed 180gm HQ 2LP Gatefold. Half-Speed Mastered By Stan Ricker. Grammy Winner! more
	American Idiot New - LP - 517552 Sealed 2009 2LP Gatefold Reissue With Custom Hype Sticker On Shrink. more
	American Idiot Used - LP - AR033 Beautiful 180gm HQ 2LP Gatefold With Custom Fold Out Insert. Half-Speed Mastered By Stan Ricker. Grammy Winner! more
	American Idiot Colored Vinyl - 517552-1 Sealed 2015 180gm 2LP Colored Vinyl Set Housed In A Gatefold Jacket With Custom Hype Sticker. Black Friday Record Store Day Release Limited To 5000 Copies, One LP Is Black & White Swirl And One Is Red & White Swirl. more
	American Idiot Audiophile - LP - 48777 2005 2LP Test Pressing. Disc One (Sides A/B) Is Open, Appears Glossy, Unplayed And Disc Two (Sides C/D) Is Still Sealed. Sterling Stamped In Dead Wax. more
	American Idiot Used Import - 9362-48777-1 Beautiful 2004 UK 2LP Gatefold Original. Both LPs Appear Glossy, Unplayed. Sterling Stamped In Dead Wax. more
	American Idiot New Import - 9362-48777-1 Sealed 2019 2LP Gatefold, Repress. "It's A Bit Tempting To Peg Green Day's Sprawling, Ambitious, Brilliant Seventh Album, American Idiot, As Their Version Of A Who Album, The Next Logical Step Forward From The Kinks-Inspired Popcraft Of Their Underrated 2000 Effort, Warning, But Things Aren't Quite That Simple. American Idiot Is An Unapologetic, Unabashed Rock Opera, A Form That Pete Townshend Pioneered With Tommy, But Green Day Doesn't Use That For A Blueprint As Much As They Use The Who's Mini-opera "A Quick One, While He's Away," Whose Whirlwind Succession Of 90-second Songs Isn't Only Emulated On Two Song Suites Here, But Provides The Template For The Larger 13-Song Cycle. But The Who Are Only One Of Many Inspirations On This Audacious, Immensely Entertaining Album. The Story Of St. Jimmy Has An Arc Similar To Hüsker Dü's Landmark Punk-opera Zen Arcade, While The Music Has Grandiose Flourishes Straight Out Of Both Queen And Rocky Horror Picture Show (The '50s Pastiche "Rock And Roll Girlfriend" Is Punk Rock Meat Loaf), All Tied Together With A Nervy Urgency And A Political Passion Reminiscent Of The Clash, Or All The Anti-Reagan American Hardcore Bands Of The '80s. These Are Just The Clearest Touchstones For American Idiot, But Reducing The Album To Its Influences Gives The Inaccurate Impression That This Is No More Than A Patchwork Quilt Of Familiar Sounds, When It's An Idiosyncratic, Visionary Work In Its Own Right. First Of All, Part Of Green Day's Appeal Is How They Have Personalized The Sounds Of The Past, Making Time-Honored Guitar Rock Traditions Seem Fresh, Even Vital. With Their First Albums, They Styled Themselves After First-Generation Punk They Were Too Young To Hear Firsthand, And As Their Career Progressed, The Group Not Only Synthesized These Influences Into Something Distinctive, But Chief Songwriter Billie Joe Armstrong Turned Into A Muscular, Versatile Songwriter In His Own Right. Warning Illustrated Their Growing Musical Acumen Quite Impressively, But Here, The Music Isn't Only Tougher, It's Fluid And, Better Still, It Fuels The Anger, Disillusionment, Heartbreak, Frustration, And Scathing Wit At The Core Of American Idiot. And One Of The Truly Startling Things About American Idiot Is How The Increased Musicality Of The Band Is Matched By Armstrong's Incisive, Cutting Lyrics, Which Effectively Convey The Paranoia And Fear Of Living In American In Days After 9/11, But Also Veer Into Moving, Intimate Small-scale Character Sketches. There's A Lot To Absorb Here, And Cynics Might Dismiss It After One Listen As A Bit Of A Mess When It's Really A Rich, Multi-Faceted Work, One That Is Bracing Upon The First Spin And Grows In Stature And Becomes More Addictive With Each Repeated Play. Like All Great Concept Albums, American Idiot Works On Several Different Levels. It Can Be Taken As A Collection Of Great Songs -- Songs That Are As Visceral Or As Poignant As Green Day At Their Best, Songs That Resonate Outside Of The Larger Canvas Of The Story, As The Fiery Anti-Dubya Title Anthem Proves -- But These Songs Have A Different, More Lasting Impact When Taken As A Whole. While Its Breakneck, Freewheeling Musicality Has Many Inspirations, There Really Aren't Many Records Like American Idiot (Bizarrely Enough, The Fiery Furnaces' Blueberry Boat Is One Of The Closest, At Least On A Sonic Level, Largely Because Both Groups Draw Deeply From The Kaleidoscopic "A Quick One"). In Its Musical Muscle And Sweeping, Politically Charged Narrative, It's Something Of A Masterpiece, And One Of The Few -- If Not The Only -- Records Of 2004 To Convey What It Feels Like To Live In The Strange, Bewildering America Of The Early 2000s." AMG - Stephen Thomas Erlewine. more
	Awesome As F**k Colored Vinyl - AR048 Sealed 2011 180gm 2LP Gatefold Pressed On Pink Vinyl. This Rare Album (Only Pressed Once) Culls Tracks From Green Day's 21st Century Breakdown Tour. more
	BBC Sessions Colored Vinyl - New - 093624881278 Sealed 2021 Gatefold Pressing On Milky Clear Vinyl. more
	Bullet In A Bible New - LP - 49466 Sealed 2009 2LP Gatefold Release Of The 2005 Concert (Previously Only Available On CD And DVD) Captured At The Bands' Peak. The Show Was Recorded At Milton Keynes National Bowl In England. more
	Demolicious Colored Vinyl - 541860 Sealed 2014 Record Store Day 2LP Clear Vinyl Exclusive Release. Custom Hype Sticker And Silver Foil RSD Sticker On Shrink. Includes 18 Unreleased Demo Recordings From The Green Day ¡Uno!, Green Day ¡Dos! And Green Day ¡Tré! Sessions At Jingletown Studios In Oakland. Demolicious Includes One Previously Unreleased Song "State Of Shock" And An Acoustic Version Of "Stay The Night." more
	Dookie Colored Vinyl - 45529 Sealed 1994 Green And Pink Swirl Vinyl Rarity. more
	Dookie New - LP - 468284 Sealed 2009 Reissue. more
	Dookie Used - LP - 45529 Stunning 1994 Original With Custom Insert. more
	Dookie New - LP - 468284 Sealed Reissue Of Their Breakthrough Major Label Debut. Features The Tracks "Basket Case," "When I Come Around" And "Welcome To Paradise." more
	Dookie Audiophile - LP - J 1203 2008 180gm HQ Test Pressing In Glossy, Unplayed Condition. Reportedly One Of Only Ten Copies Made. “Green Day Couldn't Have Had A Blockbuster Without Nirvana, But Dookie Wound Up Being Nearly As Revolutionary As Nevermind, Sending A Wave Of Imitators Up The Charts And Setting The Tone For The Mainstream Rock Of The Mid-'90s. Like Nevermind, This Was Accidental Success, The Sound Of A Promising Underground Group Suddenly Hitting Its Stride Just As They Got Their First Professional, Big-Budget, Big-Label Production. Really, That's Where The Similarities End, Since If Nirvana Were Indebted To The Weirdness Of Indie Rock, Green Day Were Straight-Ahead Punk Revivalists Through And Through. They Were Products Of The Underground Pop Scene Kept Alive By Such Protagonists As All, Yet What They Really Loved Was The Original Punk, Particularly Such British Punkers As The Jam And Buzzcocks. On Their First Couple Records, They Showed Promise, But With Dookie, They Delivered A Record That Found Billie Joe Armstrong Bursting Into Full Flower As A Songwriter, Spitting Out Melodic Ravers That Could Have Comfortable Sat Alongside Singles Going Steady, But Infused With An Ironic Self-Loathing Popularized By Nirvana, Whose Clean Sound On Nevermind Is Also Emulated Here. Where Nirvana Had Weight, Green Day Are Deliberately Adolescent Here, Treating Nearly Everything As Joke And Having As Much Fun As Snotty Punkers Should. They Demonstrate A Bit Of Depth With "When I Come Around," But That Just Varies The Pace Slightly, Since The Key To This Is Their Flippant, Infectious Attitude -- Something They Maintain Throughout The Record, Making Dookie A Stellar Piece Of Modern Punk That Many Tried To Emulate But Nobody Bettered.” Stephen Thomas Erlewine, AMG. more
	Dookie New - LP - 468284-1 Sealed 2022 Repress, Taken From The 2009 Master Plates. Their Breakthrough Major Label Debut. Features The Tracks "Basket Case," "When I Come Around" And "Welcome To Paradise." more
	Dookie Test Pressing - New - J 1203 Sealed 2008 180gm HQ Test Pressing. Reportedly One Of Only Ten Copies Made. “Green Day Couldn't Have Had A Blockbuster Without Nirvana, But Dookie Wound Up Being Nearly As Revolutionary As Nevermind, Sending A Wave Of Imitators Up The Charts And Setting The Tone For The Mainstream Rock Of The Mid-'90s. Like Nevermind, This Was Accidental Success, The Sound Of A Promising Underground Group Suddenly Hitting Its Stride Just As They Got Their First Professional, Big-Budget, Big-Label Production. Really, That's Where The Similarities End, Since If Nirvana Were Indebted To The Weirdness Of Indie Rock, Green Day Were Straight-Ahead Punk Revivalists Through And Through. They Were Products Of The Underground Pop Scene Kept Alive By Such Protagonists As All, Yet What They Really Loved Was The Original Punk, Particularly Such British Punkers As The Jam And Buzzcocks. On Their First Couple Records, They Showed Promise, But With Dookie, They Delivered A Record That Found Billie Joe Armstrong Bursting Into Full Flower As A Songwriter, Spitting Out Melodic Ravers That Could Have Comfortable Sat Alongside Singles Going Steady, But Infused With An Ironic Self-Loathing Popularized By Nirvana, Whose Clean Sound On Nevermind Is Also Emulated Here. Where Nirvana Had Weight, Green Day Are Deliberately Adolescent Here, Treating Nearly Everything As Joke And Having As Much Fun As Snotty Punkers Should. They Demonstrate A Bit Of Depth With "When I Come Around," But That Just Varies The Pace Slightly, Since The Key To This Is Their Flippant, Infectious Attitude -- Something They Maintain Throughout The Record, Making Dookie A Stellar Piece Of Modern Punk That Many Tried To Emulate But Nobody Bettered.” All Music Guide - Stephen Thomas Erlewine. more
	Dookie New - LP - 468284-1 Sealed 2022 Repress, Taken From The 2009 Master Plates. Their Breakthrough Major Label Debut. Features The Tracks "Basket Case," "When I Come Around" And "Welcome To Paradise." more
	Dookie New - LP - 468284-1 Sealed 2022 Repress, Taken From The 2009 Master Plates. Their Breakthrough Major Label Debut. Features The Tracks "Basket Case," "When I Come Around" And "Welcome To Paradise." more
	Dookie Used - LP - 093624850434 2023 30th Anniversary Limited Edition Reissue Pressed On Baby Blue Vinyl. Almost A New Copy, Very Tiny Corner Bump. "Green Day Couldn't Have Had A Blockbuster Without Nirvana, But Dookie Wound Up Being Nearly As Revolutionary As Nevermind, Sending A Wave Of Imitators Up The Charts And Setting The Tone For The Mainstream Rock Of The Mid-'90s. Like Nevermind, This Was Accidental Success, The Sound Of A Promising Underground Group Suddenly Hitting Its Stride Just As They Got Their First Professional, Big-budget, Big-label Production. Really, That's Where The Similarities End, Since If Nirvana Were Indebted To The Weirdness Of Indie Rock, Green Day Were Straight-ahead Punk Revivalists Through And Through. They Were Products Of The Underground Pop Scene Kept Alive By Such Protagonists As All, Yet What They Really Loved Was The Original Punk, Particularly Such British Punkers As The Jam And Buzzcocks. On Their First Couple Records, They Showed Promise, But With Dookie, They Delivered A Record That Found Billie Joe Armstrong Bursting Into Full Flower As A Songwriter, Spitting Out Melodic Ravers That Could Have Comfortably Sat Alongside Singles Going Steady, But Infused With An Ironic Self-loathing Popularized By Nirvana, Whose Clean Sound On Nevermind Is Also Emulated Here. Where Nirvana Had Weight, Green Day Are Deliberately Adolescent Here, Treating Nearly Everything As Joke And Having As Much Fun As Snotty Punkers Should. They Demonstrate A Bit Of Depth With "When I Come Around," But That Just Varies The Pace Slightly, Since The Key To This Is Their Flippant, Infectious Attitude -- Something They Maintain Throughout The Record, Making Dookie A Stellar Piece Of Modern Punk That Many Tried To Emulate But Nobody Bettered." AMG - Stephen Thomas Erlewine. more
	Dookie Used - LP - 093624850434 2023 30th Anniversary Limited Edition Reissue Pressed On Baby Blue Vinyl. Glossy, NM- Vinyl. Almost A New Copy. "Green Day Couldn't Have Had A Blockbuster Without Nirvana, But Dookie Wound Up Being Nearly As Revolutionary As Nevermind, Sending A Wave Of Imitators Up The Charts And Setting The Tone For The Mainstream Rock Of The Mid-'90s. Like Nevermind, This Was Accidental Success, The Sound Of A Promising Underground Group Suddenly Hitting Its Stride Just As They Got Their First Professional, Big-budget, Big-label Production. Really, That's Where The Similarities End, Since If Nirvana Were Indebted To The Weirdness Of Indie Rock, Green Day Were Straight-ahead Punk Revivalists Through And Through. They Were Products Of The Underground Pop Scene Kept Alive By Such Protagonists As All, Yet What They Really Loved Was The Original Punk, Particularly Such British Punkers As The Jam And Buzzcocks. On Their First Couple Records, They Showed Promise, But With Dookie, They Delivered A Record That Found Billie Joe Armstrong Bursting Into Full Flower As A Songwriter, Spitting Out Melodic Ravers That Could Have Comfortably Sat Alongside Singles Going Steady, But Infused With An Ironic Self-loathing Popularized By Nirvana, Whose Clean Sound On Nevermind Is Also Emulated Here. Where Nirvana Had Weight, Green Day Are Deliberately Adolescent Here, Treating Nearly Everything As Joke And Having As Much Fun As Snotty Punkers Should. They Demonstrate A Bit Of Depth With "When I Come Around," But That Just Varies The Pace Slightly, Since The Key To This Is Their Flippant, Infectious Attitude -- Something They Maintain Throughout The Record, Making Dookie A Stellar Piece Of Modern Punk That Many Tried To Emulate But Nobody Bettered." All Music Guide - Stephen Thomas Erlewine. more
	Dos New - LP - 531976 Sealed 2012 Original With Custom Hype Sticker On Shrink. more
	Father Of All... Used - LP - 093624897644 2020 Original, Standard Black Vinyl Edition. Still In Shrink With Insert. "Following A Chaotic Sprawl Of Messy Concept Albums In 2012, Green Day Returned To Form In 2016 With The Serviceable Revolution Radio. Hearing The Band Get Back To Their Three-chord Punk Roots Was Refreshing, If The Songs Sometimes Leaned Generic. With Their 13th Studio Album, Father Of All..., The Trio Take An Aggressive About-face Into High-energy Glam Punk With The Most Danceable Songs They've Produced In Their 30-plus-year Run. Kicking Off With The Stomping Title Track (Both The Song And Album Also Known As "Father Of All Motherfuckers" In Their Uncensored Form), Green Day Inject A Plethora Of Unfamiliar Elements Into Their Sound. Falsetto Vocals, Handclaps, And A Chorus Full Of Grimy Hooks Land The Song Somewhere Between A Speedy Reworking Of The Two-chord Riff From Jimi Hendrix's "Fire" And The Most Club-ready Bands Of The Early-2000s Rock Revival. "Oh Yeah" Calls On The Chunky Beat And Snotty Chorus Of The Gary Glitter-penned Joan Jett Hit "Do You Wanna Touch Me (Oh Yeah)," Amping Up The Song's Already Glammy Swagger. This Style Continues On The Shuffling "Stab You In The Heart," The Clash-modeled "Graffitia," And The Bouncy Dance-pop Of "Meet Me On The Roof." For All The Power Balladry, Rock Opera Dabbling, And Other Sidebars Of Their Long Career, Much Of Father Of All... Is New Territory For The Group. Even Moments That Draw Closer To Past Material Like The Slow-moving Angst Of "Junkies On A High" Are Enhanced By Production Experiments With Vocal Samples, Piano Parts, And Electronic Touches. Reveling In A Sense Of Abandon, The Album Is A Different Kind Of Fun Than We're Used To From Green Day. It's Also Their Most Streamlined Album To Date, With Ten Songs Clocking In At An Economic 26 Minutes And 16 Seconds. Light Years Away From Their Slap-happy Pop-punk Beginnings, Green Day Are Watching The World Burn From An Air-conditioned Dance Floor On Father Of All.... While The Album Doesn't Deliver Their Most Memorable Songs, Its Wild Glam Experimentation And Attitude-heavy Performances Show A Band Still Seeking New Thrills Even Decades In." AMG Review By Fred Thomas. more
	Greatest Hits: God's Favorite Band New - LP - 564901-1 Sealed 2021 Black Vinyl Repress. "Green Day Released Their First Hits Collection In 2001, Just Prior To Opening Up A Wildly Successful Second Act With 2004's American Idiot. Greatest Hits: God's Favorite Band Incorporates All The Hits From That Second Act In An Album That's Just One Song Longer Than The 21-track International Superhits! God's Favorite Band Repeats Ten Songs From Its Predecessor And They're All The Ones You'd Expect: "Longview," "Welcome To Paradise," "Basket Case," "When I Come Around," "She," "Brain Stew," "Hitchin' A Ride," "Good Riddance (Time Of Your Life)," "Minority," And "Warning." Similarly, The Six Green Day Albums Since International Superhits! Are Represented By The Big Hits -- "American Idiot," "Holiday," "Boulevard Of Broken Dreams," "Wake Me Up When September Ends," "Know Your Enemy" -- With The Triple-album ¡uno!, ¡dos!, ¡tré! Being Dismissed With Only One Song ("Oh Love"). To This Foundation, The Band Adds Two New Cuts -- "Back In The Usa" And A Duet With Miranda Lambert Called "Ordinary World" -- But The Real Appeal Of God's Favorite Band Is How It Serves As A Testament For The Longevity Of Green Day, Which Is The Opposite Argument Of International Superhits! That Collection Still Stands As An Excellent Distillation Of Green Day's Frenetic '90s, While This One Paints The Band As Sturdy Rock & Roll Lifers." AMG Review By Stephen Thomas Erlewine. more
	Insomniac New - LP - 093624884576 Sealed 2021 Deluxe 25th Anniversary 2LP Edition. Packaged In Rainbow Foil Cover. Bonus LP Is A Live Recording From Prague In 1996 & An Etching Of Album Cover On Side D. "Dookie Gave Green Day Success, But It Was Never Really Clear Whether They Wanted It In The First Place. However, Given The Incessantly Catchy Songwriting Of Billie Joe, The Success Made Sense. Green Day Were Traditionalists Without Realizing It, Learning All Of Their Tricks Through Secondhand Records And Second-generation California Punk Bands. They Didn't Change Their Sound In The Slightest After Signing To A Major Label, Which Meant That They Couldn't Revert Back To A Harsher, Earlier Sound As A Way To Shed Their Audience For Dookie's Follow-up, Insomniac. Instead, They Kept Their Blueprint And Made It A Shade Darker. Throughout Insomniac, There Are Vague References To The Band's Startling Multi-platinum Breakthrough, But The Album Is Hardly A Stark Confessional On The Level Of Nirvana's In Utero. It's A Collection Of Speedy, Catchy Songs In The Spirit Of The Buzzcocks, The Jam, The Clash, And The Undertones, But Played With More Minor Chords And Less Melody And Recorded With A Bigger, Hard Rock-oriented Production. While Nothing On The Album Is As Immediate As "Basket Case" Or "Longview," The Band Has Gained A Powerful Sonic Punch, Which Goes Straight For The Gut But Sacrifices The Raw Edge They So Desperately Want To Keep And Makes The Record Slightly Tame. Billie Joe Hasn't Lost Much Of His Talent For Simple, Tuneful Hooks, But After A Series Of Songs That All Sound Pretty Much The Same, It Becomes Clear That He Needs To Push Himself A Little Bit More If Green Day Ever Want To Be Something More Than A Good Punk-pop Band. As It Is, They Remain A Good Punk-pop Band, And Insomniac Is A Good Punk-pop Record, But Nothing More." AMG Review By Stephen Thomas Erlewine. more
	Insomniac New - LP - 46046 Factory Sealed 1995 Original. Not The Inferior Reissue. more
	Insomniac New - LP - 46046 Sealed 2009 Gatefold Reissue With Custom Hype Sticker On Shrink. First Time In Over A Decade That This Has Been Available On Vinyl. more
	International Superhits! New - LP - 48145 Sealed, Out Of Print 2009 Hits Compilation With Custom Hype Sticker On Shrink. “In The Heady Days Of The Post-Grunge Mid-'90s, It Was Hard To See Who Were Real And Who Were Pretenders -- And That Didn't Even Take Into Account Whose Music Would Stand The Test Of Time And Whose Wouldn't. Which Is A Roundabout Way Of Saying That Even If Green Day's Breakthrough Record, Dookie, Sold Millions Upon Millions Of Copies, It Was Hard To Tell If It Was A Fluke Of Their Talent Or Their Time -- Whether They Deserved It Or Not, Or Whether They Just Were In The Right Place At The Right Time. Years Later, After Many More Hits And Brilliant Albums Like Warning, It Became Clear That Green Day Were An Exceptional Band That Was Blessed To Come Along At Precisely The Right Time, So They Could Flourish Commercially And Artistically. If You Look At Their Peers, You'll Realize That Not Many Were Able To Pull That Trick Off, And A Collection Like International Superhits! Confirms That They Not Only Were Popular And Good, But They Could Have Held Their Own Against Their Idols. And That's Not An Idle Boast, Either -- Listening To This Generous 21-Track Collection, Which Does Contain All The Hits But Also A New Song And Such Non-LP Songs As "J.A.R. (Jason Andrew Relva)" (From The Angus Soundtrack, If You're Keeping Track), It Becomes Clear That The Group Was As Melodic As The Jam Or The Buzzcocks And As Impassioned As The Clash, Only They Were American And Coming About 15 Years Too Late.” – S.T. Erlewine, AMG more
	Kerplunk Used - LP - 46 Beautiful 1991 Original With Insert. Not The Reissue. more
	Kerplunk New - LP - 46 Sealed 1991 Original. more
	Kerplunk New - LP - 517784 Sealed 2009 Gatefold Reissue With Custom Hype Sticker On Shrink. Includes Bonus "Sweet Children" 7" Single. more
	Nimrod New - LP - 46794 Sealed Reissue With Custom Hype Sticker On Shrink. Includes Their Hit "Good Riddance (Time Of Your Life)." more
	Revolution Radio New - LP - 555326 Sealed 2016 Original With Embossed Cover And Custom Hype Sticker On Shrink. This Is The 12th Studio Album For The Band Who Formed In 1986 In Berkeley, California. more
	Shenanigans New - LP - 48208-1 Sealed 2002 Compilation Of B-Sides, Rarities, Covers And One Previously Unreleased Track With Custom Hype Sticker On The Shrink. more
	Tre Colored Vinyl - 531978-1 Sealed 2013 Limited Edition Hot Topic Exclusive Yellow Vinyl Pressing. Only 1,000 Pressed. more
	Tune In, Tokyo Colored Vinyl - 544555 Sealed 2014 Record Store Day Limited Edition Exclusive On Blue Vinyl. 2001 Live Recording From Japan, Available Worldwide For The First Time. Custom Hype Sticker And Silver Foil RSD Sticker On Shrink. more
	Uno New - LP - 531973 Sealed, Out Of Print 2012 Original With Custom Hype Sticker On Shrink. more
	Warning New - LP - 012 Sealed, Out Of Print 2009 Reissue On Billie Joe's Adeline Records. more
	Warning New - LP - 47613 Factory Sealed Out Of Print 2009 Reissue. more
	Warning: New - LP - ADN 30012-1 Factory Sealed 2006 Export To Japan Original Pressed On Either Green Or White Vinyl. Shrink-Wrap Has The Original Japanese Y1980 Price Tag From Time Bomb Records Still In Place. Pristine Copy. more
	WFMU, New Jersey, May 28th 1992 - FM Broadcast New - LP - BOSS 5-1976 Factory Sealed 2015 Limited Edition Original. Only 500 Copies Worldwide. more