Grossman, Steve

Vinyl Records and Rare LPs:

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Available
Love Is The Thing
Jazz Used - LP VPA 189 Red Record
1986 Italian Original Featuring Cedar Walton, David Williams & Billy Higgins.... more details
 
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Available
Born At The Same Time
Jazz Used - LP 010 Owl
1977 French Original Featuring Michel Graillier, Patrice Caratini and Daniel Humair. ... more details
 
Grossman, Steve - Some Shapes To Come Some Shapes To Come
Jazz Used - LP PMR 002 PM
Rare 1974 Jazz-Rock Original With Custom Inner Sleeve Featuring Grossman, Tenor And Soprano Saxes, Jan Hammer, Electric Piano And Moog; Gene Perla, Electric & Acoustic Bass And Don Alias, Drums. His Debut Album As Leader After His Stint With Miles Davis. Unplayed Condition.... more details
 
Grossman, Steve - Way Out East Vol. 1 Way Out East Vol. 1
Jazz Used - LP VPA 176 Red Record
1984 Italian Original.... more details
 
Grossman, Steve - Way Out East Vol. 2 Way Out East Vol. 2
Jazz Used - LP VPA 183 Red Record
1984 Italian Original.... more details
 
Grossman, Steve - Terra Firma Terra Firma
Jazz New - LP PMR-012 P.M.
Sealed 1977 Original. Grossman, Tenor Saxophone; Jan Hammer, Electric Piano, Moog Solo On One Track; Gene Perla, Electric Bass; Don Alias, Percussion. Tracks Are "Katonah," "In It," "37 Willoughby Place," "Enya," "Inmate Man," "Relentless Lady" And "This Way Out."... more details
 
Grossman, Steve - Perspective Perspective
Jazz New - LP SD 19230 Atlantic
Sealed 1979 Original. Small Saw Notch. “This Set Features The Great Tenor Saxophonist In An Electric Setting With Some Killer Sidemen Including Guitarist Buzzy Feiten, Bassist Mark Egan, Pianist Onaje Allan Gumbs, Drummer Steve Jordan, Percussionists Sammy Figueroa, And Raphael Cruz. Guest Players Include The Great Japanese Pianist Masabumi Kikuchi, Drummer Victor Lewis, Guitarist Barry Finnerty, Bassist Marcus Miller, And Drummer Lenny White, To Mention A Few. These Seven Tracks Are United By One Thing: The Enormous Sound Of Grossman's Sonny Rollins-Meets-John Coltrane-Influenced Tone On Tenor. While The Record Kicks Off On The Easy Side Of Jazz-Funk With "Creepin'," It Contains Some Knotty Acoustic Piano From Gumbs And Some Tastefully Elegant Playing By Feiten. Grossman's Stating Of The Theme Is Economical But Emotive. The Latin Groove That Commences In The Bridge Is A Surprise And Moves The Cut Through His Boisterous Solo. "Arfonk" Is On The Edgier Side Of Jazz-Funk With A Great Breakbeat Drum Intro By White, Who Also Does An Impressive Bit Of Counterpoint On The Bongos. The Fat Guitars Play Call And Response With Grossman, Who Gets Up Into The High Register On The Horn And Lets Loose Against The Simple Riff. There Are Touches Of Fusion, But It Never Leaves The Realm Of Jazz-Funk Entirely. Beautiful Fender Rhodes Work By Gumbs Adds Rich Color And Texture, Not To Mention Egan's Killer, Popping Bass Work. Ultimately, This Set More Closely Resembles The Work Grossman Did With Stone Alliance Than It Does His Later Excellent Way Out East Dates, But This Set Has Stood The Test Of Time Remarkably Well And Goes One Step Further In Putting Down The Myth That Electric Jazz In The Late '70s Almost Killed The Music Off In The Days Before Wynton Marsalis Took It Retro.” Thom Jurek, AMG... more details
 
Grossman, Steve - Perspective Perspective
Jazz Used - LP SD 19230 Atlantic
1979 Original With Gold Promo Stamp And Timing Strip On Front Cover. Appears Unplayed. “This Set Features The Great Tenor Saxophonist In An Electric Setting With Some Killer Sidemen Including Guitarist Buzzy Feiten, Bassist Mark Egan, Pianist Onaje Allan Gumbs, Drummer Steve Jordan, Percussionists Sammy Figueroa, And Raphael Cruz. Guest Players Include The Great Japanese Pianist Masabumi Kikuchi, Drummer Victor Lewis, Guitarist Barry Finnerty, Bassist Marcus Miller, And Drummer Lenny White, To Mention A Few. These Seven Tracks Are United By One Thing: The Enormous Sound Of Grossman's Sonny Rollins-Meets-John Coltrane-Influenced Tone On Tenor. While The Record Kicks Off On The Easy Side Of Jazz-Funk With "Creepin'," It Contains Some Knotty Acoustic Piano From Gumbs And Some Tastefully Elegant Playing By Feiten. Grossman's Stating Of The Theme Is Economical But Emotive. The Latin Groove That Commences In The Bridge Is A Surprise And Moves The Cut Through His Boisterous Solo. "Arfonk" Is On The Edgier Side Of Jazz-Funk With A Great Breakbeat Drum Intro By White, Who Also Does An Impressive Bit Of Counterpoint On The Bongos. The Fat Guitars Play Call And Response With Grossman, Who Gets Up Into The High Register On The Horn And Lets Loose Against The Simple Riff. There Are Touches Of Fusion, But It Never Leaves The Realm Of Jazz-Funk Entirely. Beautiful Fender Rhodes Work By Gumbs Adds Rich Color And Texture, Not To Mention Egan's Killer, Popping Bass Work. Ultimately, This Set More Closely Resembles The Work Grossman Did With Stone Alliance Than It Does His Later Excellent Way Out East Dates, But This Set Has Stood The Test Of Time Remarkably Well And Goes One Step Further In Putting Down The Myth That Electric Jazz In The Late '70s Almost Killed The Music Off In The Days Before Wynton Marsalis Took It Retro.” Thom Jurek, AMG... more details
 
Grossman, Steve - Way Out East Vol. 2 Way Out East Vol. 2
Jazz Used - LP VPA 183 Red
1987 Original In Shrink Wrap. Small Saw Notch. Features Juni Booth And Joe Chambers.... more details
 
Grossman, Steve - Terra Firma Terra Firma
Jazz Used - LP PMR-012 P.M.
1977 Original In Shrink Wrap With Jan Hammer Hype Sticker On The Shrink. Grossman, Tenor Saxophone; Jan Hammer, Electric Piano, Moog Solo On One Track; Gene Perla, Electric Bass; Don Alias, Percussion. Tracks Are "Katonah," "In It," "37 Willoughby Place," "Enya," "Inmate Man," "Relentless Lady" And "This Way Out." Glossy, Unplayed Condition.... more details
 

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