Hall, Daryl / John Oates

Vinyl Records and Rare LPs:

	A Lot Of Changes Comin' Used - LP - B/90137 Heavy Vinyl German Pressing. Slight Crease At Upper Right Corner. more
	Abandoned Luncheonette New - LP - P 10281A Sealed Japanese Pressing With Obi. more
	Abandoned Luncheonette Audiophile - LP - MFSL 1-069 Factory Sealed Half-Speed Mastered Rarity. 4 Inch Seam Split At The Top Mouth. If Perfect, $100. more
	Abandoned Luncheonette New - LP - SD 19139 Sealed 1973 Second Issue. more
	Along The Red Ledge New - LP - AFL1-2804 Sealed 1978 Gatefold Original. Saw-Cut. more
	Along The Red Ledge Colored Vinyl - AFL1-2804 Rare 1978 Promo Only Red Virgin Vinyl Edition. Unplayed Condition. more
	Beauty On A Back Street New - LP - AFL1-2300 Sealed 1977 Original. “Beauty On A Back Street Isn't Quite As Accomplished As Its Two Predecessors, Yet It Is More Ambitious And Diverse, As Hall & Oates Begin To Add Some Arena-Rock Conventions To Their Sound, Particularly Distorted Guitars And Anthemic Choruses. On War Babies They Had Tried A Similar Attack, But On Beauty On A Back Street, The Duo's Songwriting Was Stronger, Which Meant That The Instrumental Approach Didn't Overwhelm The Actual Songs.” - Stephen Thomas Erlewine, AMG more
	Big Bam Boom New - LP - AFL1 5309 Sealed 1984 Original, Tiny Saw Cut. Big Bam Boom Is The Last Of The Big Hall & Oates Albums, The One That Closed Their Period Of Greatest Commercial Success And Artistic Achievement. "Out Of Touch," Rivals Anything On Private Eyes Or Voices And There Is The Silly Yet Engaging "Method Of Modern Love" Along With The Haunting "Some Things Are Better Left Unsaid," Easily The Best Ballad On The Record. more
	Big Bam Boom New - LP - AJL1-5309 Sealed 1984 LP With Custom Song Hype Sticker On The Shrink Wrap. Light Rear Cover Crease. Big Bam Boom Is The Last Of The Big Hall & Oates Albums, The One That Closed Their Period Of Greatest Commercial Success And Artistic Achievement. "Out Of Touch" Rivals Anything On Private Eyes Or Voices And There Is The Silly Yet Engaging "Method Of Modern Love" Along With The Haunting "Some Things Are Better Left Unsaid," Easily The Best Ballad On The Record. more
	Big Bam Boom New - LP - AJL1 5336 Sealed Second Issue With Custom Hype Sticker On Shrink. Saw Cut. more
	Bigger Than Both Of Us New - LP - APL1-1467 Sealed 1976 Original. Custom "Rich Girl" Hype Sticker On Shrink. more
	Bigger Than Both Of Us New - LP - AYL1-3866 Sealed 1976 2nd Issue Of AFL1-1467. Saw Cut. more
	Change Of Season Used - LP - AL 8614 1990 Original Still In Shrink Wrap With Custom Hype Sticker. more
	Daryl Hall & John Oates New - LP - APL1-1144 Sealed 1975 Silver Foil Cover Original With COH. more
	H2O New - LP - AFL1-4383 Sealed 1982 Original With Custom Sticker On The Shrink Wrap. This Record Comes With There Smash Hit "Maneater." more
	I Can't Go For That (No Can Do) Used - 12 - PD 12358 1981 Two Track Single In Generic Die Cut Sleeve. Title Track B/W "Unguarded Minute." more
	Live At The Apollo With David Ruffin And Eddie Kendricks And New - LP - AFL1-7035 Sealed, Very Hard To Find 1985 Vinyl. more
	Livetime New - LP - AFL1-2802 Sealed 1978 Original With Custom Hype Sticker On Shrink Wrap. Small Saw Cut. more
	No Goodbyes New - LP - SD 18213 First Copy We Have Seen Of This Factory Sealed 1977 Rarity Which Features "She's Gone" Plus Three Previously Unreleased Tracks Recorded In 1973. Clean COH. more
	No Goodbyes Used - LP - SD 18213 1977 Rarity Which Features "She's Gone" Plus Three Previously Unreleased Tracks Recorded In 1973. Appears Unplayed. more
	Nucleus New - LP - AV 5014 Sealed 1984 LP. more
	Private Eyes New - LP - RPL 8090 New, Unplayed Japanese Pressing With Obi. more
	Private Eyes New - LP - AFL1-4028 Sealed 1981 Original With Custom Hype Sticker On Shrink. Saw Cut. “Hall & Oates Were In The Middle Of Recording Private Eyes When Voices Suddenly, Unexpectedly Broke Big, With "Kiss On My List" Reaching Number One Not Just On The Billboard Charts, But In Cashbox And Record World. As The Album's Producer, Neil Kernon, Admits In Ken Sharp's Liner Notes To The 2004 Reissue Of The Album, Everybody Knew That The New Record Would Have To Do Better Than Voices, But Even If Hall & Oates Were Under A Lot Of Pressure, They Were In The Fortunate Position Of Not Just Having Reintroduced Their Modernized, New Wave-Influenced Blue-Eyed Soul On Their Previous Record, But They Already Had Much Of The Material Nailed Down. In Other Words, The Sound And Songs On Private Eyes Were Essentially Conceived When The Group Was Confident Of The Artistic Breakthrough Of Voices But Not Swaggering With The Overconfidence Of Being The Biggest Pop Act In America, And The Result Is One Of Their Best Albums And One Of The Great Mainstream Pop Albums Of The Early '80s. Hall & Oates Don't Repeat The Formula Of Voices; They Expand It, Staying Grounded In Pop-Soul But Opening Up The Stylized Production, So It Sounds Both Cinematic And Sharp. Lots Of Subtle Effects Are Layered On The Voices, Guitars, And Pianos As They Mingle With Synthesized Instruments, From The Keyboard Loops That Give "Head Above Water" A Restless Momentum To The Drum Machine That Lends "I Can't Go For That (No Can Do)" A Sexy, Seductive Groove.” - Stephen Thomas Erlewine, AMG more
	Private Eyes New - LP - AFL1-4028 Sealed 1981 Original With Custom Sticker Hyping Platinum Status On Shrink. Shrink Partially Torn On Front. “Hall & Oates Were In The Middle Of Recording Private Eyes When Voices Suddenly, Unexpectedly Broke Big, With "Kiss On My List" Reaching Number One Not Just On The Billboard Charts, But In Cashbox And Record World. As The Album's Producer, Neil Kernon, Admits In Ken Sharp's Liner Notes To The 2004 Reissue Of The Album, Everybody Knew That The New Record Would Have To Do Better Than Voices, But Even If Hall & Oates Were Under A Lot Of Pressure, They Were In The Fortunate Position Of Not Just Having Reintroduced Their Modernized, New Wave-Influenced Blue-Eyed Soul On Their Previous Record, But They Already Had Much Of The Material Nailed Down. In Other Words, The Sound And Songs On Private Eyes Were Essentially Conceived When The Group Was Confident Of The Artistic Breakthrough Of Voices But Not Swaggering With The Overconfidence Of Being The Biggest Pop Act In America, And The Result Is One Of Their Best Albums And One Of The Great Mainstream Pop Albums Of The Early '80s. Hall & Oates Don't Repeat The Formula Of Voices; They Expand It, Staying Grounded In Pop-Soul But Opening Up The Stylized Production, So It Sounds Both Cinematic And Sharp. Lots Of Subtle Effects Are Layered On The Voices, Guitars, And Pianos As They Mingle With Synthesized Instruments, From The Keyboard Loops That Give "Head Above Water" A Restless Momentum To The Drum Machine That Lends "I Can't Go For That (No Can Do)" A Sexy, Seductive Groove.” - Stephen Thomas Erlewine, AMG more
	Private Eyes New - LP - AFL1-4028 Sealed 1981 Original With Custom Hype Sticker On Shrink. “Hall & Oates Were In The Middle Of Recording Private Eyes When Voices Suddenly, Unexpectedly Broke Big, With "Kiss On My List" Reaching Number One Not Just On The Billboard Charts, But In Cashbox And Record World. As The Album's Producer, Neil Kernon, Admits In Ken Sharp's Liner Notes To The 2004 Reissue Of The Album, Everybody Knew That The New Record Would Have To Do Better Than Voices, But Even If Hall & Oates Were Under A Lot Of Pressure, They Were In The Fortunate Position Of Not Just Having Reintroduced Their Modernized, New Wave-Influenced Blue-Eyed Soul On Their Previous Record, But They Already Had Much Of The Material Nailed Down. In Other Words, The Sound And Songs On Private Eyes Were Essentially Conceived When The Group Was Confident Of The Artistic Breakthrough Of Voices But Not Swaggering With The Overconfidence Of Being The Biggest Pop Act In America, And The Result Is One Of Their Best Albums And One Of The Great Mainstream Pop Albums Of The Early '80s. Hall & Oates Don't Repeat The Formula Of Voices; They Expand It, Staying Grounded In Pop-Soul But Opening Up The Stylized Production, So It Sounds Both Cinematic And Sharp. Lots Of Subtle Effects Are Layered On The Voices, Guitars, And Pianos As They Mingle With Synthesized Instruments, From The Keyboard Loops That Give "Head Above Water" A Restless Momentum To The Drum Machine That Lends "I Can't Go For That (No Can Do)" A Sexy, Seductive Groove.” - Stephen Thomas Erlewine, AMG more
	Rock 'N Soul Part 1 New - LP - CPL1-4858 Sealed 1984 Greatest Hits LP Featuring Two New Songs And A 1984 Calendar. more
	Rock 'N Soul Part 1 New - LP - CPL1-4858 Sealed 1984 Greatest Hits LP Featuring Two New Songs And A 1984 Calendar. Custom Hype Sticker On Shrink. Saw Cut. more
	Say It Isn't So New - LP - PW 13679 Sealed 1983 12 Inch Picture Sleeve. more
	Voices New - LP - AQL1-3646 Sealed, Rare 1981 Issue With Alternate Color Cover Art. This Is The Breakout Album That Started Hall & Oates Domination Of Radio In The Early 80s. more
	War Babies New - LP - SD 18109 Sealed 1974 Original Produced By Todd Rundgren. more
	Whole Oats Used - LP - SD 7242 Hard To Find 1972 Original. more
	Whole Oats New - LP - SD 7242 Sealed 1972 Original. more
	X-Static New - LP - AFL1 3494 Sealed 1979 Original. more
	X-Static + 7 Used - LP - AFL1 3494 1979 Original With Custom Inner Sleeve. Includes A Bonus 45rpm 7" Single ("Wait For Me" B/W "No Brain No Pain") In Generic Sleeve. more

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