Harris, Eddie

Vinyl Records and Rare LPs:

	A Study In Jazz New - LP - SR 3028 Sealed 1962 Deep Groove Stereo Original. more
	A Study In Jazz New - LP - LP 3028 Sealed 1962 Deep Groove Mono Original. more
	Bad Luck Is All I Have Used - LP - SD 1675 1975 Original Still In Shrink. The 8 Minute Title Song Is A Classic. An Album That Is Unjustly Unrecognized By The Critics! Appears Virtually Unplayed. Small Saw Notch. more
	Bad Luck Is All I Have Used - LP - SD 1675 Beautiful 1975 Original, Custom Promo Sticker On Jacket. The 8 Minute Title Song Is A Classic! Appears Unplayed. more
	Bad Luck Is All I Have New - LP - SD 1675 Sealed 1975 Original, Small, Clean COH. The 8 Minute Title Song Is A Classic. An Album That Is Unjustly Unrecognized By The Critics! more
	Best Of Eddie Harris New - LP - SD 1545 Sealed 1970 Stereo Compilation (First Pressing). Includes His Beautiful Take On "Theme In Search Of A Moviie" Plus "Freedom Jazz Dance" And More. more
	Black Sax New - LP - GNPS 2-2073 Sealed 2LP. more
	Black Sax New - LP - GNPS 2-2073 Sealed 2LP Gatefold With Clean Cut Out Hole. First Copy We Have Seen In Six Years. more
	Come On Down New - LP - SD 1554 Sealed 1970 Original. “The Album Title And The Weird Cover Portrait Of Eddie Harris With An Orange Substituting For His Head Refer To The Recording Locale — Miami. The Rationale Might Have Been To Give Miami The Same Down-Home Soul Appeal That Muscle Shoals And Memphis Were Enjoying At The Time. Certainly Harris Got A Romping Soul/Jazz/Rock Session Out Of The Trip, A Bit Overloaded On The Electric Guitar Side, But Invigorating. Ira Sullivan Joins The Fracas Now And Then With Some Uninhibited Trumpet, Donald "Duck" Dunn (From Booker T. & The MG's) Is The Anchor On Bass, And Supersessionman Cornell Dupree Dominates The Guitars. The Centerpiece Is A Long, Frantic, Rowdy, R&B Remake Of "Live Right Now" Where Harris Seems To Be Jooglin' Around On Electric Sax As Part Of The Rhythm Section, And "Fooltish" Has A Loose Swaggering Appeal. "Really" Finds Him Soulfully Crooning Through His Electric Horn For The First Time, And "Why Don't You Quit" Builds Inexorably To A Majestic Echoplex Extravaganza. Worth Hunting For In The LP Bins.” - Richard S. Ginell, All Music Guide. more
	Cool Sax From Hollywood To Broadway New - LP - CL 2295 Sealed Mono Original. Red Promo Stamp On Back Cover. LP Is Sealed In Inner Baggy. more
	Cool Sax From Hollywood To Broadway New - LP - CS 9095 Sealed 1965 360 Stereo Original. Red Demo Stamp On Rear Jacket. Harris, Tenor Sax; Cedar Walton, Piano; Bob Cranshaw, Bass; Billy Brooks, Drums. Kenny Burrell Plays Guitar On "From Russia With Love." more
	Cool Sax, Warm Heart New - LP - CS 8968 Sealed 1964 360 Stereo Original. more
	Eddie Harris Goes To The Movies New - LP - SR 3031 Sealed Stereo Original. more
	Eddie Harris Sings The Blues Used - LP - SD 1625 1972 US Original Presswell Pressing, Small Saw Notch. Features Ronald Muldrow, Richard Abrams, Rufus Reid, Billy James, Marshall Thompson. Strings, Horns And Voices Arranged By Richard Evans. more
	Eddie Who? New - LP - SJP 244 First Copy We Have Ever Seen Of This Sealed, Rare 1986 Original. Eddie Harris, Tenor Sax, Piano, Reed Trumpet, Vocals; Ralph Armstrong, Bass; Sherman Ferguson, Drums. Tunes Are: "Eddie Who?" "Sally Butterfly," "Ambidextrous," "Daahoud," "Eddie Theme," "Cedar Trees" And "Softly As In A Morning Sunrise." Recorded At Studio 44, Monster, Holland. more
	Electrifying Eddie Harris Used - LP - 4M 106 180gm HQ Reissue Still In Shrink. One Of Eddie Harris' Most Significant Albums, Originally Released In 1968. Contains His Space-Funk Classic "Listen Here" Plus The Brilliant "Theme In Search Of A Movie". more
	Electrifying Eddie Harris New - LP - SD 1495 Sealed 1968 Laminated Jacket Blue & Green Label Stereo Original. Includes The Classic Original Version Of "Theme In Search Of A Movie" Plus "Listen Here," "Sham Time" And More. Saw Cut. more
	Electrifying Eddie Harris New - LP - SD 1495 Sealed 1968 Laminated Jacket Blue & Green Label Stereo Original. Includes The Classic Original Version Of "Theme In Search Of A Movie" Plus "Listen Here," "Sham Time" And More. Saw Cut. more
	Excursions Used - LP - SD 2-311 Beautiful 1973 2LP Gatefold. One Of His Most Creative, Under-Appreciated And Difficult To Find Albums. Includes Such Classics As "Drunk Man," "Listen Here Goes Funky" "Renovated Rhythm" "Turbulence" And More. Both LPs Appear Glossy, Unplayed. Tough To Find Without A Saw Cut.ed Rhythm" "Turbulence" And More. Both LPs Appear Unplayed. more
	Excursions Used - LP - SD 2-311 Beautiful 1973 2LP Gatefold Heavy Vinyl Original (1841, Broadway Labels). One Of His Most Creative, Under-Appreciated And Difficult To Find Albums. Includes Such Classics As "Drunk Man," "Listen Here Goes Funky" "Renovated Rhythm" "Turbulence" And More. Both LPs Appear Unplayed. Promo Sticker On The Front Cover. more
	Excursions Used - LP - SD 2-311 Beautiful 1973 2LP Gatefold Heavy Vinyl Original (1841, Broadway Labels). One Of His Most Creative, Under-Appreciated And Difficult To Find Albums. Includes Such Classics As "Drunk Man," "Listen Here Goes Funky" "Renovated Rhythm" "Turbulence" And More. Both LPs Appear Unplayed. Promo Sticker On The Front Cover. more
	Excursions Used - LP - SD 2-311 Beautiful 1973 2LP Gatefold Heavy Vinyl Original (1841, Broadway Labels). One Of His Most Creative, Under-Appreciated And Difficult To Find Albums. Includes Such Classics As "Drunk Man," "Listen Here Goes Funky" "Renovated Rhythm" "Turbulence" And More. Both LPs Appear Unplayed. Saw Cut. more
	Exodus To Jazz New - LP - SR 3016 Sealed 1961 Heavy Vinyl Stereo Original. 5 Stars. “One Of The Biggest Hit Jazz Lps Of The Post-Rock & Roll Era, Eddie Harris' Exodus To Jazz Seemed To Come Completely Out Of Left Field. It Was The Debut Album By A Previously Unknown Artist From An Under-Publicized Scene In Chicago, And It Was Released On The Primarily R&B-Oriented Vee Jay Label, Which Had Originally Signed Harris As A Pianist, Not A Tenor Saxophonist. The Impetus For Its Breakthrough Was Equally Unlikely; Harris Adapted Ernest Gold's Stately, Somber Theme From The Biblical Film Exodus -- Which Had Been Covered For An Easy Listening Hit By Ferrante & Teicher -- And Made It Into A Laid-Back Jazz Tune. Edited Down To 45-Rpm Length, It Became A Smash, Reaching The Pop Top 40 And Pushing The Album To The Upper Reaches Of The Charts -- A Nearly Unprecedented Feat For Instrumental Jazz In 1961. Its Stunning Popularity Sent Jazz Critics Into A Tizzy -- After All, If It Was That Accessible To A Mass Audience, There Just Had To Be Something Wrong With It, Didn't There? In Hindsight, The Answer Is No. Exodus To Jazz Is Full Of Concise, Easy-Swinging Grooves That Maintain The Appealing Quality Of The Strikingly Reimagined Title Track (Particularly Harris' Four Originals). Far Removed From His Later, Funkier Days, Harris Plays A Cool-Toned Tenor Who Owes His Biggest Debt To Stan Getz's Bop Recordings, Though There Are Touches Of Soul-Jazz As Well. He's No Slouch Technically, Either; He Plays So Far -- And So Sweetly -- In The Upper Register Of His Horn That Some Still Mistakenly Believe He Was Using An Alto Sax On Parts Of The Record. Exodus To Jazz Paved The Way For Numerous Other Crossover Successes During The '60s (Many In The Soul-Jazz Realm), And While That May Not Be A Credibility-Boosting Trend To Start, The Music Still Speaks For Itself.” Steve Huey, AMG. more
	Exodus To Jazz New - LP - LP 3016 Sealed 1961 Heavy Vinyl Mono Original. “One Of The Biggest Hit Jazz LPs Of The Post-Rock & Roll Era, Eddie Harris' Exodus To Jazz Seemed To Come Completely Out Of Left Field. It Was The Debut Album By A Previously Unknown Artist From An Under-Publicized Scene In Chicago, And It Was Released On The Primarily R&B-Oriented Vee Jay Label, Which Had Originally Signed Harris As A Pianist, Not A Tenor Saxophonist. The Impetus For Its Breakthrough Was Equally Unlikely; Harris Adapted Ernest Gold's Stately, Somber Theme From The Biblical Film Exodus -- Which Had Been Covered For An Easy Listening Hit By Ferrante & Teicher -- And Made It Into A Laid-Back Jazz Tune. Edited Down To 45-Rpm Length, It Became A Smash, Reaching The Pop Top 40 And Pushing The Album To The Upper Reaches Of The Charts -- A Nearly Unprecedented Feat For Instrumental Jazz In 1961. Its Stunning Popularity Sent Jazz Critics Into A Tizzy -- After All, If It Was That Accessible To A Mass Audience, There Just Had To Be Something Wrong With It, Didn't There? In Hindsight, The Answer Is No. Exodus To Jazz Is Full Of Concise, Easy-Swinging Grooves That Maintain The Appealing Quality Of The Strikingly Reimagined Title Track (Particularly Harris' Four Originals). Far Removed From His Later, Funkier Days, Harris Plays A Cool-Toned Tenor Who Owes His Biggest Debt To Stan Getz's Bop Recordings, Though There Are Touches Of Soul-Jazz As Well. He's No Slouch Technically, Either; He Plays So Far -- And So Sweetly -- In The Upper Register Of His Horn That Some Still Mistakenly Believe He Was Using An Alto Sax On Parts Of The Record. Exodus To Jazz Paved The Way For Numerous Other Crossover Successes During The '60s (Many In The Soul-Jazz Realm), And While That May Not Be A Credibility-Boosting Trend To Start, The Music Still Speaks For Itself.” Steve Huey, AMG. more
	Free Speech New - LP - SD 1573 Sealed, Hard To Find 1970 Original. Eddie On Reed Trumpet And Electric Sax; Jodie Christian, Electric Piano; Louie Spears, Bass; Billy Hart, Drums And Felix Henry, Percussion. Tracks Are "Wait Please," "Boogie Woogie Bossa Nova," "Penthology," "Bold And Black," "The Things You Do" And "Free Speech." Crisp Corners. more
	Free Speech Used - LP - SD 1573 1970 Original Featuring Jodie Christian, Louie Spears, Billy Hart And Felix Henry. VSRW. more
	High Voltage Used - LP - SD 1529 1969 Original Presswell Pressing, Housed In A Laminated Jacket. Showing Some Ring Wear & Few Tiny Creases At Spine. With Original Inner Sleeve. "Recorded Live At Shelly's Manne Hole In Hollywood And The Village Gate In New York City, Eddie Harris Is Caught On Lp Near The Peak Of His Popularity Peddling His Electric Funk Thing With His Regular Quartet -- Jodie Christian (Piano), Melvin Jackson (Bass) And Billy Hart (Drums). His Flair For Drama Shows In The Pounding Opening Cut "Movin' On Out" Where He Builds The Tension With An Escalating Series Of Murky Cascades On His Echoplexed Electric Sax. He Can Also Be Playful With The Electronics On The Repetitively Lovely "Children's Song" (Which, Though Credited To Harris, Is Actually A South African Tune Called "Mangwene Mpulele," Previously Covered By Harry Belafonte). And Then, When You Least Expect It, Eddie Turns Around And Adopts A Husky Coleman Hawkins-like Tenor Stance On The Retro Ballad "Is There A Place For Us." Fascinating Music, And A Jazz Radio Staple In Its Time." AMG Review By Richard S. Ginell. more
	How Can You Live Like That? New - LP - SD 1698 Sealed 1977 Original, Saw-Cut. Three Tracks On Side 2 See Harris Reuniting With Cedar Walton, Ron Carter & Billy Higgins, The Rhythm Section Found On His Mid 60's Acoustic Outings. more
	How Can You Live Like That? New - LP - SD 1698 Sealed 1977 Original. Three Tracks On Side 2 See Harris Reuniting With Cedar Walton, Ron Carter & Billy Higgins, The Rhythm Section Found On His Mid 60's Acoustic Outings. more
	I Need Some Money New - LP - SD 1669 Sealed 1975 Original, Tiny Saw Notch. One Of His Most Underrated Albums. Features "Get On Down." First Copy We Have Had In Stock In Seven Years. more
	I Need Some Money Used - LP - SD 1669 His Brilliant 1975 LP 1st Pressing. Small Edge Crease. more
	I'm Tired Of Driving New - LP - ARL1-2942 Sealed, Rare 1978 Original. Gold Promo Stamp On Back Cover. Small Saw Cut. more
	Instant Death Used - LP - SD 1611 1972 Original. A Very Underrated Album From One Of The Most Underrated Jazz Artists. 4½ Stars In All Music Guide. Light Corner Rubs & Edge Wear. more
	Is It In New - LP - SD 1659 Sealed 1974 Original. Includes "Funkaroma," "Look Ahere," "House Party Blues" And More. Pristine Copy. more
	Is It In Used - LP - SD 1650 1974 Original, promo Album Hype Sticker On Jacket, Saw Cut. Appears Unplayed. Includes "Funkaroma," "Look Ahere," "House Party Blues" And More. more
	Is It In Used - LP - SD 1659 Mint 1974 Original From The Underrated Sax Genius. Custom Promo Air Play Hype Sticker On Jacket. Features Ronald Muldrwo, Rufus Reid And Williams James And Includes "Funkaroma," "Is It In," "It's War," "Look Ahere" And More. more
	Jazz For Breakfast At Tiffany's New - LP - LP 3027 Sealed 1961 Mono Original. more
	Live At Newport New - LP - SD 1595 Sealed 1971 Original. Includes "Don't You Know The Future's In Space. Pristine Copy Of A Rare LP. more
	Love...From A Horn New - LP - KH 31164 Sealed 1972 Stereo Compilation. more
	Mean Greens New - LP - 1453 1966 Mono Original, COH. Very Hard To Find Original LP Featuring Ron Carter, Ray Barretto, Billy Higgins, Melvin Jackson & Others. more
	Mighty Like A Rose New - LP - LPS 3025 Sealed 1961 Heavy Vinyl Stereo Original. “Mighty Like A Rose Was Eddie Harris' Follow-Up To The Smash Exodus To Jazz, And It Probably Comes As No Surprise That It's Mightily Similar In Sound And Style. One Can Hardly Blame Harris For Taking Essentially The Same Approach; It's Not Every Day That A Jazz Artist's Debut LP Makes Him A Million-Selling Star Overnight. And He Struck While The Iron Was Hot, Completing The Sessions For Mighty Like A Rose A Month Before The Single Edit Of "Exodus" Had Even Peaked On The Pop Charts. Perhaps That's Why There Are Only Two Harris Originals This Time Around; The Rest Of The Repertoire Is Mostly Standards, Plus Another Movie Theme Adaptation -- This Time Of "Spartacus" -- That Would Prove To Be The First Of Many "Exodus" Sequels Harris Recorded In His Early Period (Although Pop-Chart Lightning Never Did Strike Twice). Harris Is Once Again Joined By His Regular Chicago Backing Group Of The Period -- Guitarist Joe Diorio, Pianist Willie Pickens, Bassist William Yancey, And Drummer Harold Jones, Who Provide Solid, Appropriately Easygoing Support. Harris' Playing Strikes A Balance Between Cool Bop And Straightforward Soul-Jazz, Though It's Possible To Hear The Influence Of Detroiter Yusef Lateef Beginning To Creep In. It's All Well-Executed, And Harris' Command Of The Highest Ranges Of His Instrument Is As Lovely As Ever, Making This Date Worthwhile For Anyone Who Loved The Sound Of Exodus To Jazz.” Steve Huey, All Music. more
	People Get Funny New - LP - SJP 228 Sealed, Hard To Find 1987 Dutch Vinyl. Features Carl Burnett, William Henderson III And Larry Gales. more
	Plug Me In Used - LP - SD 1506 1968 Blue & Green Label Stereo Original With Shrink Wrap Intact. LP Appears Unplayed. Features Haywood Henry, Jimmy Owens, Melvin Lastie, Joe Newman, Garnett Brown, Ron Carter, Jodie Christian And Others. “One Of Eddie Harris's More Underrated Sessions, This Out-Of-Print Atlantic Album Finds Harris Creatively Playing His Electrified Tenor On A Wide Variety Of Tunes, Some Of Which Utilize Rock/Funk Rhythms Of The Period. Although His Supporting Cast Includes Such Fine Players As Baritonist Haywood Henry, Trumpeter Jimmy Owens And Pianist Jodie Christian, The Focus Throughout Is On Harris's Distinctive Playing. Highlights Include "Live Right Now," "It's Crazy" And "Theme In Search Of A T.V. Commercial.” Scott Yanow, All Music Guide. more
	Real Electrifying Eddie Harris New - LP - MJ 5018 Factory Sealed 1982 Original, $5.98 Original Record Store Price Tag On The Shrink Wrap. Eddie Harris, Horns; Larry Gales, Bass; Bill Henderson, Piano; Carl Burnett, Drums. A Hot Title With Euro-Clubbers, Tracks Are "Theme In Search Of a Movie," "Listen here," "Essence Of Matter," "Deacceleration," "For Your Life" And "Let The Healing Begin." Pristine Copy. more
	Real Electrifying Eddie Harris New - LP - MJ 5018 Factory Sealed 1982 Original. Eddie Harris, Horns; Larry Gales, Bass; Bill Henderson, Piano; Carl Burnett, Drums. A Hot Title With Euro-Clubbers, Tracks Are "Theme In Search Of a Movie," "Listen here," "Essence Of Matter," "Deacceleration," "For Your Life" And "Let The Healing Begin." Pristine Copy. more
	Reason Why I'm Talking S - -T Used - LP - SD 18165 1976 Original, Tiny Saw Cut, Shrink Wrap Intact With Custom Hype Sticker. Features Ronald Muldrow, Guitorgan; Odell Brown, Organ; Bradley Bobo, Bass; Paul Humphrey, Drums; Calvin Barnes, Percussion. Appears Unplayed. more
	Sculpture Used - LP - BDS 4004 Hard To Find Early 70s LP. Appears Unplayed. more
	Sculpture New - LP - BDS 4004 Sealed 1969. Reissue. Cover Is VG++, Corner Rubs. more
	Silver Cycles Used - LP - SD 1517 1969 US Silver Foil Jacket Original Monarch Pressing. Silver-Foil Cover Shows Some Shelf Wear And Scuff Marks. “Still Riding High From "Listen Here," Harris Really Started Experimenting Here With A Dazzlingly Eclectic LP That Must Have Left His New Fans Wondering Just Who The Real Eddie Harris Was. There Is Good Old Latinized Funk In The Opening Cuts, "Free At Last" And "1974 Blues," But What Was One To Make Of The Next One, "Smoke Signals," With Its Interplanetary Echoplexed Electric Sax And Ethereal Wordless Female Voices? Then It's On To A Long-Limbed Coltrane Tribute On Pianist Jodie Christian's "Naima"-Like "Coltrane's View," A Wailing Cry Of Raw Pain With A Huge Band Of Horns, Strings And Voices ("I'm Gonna Leave You By Yourself"), Another Avant-Garde Electronic Extravaganza ("Silver Cycles") And...Well, You Get The Point; There's A Surprise Around Every Bend. The Music Is By Turns Swinging, Touching, Feverish, Detached, Nightmarish, And Peaceful, Bursting With New Ideas Generated From Harris' Plunge Into Electronics. This Album Has Been Unjustly Overlooked, Probably Because Harris Was Selling A Lot Of Records And Getting Airplay At The Time (A Cardinal Sin For Purists), Or Perhaps For Its Free, Anything-Goes '60s Spirit.” All Music Guide - Richard S. Ginell. more
	Silver Cycles New - LP - SD 1517 Sealed 1969 Silver Foil Jacket Original. Archival Quality Copy. “Still Riding High From "Listen Here," Harris Really Started Experimenting Here With A Dazzlingly Eclectic LP That Must Have Left His New Fans Wondering Just Who The Real Eddie Harris Was. There Is Good Old Latinized Funk In The Opening Cuts, "Free At Last" And "1974 Blues," But What Was One To Make Of The Next One, "Smoke Signals," With Its Interplanetary Echoplexed Electric Sax And Ethereal Wordless Female Voices? Then It's On To A Long-Limbed Coltrane Tribute On Pianist Jodie Christian's "Naima"-Like "Coltrane's View," A Wailing Cry Of Raw Pain With A Huge Band Of Horns, Strings And Voices ("I'm Gonna Leave You By Yourself"), Another Avant-Garde Electronic Extravaganza ("Silver Cycles") And...Well, You Get The Point; There's A Surprise Around Every Bend. The Music Is By Turns Swinging, Touching, Feverish, Detached, Nightmarish, And Peaceful, Bursting With New Ideas Generated From Harris' Plunge Into Electronics. This Album Has Been Unjustly Overlooked, Probably Because Harris Was Selling A Lot Of Records And Getting Airplay At The Time (A Cardinal Sin For Purists), Or Perhaps For Its Free, Anything-Goes '60s Spirit.” Richard S. Ginell, AMG. more
	Sings The Blues New - LP - SD 1625 Sealed 1972 Original. Unable To Confirm The Pressing Plant Info. "Eddie Harris Had Sung Through His Horn Prior To This Release, But Not To Such A Great Extent As On This Wide-Ranging LP. Here He Tries To Shape Words Through The Filters Of A Reed Mouthpiece, A Slightly Noisy Wah-Wah Pedal And Electronic Amplification, And The Results Are Genuinely Expressive Despite The Aura Of Gimmickry. Indeed "Please Let Me Go," Thanks To Harris' Pleading Sax Vocal And Richard Evans' String Drapery, Deliberately And Hauntingly Evokes Billie Holiday's Orchestral Sessions From The 1950s. In The Category Of Funk, "Ten Minutes To Four" Is Almost A Reworking Of "1974 Blues" In The Exotic 10/4 Meter And, "Walk With Me" Could Have Been A Minor Hit Single With Its Catchy Tune, Wah-Wah Sax Vocals And Stentorian Brass Riffs. Finally, If For No Other Reason Than Ego (Harris Admitted So Himself), He Tackles "Giant Steps" At A Galloping Latin Beat, The Scattershot Solo With The Freak High Notes All In His Own Style. Another Fascinating Installment In Harris' Long Atlantic Period." AMG Review by Richard S. Ginell. more
	Steps Up Used - LP - SCS 1151 Rare 1981 Original Featuring Tete Montoliu, Bo Stief And Norman Fearrington. Glossy, Unplayed Condition. more
	That Is Why You're Overweight New - LP - SD 1683 Sealed 1976 Original. Includes "It's All Right Now," "Why Do You Hurt Me," "Flowers," "That Is Why You're Overweight," "Tryin' Ain't Dyin," "Live Again," "Ooh" And "Exempt." Features Paul Humphrey, Ronald Muldrow, Bradley Bobo, Ralph Penland, Calvin Barnes And Others. more
	The Best Of Eddie Harris Used - LP - SD 1545 1970 Stereo Compilation (First Pressing). Includes His Beautiful Take On "Theme In Search Of A Moviie" Plus "Freedom Jazz Dance" And More. more
	The Electrifying Eddie Harris Used - LP - SD 1495 1968 Red And Green Label Stereo. Shrink Wrap Intact. Includes The Classic Original Version Of "Theme In Search Of A Movie" Plus "Listen Here," "Sham Time" And More. more
	The Electrifying Eddie Harris Used - LP - SD 1495 1968 Blue And Green Label Stereo Pressing. more
	The In Sound Used - LP - 1448 Beautiful 1965 White Label Promo Mono Housed In A Heavy-Duty, Laminated Jacket. Appears Unplayed. Eddie Harris, Tenor Sax; Cedar Walton, Piano; Ron Carter, Bass; Billy Higgins, Drums; Ray Codrington, Trumpet. more
	The In Sound New - LP - SD 1448 Sealed, Rare 1965 Blue & Green Label Stereo Original. Pristine Copy Of One Of His Best Albums And The First Sealed Copy We Have Ever Had In Stock. more
	Theme From Exodus And Other Film Spectaculars New - LP - VJS 1081 Sealed 1963 Heavy Vinyl Stereo Original. more
	Theme From Exodus And Other Film Spectaculars New - LP - VJS 1081 Sealed 1963 Stereo Original. Pristine Copy. more
	Trip! Used - LP - SA 19 Plum Label 60's Stereo Reissue Of His 1961 "Mighty Like A Rose" Album. Appears Unplayed. “Mighty Like A Rose Was Eddie Harris' Follow-Up To The Smash Exodus To Jazz, And It Probably Comes As No Surprise That It's Mightily Similar In Sound And Style. One Can Hardly Blame Harris For Taking Essentially The Same Approach; It's Not Every Day That A Jazz Artist's Debut LP Makes Him A Million-Selling Star Overnight. And He Struck While The Iron Was Hot, Completing The Sessions For Mighty Like A Rose A Month Before The Single Edit Of "Exodus" Had Even Peaked On The Pop Charts. Perhaps That's Why There Are Only Two Harris Originals This Time Around; The Rest Of The Repertoire Is Mostly Standards, Plus Another Movie Theme Adaptation -- This Time Of "Spartacus" -- That Would Prove To Be The First Of Many "Exodus" Sequels Harris Recorded In His Early Period (Although Pop-Chart Lightning Never Did Strike Twice). Harris Is Once Again Joined By His Regular Chicago Backing Group Of The Period -- Guitarist Joe Diorio, Pianist Willie Pickens, Bassist William Yancey, And Drummer Harold Jones, Who Provide Solid, Appropriately Easygoing Support. Harris' Playing Strikes A Balance Between Cool Bop And Straightforward Soul-Jazz, Though It's Possible To Hear The Influence Of Detroiter Yusef Lateef Beginning To Creep In. It's All Well-Executed, And Harris' Command Of The Highest Ranges Of His Instrument Is As Lovely As Ever, Making This Date Worthwhile For Anyone Who Loved The Sound Of Exodus To Jazz. “ Steve Huey, All Music Guide. more
	Versatile Eddie Harris New - LP - SD 8807 Sealed, Tough To Find 1981 Original Recorded In 1977. Tiny Saw Cut. “This LP Has Quite A Bit Of Variety From Tenor-Saxophonist Eddie Harris. Most Of The Selections Are From February 20, 1977, Although There Are Also Two Slightly Earlier Cuts That Feature A Rare Sideman Outing For Trumpeter Don Ellis, And A Humorous Version Of "That Is Why You're Overweight" From 1981. Otherwise Harris Is Showcased With A Quartet That Includes Guitarist Ronald Muldrow. In Addition Harris Has Duets With Muldrow ("No One Would Believe") And Drummer Paul Humphrey ("One Man Section") And Takes A Vocal On "Drams Are For Real." No Matter What The Setting, The Highly Original And Always Funky Eddie Harris Is Heard In Prime Form.” Scott Yanow, AMG. more