Hine, Rupert

Vinyl Records and Rare LPs:

	Immunity Used - Vinyl - SP-4858 1981 Original pressing. "Immunity" is a fascinating exploration of electronic soundscapes, reflecting Hine's innovative approach to music production. The album is characterized by its avant-garde synthesis of progressive rock and new wave influences, a testament to Hine's prowess in pushing the boundaries of conventional music genres. Each track on "Immunity" is meticulously crafted, featuring a blend of synthesized textures and complex rhythms, underpinned by Hine's distinctive vocals. The album's production quality stands out, showcasing Hine's proficiency in creating a rich, layered sound experience. Critics have often noted the album's intellectual depth, with lyrics that delve into themes of existential reflection and modernity, marking it as a contemplative body of work. One of the album's notable aspects is its collaboration with other talented artists, including Phil Collins on drums, which infuses certain tracks with an added dimension of percussive brilliance. Songs like "I Hang On to My Vertigo" and "Misplaced Love" exemplify Hine's skillful integration of electronic elements with traditional rock instrumentation, creating a unique sonic palette. The album's production techniques, such as the use of tape loops and vocoders, were ahead of their time, contributing to its enduring influence in the realm of electronic and progressive music. "Immunity" not only underscores Rupert Hine's role as a pioneering force in music production but also cements his reputation as an artist capable of crafting deeply engaging and sonically adventurous compositions. more
	The Wildest Wish To Fly Used - Vinyl - 90181-1 1984 Original. Vinyl Is NM, Cover Is VG- (Edge Wear, Saw Cut And Light Ring Wear) more
	The Wildest Wish To Fly Used - Vinyl - 7 90181-1 1984 US original, SRC pressing. Glossy, NM- vinyl. The Wildest Wish to Fly captures Rupert Hine before his later fame as a producer, revealing a songwriter already drawn to atmosphere and subtle experimentation. The album blends folk-rooted melodies with progressive textures and studio nuance, hinting at the sonic curiosity that would define his production career. Hine’s vocals are understated yet expressive, carrying songs that balance introspection with quiet ambition. There’s a refined craftsmanship at work throughout—thoughtful arrangements, layered instrumentation, and a mood that leans contemplative rather than bombastic. A distinctive mid-’70s release that rewards close listening and stands apart from the era’s more predictable singer-songwriter fare. more
	Waving Not Drowning Used Import - SP-9066 Clean 1982 Original Canadian pressing with poly-line A&M company inner sleeve. Synth-Pop goodness! "Waving Not Drowning, released in 1982, was Rupert Hine's fourth solo album and followed the 1981 masterpiece Immunity. This time around, Hine settled for less daring studio work and a more direct approach. The piano takes center stage, relegating synthesizers to background atmospheres. It makes this set of songs closer to Peter Hammill's solo material from that period (although better produced and with an enhanced pop attitude). Waving Not Drowning marks a transition between its more disturbing predecessor and the rather colorless The Wildest Wish to Fly (1983). "Dark Windows," "The Sniper," and "The Outsider" are still artistically crafted songs and the album conceals numerous details (soft-spoken transitions, digital treatments, strange sounds) one could not find on more commercial LPs from the early '80s. Once again, Hine plays most instruments and is supported by guitarist Phil Palmer. Special guests include Phil Collins (percussion on one track), Chris Thomson (lead vocals on one track), and Geoffrey Richardson (guitars and viola on one track). The 2001 CD reissue on Voiceprint's imprint Misplaced added the B-side "Kwok's Quease," a tongue-in-cheek song on monosodium glutamate. This album does not have the force of impact of Immunity, nor does it show the subtle progressive rock influences found on it, but it remains an enjoyable piece of British synth-pop." All Music Guide – Francois Couture more