Killers

Vinyl Records and Rare LPs:

	Battle Born Colored Vinyl - B0017296 Sealed 2012 Limited Edition 180gm Red Vinyl 2LP Gatefold With Custom Hype Sticker On Shrink. Includes A 20 Page Oversize Book And Full Color Poster. more
	Day & Age Used - LP - B0012197 2008 Vinyl With Giant Foil Fold-Out Poster And Glossy Insert. Glossy Unplayed Condition. more
	Day & Age New - LP - B0012197-1 Sealed 2008 US Original With 24x24 Fold-Out Poster. MP3 Download Offer Has Expired. more
	Day & Age Used - LP - B0012197-01 2008 180gm Original With Inner Sleeve And Poster. more
	Day & Age Box Set - New - B00028951-01 Sealed 2018 10th Anniversary Collectors Edition, Remastered & Reissued On 2LLP 45rpm, Pressed On Silver Coloured Vinyl. Housed In A Spine Bound Thick Book-Style Gatefold Jacket. First Time On Double LP & Includes Rare Bonus Tracks. "The Killers' Great Gift Is That They -- And In Particular Their Frontman, Brandon Flowers -- Have Utterly No Recognition Of The Ridiculous. More Than That, They're Drawn To The Ridiculous, Piecing Together Sounds That Don't Belong Together, Reaching Far Beyond Their Grasp, Aiming For Profundity And Slipping Into Silliness. All This Weighed The Band Down Mightily On Sam's Town, Their Convoluted Americana Theme Park Of A Sophomore Album, All False Façades And Paper-Thin Pretension, But On Its 2008 Sequel, Day & Age, The Killers Shrink The Canvas And Brighten Their Palette, Opting For A Big Sound Over Big Themes. Since The Killers Are At Their Core Poseurs And Not Prophets, Style Over Substance Is The Right Move And Day & Age Has Style For Miles And Miles, Exceeding Even Their Debut, Hot Fuss, In Its Stainless Steel Gleam. If Anything, Hot Fuss Was A Little Too Monochromatic In Its Obsession With '80s Synth Rock, A Criticism That Can Hardly Be Leveled At Day & Age, A Record That Stitches Together Sounds With An Almost Blissfully Idiotic Abandon. Anchored In Dance-rock Though They May Be, The Killers No Longer Sound Like Mere Disciples Of New Order And Duran Duran: Emboldened By The Left Turns Of Sam's Town, No Matter How Misguided They May Have Been, The Killers Will Try Anything, Goosing "Losing Touch" With Growling Saxophones, Creating A Strokes Disco For "Joy Ride," Flirting With Worldbeat À La Vampire Weekend On "This Is Your Life," Dancing The Bossa Nova On "I Can't Stay," And Riding A Tight Soulful Rock & Roll Groove On "The World We Live In," Bringing It Close To A Mad Fusion Of Steve Miller's "Abracadabra" And Hall & Oates' "Private Eyes." Like Before, It's Impossible To Tell If Such Improbable Juxtapositions Are Intentional Or Accidental, But Given The Overall Tightness Of Day & Age, It Feels As If The Killers Do Indeed Mean To Create These Odd, Often Pleasing, Pop Pastiches. And The Emphasis Damn Well Should Be On The Sound And Melody, For Flowers Remains A Downright Goofy Lyricist, Whether He's Misinterpreting Hunter S. Thompson On "Human" Or Recounting An Alien Abduction On "Spaceman." Ridiculousness Is Much Harder To Stomach In Words Than It Is In Music, But The Nice Thing About Day & Age Is That Not Only Is Flowers' Voice Relatively Buried, The Killers Are Unwittingly Comfortable With Their Ludicrous, Outsized Pop, Which Turns The Album Into Terrifically Trashy Pop. Not The Serious Rock They Yearn To Be By Any Means, But These Fashionable Threads Fit Them Better Anyway." AMG Review By Stephen Thomas Erlewine. more
	Day & Age Box Set - New - B00028951-01 Sealed 2018 10th Anniversary Collectors Edition, Remastered & Reissued On 2LP 45rpm, Pressed On Silver Coloured Vinyl. Housed In A Spine Bound Thick Book-Style Gatefold Jacket. First Time On Double LP & Includes Rare Bonus Tracks. "The Killers' Great Gift Is That They -- And In Particular Their Frontman, Brandon Flowers -- Have Utterly No Recognition Of The Ridiculous. More Than That, They're Drawn To The Ridiculous, Piecing Together Sounds That Don't Belong Together, Reaching Far Beyond Their Grasp, Aiming For Profundity And Slipping Into Silliness. All This Weighed The Band Down Mightily On Sam's Town, Their Convoluted Americana Theme Park Of A Sophomore Album, All False Façades And Paper-Thin Pretension, But On Its 2008 Sequel, Day & Age, The Killers Shrink The Canvas And Brighten Their Palette, Opting For A Big Sound Over Big Themes. Since The Killers Are At Their Core Poseurs And Not Prophets, Style Over Substance Is The Right Move And Day & Age Has Style For Miles And Miles, Exceeding Even Their Debut, Hot Fuss, In Its Stainless Steel Gleam. If Anything, Hot Fuss Was A Little Too Monochromatic In Its Obsession With '80s Synth Rock, A Criticism That Can Hardly Be Leveled At Day & Age, A Record That Stitches Together Sounds With An Almost Blissfully Idiotic Abandon. Anchored In Dance-rock Though They May Be, The Killers No Longer Sound Like Mere Disciples Of New Order And Duran Duran: Emboldened By The Left Turns Of Sam's Town, No Matter How Misguided They May Have Been, The Killers Will Try Anything, Goosing "Losing Touch" With Growling Saxophones, Creating A Strokes Disco For "Joy Ride," Flirting With Worldbeat À La Vampire Weekend On "This Is Your Life," Dancing The Bossa Nova On "I Can't Stay," And Riding A Tight Soulful Rock & Roll Groove On "The World We Live In," Bringing It Close To A Mad Fusion Of Steve Miller's "Abracadabra" And Hall & Oates' "Private Eyes." Like Before, It's Impossible To Tell If Such Improbable Juxtapositions Are Intentional Or Accidental, But Given The Overall Tightness Of Day & Age, It Feels As If The Killers Do Indeed Mean To Create These Odd, Often Pleasing, Pop Pastiches. And The Emphasis Damn Well Should Be On The Sound And Melody, For Flowers Remains A Downright Goofy Lyricist, Whether He's Misinterpreting Hunter S. Thompson On "Human" Or Recounting An Alien Abduction On "Spaceman." Ridiculousness Is Much Harder To Stomach In Words Than It Is In Music, But The Nice Thing About Day & Age Is That Not Only Is Flowers' Voice Relatively Buried, The Killers Are Unwittingly Comfortable With Their Ludicrous, Outsized Pop, Which Turns The Album Into Terrifically Trashy Pop. Not The Serious Rock They Yearn To Be By Any Means, But These Fashionable Threads Fit Them Better Anyway." AMG Review By Stephen Thomas Erlewine. more
	Hot Fuss New - LP - B0026979-01 Sealed 2023 standard black reissue, no hype sticker. "There are so many garage rock/dance-rock tunes perfectly stylized and glamorous for the pop kids in the city and in the suburbs of new-millennium America. What's nice about these the bands producing these songs is how they strive so desperately to individualize themselves. On a commercial level, they do quite well in delivering catchy pop hooks. When it comes to having actual talent, a select few actually do possess attention-worthy integrity. But there are others who don't, and they disappear from the American consciousness after a brief flirtation with success. Such theories, however, are left up to the individual music fan, so let's put that aside for a moment to experience the decadent pop world of the Killers. The Las Vegas foursome introduce a perfectly tailored new wave-induced art rock sound on their debut, Hot Fuss. They wooed MTV audiences and modern rock followers with the success of "Somebody Told Me" during summer 2004. This chunky-riffed single loaded with androgynous mystery and a dalliance with new romantic energy captures the infectious delivery of the Killers as a band. Vocalist/keyboardist Brandon Flowers does his best Simon LeBon imitation; the sex appeal and the boyish charm are perfectly in place as the rest of the band accents his rich, red-hotness just so. "Jenny Was a Friend of Mine" and "Mr. Brightside" are equally as foxy as the album's first single, affirming that a formula is indeed in motion. It's hard to deny the sparkle of Depeche Mode beats and the sensual allure of Duran Duran. After 25 years, those sounds still hold up; by 2004, however, it's an incredible task to pull this kind of thing off without selling yourself to the tastes of the masses. Interpol and the Walkmen have pulled it off; Franz Ferdinand and Hot Hot Heat have potential. The difference with the Killers is that the dynamic doesn't firmly hold together. The gospel/rock jaunt of "All These Things That I've Done" doesn't quite fit around the Cure-inspired synth reveries of "Everything Will Be Alright" and "Believe Me Natalie." "Midnight Show," as much as it plucks from Duran Duran's "Planet Earth" and "Is There Something I Should Know?," does show promise for the Killers. Hot Fuss came at the right time because the pop kids needed something to savor the summer with, and "Somebody Told Me" served that purpose. Now pull out your Duran Duran records and dance like no one is watching." All Music Guide - MacKenzie Wilson more
	Hot Fuss Colored Vinyl - New - B0026979-01 Sealed Limited Edition Translucent Orange Version. Tiny Top Left Corner Ding. "There Are So Many Garage Rock/Dance-rock Tunes Perfectly Stylized And Glamorous For The Pop Kids In The City And In The Suburbs Of New-Millennium America. What's Nice About These The Bands Producing These Songs Is How They Strive So Desperately To Individualize Themselves. On A Commercial Level, They Do Quite Well In Delivering Catchy Pop Hooks. When It Comes To Having Actual Talent, A Select Few Actually Do Possess Attention-Worthy Integrity. But There Are Others Who Don't, And They Disappear From The American Consciousness After A Brief Flirtation With Success. Such Theories, However, Are Left Up To The Individual Music Fan, So Let's Put That Aside For A Moment To Experience The Decadent Pop World Of The Killers. The Las Vegas Foursome Introduce A Perfectly Tailored New Wave-Induced Art Rock Sound On Their Debut, Hot Fuss. They Wooed MTV Audiences And Modern Rock Followers With The Success Of "Somebody Told Me" During Summer 2004. This Chunky-riffed Single Loaded With Androgynous Mystery And A Dalliance With New Romantic Energy Captures The Infectious Delivery Of The Killers As A Band. Vocalist/Keyboardist Brandon Flowers Does His Best Simon Lebon Imitation; The Sex Appeal And The Boyish Charm Are Perfectly In Place As The Rest Of The Band Accents His Rich, Red-Hotness Just So. "Jenny Was A Friend Of Mine" And "Mr. Brightside" Are Equally As Foxy As The Album's First Single, Affirming That A Formula Is Indeed In Motion. It's Hard To Deny The Sparkle Of Depeche Mode Beats And The Sensual Allure Of Duran Duran. After 25 Years, Those Sounds Still Hold Up; By 2004, However, It's An Incredible Task To Pull This Kind Of Thing Off Without Selling Yourself To The Tastes Of The Masses. Interpol And The Walkmen Have Pulled It Off; Franz Ferdinand And Hot Hot Heat Have Potential. The Difference With The Killers Is That The Dynamic Doesn't Firmly Hold Together. The Gospel/Rock Jaunt Of "All These Things That I've Done" Doesn't Quit Fit Around The Cure-Inspired Synth Reveries Of "Everything Will Be Alright" And "Believe Me Natalie." "Midnight Show," As Much As It Plucks From Duran Duran's "Planet Earth" And "Is There Something I Should Know?," Does Show Promise For The Killers. Hot Fuss Came At The Right Time Because The Pop Kids Needed Something To Savor The Summer With, And "Somebody Told Me" Served That Purpose. Now Pull Out Your Duran Duran Records And Dance Like No One Is Watching." AMG Review By MacKenzie Wilson. more
	Hot Fuss Used - LP - CGO 017 2004 Limited Edition Blue Translucent Vinyl. Only 3000 Copies. The Las Vegas Rocker Came Out With Their Debut And Killed It With "Mr. Brightside". Strong VG++ Vinyl. more
	Hot Fuss Colored Vinyl - CGO 017 Sealed 2004 Blue Vinyl Foil Embossed Jacket Original With Custom Sticker On Shrink. Contains One Track Not Available On CD. more
	Pressure Machine New - LP - 00602438291755 Sealed 2021 Standard Black Vinyl Edition. Pressed At Dublin Vinyl In Ireland. more
	Sam's Town New Import - 602557631531 Sealed, Likely A Repress Of The 2017 Gatefold Reissue. EU Import. Their 2006 Sophomore Release, Inspired By The Likes Of U2, Duran Duran, Bruce Springsteen, the Beatles, Tom Petty and the Heartbreakers, Electric Light Orchestra, and Dire Straits. more
	Sam's Town Picture Disc - B 7221 New, Unplayed & Out Of Print 2006 Picture Disc. Includes Fold Out Poster. more
	Sam's Town Picture Disc - B 7221 Out Of Print 2006 Picture Disc. Includes Fold Out Poster. more
	Sam's Town Picture Disc - B0007221-01 2006 Original Black Vinyl With Fold-Out Poster. more
	Sam's Town Picture Disc - Used - B0007221-01 2006 LE picture disc. Their 2006 Sophomore Release, Inspired By The Likes Of U2, Duran Duran, Bruce Springsteen, the Beatles, Tom Petty and the Heartbreakers, Electric Light Orchestra, and Dire Straits. Includes the songs "When You Were Young", Bones & "Read My Mind". more
	Sawdust New - LP - B0010226 Factory Sealed 2007 2LP Gatefold. Collection Of B-Sides & Rarities From The Past Four Years Including Four Previously Unreleased Songs. Track Listing -"Tranquilize" (With Lou Reed), "Shadowplay," "All The Pretty Faces," "Leave The Bourbon On The Shelf," "Sweet Talk," "Under The Gun," "Where The White Boys Dance", "Show You How," "Move Away," "Glamorous Indie Rock And Roll," "Who Let You Go?," "The Ballad of Michael Valentine," "Ruby Don't Take Your Love To Town," "Daddy's Eyes," "Sam's Town" (Abbey Road Version), "Romeo and Juliet" And "Mr. Brightside" (Jacques Lu Cont's Thin White Duke Remix). more
	Sawdust Used - LP - B0010226-01 2007 2LP Gatefold. Collection Of B-Sides & Rarities From The Past Four Years Including Four Previously Unreleased Songs. Track Listing -"Tranquilize" (With Lou Reed), "Shadowplay," "All The Pretty Faces," "Leave The Bourbon On The Shelf," "Sweet Talk," "Under The Gun," "Where The White Boys Dance", "Show You How," "Move Away," "Glamorous Indie Rock And Roll," "Who Let You Go?," "The Ballad of Michael Valentine," "Ruby Don't Take Your Love To Town," "Daddy's Eyes," "Sam's Town" (Abbey Road Version), "Romeo and Juliet" And "Mr. Brightside" (Jacques Lu Cont's Thin White Duke Remix). more
	Smile Like You Mean It Used Import - LIZARD015Y 2005 Black Vinyl EP Original. B-Side "Mr Brightside". more