Moody Blues

Vinyl Records and Rare LPs:

	A Question Of Balance Used - LP - THS 3 Beautiful 1970 Gatefold Original With Insert. Clean COH. more
	A Question Of Balance New - LP - THS 3 Factory Sealed Gatefold Original, CC. more
	A Question Of Balance New - LP - THS 3 Factory Sealed 1970 Heavy-Duty Gatefold Original. more
	A Question Of Balance New - LP - THS 3 Factory Sealed Heavy Vinyl, Non Gatefold 2nd Issue. more
	A Question Of Balance New - LP - 820 211 Sealed Non Gatefold Reissue. more
	A Question Of Balance Used - LP - L20P 1032 Stunning Japanese Pressing Housed In A Gatefold Jacket With Obi. Appears Glossy, Unplayed. more
	A Question Of Balance New - LP - THS 3 Sealed 1970 Heavy Duty Gatefold Original With The Pink Inner Sleeve And Insert. Cut Out Hole. more
	A Question Of Balance Used - LP - THS 3 1970 Gatefold Original, Waddell Press. With Original Company Inner And Fold Out Lyric Insert. Glossy Vinyl. Jacket Shows Some Signs Of Wear, With Little Silverfishing Spots Along Top Seam, Tiny Split At Top Of Jacket Mouth & Middle Bottom Seam. Left Corner Bump And Crease. more
	A Question Of Balance Used - LP - THS 3 1970 Gatefold Original With Original Company Inner And Fold Out Lyric Insert. more
	A Question Of Balance New - LP - THS 3 Sealed 1970 US Gatefold Original. Hole Punch Top Right Corner. "The Moody Blues' First Real Attempt At A Harder Rock Sound Still Has Some Psychedelic Elements, But They're Achieved With An Overall Leaner Studio Sound. The Group Was Trying To Take Stock Of Itself At This Time, And Came Up With Some Surprisingly Strong, Lean Numbers (Michael Pinder's Mellotron Is Surprisingly Restrained Until The Final Number, "The Balance"), Which Also Embraced Politics For The First Time ("Question" Seemed To Display The Dislocation That A Lot Of Younger Listeners Were Feeling During Vietnam). The Surprisingly Jagged Opening Track, "Question," Recorded Several Months Earlier, Became A Popular Concert Number As Well As A Number Two (Or Number One, Depending Upon Whose Chart One Looks At) Single. Graeme Edge's "Don't You Feel Small" And Justin Hayward's "It's Up To You" Both Had A Great Beat, But The Real Highlight Here Is John Lodge's "Tortoise And The Hare," A Fast-paced Number That The Band Used To Rip Through In Concert With Some Searing Guitar Solos By Hayward. Ray Thomas' "And The Tide Rushes In" (Written In The Wake Of A Fight With His Wife) Is One Of The Prettiest Psychedelic Songs Ever Written, A Sweetly Languid Piece With Some Gorgeous Shimmering Instrumental Effects. The 1997 Remastered Edition Brings Out The Guitar Sound With Amazing Force And Clarity, And The Notes Tell A Lot About The Turmoil The Band Was Starting To Feel After Three Years Of Whirlwind Success. The Only Loss Is The Absence Of The Lyrics Included In Earlier Editions." AMG - Bruce Eder. more
	A Question Of Balance Used - LP - THS 3 1970 US Gatefold Original In Shrink. "The Moody Blues' First Real Attempt At A Harder Rock Sound Still Has Some Psychedelic Elements, But They're Achieved With An Overall Leaner Studio Sound. The Group Was Trying To Take Stock Of Itself At This Time, And Came Up With Some Surprisingly Strong, Lean Numbers (Michael Pinder's Mellotron Is Surprisingly Restrained Until The Final Number, "The Balance"), Which Also Embraced Politics For The First Time ("Question" Seemed To Display The Dislocation That A Lot Of Younger Listeners Were Feeling During Vietnam). The Surprisingly Jagged Opening Track, "Question," Recorded Several Months Earlier, Became A Popular Concert Number As Well As A Number Two (Or Number One, Depending Upon Whose Chart One Looks At) Single. Graeme Edge's "Don't You Feel Small" And Justin Hayward's "It's Up To You" Both Had A Great Beat, But The Real Highlight Here Is John Lodge's "Tortoise And The Hare," A Fast-paced Number That The Band Used To Rip Through In Concert With Some Searing Guitar Solos By Hayward. Ray Thomas' "And The Tide Rushes In" (Written In The Wake Of A Fight With His Wife) Is One Of The Prettiest Psychedelic Songs Ever Written, A Sweetly Languid Piece With Some Gorgeous Shimmering Instrumental Effects. The 1997 Remastered Edition Brings Out The Guitar Sound With Amazing Force And Clarity, And The Notes Tell A Lot About The Turmoil The Band Was Starting To Feel After Three Years Of Whirlwind Success. The Only Loss Is The Absence Of The Lyrics Included In Earlier Editions." AMG - Bruce Eder. more
	American Tour New - LP - 001 Rare 1978 3LP Promo Only Package Released To Coincide With Their First Tour In Five Years. This Great Package Contains A Glossy Outer Gatefold Which Houses Sealed Copies Of PS 708 "Octave" Which Has a Custom Sticker On The Shrink Wrap And A Cut Corner Plus The 2LP Gatefold 2THS 12/13 "This Is The Moody Blues Which Also Has a Cut Corner. Also Included Is a Substantial Press Kit With Tour Dates And An 8x10 Glossy Of The Group Plus A Giant Deram Color Poster Featuring Shots Of 10 Different Moodies Album Covers And Also A Moody Blues Car Bumper Sticker. more
	American Tour New - LP - 001 / PS 708 / 2THS 12/13 Sealed, Rare 1978 3LP Promo Only Package Released To Coincide With Their First Tour In Five Years. The Outer Paper Folder Is Somewhat Tatty. This Great Package Contains A Glossy Outer Gatefold Which Houses Sealed Copies Of PS 708 "Octave" Which Has A Custom Sticker On The Shrink Wrap And A Cut Corner Plus The 2LP Gatefold 2THS 12/13 "This Is The Moody Blues" Which Also Has a Cut Corner. Also Included Is a Substantial Press Kit With Tour Dates And An 8x10 Glossy Of The Group. more
	Blue World New - 12 - THX 30 Sealed 1983 UK Picture Sleeve 12 Inch, Small COH. B/W "Going Nowhere." more
	Blue World Used Import - THX 30 1983 UK Picture Sleeve 45rpm 12 Inch. B/W "Going Nowhere." Clean Copy! more
	Caught Live + 5 New - LP - 2 PS 690 Sealed 1977 2LP Gatefold Original. Recorded Live At The Royal Albert Hall, 1969 Plus 5 Previously Unreleased Studio Recordings. CC. 4 Stars In All Music Guide. more
	Caught Live +5 Used - LP - 2 PS 690 1 1977 2LP Gatefold Original In Shrink Wrap. Features 14 Tracks Live From The Royal Albert Hall Plus 5 Previously Unreleased Studio Recordings. Clean COH, Both LPs Look Unplayed. more
	Caught Live +5 New - LP - 2 PS 690/1 Sealed 1977 2LP Gatefold Original. Features 14 Tracks Live From The Royal Albert Hall Plus 5 Previously Unreleased Studio Recordings. more
	Caught Live +5 Used - LP - K15P-39~40 1977 Japanese 2LP Gatefold With Obi. Both LPs In Glossy, Unplayed Condition. Pressed By King Record Co. more
	Caught Live +5 New - LP - 2 PS 690/1 Sealed 1977 2LP Gatefold Original With Hype Sticker On The Shrink Wrap. Features 14 Tracks Live From The Royal Albert Hall Plus 5 Previously Unreleased Studio Recordings. Clean Cut Out Hole. more
	Caught Live +5 New - LP - 2 PS 690/1 Sealed 1977 2LP Gatefold Original With Hype Sticker. Features 14 Tracks Live From The Royal Albert Hall Plus 5 Previously Unreleased Studio Recordings. Cut Corner. more
	Days Of Future Pass Audiophile - LP - SML 707 Rare 1998 Speakers Corner Test Pressing. Some Light Noise At Begining Of Both Sides But Plays Great Throughout. Hence Price. more
	Days Of Future Passed Used - LP - LAX 1021 1973 Japanese White Label Promo With English Lyrics Insert. No Obi (Common With Japanese Promos). LP Appears Glossy, Unplayed. more
	Days Of Future Passed Used Import - L20P 1042 1982 Japan Import With Obi & Insert. more
	Days Of Future Passed Used - LP - DES 18012 1967 Stereo (Brown And White Label) Hype Sticker on Shrink With Original Inner Sleeve. The Moody Blues' "Days of Future Passed" is a groundbreaking album that ushered in a new era of progressive rock. Released in 1967, it was a concept album that fused classical orchestration with rock music, creating a unique and innovative sound. The album's narrative follows the progression of a day, from morning to night, and the music reflects the changing moods and emotions of each moment. The album's standout tracks include the haunting "Nights in White Satin," the trippy "Tuesday Afternoon". The use of the London Festival Orchestra adds depth and richness to the music, creating a lush and immersive listening experience. "Days of Future Passed" is a timeless classic that continues to inspire and influence musicians today. Its innovative fusion of rock and classical music was ahead of its time and has paved the way for countless artists to experiment with sound and genre. It is a must-listen for any music lover and a testament to the enduring creativity of the Moody Blues. more
	Days Of Future Passed Audiophile - Used - MFSL 1-042 1981 Half-speed master from Mobile Fidelity Sound Lab pressed in Japan by JVC. Corner ding & bottom right corner crease & bump. One of the defining documents of the blossoming psychedelic era and one of the most enduringly popular albums of all-time. Features the London Festival Orchestra Conducted By Peter Knight. more
	Days Of Future Passed Audiophile - Used - MFSL 1-042 Crisp, 1981 Half-speed master from Mobile Fidelity Sound Lab pressed in Japan by JVC. One of the defining documents of the blossoming psychedelic era and one of the most enduringly popular albums of all-time. Features the London Festival Orchestra Conducted By Peter Knight. more
	Days Of Future Passed Audiophile - Used - MFSL 1-042 1981 Half-speed master from Mobile Fidelity Sound Lab pressed in Japan by JVC. One of the defining documents of the blossoming psychedelic era and one of the most enduringly popular albums of all-time. Features the London Festival Orchestra Conducted By Peter Knight. more
	Days Of Future Passed Used - LP - DES 18012 1980 US reissue; Compton pressing. VG+ copy, light surface noise here and there; crisp jacket with some foxing. more
	Days Of Future Passed Audiophile - Used - MFSL 1-042 1981 Half-speed master from Mobile Fidelity Sound Lab pressed in Japan by JVC. One of the defining documents of the blossoming psychedelic era and one of the most enduringly popular albums of all-time. Features the London Festival Orchestra Conducted By Peter Knight. more
	Days Of Future Passed Audiophile - Used - MFSL 1-042 1981 Half-speed master from Mobile Fidelity Sound Lab pressed in Japan by JVC. Solid VG++/EX copy! Complete with all of the original inserts. One of the defining documents of the blossoming psychedelic era and one of the most enduringly popular albums of all-time. Features the London Festival Orchestra Conducted By Peter Knight. more
	Days Of Future Passed Audiophile - Used - 578 660-0 2017 180gm Stereo remaster with hype sticker on shrink. The Moody Blues' "Days of Future Passed" is a groundbreaking album that ushered in a new era of progressive rock. Released in 1967, it was a concept album that fused classical orchestration with rock music, creating a unique and innovative sound. The album's narrative follows the progression of a day, from morning to night, and the music reflects the changing moods and emotions of each moment. The album's standout tracks include the haunting "Nights in White Satin," the trippy "Tuesday Afternoon". The use of the London Festival Orchestra adds depth and richness to the music, creating a lush and immersive listening experience. "Days of Future Passed" is a timeless classic that continues to inspire and influence musicians today. Its innovative fusion of rock and classical music was ahead of its time and has paved the way for countless artists to experiment with sound and genre. It is a must-listen for any music lover and a testament to the enduring creativity of the Moody Blues. more
	Days Of Future Passed Audiophile - LP - MFSL 1-042 1981 Half-Speed Master Pressed In Japan By JVC. Appears Virtually Unplayed With Glossy, Flawless Surfaces. more
	Days Of Future Passed Audiophile - LP - MFSL 1-042 1981 Half-Speed Master Pressed In Japan By JVC. One Of The Defining Documents Of The Blossoming Psychedelic Era And One Of The Most Enduringly Popular Albums Of All-Time. Glossy, Unplayed Condition. Minimal Edge Markings. more
	Days Of Future Passed Used - LP - MFSL 1-042 Record Looks Unplayed, Cover Is M- more
	Days Of Future Passed Used - LP - DES 18012 Beautiful Stereo Gatefold 2nd Label (Does Not Have London Below Deram On Label). An Early Pressing With The Paste-Over "Nights In White Satin" Sticker Which Was Later Printed On The Jacket. more
	Days Of Future Passed Audiophile - LP - MFSL 1-042 Factory Sealed Half-Speed Mastered Beauty. more
	Days Of Future Passed New - LP - DES 18012 Factory Sealed Stereo. Label Variation Unknown. more
	Days Of Future Passed New - LP - L20P 1042 New, Unplayed Japanese Pressing With Obi. more
	Days Of Future Passed Used - LP - K18P-31 1973 Japanese Pressing With Wide Obi And Insert. Jacket NM; LP Appears Unplayed. more
	Days Of Future Passed Used - LP - K18P-31 Beautiful 1973 Japanese King Pressing With Insert. No Obi. Tiny Top Seam Crack, Hence Price. more
	Days Of Future Passed New - LP - DES 18012 Factory Sealed 1967 Stereo. Label Variation Unknown, But This LP Came From A Collection Of Originals And Feels Very Heavy. Small Cut Out Hole. more
	Days Of Future Passed Used - LP - DES 18012 Stunning Heavy Vinyl Stereo Brown And White Label With Original Inner Sleeve Featuring 32 Color Shots Of London LPs. Appears Unplayed. more
	Days Of Future Passed New - LP - DES 18012 Factory Sealed Stereo. Label Variation Unknown But Appears To Be An Older Pressing Based Upon The Pasted Back Cover. more
	Days Of Future Passed Used - LP - DES 18012 Heavy Vinyl Stereo Brown And White Label With Original Inner Sleeve Featuring 32 Color Shots Of London LPs. Appears Unplayed. more
	Days Of Future Passed Audiophile - LP - 6412 327 Pre-Bar Code Netherlands Stereo Reissue. From The Hype Sticker On The Outer Sleeve: "Impeccable European Pressings By Philips In Amsterdam." "Special High Density Vinyl." LP Appears New, Unplayed. more
	Days Of Future Passed Gold - CD - UDCD 512 1989 Ultradisc 24kt Gold Plated Audiophile CD Made In Japan And Housed In Original Lift-Lock Jewel Case. CD In Pristine Condition. Clean Cut Out Hole Through Insert, Light Shelf Wear To Case. One Of The Defining Documents Of The Blossoming Psychedelic Era, And One Of The Most Endearingly Popular Albums Of All-Time. more
	Days Of Future Passed Used - LP - DES 18012 1971 US Repress, With Original London Company Inner Sleeve. more
	Early Blues New - LP - 672008 Sealed 1985 2LP Stereo Gatefold Compilation On The Polygram Imprint. Remastered By Randy Kling. more
	Every Good Boy Deserves Favour Used - LP - THS 5 1971 Heavy Vinyl, Textured Gatefold Original. more
	Every Good Boy Deserves Favour Used - LP - K18P-36 1981 Japanese Pressing With Obi. Appears Unplayed. more
	Every Good Boy Deserves Favour Used - LP - THS 5 1971 Heavy Vinyl, Textured Gatefold Original. Slight Edge Wear And Corner Rubbing more
	Every Good Boy Deserves Favour Used Import - 9299 138 1971 Dutch Import On White Threshold Label. Glossy Vinyl More VG++, Gatefold Jacket Has Edge Rubs. "The Best-realized Of Their Classic Albums, Every Good Boy Deserves Favour Was Also The Last Of The Group's Albums For Almost A Decade To Be Done Under Reasonably Happy And Satisfying Circumstances -- For The Last Time With This Lineup, They Went Into The Studio With A Reasonably Full Song Bag And A Lot Of Ambition And Brought Both As Far As Time Would Allow, Across Close To Four Months (Interrupted By A Tour Of The United States Right In The Middle). Virtually Everywhere You Listen On This Record, The Lush Melodies And The Sound Of Michael Pinder's Mellotron (Augmented Here By The Moog Synthesizer And A Brace Of Other Instruments) Just Sweep Over The Music, And Where They Don't, Justin Hayward's Guitar Pyrotechnics On Pieces Like "The Story In Your Eyes" Elevate The Hard Rocking Side Of The Music, In Tandem With John Lodge's Muscular Bass Work -- Which Still Leaves Plenty Of Room For A Cello Here, And A Grand Piano There, On Top Of Ray Thomas' Flute, And Graeme Edge's Ever More Ambitious Percussion. "Emily's Song." "Nice To Be Here," And "My Song" Are Among The Best Work The Group Ever Did, And "The Story In Your Eyes" Is The Best Rock Number They Ever Cut, With A Bracing Beat And The Kind Of Lyrical Complexity One More Expected Out Of George Harrison At The Time. Sad To Say, The Group Would Never Be This Happy With An Album Again -- At Least Not For A Lot Of Years -- Or With Their Commitment To Being A Group, Though They Would Leave One More Highly Worthwhile Album Before Taking A Hiatus For Most Of The Rest Of The 1970s." AMG - Bruce Eder. more
	Every Good Boy Deserves Favour Used - LP - THS 5 1971 Heavy Vinyl, Textured Gatefold Original. The Moody Blues' album "Every Good Boy Deserves Favour" is a masterful blend of orchestral rock and prog rock. The album features a range of moods and styles, from the soaring melodies of "Procession" and "The Story in Your Eyes" to the reflective introspection of "Emily's Song" and "My Song". The album's centerpiece, the seven-part suite "The Journey", is a stunning display of the band's musical prowess, with complex arrangements and intricate instrumentation that showcase the band's ability to weave together different musical styles and influences. The Moody Blues' lyrics also shine on this album, with themes ranging from the personal to the political, exploring the human experience with a depth and nuance that is both poetic and profound. The result is an album that is both musically and lyrically rich, a testament to the Moody Blues' enduring legacy as one of the most influential bands of the progressive rock era. more
	Every Good Boy Deserves Favour Used Import - K18P-36 Clean 1981 Japanese reissue with Obi & insert. Part of the Japanese "Moody Blues Original Collection" series. "The best-realized of their classic albums, Every Good Boy Deserves Favour was also the last of the group's albums for almost a decade to be done under reasonably happy and satisfying circumstances -- for the last time with this lineup, they went into the studio with a reasonably full song bag and a lot of ambition and brought both as far as time would allow, across close to four months (interrupted by a tour of the United States right in the middle). Virtually everywhere you listen on this record, the lush melodies and the sound of Michael Pinder's Mellotron (augmented here by the Moog synthesizer and a brace of other instruments) just sweep over the music, and where they don't, Justin Hayward's guitar pyrotechnics on pieces like "The Story in Your Eyes" elevate the hard rocking side of the music, in tandem with John Lodge's muscular bass work -- which still leaves plenty of room for a cello here, and a grand piano there, on top of Ray Thomas' flute, and Graeme Edge's ever more ambitious percussion. "Emily's Song." "Nice to Be Here," and "My Song" are among the best work the group ever did, and "The Story in Your Eyes" is the best rock number they ever cut, with a bracing beat and the kind of lyrical complexity one more expected out of George Harrison at the time. Sad to say, the group would never be this happy with an album again -- at least not for a lot of years -- or with their commitment to being a group, though they would leave one more highly worthwhile album before taking a hiatus for most of the rest of the 1970s." All Music Guide - Bruce Eder. more
	Every Good Boy Deserves Favour Audiophile - LP - MFSL 1-232 Factory Sealed, Limited Edition, Half-Speed Mastered 200gm Anadisc Housed In A Deluxe Gatefold Jacket. This Is Number 2440. more
	Every Good Boy Deserves Favour Used - LP - L20P 1022 Beautiful Japanese Pressing In Gatefold Jacket. more
	Every Good Boy Deserves Favour Used - LP - THS 5 Beautiful 1971 Heavy-Duty Textured Gatefold Original. Small Initial On The Rear Jacket. LP Appears Glossy, Unplayed. more
	Every Good Boy Deserves Favour Used - LP - 6 22165 Teldec German Original Pressing LP Looks Unplayed, Cover is VG+. more
	Every Good Boy Deserves Favour Audiophile - LP - MFSL 1-232 Factory Sealed, Limited Edition, Half-Speed Mastered 200gm Anadisc. This Is Number 0998. more
	Every Good Boy Deserves Favour Used Import - THS 5 1971 UK Textured Gatefold Original With No Insert (And No "Insert Included" On Read Gatefold). Cover Is VG. Glossy Vinyl. more
	Every Good Boy Deserves Favour New - LP - THS 5 Sealed 1971 Textured Gatefold Original With Cut Out Hole. 4 1/2 Stars In All Music Guide. Couple Of Shrink Tears. more
	Every Good Boy Deserves Favour Audiophile - LP - MFSL 1-232 1995 Limited Edition, Half-Speed Mastered 200gm Anadisc Housed In A Deluxe Gatefold Cover With Lyric Insert. This Is Limited Edition Super Low Number 0093. Front Cover Mark, Hence Price. more
	Every Good Boy Deserves Favour New - LP - MFSL 1-232 Factory Sealed 1995 Limited Edition, Foil Numbered, Half Speed Mastered 200gm Anadisc Housed In A Deluxe Gatefold Jacket. This Is Low Number 0635. more
	Every Good Boy Deserves Favour Audiophile - LP - MFSL 1-232 Factory Sealed, Limited Edition Half-Speed Mastered 200gm Anadisc Housed In A deluxe Gatefold Cover. This Is Low Number 0233. more
	Every Good Boy Deserves Favour Used - LP - THS 5 1971 UK Textured Gatefold Original With Insert. 1W/1W Matrixes. Appears Unplayed. “The Best-Realized Of Their Classic Albums, Every Good Boy Deserves Favour Was Also The Last Of The Group's Albums For Almost A Decade To Be Done Under Reasonably Happy And Satisfying Circumstances -- For The Last Time With This Lineup, They Went Into The Studio With A Reasonably Full Song Bag And A Lot Of Ambition And Brought Both As Far As Time Would Allow, Across Close To Four Months (Interrupted By A Tour Of The United States Right In The Middle). Virtually Everywhere You Listen On This Record, The Lush Melodies And The Sound Of Michael Pinder's Mellotron (Augmented Here By The Moog Synthesizer And A Brace Of Other Instruments) Just Sweep Over The Music, And Where They Don't, Justin Hayward's Guitar Pyrotechnics On Pieces Like "The Story In Your Eyes" Elevate The Hard Rocking Side Of The Music, In Tandem With John Lodge's Muscular Bass Work -- Which Still Leaves Plenty Of Room For A Cello Here, And A Grand Piano There, On Top Of Ray Thomas' Flute, And Graeme Edge's Ever More Ambitious Percussion. "Emily's Song." "Nice To Be Here," And "My Song" Are Among The Best Work The Group Ever Did, And "The Story In Your Eyes" Is The Best Rock Number They Ever Cut, With A Bracing Beat And The Kind Of Lyrical Complexity One More Expected Out Of George Harrison At The Time.” Bruce Eder, AMG. more
	Every Good Boy Deserves Favour New - LP - THS 5 Sealed UK Gatefold Reissue. No Bar Code On Jacket. more
	Every Good Boy Deserves Favour New - LP - THS 5 Sealed 1971 Textured Heavy Gatefold Original. Original Store Stock From The Wherehouse Record Store. more
	Every Good Boy Deserves Favour New - LP - K18P-36 Japanese Pressing Housed In A Gatefold Cover With Obi. Unplayed Condition. more
	Every Good Boy Deserves Favour New - LP - THS 5 Sealed 1971 Textured Heavy Gatefold Original. Cut Corner. more
	Every Good Boy Deserves Favour New - LP - THS 5 Sealed 1971 Textured Gatefold Original With The "Sights N Sounds Montgomery-Beckley" Original Price Tag On The Shrink Wrap. 4 1/2 Stars In All Music Guide. “The Best-Realized Of Their Classic Albums, Every Good Boy Deserves Favour Was Also The Last Of The Group's Albums For Almost A Decade To Be Done Under Reasonably Happy And Satisfying Circumstances -- For The Last Time With This Lineup, They Went Into The Studio With A Reasonably Full Song Bag And A Lot Of Ambition And Brought Both As Far As Time Would Allow, Across Close To Four Months (Interrupted By A Tour Of The United States Right In The Middle). Virtually Everywhere You Listen On This Record, The Lush Melodies And The Sound Of Michael Pinder's Mellotron (Augmented Here By The Moog Synthesizer And A Brace Of Other Instruments) Just Sweep Over The Music, And Where They Don't, Justin Hayward's Guitar Pyrotechnics On Pieces Like "The Story In Your Eyes" Elevate The Hard Rocking Side Of The Music, In Tandem With John Lodge's Muscular Bass Work -- Which Still Leaves Plenty Of Room For A Cello Here, And A Grand Piano There, On Top Of Ray Thomas' Flute, And Graeme Edge's Ever More Ambitious Percussion. "Emily's Song." "Nice To Be Here," And "My Song" Are Among The Best Work The Group Ever Did, And "The Story In Your Eyes" Is The Best Rock Number They Ever Cut, With A Bracing Beat And The Kind Of Lyrical Complexity One More Expected Out Of George Harrison At The Time.” Bruce Eder, AMG. more
	From The Bottom Of Their Hearts Used Import - IMLP 4.00147 J 1986 German Import, Pressed On White Vinyl. Features 18 Classic Songs Including "Go Now." more
	Go Now New - LP - 302 067 415 Sealed 2016 Record Store Day Exclusive, Limited Edition 180gm Reissue. First Time On Vinyl In 30 Years. Custom RSD Hype Sticker On Shrink. more
	Go Now New - LP - PS 428 Sealed 1965 Stereo Original With Pasted-On Light Blue Rear Picture Sleeve. Corner Bump. more
	Go Now New - LP - PS 428 Sealed Wide Band Blue And Silver Label Stereo 2nd Pressing (We Think). Pasted On Rear Cover Art. more
	Go Now Used - LP - PS 428 Stereo Original With Pasted-On Light Blue Rear Picture Sleeve. Shrink Wrap Intact With Original Grinnell's Price Tag Still In Place. Appears Unplayed. more
	Go Now Used - LP - PS 428 1965 Wide Band Stereo Original With Pasted-On Light Blue Rear Picture Sleeve. Appears Unplayed, Jacket Has Some Ring Ware. more
	Greatest Hits Used - LP - 840 659 Unusual 1989 Vinyl Anomaly And The First Copy Of This LP We Have Ever Seen. Tracks Are "In Your Wildest Dreams," "The Voice," "Gemini Dream," "Story In Your Eyes," "Tuesday Afternoon," "Isn't Life Strange," "Nights In White Satin," "I Know You're Out There Somewhere," "Ride My See-Saw," "I'm Just A Singer In A Rock And Roll Band" And "Question." LP Is Mint. more
	In Search Of The Lost Chord Used - LP - DES 18017 Beautiful 1968 First Pressing Stereo Original, Heavy Gatefold Jacket In Shrink Wrap With Music Odyssey $3.99 Price Tag Over Shrink. more
	In Search Of The Lost Chord Used - LP - L2OP1040 Stunning Japanese Pressing Housed In A Gatefold Jacket With Obi. Appears Glossy, Unplayed. more
	In Search Of The Lost Chord New - LP - DES 18017 Factory Sealed 1968 Stereo Original In Heavy Gatefold Jacket With Part Of The Original Department Store Sticker On The Shrink. more
	In Search Of The Lost Chord Used - LP - SML 711 1968 UK Deep Groove Stereo, Laminated Gatefold Original. We Were Not Aware That This LP Existed On The "Deramic Sound System" Stereo Label, But Here is One Such Copy With 1W/1W Matrixes. more
	In Search Of The Lost Chord Used - LP - DL-109 1968 Japanese Pressing, Stereo, Laminated Jacket. Includes English/Japanese Lyric Insert. more
	In Search Of The Lost Chord New - LP - DES 18017 Factory Sealed 1968 Stereo Original In Heavy Gatefold Jacket With Promo Sticker On Jacket. more
	In Search Of The Lost Chord New - LP - DES 18017 Factory Sealed 1968 First Pressing Stereo Original In Heavy Gatefold Jacket. more
	In Search Of The Lost Chord Used - LP - MFSL 1-195 A1 B2 One Of MOFI's Rarest Original Half-Speed Mastered Test Pressing By Schallplattenfabrik Pallas In Dieholz, Germany. Thought To Be A 1993 Press As When The UDCD Version Was Released. This Was A Year Before Mobile Fidelity Resumed Vinyl Releases With The Anadisc 200 Series. This Test Pressing Is Not A Heavy Vinyl Pressing. This Is The Only Major MB Title Never Commercially Released On Vinyl By Mobile Fidelity. Comes In Its Original Lined Plastic Inner Sleeve With "Musterschallplatte Stamp. Dead Wax Stamp MFSL-1-195. more
	In Search Of The Lost Chord New - LP - DES 18017 Sealed, Likely 1979 Non-Gatefold Reissue With "Manufactured And Marketed By Polygram Records" On Rear Cover. more
	In Search Of The Lost Chord Used Import - L20P 1041 1982 Japanese Reissue Housed In Gatefold Cover With Obi And Insert. Glossy, Unplayed Condition. more
	In Search Of The Lost Chord Used - LP - DES 18017 1968 Unboxed Deram Label Housed In A Heavy Gatefold Cover. Appears Unplayed. more
	In Search Of The Lost Chord Gold - CD - UDCD 576 1993 Ultradisc II 24kt Gold Plated Audiophile CD Housed In Original Lift-Lock Jewel Case. Light Wrinkling Along Front Edge Of Insert. A Hint Of Shelf Wear To Case. more
	In Search Of The Lost Chord Used - LP - DES 18017 1968 Stereo Original. Two Small Corner Bumps And Mild Cover Wear. "In Search Of The Lost Chord Is The Album On Which The Moody Blues Discovered Drugs And Mysticism As A Basis For Songwriting And Came Up With A Compelling Psychedelic Creation, Filled With Songs About Timothy Leary And The Astral Plane And Other Psychedelic-era Concerns. They Dumped The Orchestra This Time Out In Favor Of Mike Pinder's Mellotron, Which Was A More Than Adequate Substitute, And The Rest Of The Band Joined In With Flutes, Sitar, Tablas, And Cellos, The Playing Of Which Was Mostly Learned On The Spot. The Whole Album Was One Big Experiment To See How Far The Group Could Go With Any Instruments They Could Find, Thus Making This Album A Rather Close Cousin To The Beatles' Records Of The Same Era." AMG Review By Bruce Eder more
	In Search Of The Lost Chord New - LP - DES 18017 Sealed 1968 US Gatefold Original. Pressing & Label Variant Unknown. "In Search Of The Lost Chord Is The Album On Which The Moody Blues Discovered Drugs And Mysticism As A Basis For Songwriting And Came Up With A Compelling Psychedelic Creation, Filled With Songs About Timothy Leary And The Astral Plane And Other Psychedelic-era Concerns. They Dumped The Orchestra This Time Out In Favor Of Mike Pinder's Mellotron, Which Was A More Than Adequate Substitute, And The Rest Of The Band Joined In With Flutes, Sitar, Tablas, And Cellos, The Playing Of Which Was Mostly Learned On The Spot. The Whole Album Was One Big Experiment To See How Far The Group Could Go With Any Instruments They Could Find, Thus Making This Album A Rather Close Cousin To The Beatles' Records Of The Same Era." AMG - Bruce Eder. more
	In Search Of The Lost Chord Used Import - 0600753030493 Clean 2007 180gm EU import reissue. "In Search of the Lost Chord is the album on which the Moody Blues discovered drugs and mysticism as a basis for songwriting and came up with a compelling psychedelic creation, filled with songs about Timothy Leary and the astral plane and other psychedelic-era concerns. They dumped the orchestra this time out in favor of Mike Pinder's Mellotron, which was a more than adequate substitute, and the rest of the band joined in with flutes, sitar, tablas, and cellos, the playing of which was mostly learned on the spot. The whole album was one big experiment to see how far the group could go with any instruments they could find, thus making this album a rather close cousin to the Beatles' records of the same era." All Music Guide - Bruce Eder. more
	In Search Of The Lost Chord Used Import - 672 263-2 Clean 2018 180gm Stereo gatefold reissue; EU import. 180 gram facsimile of this classic album cut at Abbey Road Studios with faithfully reproduced artwork. "In Search of the Lost Chord is the album on which the Moody Blues discovered drugs and mysticism as a basis for songwriting and came up with a compelling psychedelic creation, filled with songs about Timothy Leary and the astral plane and other psychedelic-era concerns. They dumped the orchestra this time out in favor of Mike Pinder's Mellotron, which was a more than adequate substitute, and the rest of the band joined in with flutes, sitar, tablas, and cellos, the playing of which was mostly learned on the spot. The whole album was one big experiment to see how far the group could go with any instruments they could find, thus making this album a rather close cousin to the Beatles' records of the same era." All Music Guide - Bruce Eder. more
	In The Beginning Used - LP - DES 18051 Rare 1969 First Pressing Of Their 1965 Recording. LP Appears Unplayed. Jacket Has A Small Bottom Right Corner Push. more
	Live At The Isle Of Wight Festival 1970 New Import - MOVLP001 Sealed 2008 180gm HQ Gatefold Original. more
	Live On A Tuesday Afternoon New - LP - 000 Sealed Live Album Original From The Early 70's. more
	Long Distance Voyager New - LP - TRL-1-2901 Sealed 1981 Gatefold Original. “Progressive Rock Bands Stumbled Into The '80s, Some With The Crutch Of Commercial Concessions Under One Arm, Which Makes The Moody Blues' Elegant Entrance Via Long Distance Voyager All The More Impressive. Ironically Enough, This Was Also The Only Album That The Group Ever Got To Record At Their Custom-Designed Threshold Studio, Given To Them By Decca Records Head Sir Edward Lewis In The Early '70s And Built To Their Specifications, But Completed While They Were On Hiatus And Never Used By The Band Until Long Distance Voyager (The Preceding Album, Octave, Having Been Recorded In California To Accommodate Mike Pinder), Before It Was Destroyed In The Wake Of Decca's Sale To Polygram. In That Connection, It Was Their Best Sounding Album To Date. Many Of The Songs Rank With The Band's Best: "The Voice" Is A Sweeping And Majestic Call To Adventure, While The Closing Trio From Ray Thomas ("Painted Smile," "Reflective Smile," And "Veteran Cosmic Rocker") Forms A Skillfully Wrought, If Sometimes Scathing, Self-Portrait. In Between Are Winning Numbers From John Lodge ("Talking Out Of Turn," The Pink-Hued "Nervous") And Graeme Edge ("22,000 Days"), Who Tries His Hand Successfully In Some Philosophizing Worthy Of Ex-Member Mike Pinder. Apart From The Opening Track, Justin Hayward Furnishes A Pair Of Romantic Ballads, The Languid "In My World" (Which Benefits Greatly From A Beautiful Chorus Heavily Featuring Ray Thomas' Voice), Which Distantly Recalls His Seventh Sojourn Classic "New Horizons," And The More Pop-Oriented, Beat-Driven Romantic Ballad "Meanwhile." This Album Should Make Anybody's Short List Of Moodies Goodies. And, Yes, That's Patrick Moraz Who Makes His Debut Here In Place Of Original Member Mike Pinder.” Dave Connolly & Brude Eder, AMG. more
	Long Distance Voyager New - LP - TRL-1-2901 Sealed 1981 Gatefold Original, Tiny Saw Cut, Custom Song Hype Sticker On Shrink. “Progressive Rock Bands Stumbled Into The '80s, Some With The Crutch Of Commercial Concessions Under One Arm, Which Makes The Moody Blues' Elegant Entrance Via Long Distance Voyager All The More Impressive. Ironically Enough, This Was Also The Only Album That The Group Ever Got To Record At Their Custom-Designed Threshold Studio, Given To Them By Decca Records Head Sir Edward Lewis In The Early '70s And Built To Their Specifications, But Completed While They Were On Hiatus And Never Used By The Band Until Long Distance Voyager (The Preceding Album, Octave, Having Been Recorded In California To Accommodate Mike Pinder), Before It Was Destroyed In The Wake Of Decca's Sale To Polygram. In That Connection, It Was Their Best Sounding Album To Date. Many Of The Songs Rank With The Band's Best: "The Voice" Is A Sweeping And Majestic Call To Adventure, While The Closing Trio From Ray Thomas ("Painted Smile," "Reflective Smile," And "Veteran Cosmic Rocker") Forms A Skillfully Wrought, If Sometimes Scathing, Self-Portrait. In Between Are Winning Numbers From John Lodge ("Talking Out Of Turn," The Pink-Hued "Nervous") And Graeme Edge ("22,000 Days"), Who Tries His Hand Successfully In Some Philosophizing Worthy Of Ex-Member Mike Pinder. Apart From The Opening Track, Justin Hayward Furnishes A Pair Of Romantic Ballads, The Languid "In My World" (Which Benefits Greatly From A Beautiful Chorus Heavily Featuring Ray Thomas' Voice), Which Distantly Recalls His Seventh Sojourn Classic "New Horizons," And The More Pop-Oriented, Beat-Driven Romantic Ballad "Meanwhile." This Album Should Make Anybody's Short List Of Moodies Goodies. And, Yes, That's Patrick Moraz Who Makes His Debut Here In Place Of Original Member Mike Pinder.” Dave Connolly & Brude Eder, AMG. more
	Long Distance Voyager New - LP - TRL-1-2901 Sealed 1981 Gatefold Original. Tiny Saw Cut. more
	Long Distance Voyager Used - LP - TRL-1-2901 1981 Gatefold Original. Appears Glossy, Unplayed. Cut At Sterling Sound. “Progressive Rock Bands Stumbled Into The '80s, Some With The Crutch Of Commercial Concessions Under One Arm, Which Makes The Moody Blues' Elegant Entrance Via Long Distance Voyager All The More Impressive. Ironically Enough, This Was Also The Only Album That The Group Ever Got To Record At Their Custom-Designed Threshold Studio, Given To Them By Decca Records Head Sir Edward Lewis In The Early '70s And Built To Their Specifications, But Completed While They Were On Hiatus And Never Used By The Band Until Long Distance Voyager (The Preceding Album, Octave, Having Been Recorded In California To Accommodate Mike Pinder), Before It Was Destroyed In The Wake Of Decca's Sale To Polygram. In That Connection, It Was Their Best Sounding Album To Date. Many Of The Songs Rank With The Band's Best: "The Voice" Is A Sweeping And Majestic Call To Adventure, While The Closing Trio From Ray Thomas ("Painted Smile," "Reflective Smile," And "Veteran Cosmic Rocker") Forms A Skillfully Wrought, If Sometimes Scathing, Self-Portrait. In Between Are Winning Numbers From John Lodge ("Talking Out Of Turn," The Pink-Hued "Nervous") And Graeme Edge ("22,000 Days"), Who Tries His Hand Successfully In Some Philosophizing Worthy Of Ex-Member Mike Pinder. Apart From The Opening Track, Justin Hayward Furnishes A Pair Of Romantic Ballads, The Languid "In My World" (Which Benefits Greatly From A Beautiful Chorus Heavily Featuring Ray Thomas' Voice), Which Distantly Recalls His Seventh Sojourn Classic "New Horizons," And The More Pop-Oriented, Beat-Driven Romantic Ballad "Meanwhile." This Album Should Make Anybody's Short List Of Moodies Goodies. And, Yes, That's Patrick Moraz Who Makes His Debut Here In Place Of Original Member Mike Pinder.” Dave Connolly & Brude Eder, AMG. more
	Long Distance Voyager New - LP - TRL-1-2901 Sealed 1981 Gatefold Original With Custom Song Sticker On Shrink. “Progressive Rock Bands Stumbled Into The '80s, Some With The Crutch Of Commercial Concessions Under One Arm, Which Makes The Moody Blues' Elegant Entrance Via Long Distance Voyager All The More Impressive. Ironically Enough, This Was Also The Only Album That The Group Ever Got To Record At Their Custom-Designed Threshold Studio, Given To Them By Decca Records Head Sir Edward Lewis In The Early '70s And Built To Their Specifications, But Completed While They Were On Hiatus And Never Used By The Band Until Long Distance Voyager (The Preceding Album, Octave, Having Been Recorded In California To Accommodate Mike Pinder), Before It Was Destroyed In The Wake Of Decca's Sale To Polygram. In That Connection, It Was Their Best Sounding Album To Date. Many Of The Songs Rank With The Band's Best: "The Voice" Is A Sweeping And Majestic Call To Adventure, While The Closing Trio From Ray Thomas ("Painted Smile," "Reflective Smile," And "Veteran Cosmic Rocker") Forms A Skillfully Wrought, If Sometimes Scathing, Self-Portrait. In Between Are Winning Numbers From John Lodge ("Talking Out Of Turn," The Pink-Hued "Nervous") And Graeme Edge ("22,000 Days"), Who Tries His Hand Successfully In Some Philosophizing Worthy Of Ex-Member Mike Pinder. Apart From The Opening Track, Justin Hayward Furnishes A Pair Of Romantic Ballads, The Languid "In My World" (Which Benefits Greatly From A Beautiful Chorus Heavily Featuring Ray Thomas' Voice), Which Distantly Recalls His Seventh Sojourn Classic "New Horizons," And The More Pop-Oriented, Beat-Driven Romantic Ballad "Meanwhile." This Album Should Make Anybody's Short List Of Moodies Goodies. And, Yes, That's Patrick Moraz Who Makes His Debut Here In Place Of Original Member Mike Pinder.” Dave Connolly & Brude Eder, AMG. more
	Long Distance Voyager Used - LP - L28P 1011 Beautiful Japanese Pressing Housed In A Gatefold Cover With Obi. A Hard To Find Japanese Title. Includes "The Voice," "Veteran Cosmic Rocker," "Gemini Dream" And More. Appears Glossy, Unplayed. more
	Long Distance Voyager New - LP - 820 105 Sealed 1981 Gatefold Second Issue. Saw Cut. more
	Long Distance Voyager New - LP - TRL-1-2901 Sealed 1981 Gatefold Original With Custom Song Sticker And The Original Sights 'N Sounds Record Store Price Tag On The Shrink Wrap. “Progressive Rock Bands Stumbled Into The '80s, Some With The Crutch Of Commercial Concessions Under One Arm, Which Makes The Moody Blues' Elegant Entrance Via Long Distance Voyager All The More Impressive. Ironically Enough, This Was Also The Only Album That The Group Ever Got To Record At Their Custom-Designed Threshold Studio, Given To Them By Decca Records Head Sir Edward Lewis In The Early '70s And Built To Their Specifications, But Completed While They Were On Hiatus And Never Used By The Band Until Long Distance Voyager (The Preceding Album, Octave, Having Been Recorded In California To Accommodate Mike Pinder), Before It Was Destroyed In The Wake Of Decca's Sale To Polygram. In That Connection, It Was Their Best Sounding Album To Date. Many Of The Songs Rank With The Band's Best: "The Voice" Is A Sweeping And Majestic Call To Adventure, While The Closing Trio From Ray Thomas ("Painted Smile," "Reflective Smile," And "Veteran Cosmic Rocker") Forms A Skillfully Wrought, If Sometimes Scathing, Self-Portrait. In Between Are Winning Numbers From John Lodge ("Talking Out Of Turn," The Pink-Hued "Nervous") And Graeme Edge ("22,000 Days"), Who Tries His Hand Successfully In Some Philosophizing Worthy Of Ex-Member Mike Pinder. Apart From The Opening Track, Justin Hayward Furnishes A Pair Of Romantic Ballads, The Languid "In My World" (Which Benefits Greatly From A Beautiful Chorus Heavily Featuring Ray Thomas' Voice), Which Distantly Recalls His Seventh Sojourn Classic "New Horizons," And The More Pop-Oriented, Beat-Driven Romantic Ballad "Meanwhile." This Album Should Make Anybody's Short List Of Moodies Goodies. And, Yes, That's Patrick Moraz Who Makes His Debut Here In Place Of Original Member Mike Pinder.” Dave Connolly & Brude Eder, AMG. more
	Long Distance Voyager New - LP - TRL-1-2901 Sealed 1981 Gatefold Original With Custom Song Sticker And The Original Tower Records Price Tag On The Shrink Wrap. “Progressive Rock Bands Stumbled Into The '80s, Some With The Crutch Of Commercial Concessions Under One Arm, Which Makes The Moody Blues' Elegant Entrance Via Long Distance Voyager All The More Impressive. Ironically Enough, This Was Also The Only Album That The Group Ever Got To Record At Their Custom-Designed Threshold Studio, Given To Them By Decca Records Head Sir Edward Lewis In The Early '70s And Built To Their Specifications, But Completed While They Were On Hiatus And Never Used By The Band Until Long Distance Voyager (The Preceding Album, Octave, Having Been Recorded In California To Accommodate Mike Pinder), Before It Was Destroyed In The Wake Of Decca's Sale To Polygram. In That Connection, It Was Their Best Sounding Album To Date. Many Of The Songs Rank With The Band's Best: "The Voice" Is A Sweeping And Majestic Call To Adventure, While The Closing Trio From Ray Thomas ("Painted Smile," "Reflective Smile," And "Veteran Cosmic Rocker") Forms A Skillfully Wrought, If Sometimes Scathing, Self-Portrait. In Between Are Winning Numbers From John Lodge ("Talking Out Of Turn," The Pink-Hued "Nervous") And Graeme Edge ("22,000 Days"), Who Tries His Hand Successfully In Some Philosophizing Worthy Of Ex-Member Mike Pinder. Apart From The Opening Track, Justin Hayward Furnishes A Pair Of Romantic Ballads, The Languid "In My World" (Which Benefits Greatly From A Beautiful Chorus Heavily Featuring Ray Thomas' Voice), Which Distantly Recalls His Seventh Sojourn Classic "New Horizons," And The More Pop-Oriented, Beat-Driven Romantic Ballad "Meanwhile." This Album Should Make Anybody's Short List Of Moodies Goodies. And, Yes, That's Patrick Moraz Who Makes His Debut Here In Place Of Original Member Mike Pinder.” Dave Connolly & Brude Eder, AMG. more
	Long Distance Voyager Used Import - K28P-161 1981 First Original Japanese Pressing, Gatefold Cover With Obi. Still In Original US Distributor Outersleeve, With Sticker Affixed To Rear Gatefold & Custom Audiophile Hype Sticker Affixed To The Outer Sleeve. A Hard To Find Japanese Title. Includes "The Voice," "Veteran Cosmic Rocker," "Gemini Dream" And More. Beautiful Copy! "Progressive Rock Bands Stumbled Into The '80s, Some With The Crutch Of Commercial Concessions Under One Arm, Which Makes The Moody Blues' Elegant Entrance Via Long Distance Voyager All The More Impressive. Ironically Enough, This Was Also The Only Album That The Group Ever Got To Record At Their Custom-Designed Threshold Studio, Given To Them By Decca Records Head Sir Edward Lewis In The Early '70s And Built To Their Specifications, But Completed While They Were On Hiatus And Never Used By The Band Until Long Distance Voyager (The Preceding Album, Octave, Having Been Recorded In California To Accommodate Mike Pinder), Before It Was Destroyed In The Wake Of Decca's Sale To Polygram. In That Connection, It Was Their Best Sounding Album To Date, And In Just About Every Way Is A Happier Listening Experience Than Octave Was, Much As It Appears To Have Been A Happier Recording Experience. While They May Steal A Page Or Two From The Electric Light Orchestra's Recent Playbook, The Moodies Are Careful To Play Their Game: Dreamy, Intelligent Songs At Once Sophisticated And Simple. Many Of These Songs Rank With The Band's Best: "The Voice" Is A Sweeping And Majestic Call To Adventure, While The Closing Trio From Ray Thomas ("Painted Smile," "Reflective Smile," And "Veteran Cosmic Rocker") Forms A Skillfully Wrought, If Sometimes Scathing, Self-Portrait. In Between Are Winning Numbers From John Lodge ("Talking Out Of Turn," The Pink-Hued "Nervous") And Graeme Edge ("22,000 Days"), Who Tries His Hand Successfully In Some Philosophizing Worthy Of Ex-member Mike Pinder. Apart From The Opening Track, Justin Hayward Furnishes A Pair Of Romantic Ballads, The Languid "In My World" (Which Benefits Greatly From A Beautiful Chorus Heavily Featuring Ray Thomas' Voice), Which Distantly Recalls His Seventh Sojourn Classic "New Horizons," And The More Pop-Oriented, Beat-Driven Romantic Ballad "Meanwhile." In Typical Moodies Fashion, These Songs Provide Different Perspectives Of The Same Shared Lives And Observations. "Gemini Dream," Which Was A Big Hit In The U.S., Does Sound Dated In Today's Post-Xanadu Landscape, But Never Does The Band Lose The Courage Of Their Convictions. Although The Title And The Cover Art Reference The Then-recent Voyager Space Probe, Only Half Of The Songs Have A "Voyager" Connection If You Apply It To Touring On The Road; Apologetic Love Songs Consume The Other Half. Still, Not Everything Has To Be A Concept Album, Especially When The Songs Go Down This Smooth. This Album Should Make Anybody's Short List Of Moodies Goodies. And, Yes, That's Patrick Moraz Who Makes His Debut Here In Place Of Original Member Mike Pinder." AMG Review By Dave Connolly. more
	Long Distance Voyager Audiophile - Used - 6391422 1980's gatefold reissue; Part of Polygram's "Imported Audiophile" series. Still housed in the original protective outer sleeve with sticker seal (broken) and custom hype sticker. "Progressive Rock Bands Stumbled Into The '80s, Some With The Crutch Of Commercial Concessions Under One Arm, Which Makes The Moody Blues' Elegant Entrance Via Long Distance Voyager All The More Impressive. Ironically Enough, This Was Also The Only Album That The Group Ever Got To Record At Their Custom-Designed Threshold Studio, Given To Them By Decca Records Head Sir Edward Lewis In The Early '70s And Built To Their Specifications, But Completed While They Were On Hiatus And Never Used By The Band Until Long Distance Voyager (The Preceding Album, Octave, Having Been Recorded In California To Accommodate Mike Pinder), Before It Was Destroyed In The Wake Of Decca's Sale To Polygram. In That Connection, It Was Their Best Sounding Album To Date, And In Just About Every Way Is A Happier Listening Experience Than Octave Was, Much As It Appears To Have Been A Happier Recording Experience. While They May Steal A Page Or Two From The Electric Light Orchestra's Recent Playbook, The Moodies Are Careful To Play Their Game: Dreamy, Intelligent Songs At Once Sophisticated And Simple. Many Of These Songs Rank With The Band's Best: "The Voice" Is A Sweeping And Majestic Call To Adventure, While The Closing Trio From Ray Thomas ("Painted Smile," "Reflective Smile," And "Veteran Cosmic Rocker") Forms A Skillfully Wrought, If Sometimes Scathing, Self-Portrait. In Between Are Winning Numbers From John Lodge ("Talking Out Of Turn," The Pink-Hued "Nervous") And Graeme Edge ("22,000 Days"), Who Tries His Hand Successfully In Some Philosophizing Worthy Of Ex-member Mike Pinder. Apart From The Opening Track, Justin Hayward Furnishes A Pair Of Romantic Ballads, The Languid "In My World" (Which Benefits Greatly From A Beautiful Chorus Heavily Featuring Ray Thomas' Voice), Which Distantly Recalls His Seventh Sojourn Classic "New Horizons," And The More Pop-Oriented, Beat-Driven Romantic Ballad "Meanwhile." In Typical Moodies Fashion, These Songs Provide Different Perspectives Of The Same Shared Lives And Observations. "Gemini Dream," Which Was A Big Hit In The U.S., Does Sound Dated In Today's Post-Xanadu Landscape, But Never Does The Band Lose The Courage Of Their Convictions. Although The Title And The Cover Art Reference The Then-recent Voyager Space Probe, Only Half Of The Songs Have A "Voyager" Connection If You Apply It To Touring On The Road; Apologetic Love Songs Consume The Other Half. Still, Not Everything Has To Be A Concept Album, Especially When The Songs Go Down This Smooth. This Album Should Make Anybody's Short List Of Moodies Goodies. And, Yes, That's Patrick Moraz Who Makes His Debut Here In Place Of Original Member Mike Pinder." All Music Guide - Dave Connolly. more
	Magnificent Moodies Used - LP - LK 4711 Beautiful 1965 UK Narrow-Band Mono Original. 2A/1A Stampers. High Gloss Cover. LP Appears Unplayed. There Is No Wide Band (Unboxed) Version Of This Title. more
	Magnificent Moodies Used - LP - LK-4711 Stunning 1965 UK Unboxed Logo (Wide Band) Mono Original With 2A/1A Stampers Housed In A Laminated Cover. more
	Magnificent Moodies Used - LP - LK 4711 Beautiful 1971 2nd UK Mono Press. Decca Box Logo On Label. Vinyl And Cover NM. more
	Moody Blues Collection Used - LP - CCSLP 105 1985 UK 2LP Gatefold Compilation. Both LPs Appear Glossy, Unplayed. more
	Octave New - LP - PS 708 Sealed 1978 Gatefold Original. Custom Sticker Over Shrink Wrap. more
	Octave Colored Vinyl - PS 708 Sealed 1978 Limited Edition Blue Virgin Vinyl Housed In A Gatefold Cover With Custom "Octave" Inner Sleeve. Vinyl Scan Is From An Open Copy We Had In Stock Five Years Ago. more
	Octave Colored Vinyl - PS 708 Sealed 1978 Special Promo Release Pressed On Marbled Light Blue Vinyl. Custom Promo Sticker On Front Of Gatefold Jacket. more
	Octave Used Import - 6376 125 1978 Gatefold Import Misprint Copy. Vinyl Appears Glossy, Unplayed. more
	Octave New - LP - PS 708 Sealed 1978 Gatefold Original. Saw Cut. more
	Octave New - LP - PS 708 Sealed 1978 Gatefold Original With Custom Inner Sleeve. Cut Corner. more
	Octave Used Import - GP 1097 1978 Japanese first press with Obi & insert. Small bottom seam split to rear fold. more
	Octave Used - LP - PS 708 Beautiful 1978 promotional copy limited to 5,000 and pressed on light blue vinyl. Glossy, NM- vinyl. Large 'Not for Sale' sticker affixed to VG++ gatefold jacket. Includes the custom printed inner sleeve. "The Moody Blues' resumed work together after a four-year hiatus and delivered Octave in 1978, which quickly became a hit but has also proved to be a very problematic album. Picking up where he left off on Seventh Sojourn, bassist/singer John Lodge generated a hit single (and also a solid album opener) with the surprisingly edgy (for this band) rocker "Steppin' in a Slide Zone." And Justin Hayward's "Had to Fall in Love," "Driftwood," and "The Day We Meet Again" -- the latter their best album closer since "Watching and Waiting" -- are also up to the standard one would wish for (and a bit of a surprise, coming in the wake of two major solo projects that should have depleted his song bag). Additionally, Graeme Edge's "I'll Be Level with You" gives the album some harder rocking moments, but that's not the real reason for buying Moody Blues records; rather, it's the sweep, the overall body of music and vision, psychedelic and romantic, punched up with some solid rock moments, and it's this larger arc of the music that is missing here. Ray Thomas' two songs are lackluster compared with his earlier work; and Mike Pinder's "One Step Into the Light" is so limited in its scope, compared to his earlier album-defining mystical explorations, that he's barely a presence on the album (and he did quit the band in the course of completing this record). As well as not quite offering an album's worth of good songs, the whole album lacks the depth and scope of preceding releases; 1978 would have been a little late for an album steeped in psychedelia, but the MBs didn't quite have anything to replace the latter element in the mix. Octave has its moments, and even a few very good ones -- and two great ones, on "Steppin' in a Slide Zone" and the place where the chorus comes in on "The Day We Meet Again" -- but they're not supported by enough that's worthwhile." All Music Guide - Bruce Eder more
	Octave Used - LP - PS 708 1978 Gatefold Original. Vinyl Appears Glossy, Unplayed. more
	On The Threshold Of A Dream Used - LP - DES 18025 1969 Heavy-Duty Gatefold. LP Appears Glossy. Includes Lyrics Booklet. more
	On The Threshold Of A Dream Audiophile - LP - MFSL 1-215 Factory Sealed, 1995 Limited Edition, Foil Numbered, Half-Speed Mastered 200gm Anadisc, Housed In A Deluxe Gatefold Jacket With 12 Page Booklet. This Is Number 0427. more
	On The Threshold Of A Dream Used Import - 6412 328 1972 Import Original In Laminated Gatefold. Top Of The List In The Moody Blues Discography. There Are Numerous High Quality Represses Of This LP For A Reason. more
	On The Threshold Of A Dream Used Import - SML.1035 1969 UK Stereo, Laminated Gatefold Original. Includes 12 Page Booklet. An Indicator Hole On Back Cover Shows Blue Color Representing Stereo Pressing. more
	On The Threshold Of A Dream Used Import - L20P 1040 1982 Japan Import With Obi And Insert. more
	On The Threshold Of A Dream Audiophile - LP - NR 21 1981 Limited Edition Half-Speed Master Housed In A Gatefold Cover With 4 Page Lyrics Insert. LP Appears Glossy On This Great Sounding Remaster. more
	On The Threshold Of A Dream Audiophile - New - MFSL 1-215 Sealed 1995 Limited Edition, Half-Speed Mastered 200gm HQ Anadisc, Housed In A Deluxe Gatefold Cover. Number 0849. Tiny Corner Ding. more
	On The Threshold Of A Dream Audiophile - Used - NR 21 1981 Limited edition, audiophile half-speed remaster from Nautilius. Housed in a gatefold cover with 4 page lyrics insert. "On the Threshold of a Dream was the first album that the Moody Blues had a chance to record and prepare in a situation of relative calm, without juggling tour schedules and stealing time in the studio between gigs -- indeed, it was a product of what were almost ideal circumstances, though it might not have seemed that way to some observers. The Moodies had mostly exhausted the best parts of the song bag from which their two preceding albums, Days of Future Passed and In Search of the Lost Chord, had been drawn, and as it turned out, even the leftover tracks from those sessions wouldn't pass muster for their next long-player project -- but those albums had both been hits, and charted well in America as well as England, and had overlapped with a pair of hit singles, "Nights in White Satin" and "Tuesday Afternoon," on both sides of the Atlantic. Their success had earned them enough consideration from Decca Records that they could work at their leisure in the studio through all of January and most of February of 1969; what's more, with two LPs under their belt, they now had a much better idea of what they could accomplish in the studio, and write songs with that capability in mind. Equally important, they'd just come off of an extensive U.S. tour (opening for Cream) and had learned a lot in the course of concertizing over the previous year, achieving a much bolder yet tighter sound instrumentally as well as vocally, and they could now write to and for that sound as well. So this album is oozing with bright, splashy creative flourishes in two seemingly contradictory directions that somehow come together as a valid whole. On the original LP's first side (which was the more rock-oriented side), the songs "Lovely to See You," "Send Me No Wine," "To Share Our Love," and "So Deep Within You" all featured killer guitar hooks (electric and acoustic) and fills by Justin Hayward; beautiful, muscular bass from John Lodge; and vocal hooks everywhere. It's also a surprisingly hard-rocking album considering the amount of overdubbing that went into perfecting the songs, including cellos, wind and reed instruments, and lots of vocal layers -- yet it even found room to display a pop-soul edge on "So Deep Within You" (a number that the Four Tops later recorded)." All Music Guide - Bruce Eder. more
	On The Threshold Of A Dream Audiophile - Used - MFSL 1-215 1995 Limited Edition, Half-Speed Mastered 200gm HQ Anadisc, Housed In A Deluxe Gatefold Cover. Number 1980. Corner ding. "On the Threshold of a Dream" is the fourth studio album by the British rock band The Moody Blues, released in April 1969. This album marks a significant development in the band's musical journey, showcasing their blend of progressive rock with orchestral elements. It is known for its innovative use of the Mellotron, a keyboard instrument that emulates orchestral sounds, which became a signature aspect of their style. The album explores themes of dreams, reality, and consciousness, inviting listeners to embark on a conceptual journey. The tracks seamlessly transition into one another, creating a cohesive listening experience that was pioneering for its time. The album opens with the spoken-word piece "In the Beginning," setting the stage for a series of songs that delve into introspection and existential musings. Among its standout tracks are "Lovely to See You," known for its upbeat tempo and catchy melody, and "Never Comes the Day," which features a more acoustic, folk-inspired sound. The closing suites, "The Dream" and "Have You Heard (Parts 1 & 2)," encapsulate the album's thematic ambition, culminating in an orchestral crescendo. "On the Threshold of a Dream" received critical acclaim upon its release, praised for its lyrical depth and sophisticated production, and remains a seminal work in the Moody Blues' discography. more
	On The Threshold Of A Dream Audiophile - LP - NR 21 Factory Sealed, Limited Edition, Half-Speed Master Housed In A Gatefold Jacket. more
	On The Threshold Of A Dream Audiophile - LP - NR 21 1981 Limited Edition Half-Speed Master Housed In A Gatefold Cover With 4 Page Lyrics Insert. Glossy, Unplayed Condition. more
	On The Threshold Of A Dream Used - LP - L20P 1040 Japanese Pressing With Insert, No Obi. more
	On The Threshold Of A Dream Used - LP - L20P 1040 Japanese Pressing With Obi & Insert. Gatefold Cover. An All-Time Classic. more
	On The Threshold Of A Dream Audiophile - Used - MFSL 1-215 1995 Limited Edition, Half-Speed Mastered 200gm HQ Anadisc, Housed In A Deluxe Gatefold Cover. Number 0849. Tiny Corner Ding. more
	On The Threshold Of A Dream Audiophile - LP - MFSL 1-215 Factory Sealed, Limited Edition, Half-Speed Mastered 200gm Anadisc. This Is Mega Low Number 0010. more
	On The Threshold Of A Dream Used - LP - K18P 33 Beautiful Japanese Pressing With Obi. more
	On The Threshold Of A Dream New - LP - DES 18025 Sealed Late 1970s All Analogue Issue. Non Gatefold Jacket With No Bar Code. more
	On The Threshold Of A Dream Used - LP - L20P 1040 Beautiful Japanese Promo Label. Gatefold Jacket With Obi And 4 Page Lyric Insert. more
	On The Threshold Of A Dream Audiophile - LP - MFSL 1-215 Limited Edition 200gm Anadisc Half-Speed Master Housed In A Deluxe Gatefold Cover. This Is Low Number 0813. more
	On The Threshold Of A Dream New - LP - DES 18025 Sealed 1969 Very Heavy Gatefold Original With 10 Page Booklet. more
	On The Threshold Of A Dream New - LP - DES 18025 Sealed 1969 Very Heavy Gatefold Original With 10 Page Booklet. Promo Sticker On Front Cover. more
	On The Threshold Of A Dream New - LP - DES 18025 Sealed 1969 Very Heavy Gatefold Original With 10 Page Booklet. more
	On The Threshold Of A Dream New - LP - 820 170 Sealed Early 80's Reissue. more
	On The Threshold Of A Dream New - LP - DES 18025 Sealed 1969 Very Heavy Gatefold Original With 10 Page Booklet. Clean Cut Out Hole. more
	On The Threshold Of A Dream Audiophile - LP - NR 21 Factory Sealed 1981 Limited Edition, Half-Speed Master Housed In A Gatefold Jacket. Gold Teldec Sticker And Unusual Charles Bogle Phonograph Dispensary Sticker On The Shrink Wrap. more
	On The Threshold Of A Dream Audiophile - LP - NR 21 1981 Limited Edition Half-Speed Master Housed In A Gatefold Cover With 4 Page Lyrics Insert. LP Appears Glossy, Unplayed On This Great Sounding Remaster. Cover Is VG++ more
	On The Threshold Of A Dream Used - LP - DES 18025 Rare 1969 Heavy Vinyl First Label With 1E/1E Stampers. Includes The 16 Page Lyrics Booklet. Shrink Wrap Intact With The Original Department Store Tag On The Shrink. Appears Glossy, Unplayed. more
	Say It With Love Colored Vinyl - ER204161 Sealed 2018 Record Store Day Exclusive, Limited Edition 3 Track 12 Inch Pressed On White With Blue Marble Vinyl. Custom RSD Hype Sticker On Shrink. In Celebration Of The 50th Anniversary Of Their Iconic, Landmark Album, Days Of Future Passed, The Moody Blues Performed The Album In Its Entirety In Toronto At The Sony Centre For The Performing Arts In July 2017. The Performance Was Backed By A 67-Piece Symphony Orchestra. These Three Live Cuts Are Pulled From The Set For An Exclusive RSD Release. more
	Seventh Sojourn Audiophile - Used - MFSL 1-151 1984 Limited Edition Half-Speed Master Housed In A Gatefold Jacket. Cut Out Hole & Tiny Dinged Corners. LP Appears Glossy. more
	Seventh Sojourn Used - LP - THS-7 1972 Original Still In Shrink. By This Stage Of The Moody Blues Their Music Is More Radio Friendly And Seventh Sojourn Cozies Up To 70's Soft Rock Perfectly. more
	Seventh Sojourn Used - LP - THS 7 1972 UK Gatefold Original With The Colour Lyric Insert. 5W/5W Matrixes. Slight Ring Wear At The Bottom Of The Jacket (See Scan). LP Appears Unplayed. more
	Seventh Sojourn New - LP - THS 7 Sealed 1972 Gatefold Original, Small CC. more
	Seventh Sojourn Audiophile - LP - MFSL 1-151 Factory Sealed Half-Speed Mastered Rarity Housed In Gatefold Jacket. Pristine Copy. more
	Seventh Sojourn Used - LP - THS 7 1972 German Original Housed In Gatefold Cover With Attached Insert. Appears Unplayed. more
	Seventh Sojourn Used - LP - LAX 1027 Beautiful 1978 Japanese Gatefold With Obi. Shrink Wrap Intact. Short, Barely Visible Bottom Seam Split. more
	Seventh Sojourn New - LP - THS 7 Factory Sealed 1972 Gatefold Original. more
	Seventh Sojourn Used - LP - THS 7 Beautiful 1972 Heavy-Duty Gatefold Original With Custom Inner Sleeve. more
	Seventh Sojourn Audiophile - LP - MFSL 1-151 1984 Half-Speed Mastered Rarity Housed In A Heavy-Duty Gatefold Jacket. LP Appears Glossy, Unplayed. Pressed In Japan By JVC. more
	Seventh Sojourn Used - LP - THS 7 1972 Heavy-Duty Gatefold Original. No Custom Inner, Light Jacket Wear, Small Initials On Back Jacket. Vinyl Is Near Mint. more
	Seventh Sojourn New - LP - THS 7 Sealed 1972 Gatefold Original. Cut Out Hole. more
	Seventh Sojourn New - LP - L20P 1023 1982 Japanese Gatefold Reissue With Obi. LP Appears New, Unplayed. more
	Seventh Sojourn New - LP - THS 7 Factory Sealed 1972 Gatefold Original With Part Of The Original Department Store Tag On The Shrink Wrap. 5 Stars! Archival Quality Copy. more
	Seventh Sojourn Used - LP - LAX 1027 1978 Japanese Gatefold With Obi. 3 Inch Center Bottom Seam Split. LP Appears Glossy, Unplayed. more
	Seventh Sojourn Used - LP - L20P 1023 1982 Japanese Promo Label With Obi. LP Appears Glossy, Unplayed. Oval Promo Sticker On Cover. Rear Mouth Of Gatefold Has Two Small Nicks, Hence $50 Reduction. more
	Sitting At The Wheel Used Import - THX 31 / 810-280-1 1983 UK 45rpm Three Song 12 Inch Housed In A Picture Sleeve. Appears New, Unplayed. B/W "Gemini Dream" And "Sorry." more
	Sur La Mer Used Import - 835 756-1 1988 Canadian original; club pressing. Glossy, NM- vinyl and jacket! Tiny corner bump. Top Copy! "Though this 1988 recording starts out with a song that rightfully stands with their best work, the rest of the album doesn't live up to that high standard. "I Know You're out There Somewhere" (a thematic extension of the 1986 hit "Your Wildest Dreams") is lyrically and musically superior in all aspects; fine textured keyboards from Patrick Moraz are featured in the middle of the song. However, the rest of the album is mostly inconsequential material that simply doesn't grab the listener. Part of the problem lies in the fact that Justin Hayward and John Lodge wrote all of the material. Ray Thomas is totally absent, and while he contributed less songs in the 1980s, his absence is sorely missed, especially in the vocal harmonies. Thomas' songs often bring a more whimsical point of view, which certainly would have helped diversify the mood of this release. Also, there is a "techno" feel to many of the arrangements, bringing a "manufactured" feel to the proceedings. In all fairness, none of the songs are total failures, and Sur La Mer is a bit more consistent overall than the Moodies last effort, The Other Side of Life. "Vintage Wine" is a catchy, if slight, look back at the '60s. "Deep" is as overtly sexual as any piece in the Moody Blues songbook. "Breaking Point" is much darker than most material in the group's catalog, as it looks at someone who is seemingly at the brink of losing sanity. Though the Moody Blues have been unjustly criticized over their career for being pompous or bombastic, their unique gift to the world of popular music is as archetypal art-rockers who sincerely write of the quest for finding meaning in life. Unfortunately, on Sur La Mer, most of the songs are of the light and laid-back variety; the group could have used more bombast and self-importance." All Music Guide - Michael Ofjord more
	Sur La Mer New - LP - 835 756 Sealed, Hard To Find 1988 Original. Unable To Confirm Pressing Info. Still Has Custom Song Hype Sticker On The Shrink Wrap. Small Saw Cut. more
	Sur La Mer Used - LP - 835 756 Hard To Find 1988 Vinyl And An Excellent Album To Boot. more
	The Other Side Of Life Used - LP - 829 179-1 Hard To Find 1986 Original With Inner Sleeve. EX copy. more
	The Other Side Of Life Used - LP - 829 179-1 Y-1 1986 Original With Custom Inner Sleeve. Vinyl Is NM- And Cover Is VG+ more
	The Other Side Of Life Used - LP - 829 179-1 Y-1 1986 original complete with the original custom printed inner sleeve. VG++ vinyl. Gold promo stamp on back. "The Moody Blues' best album in five years benefited mostly from the presence of the Top Ten single "Your Wildest Dreams," authored by Justin Hayward, which turned their status as survivors from the '60s psychedelic era into a plus, with a great beat to boot; it also debuted with a very entertaining video featuring young British psychedelic rockers the Mood Six playing the young Moody Blues to promote the song on the newly dominant MTV and rival video outlets. Unfortunately, nothing else that Hayward or anyone else turned in for this album was remotely as catchy, and, in fact, much of the rest of the album -- apart from the closer, John Lodge's "It May Be a Fire," which recalls his and Hayward's collaboration on the Blue Jays album -- shows signs of a group running on empty creatively. Ray Thomas is totally absent as a songwriter, and Graeme Edge and Patrick Moraz between them offer one lackluster song. Lodge and Hayward together furnish a pair of serviceable if not dazzling rockers, "Talkin' Talkin'" and "Slings and Arrows," the latter benefiting from a great beat, chorus, and vocal arrangement more than anything in the lyrics, but their "Running Out of Love" is a terrible song with a great chorus; and Lodge's "Rock 'n' Roll Over You" ultimately runs about a minute too long for its own good, and mostly succeeds in recalling older (and better) hard rock numbers by him, such as "Gemini Dream" and "Stepping in a Slide Zone." And Hayward's title track is more lugubrious than lyrical. The album, thanks to the video and the single, was good enough to tour off of, and help pull in the group's most enthusiastic audiences in a half-decade, but this would end up being much more the high-water mark commercially for their post-'70s work than a fresh start." All Music Guide - Bruce Eder more
	The Other Side Of Life Used - LP - 829 179-1 Y-1 1986 original Columbia House club pressing. Glossy, NM- vinyl. CRC on back. Includes printed inner sleeve. "The Moody Blues' best album in five years benefited mostly from the presence of the Top Ten single "Your Wildest Dreams," authored by Justin Hayward, which turned their status as survivors from the '60s psychedelic era into a plus, with a great beat to boot; it also debuted with a very entertaining video featuring young British psychedelic rockers the Mood Six playing the young Moody Blues to promote the song on the newly dominant MTV and rival video outlets. Unfortunately, nothing else that Hayward or anyone else turned in for this album was remotely as catchy, and, in fact, much of the rest of the album -- apart from the closer, John Lodge's "It May Be a Fire," which recalls his and Hayward's collaboration on the Blue Jays album -- shows signs of a group running on empty creatively. Ray Thomas is totally absent as a songwriter, and Graeme Edge and Patrick Moraz between them offer one lackluster song. Lodge and Hayward together furnish a pair of serviceable if not dazzling rockers, "Talkin' Talkin'" and "Slings and Arrows," the latter benefiting from a great beat, chorus, and vocal arrangement more than anything in the lyrics, but their "Running Out of Love" is a terrible song with a great chorus; and Lodge's "Rock 'n' Roll Over You" ultimately runs about a minute too long for its own good, and mostly succeeds in recalling older (and better) hard rock numbers by him, such as "Gemini Dream" and "Stepping in a Slide Zone." And Hayward's title track is more lugubrious than lyrical. The album, thanks to the video and the single, was good enough to tour off of, and help pull in the group's most enthusiastic audiences in a half-decade, but this would end up being much more the high-water mark commercially for their post-'70s work than a fresh start." All Music Guide - Bruce Eder more
	The Other Side Of Life Used - LP - 829 179-1 Clean 1986 Original. Custom Song Sticker On Shrink. Custom Polydior Labels more
	The Present New - LP - TRL-1-2902 Sealed 1983 Gatefold Original. Custom Song Hype Sticker And The Original Gibson Record Store Price Tag On The Shrink Wrap Which Has Small Tear. more
	The Present New - LP - TRL-1-2902 Sealed 1983 Gatefold Original. Small Saw Cut. more
	The Present Used Import - L25P 1156 1983 Japanese gatefold pressing with Obi & insert. "ELO fans who found in Long Distance Voyager a new Discovery can be excused for thinking there's no Time like The Present. Just as ELO's follow-up to the sweeping Discovery seemed tame by comparison, so The Present failed to match the grandiose arrangements of the Moodies' previous record. It's still a solid effort, bolstered by strong songwriting and pleasant melodies, but as good as the opening "Blue World" is, its downbeat message is no substitute for the clarion call of "The Voice." The Present seems to make a conscious effort to scale back the arena-size sound of their previous album, returning to the warmly rendered ballads of old. Patrick Moraz, whose keyboards were a revelation on Long Distance Voyager, plays a diminished role here, as Justin Hayward's guitar takes more of the lead, suggesting a poor man's Phil Manzanera or David Gilmour. While it charted well and provided hit singles in "Blue World" and "Sitting at the Wheel" (again, it's John Lodge who provides the most invigorating track), The Present is a gift that listeners will need to warm up to over time. Only after several sittings do Hayward's lush ballads like "Meet Me Halfway" and "Running Water" sink in. Following the format of their last effort, the closing tracks are given to Ray Thomas, who once more proves a compelling presence (he's also the only good thing about "Going Nowhere"). "I Am" and "Sorry" amount to little more than love songs, but Thomas' sense for dramatic arrangements manages to elevate the musical discussion. Given the now infrequent release of new albums by the Moody Blues, more could have been expected from The Present, but less could have been achieved (as the disappointing Keys of the Kingdom demonstrated). If it's merely average by Moodies standards, at least The Present didn't bode ill for the future." All Music Guide - Dave Connolly. more
	The Present Used Import - 6.25633 AO 1983 DMM mastered German import. Glossy, VG++/EX vinyl. Moderate wear to flimsy gatefold jacket. "ELO fans who found in Long Distance Voyager a new Discovery can be excused for thinking there's no Time like The Present. Just as ELO's follow-up to the sweeping Discovery seemed tame by comparison, so The Present failed to match the grandiose arrangements of the Moodies' previous record. It's still a solid effort, bolstered by strong songwriting and pleasant melodies, but as good as the opening "Blue World" is, its downbeat message is no substitute for the clarion call of "The Voice." The Present seems to make a conscious effort to scale back the arena-size sound of their previous album, returning to the warmly rendered ballads of old. Patrick Moraz, whose keyboards were a revelation on Long Distance Voyager, plays a diminished role here, as Justin Hayward's guitar takes more of the lead, suggesting a poor man's Phil Manzanera or David Gilmour. While it charted well and provided hit singles in "Blue World" and "Sitting at the Wheel" (again, it's John Lodge who provides the most invigorating track), The Present is a gift that listeners will need to warm up to over time. Only after several sittings do Hayward's lush ballads like "Meet Me Halfway" and "Running Water" sink in. Following the format of their last effort, the closing tracks are given to Ray Thomas, who once more proves a compelling presence (he's also the only good thing about "Going Nowhere"). "I Am" and "Sorry" amount to little more than love songs, but Thomas' sense for dramatic arrangements manages to elevate the musical discussion. Given the now infrequent release of new albums by the Moody Blues, more could have been expected from The Present, but less could have been achieved (as the disappointing Keys of the Kingdom demonstrated). If it's merely average by Moodies standards, at least The Present didn't bode ill for the future." All Music Guide - Dave Connolly more
	The Present Used - LP - TRL-1-2902 Hard To Find 1983 Gatefold Original With Custom Inner Sleeve. more
	The Present New - LP - TRL-1-2902 Sealed, Extremely Hard To Find 1983 Gatefold Original. Custom Song Hype Sticker Over Shrink Wrap, Saw Cut. more
	The Present Used - LP - TRL-1-2902 Hard To Find 1983 Gatefold Original With Custom Inner Sleeve. more
	The Present Used - LP - TRL-1-2902 Hard-To-Find 1983 Gatefold Original. Appears Unplayed. Missing Custom Inner & Small Initials On Back Jacket, Hence Price. more
	The Present New - LP - TRL-1-2902 Sealed, Extremely Hard To Find 1983 Gatefold Original. Custom Song Hype Sticker On The Shrink Wrap. more
	This Is The Moody Blues Used - LP - MB 1/2 Beautiful 1974 UK 2LP Gatefold Compilation. Both LPs Look Unplayed. more
	This Is The Moody Blues Used - LP - 2 THS 12/13 Rare 1974 2LP Gatefold Which Includes The Previously Unreleased "Simple Game." Custom Song Hype Sticker On Shrink Wrap. Both LPs Appear Glossy, Unplayed. more
	This Is The Moody Blues New - LP - 2 THS 12/13 Sealed 1974 Gatefold First Pressing Of This 2LP Setr. Includes The Previously Unreleased "Simple Game." Cut Corner. Small Lower Right Corner Bump. more
	This Is The Moody Blues New - LP - 2 THS 12/13 First Sealed Copy We Have Ever Seen Of This 1974 2LP Gatefold First Pressing Which Includes The Previously Unreleased "Simple Game." Pristine Store Stock Copy With The Original Sears Price Tag In Place. more
	This Is The Moody Blues New - LP - 2 THS 12/13 Sealed 1974 2LP Gatefold First Issue (Later Released As A Non Gatefold) Which Includes The Previously Unreleased "Simple Game." Cut Corner. more
	This Is The Moody Blues New - LP - 2 THS 12/13 Factory Sealed, Rare 1974 2LP Gatefold Which Includes The Previously Unreleased "Simple Game." more
	This Is The Moody Blues New - LP - 820 007-1 R-2 / 2THS 12 Sealed 1984 2nd Issue Of The 1974 2LP Compilation Housed In A Single Cover Rather Than The Original Gatefold. Bar Code On Back Cover. Includes The Previously Unreleased "Simple Game." more
	This Is The Moody Blues New - LP - 2 THS 12/13 Sealed 1974 2LP Gatefold Compilation Which Includes The Previously Unreleased "Simple Game." CRC Club Edition. more
	This Is The Moody Blues New - LP - 2 THS 12/13 Factory Sealed, 1974 2LP Gatefold Original Which Includes The Previously Unreleased "Simple Game." Unable To Confirm Exact Press. "It Might Surprise Those Coming In Late To Their Story That The Original Double-lp Version Of This Album From 1974 Was The First Compilation Devoted To The Moody Blues' Work. That's Seven Years After Their Switch From R&b-based British Invasion Rock & Roll To Psychedelic Music, And Ten Years Into Their Overall History, An Awfully Long Time For A Successful Band To Avoid The Compilation Route. That Fact Alone Speaks Volumes For How Healthy Their Album Sales Were -- Only The Group's Decision To Take A Hiatus Seems To Have Prompted The Assembling Of This Collection. The Moody Blues Had Actually Had Enough Hits And Charting Singles Between England And America Since 1967 So That A Good Best-of Could Have Been Assembled, But The Makers Went Far Beyond That, Encompassing Lp Tracks That Had Become Favorites On Fm Radio Between 1967 And 1973 And Also Ignoring The Actual Release Order Of Anything Here. So Instead Of A Tour Through Their History, Listeners Get A Kind Of Collage Of Most Of Their Best Work, The Songs Nicely Representative Of The Various Members' Most Important Contributions To The Group's Work. That Said, However, It Should Also Be Pointed Out That So Much Of The Band's Music Is Connected, Conceptually And Thematically, With The Surrounding Songs On Their Albums That Inevitably The Listener Will Feel Rushed Through Some Of This History; Additionally, There Is One Excellent Number Left Off For Every Three That Are Included." AMG - Bruce Eder. more
	This Is The Moody Blues Used - LP - 820 007-1 R-2 1984 2LP Reissue more
	To Our Children's Children's Children Used - LP - L20P 1033 1982 Japanese Reissue Housed In A Gatefold Cover With Obi. LP Is In Glossy Condition. more
	To Our Children's Children's Children Used Import - THS 1 1969 Original UK Press, In Gatefold Jacket With Custom Brown Photo/Lyric Inner Sleeve. more
	To Our Children's Children's Children Used - LP - THS 1 1969 Heavy Gatefold Original. more
	To Our Children's Children's Children Used - LP - THS 1 Gatefold Second Issue With Custom Brown Photo/Lyric Inner Sleeve. Appears Virtually Unplayed. Cover Is VG+. more
	To Our Children's Children's Children Audiophile - LP - MFSL 1-253 1996 Limited Edition, Foil Numbered 200gm Anadisc Housed In A Deluxe Gatefold Cover. This Is Low Number 0475. Glossy, Unplayed Condition. First Copy We Have Had In Stock In Ten Years. more
	To Our Children's Children's Children New - LP - MFSL 1-253 200gm HQ Gatefold. Factory Sealed, Mega Low Number 0033. more
	To Our Children's Children's Children Used - LP - THS 1 Beautiful 1969 UK Gatefold Original With Custom Lyric Insert. 2W/2W Stampers. Shrink Wrap Intact. more
	To Our Children's Children's Children Audiophile - LP - MFSL 1-253 Factory Sealed 1996 Limited Edition, Foil Numbered 200gm Half-Speed Mastered Anadisc Housed In A Deluxe Gatefold Cover. This Is Number 2049. Pristine Copy. more
	To Our Children's Children's Children New - LP - THS 1 Factory Sealed 1969 Heavy Gatefold Original With Custom Song Listing Sticker On Rear Shrink Wrap. more
	To Our Children's Children's Children New - LP - THS 1 Sealed Non-Gatefold 2nd Issue. Crisp Corners. more
	To Our Children's Children's Children New - LP - MFSL 1-253 Factory Sealed, Limited Edition 200gm Anadisc. Low Number 0178. more
	To Our Children's Children's Children Audiophile - LP - MFSL 1-253 Factory Sealed, Limited Edition 200gm Anadisc. This Is Low Number 0410. Pristine Copy. more
	To Our Children's Children's Children New - LP - THS 1 New, Unplayed Dutch Pressing, Gatefold Jacket. more
	To Our Children's Children's Children New - LP - THS 1 Factory Sealed 1969 Heavy Gatefold Original With Custom Song Listing Sticker On Rear Shrink Wrap. Cut Out Hole. more
	To Our Children's Children's Children Used - LP - LAX 024 1978 Japanese Reissue With Wide Obi. LP Appears Glossy, Unplayed. more
	To Our Children's Children's Children New - LP - THS 1 Factory Sealed Gatefold Original. Label Variation Unknown. more
	To Our Children's, Children's, Children Used - LP - THS 1 1969 Original In Gatefold Jacket With Custom Brown Photo/Lyric Inner Sleeve. Slight Edge Warp, Hence Price. more
	To Our Children's, Children's, Children Used - LP - THS 1 Stunning 1969 Heavy Vinyl First Pressing In Gatefold Jacket. Shrink Wrap Intact With Custom Track Listing Sticker On Rear Shrink. more
	Veteran Cosmic Rockers Used - LP - 001 1986 2LP "Live" Recording Pressed On Quality Heavy Vinyl And Housed In A Full Color Artwork Laminated Jacket. Also Includes A Glossy 8x10 Press Photo Of The Group. Both LPs Appear Glossy, Unplayed. First Copy We Have Seen In Five Years. more
	Veteran Cosmic Rockers Used - LP - 001 Rare 1986 2LP "Live" Recording Pressed On Quality Heavy Vinyl And Housed In A Full Color Artwork Laminated Jacket. Both LPs Appear Glossy, Unplayed. more
	Voices In The Sky New - LP - 820 155 Sealed 1985 10 Track Hits Compilation. RCA Music Service Pressing. more
	Voices In The Sky New - LP - 820 155 Sealed 1985 10 Track Hits Compilation With Custom Hype Sticker On The Shrink Wrap. Tiny Saw Cut. more
	Voices In The Sky Used - LP - 820 155 1985 10 Track Hits Compilation Still In Shrink. Appears Glossy, Unplayed. more
	Voices In The Sky New - LP - 820 155 Sealed 1985 Compilation. more
	Voices In The Sky: The Best Of The Moody Blues Used - LP - 820 155-1 R-1 1985 10 Track Hits Compilation Still In Shrink, With Custom Hype Sticker On The Shrink Wrap. more

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