Nine Inch Nails

Vinyl Records and Rare LPs:

	Broken New - LP - B0025684-01 Sealed 2017 180gm 12" LP With Bonus 7". The 12" Has Lyric Etchings On The Vinyl. more
	Capital G / Survivalism (Dave Sitek Mix) New - 10 - 1736139 Sealed 2007 UK Promo Only Nine Inch EP Housed In A Picture Sleeve. Made In England Sticker On Jacket. more
	Dead Souls Colored Vinyl - DMD 1971 Rare 1996 Promo Label Blue Vinyl. Unplayed Copy. more
	Downward Spiral Used - LP - PR 5509 Mint, Unplayed 1994 2LP Gatefold Rarity With Custom Inner Sleeves. more
	Downward Spiral New - LP - B0011697 Sealed (Resealable Bag) 2013 180gm 2LP Gatefold Reissue Of Their 1994 Classic. more
	Ghosts I-IV New - LP - 26 Factory Sealed, Out-Of-Print 4LP Double Gatefold Vinyl. 36 All-Instrumental Tracks, Nearly Two Hours Of New Trent. more
	Ghosts I-IV Used - LP - 26 2008 4LP Gatefold. Jacket Has A Tocuh Of Ring Wear, All LPs Appear Unplayed. more
	Head Like A Hole New - 12 - TVT 2614 Sealed 1989 Original. Includes 4 Mixes Of Title Track, 2 Mixes Of "Terrible Lie" And "You Know Who You Are." Mixed By Flood. First Single Released By Nine Inch Nails. more
	Hesitation Marks New - LP - HALO 28V Sealed 2013 180gm 2LP Gatefold Original With Custom Hype Sticker On Shrink. more
	Hesitation Marks New - LP - halo 28v Sealed 2021 180gm 2LP reissue, custom hype sticker on shrink. Hesitation Marks is the eighth studio album by industrial rock band Nine Inch Nails. Released in 2013, it marked the return of founder and lead vocalist Trent Reznor after a five-year hiatus from the band. The album received critical acclaim for its blend of electronic and rock sounds, as well as Reznor's introspective and personal lyrics. more
	Pretty Hate Machine New - LP - B0015767-01 Sealed, Latest Press Of The 2011 Reissue. The Brilliant Debut LP. "Virtually Ignored Upon Its 1989 Release, Pretty Hate Machine Gradually Became A Word-of-mouth Cult Favorite; Despite Frequent Critical Bashings, Its Stature And Historical Importance Only Grew In Hindsight. In Addition To Its Stealthy Rise To Prominence, Part Of The Album's Legend Was That Budding Auteur Trent Reznor Took Advantage Of His Low-level Job At A Cleveland Studio To Begin Recording It. Reznor Had A Background In Synth-pop, And The Vast Majority Of Pretty Hate Machine Was Electronic. Synths Voiced All The Main Riffs, Driven By Pounding Drum Machines; Distorted Guitars Were An Important Textural Element, But Not The Primary Focus. Pretty Hate Machine Was Something Unique In Industrial Music -- Certainly No One Else Was Attempting The Balladry Of "Something I Can Never Have," But The Crucial Difference Was Even Simpler. Instead Of Numbing The Listener With Mechanical Repetition, Pretty Hate Machine's Bleak Electronics Were Subordinate To Catchy Riffs And Verse-chorus Song Structures, Which Was Why It Built Such A Rabid Following With So Little Publicity. That Innovation Was The Most Important Step In Bringing Industrial Music To A Wide Audience, As Proven By The Frequency With Which Late-'90s Alternative Metal Bands Copied Nin's Interwoven Guitar/synth Textures. It Was A New Soundtrack For Adolescent Angst -- Noisily Aggressive And Coldly Detached, Tied Together By A Dominant Personality. Reznor's Tortured Confusion And Self-obsession Gave Industrial Music A Human Voice, A Point Of Connection. His Lyrics Were Filled With Betrayal, Whether By Lovers, Society, Or God; It Was Essentially The Sound Of Childhood Illusions Shattering, And Reznor Was Not Taking It Lying Down. Plus, The Absolute Dichotomies In His World -- There Was Either Purity And Perfection, Or Depravity And Worthlessness -- Made For Smashing Melodrama. Perhaps The Greatest Achievement Of Pretty Hate Machine Was That It Brought Emotional Extravagance To A Genre Whose Main Theme Had Nearly Always Been Dehumanization." AMG Review By Steve Huey. more
	Pretty Hate Machine New - LP - B0015767-01 Sealed Lastest 180gm Reissue Of The Brilliant Debut LP. "Virtually Ignored Upon Its 1989 Release, Pretty Hate Machine Gradually Became A Word-of-mouth Cult Favorite; Despite Frequent Critical Bashings, Its Stature And Historical Importance Only Grew In Hindsight. In Addition To Its Stealthy Rise To Prominence, Part Of The Album's Legend Was That Budding Auteur Trent Reznor Took Advantage Of His Low-level Job At A Cleveland Studio To Begin Recording It. Reznor Had A Background In Synth-pop, And The Vast Majority Of Pretty Hate Machine Was Electronic. Synths Voiced All The Main Riffs, Driven By Pounding Drum Machines; Distorted Guitars Were An Important Textural Element, But Not The Primary Focus. Pretty Hate Machine Was Something Unique In Industrial Music -- Certainly No One Else Was Attempting The Balladry Of "Something I Can Never Have," But The Crucial Difference Was Even Simpler. Instead Of Numbing The Listener With Mechanical Repetition, Pretty Hate Machine's Bleak Electronics Were Subordinate To Catchy Riffs And Verse-chorus Song Structures, Which Was Why It Built Such A Rabid Following With So Little Publicity. That Innovation Was The Most Important Step In Bringing Industrial Music To A Wide Audience, As Proven By The Frequency With Which Late-'90s Alternative Metal Bands Copied Nin's Interwoven Guitar/synth Textures. It Was A New Soundtrack For Adolescent Angst -- Noisily Aggressive And Coldly Detached, Tied Together By A Dominant Personality. Reznor's Tortured Confusion And Self-obsession Gave Industrial Music A Human Voice, A Point Of Connection. His Lyrics Were Filled With Betrayal, Whether By Lovers, Society, Or God; It Was Essentially The Sound Of Childhood Illusions Shattering, And Reznor Was Not Taking It Lying Down. Plus, The Absolute Dichotomies In His World -- There Was Either Purity And Perfection, Or Depravity And Worthlessness -- Made For Smashing Melodrama. Perhaps The Greatest Achievement Of Pretty Hate Machine Was That It Brought Emotional Extravagance To A Genre Whose Main Theme Had Nearly Always Been Dehumanization." AMG Review By Steve Huey. more
	Pretty Hate Machine Used - LP - B0015767-01 2011 Or Likely Later US 180gm Reissue Of Their Brilliant Debut LP. Light Rubbing To Jacket Mouth Edge. "Virtually Ignored Upon Its 1989 Release, Pretty Hate Machine Gradually Became A Word-of-mouth Cult Favorite; Despite Frequent Critical Bashings, Its Stature And Historical Importance Only Grew In Hindsight. In Addition To Its Stealthy Rise To Prominence, Part Of The Album's Legend Was That Budding Auteur Trent Reznor Took Advantage Of His Low-level Job At A Cleveland Studio To Begin Recording It. Reznor Had A Background In Synth-pop, And The Vast Majority Of Pretty Hate Machine Was Electronic. Synths Voiced All The Main Riffs, Driven By Pounding Drum Machines; Distorted Guitars Were An Important Textural Element, But Not The Primary Focus. Pretty Hate Machine Was Something Unique In Industrial Music -- Certainly No One Else Was Attempting The Balladry Of "Something I Can Never Have," But The Crucial Difference Was Even Simpler. Instead Of Numbing The Listener With Mechanical Repetition, Pretty Hate Machine's Bleak Electronics Were Subordinate To Catchy Riffs And Verse-chorus Song Structures, Which Was Why It Built Such A Rabid Following With So Little Publicity. That Innovation Was The Most Important Step In Bringing Industrial Music To A Wide Audience, As Proven By The Frequency With Which Late-'90s Alternative Metal Bands Copied Nin's Interwoven Guitar/synth Textures. It Was A New Soundtrack For Adolescent Angst -- Noisily Aggressive And Coldly Detached, Tied Together By A Dominant Personality. Reznor's Tortured Confusion And Self-obsession Gave Industrial Music A Human Voice, A Point Of Connection. His Lyrics Were Filled With Betrayal, Whether By Lovers, Society, Or God; It Was Essentially The Sound Of Childhood Illusions Shattering, And Reznor Was Not Taking It Lying Down. Plus, The Absolute Dichotomies In His World -- There Was Either Purity And Perfection, Or Depravity And Worthlessness -- Made For Smashing Melodrama. Perhaps The Greatest Achievement Of Pretty Hate Machine Was That It Brought Emotional Extravagance To A Genre Whose Main Theme Had Nearly Always Been Dehumanization." AMG Review By Steve Huey. more
	Pretty Hate Machine Picture Disc - CID 9937 Rare, Sealed 2000 Promo Only Picture Disc Pressing Of NiN's Debut Album. more
	Pretty Hate Machine Used - LP - RLP 10836 2006 180gm Reissue Of The Brilliant Debut LP. Includes Custom Insert. Vinyl Appears Glossy, Unplayed. Features The Hit "Head Like A Hole." more
	Pretty Hate Machine Used - LP - TVT 2610 Rare 1989 Original With Insert. Appears Glossy, Unplayed. Cut At Masterdisk. “Virtually Ignored Upon Its 1989 Release, Pretty Hate Machine Gradually Became A Word-Of-Mouth Cult Favorite; Despite Frequent Critical Bashings, Its Stature And Historical Importance Only Grew In Hindsight. In Addition To Its Stealthy Rise To Prominence, Part Of The Album's Legend Was That Budding Auteur Trent Reznor Took Advantage Of His Low-Level Job At A Cleveland Studio To Begin Recording It. Reznor Had A Background In Synth-Pop, And The Vast Majority Of Pretty Hate Machine Was Electronic. Synths Voiced All The Main Riffs, Driven By Pounding Drum Machines; Distorted Guitars Were An Important Textural Element, But Not The Primary Focus. Pretty Hate Machine Was Something Unique In Industrial Music -- Certainly No One Else Was Attempting The Balladry Of "Something I Can Never Have," But The Crucial Difference Was Even Simpler. Instead Of Numbing The Listener With Mechanical Repetition, Pretty Hate Machine's Bleak Electronics Were Subordinate To Catchy Riffs And Verse-Chorus Song Structures, Which Was Why It Built Such A Rabid Following With So Little Publicity. That Innovation Was The Most Important Step In Bringing Industrial Music To A Wide Audience, As Proven By The Frequency With Which Late-'90s Alternative Metal Bands Copied NIN's Interwoven Guitar/Synth Textures. It Was A New Soundtrack For Adolescent Angst -- Noisily Aggressive And Coldly Detached, Tied Together By A Dominant Personality. Reznor's Tortured Confusion And Self-Obsession Gave Industrial Music A Human Voice, A Point Of Connection. His Lyrics Were Filled With Betrayal, Whether By Lovers, Society, Or God; It Was Essentially The Sound Of Childhood Illusions Shattering, And Reznor Was Not Taking It Lying Down. Plus, The Absolute Dichotomies In His World -- There Was Either Purity And Perfection, Or Depravity And Worthlessness -- Made For Smashing Melodrama. Perhaps The Greatest Achievement Of Pretty Hate Machine Was That It Brought Emotional Extravagance To A Genre Whose Main Theme Had Nearly Always Been Dehumanization.” Steve Huey, AMG. more
	Pretty Hate Machine New - LP - B0015767-01 Sealed Lastest 180gm Reissue Of The Brilliant Debut LP. "Virtually Ignored Upon Its 1989 Release, Pretty Hate Machine Gradually Became A Word-of-mouth Cult Favorite; Despite Frequent Critical Bashings, Its Stature And Historical Importance Only Grew In Hindsight. In Addition To Its Stealthy Rise To Prominence, Part Of The Album's Legend Was That Budding Auteur Trent Reznor Took Advantage Of His Low-level Job At A Cleveland Studio To Begin Recording It. Reznor Had A Background In Synth-pop, And The Vast Majority Of Pretty Hate Machine Was Electronic. Synths Voiced All The Main Riffs, Driven By Pounding Drum Machines; Distorted Guitars Were An Important Textural Element, But Not The Primary Focus. Pretty Hate Machine Was Something Unique In Industrial Music -- Certainly No One Else Was Attempting The Balladry Of "Something I Can Never Have," But The Crucial Difference Was Even Simpler. Instead Of Numbing The Listener With Mechanical Repetition, Pretty Hate Machine's Bleak Electronics Were Subordinate To Catchy Riffs And Verse-chorus Song Structures, Which Was Why It Built Such A Rabid Following With So Little Publicity. That Innovation Was The Most Important Step In Bringing Industrial Music To A Wide Audience, As Proven By The Frequency With Which Late-'90s Alternative Metal Bands Copied Nin's Interwoven Guitar/synth Textures. It Was A New Soundtrack For Adolescent Angst -- Noisily Aggressive And Coldly Detached, Tied Together By A Dominant Personality. Reznor's Tortured Confusion And Self-obsession Gave Industrial Music A Human Voice, A Point Of Connection. His Lyrics Were Filled With Betrayal, Whether By Lovers, Society, Or God; It Was Essentially The Sound Of Childhood Illusions Shattering, And Reznor Was Not Taking It Lying Down. Plus, The Absolute Dichotomies In His World -- There Was Either Purity And Perfection, Or Depravity And Worthlessness -- Made For Smashing Melodrama. Perhaps The Greatest Achievement Of Pretty Hate Machine Was That It Brought Emotional Extravagance To A Genre Whose Main Theme Had Nearly Always Been Dehumanization." AMG Review By Steve Huey. more
	Pretty Hate Machine Sessions New - LP - 8596 Sealed Collection Of Studio Outtakes From The Pretty Hate Machine Sessions. more
	Quake New - LP - Null Zero Point Five Sealed 2020 2LP, 180gm Remaster Housed In A Gatefold. From The Groundbreaking 1996 Game Soundtrack. Side D Is Etched With Program Code From The Game. Small Corner Rubs. more
	Sin / Get Down Make Love Used - 12 - 2617 1990 Embossed Jacket 4 Track 12 Incher. Looks Unplayed. more
	Slip New - LP - HALO 27 V Sealed 2008 180gm Gatefold Original With Custom Hype Sticker On Shrink. “Mercilessly Tight And Efficient Where Year Zero Was Majestic And Sprawling, The Slip Is The Most User-Friendly Nine Inch Nails Album Ever. At Only Ten Tracks, There Is No Fat On Its Bones. It Does Not Offer A Slow Build, It Leaps Into Action With The Lacerating "1,000,000," Maintaining A Blistering Intensity For Half The Record Before Eventually Winding Its Way To Softer Moments For The Album's Conclusion. There Is No Learning Curve To The Slip, It Does Not Require Effort To Decode A Narrative, It Does Not Slowly Unfold Its Own Internal Logic, It Comes On With A Tightly Controlled Force That's Present Even In The Quietest Moments, As They Pulsate With Coiled Tension. The Slip Is So Easy To Digest Because Trent Reznor Is In Consolidation Mode, Relying On His Strengths Instead Of Punishingly Pushing Himself Forward. Such Obsession With Progress Weighed Down The Fragile And With Teeth, Turning Them Into Intricate Puzzle Boxes For Devotees, But Reznor Began To Break Free With The Quite Magnificent Year Zero, Whose Dense Narrative Likely Alienated Many Fans. Here On The Slip, He Retains The Sense Of Urgency That Flowed Through Year Zero, But As It's A Lean Album, It's Easier To Appreciate His Mastery Of Darkness And Light Or His Ability To Construct Throbbing Melodic Hooks Out Of Noise. Here, He's No Longer A Stylized, Self-Conscious Innovator, He's A Working Musician Enraptured By Making Music, And He's So Invigorated By Creation It's Hard Not To Get Sucked In As Well.” – S. T. Erlewine, AMG more
	The Day The World Went Away Used - 12 - INT12-97026 1999 12 Inch 3 Track Picture Sleeve Rarity. Ink Mark On Cover. Otherwise Mint Sleeve. more
	The Day The World Went Away Used - 12 - INT12-97026 1999 12 Inch 3 Track Picture Sleeve Rarity. more
	The Downward Spiral Used - LP - B0025683-01 2017 180gm 2LP gatefold remastered limited edition #2482 of their 1994 classic. The definitive vinyl edition! "The Downward Spiral positioned Trent Reznor as industrial's own Phil Spector, painting detailed, layered soundscapes from a wide tonal palette. Not only did he fully integrated the crashing metal guitars of Broken, but several newfound elements -- expanded song structures, odd time signatures, shifting arrangements filled with novel sounds, tremendous textural variety -- can be traced to the influence of progressive rock. So can the painstaking attention devoted to pacing and contrast -- The Downward Spiral is full of striking sonic juxtapositions and sudden about-faces in tone, which make for a fascinating listen. More important than craft in turning Reznor into a full-fledged rock star, however, was his brooding persona. Grunge had the mainstream salivating over melodramatic angst, which had always been Reznor's stock in trade. The left-field hit "Closer" made him a postmodern shaman for the '90s, obsessed with exposing the dark side he saw behind even the most innocuous façades. In fact, his theatrics on The Downward Spiral -- all the preening self-absorption and serpentine sexuality -- seemed directly descended from Jim Morrison. Yet Reznor's nihilism often seemed like a reaction against some repressively extreme standard of purity, so the depravity he wallowed in didn't necessarily seem that depraved. That's part of the reason why, in spite of its many virtues, The Downward Spiral falls just short of being the masterpiece it wants to be. For one thing, fascination with texture occasionally dissolves the hooky songwriting that fueled Pretty Hate Machine. But more than that, Reznor's unflinching bleakness was beginning to seem like a carefully calibrated posture; his increasing musical sophistication points up the lyrical holding pattern. Having said that, the album ends on an affecting emotional peak -- "Hurt" mingles drama and introspection in a way Reznor had never quite managed before. It's evidence of depth behind the charisma that deservedly made him a star." All Music Guide - Steve Huey. more
	The Downward Spiral New - LP - B0025683-01 Sealed 2023 180gm 2LP gatefold remastered reissue of their 1994 classic. The definitive vinyl edition! "The Downward Spiral positioned Trent Reznor as industrial's own Phil Spector, painting detailed, layered soundscapes from a wide tonal palette. Not only did he fully integrated the crashing metal guitars of Broken, but several newfound elements -- expanded song structures, odd time signatures, shifting arrangements filled with novel sounds, tremendous textural variety -- can be traced to the influence of progressive rock. So can the painstaking attention devoted to pacing and contrast -- The Downward Spiral is full of striking sonic juxtapositions and sudden about-faces in tone, which make for a fascinating listen. More important than craft in turning Reznor into a full-fledged rock star, however, was his brooding persona. Grunge had the mainstream salivating over melodramatic angst, which had always been Reznor's stock in trade. The left-field hit "Closer" made him a postmodern shaman for the '90s, obsessed with exposing the dark side he saw behind even the most innocuous façades. In fact, his theatrics on The Downward Spiral -- all the preening self-absorption and serpentine sexuality -- seemed directly descended from Jim Morrison. Yet Reznor's nihilism often seemed like a reaction against some repressively extreme standard of purity, so the depravity he wallowed in didn't necessarily seem that depraved. That's part of the reason why, in spite of its many virtues, The Downward Spiral falls just short of being the masterpiece it wants to be. For one thing, fascination with texture occasionally dissolves the hooky songwriting that fueled Pretty Hate Machine. But more than that, Reznor's unflinching bleakness was beginning to seem like a carefully calibrated posture; his increasing musical sophistication points up the lyrical holding pattern. Having said that, the album ends on an affecting emotional peak -- "Hurt" mingles drama and introspection in a way Reznor had never quite managed before. It's evidence of depth behind the charisma that deservedly made him a star." AMG - Steve Huey. more
	The Fragile Box Set - New - B0025682-01 Sealed 2017 3LP Remastered Reissue, Housed In A Deluxe, Heavy Duty Wide Spited Gatefold. The Definitive Vinyl Edition Of The Fragile, Meticulously Prepared By Trent Reznor And NIN Art Director John Crawford. Remastered 2017 Audio On 180-Gram Vinyl, Remastered Artwork And More. more
	The Fragile New - LP - B0025682-01 Sealed 2022 3LP remastered reissue. The definitive edition of this beloved 1999 release. Remastered 2017 audio on 180gm vinyl. Custom hype sticker on shrink. Crunch to top right corner. "Never mind that it took Trent Reznor a long, long time to deliver Nine Inch Nails' second album; the anticipation that greeted The Downward Spiral was nothing compared to what awaited its sequel, The Fragile. Like Spiral, The Fragile appeared five years after its predecessor, but the wait seemed longer. After all, between 1989's Pretty Hate Machine and Spiral, Reznor released numerous stopgap EPs, remixes, and even toured, slowly building the ravenous following that devoured the second album. Spiral not only satiated those fans, but it made Reznor into a superstar and a critic's darling, and neither camp could wait to see where he was going to go next. Once he retreated to his New Orleans studio in 1996, there was little clue to what direction that may be. Word of some collaborators drifted out of the ether -- Alan Moulder returned as co-producer, engineer, and mixer; Adrian Belew contributed some guitar; Dr. Dre did some mixing -- which only increased expectations that the sequel would top its predecessor. All of those names, plus concept album guru Bob Ezrin (who "provided final continuity and flow"), are credited on The Fragile, but everybody's contribution is filtered through Reznor, who has the only discernable signature on the album. That's no great shock, since NIN has always been Reznor's vehicle, but what is shocking is how The Fragile feels like no great leap forward, musically or lyrically. As the first five songs unwind, all of Nine Inch Nails' trademarks -- gargantuan, processed distorted guitars, ominous electro rhythms, near-ambient keyboards, Reznor's shredded vocals and tortured words -- are unveiled, all sounding pretty much how they did on Spiral. Upon closer inspection, there are some new frills, particularly in the quiet sections, yet these aren't apparent without some digging. And what's on the surface isn't necessarily inviting, either. There is nothing as rhythmic or catchy as "Closer," nothing as jarring as the piano chorus of "March of the Pigs," no ballad as naked as "Hurt." Ultimately, there are no great singles, which is remarkable for a 23-track double-disc album. That's not to say that Reznor doesn't try for something immediate and visceral: He pulls out all the stops on "We're in This Together" and winds up sounding like Filter. Indeed, every time he stretches for a hate anthem, he misses the mark; he either recycles old ideas or sounds restrained. Fortunately, The Fragile begins to live up to its title once the first side is over. Subsequently, there are detours into empty, noisy bluster (some of which, like the Marilyn Manson dis "Starfuckers, Inc.," work quite well) but they're surrounded by long, evocative instrumental sections that highlight Reznor's true gifts. He may not always write memorable songs, but he knows how to arrange and how to create interesting sonic juxtapositions. For instance, with its unsettling martial rhythms and Germanic synthesized brass, "Pilgrimage" is scarier than any of his pummeling testosterone fests. Throughout its long running time, The Fragile is compelling when it's vulnerable, when Reznor steps away from his trademark rage in favor of crafting delicate, alternately haunting and pretty soundscapes. These are quite captivating on their own, yet they cast a dark shadow upon the industrial bluster, which sounds canned, even self-parodic, in comparison. Since they provide a change of pace, these flirtations with self-parody fit nicely into the flow of the album, which never feels indulgent, even though it runs over 100 minutes. Still, The Fragile feels like a letdown in many ways. There's no denying that it's often gripping, offering odd and interesting variations on NIN themes, but that's the problem -- they're just variations, not progressions. Considering that it arrives five years after Spiral, that is a disappointment; half a decade is plenty of time to redefine an artist's signature sound, as NIN proved with their first two albums. That's not to say that it's impossible to tell where the time went -- Reznor's music is immaculately crafted and arranged, with every note and nuance gliding into the next, and that alone takes time -- but he and Moulder spent more time constructing surfaces than songs. Those surfaces can be enticing but since it's just surface, The Fragile winds up being vaguely unsatisfying, even with all of its virtues." All Music Guide - Stephen Thomas Erlewine more
	The Fragile New - LP - 694904731 Factory Sealed 1999 3LP Gatefold With 24 Page Illustrated Color Booklet. more
	The Fragile New - LP - 694904731 Factory Sealed 1999 3LP Gatefold With 24 Page Illustrated Color Booklet And Custom Hype Sticker On The Shrink Wrap. Two Slightly more
	The Fragile: Deviations 1 New - LP - B0026309-01 Sealed 2017 4LP Deluxe Edition, Housed In A Heavy Duty Gatefold Jacket, With Two LP's To Each Side Of The Gatefold. This Record Was Compiled And Arranged By Trent Reznor And Atticus Ross In Los Angeles, 2016. All Music Is From The Original Fragile Sessions In New Orleans, 1997-1999. Pressed On 180-gram Vinyl. Small Bottom Left Corner Ding. more
	Things Falling Apart Used - 12 - Halo Sixteen 2000 Double-12" In Single Pocket Jacket. more
	Things Falling Apart Used - 12 - Halo Sixteen 2000 2x12" Single Housed In A Single Pocket Jacket. Cover Is VG++; Both Records Appear Glossy. Features Tracks And Remixes From The Fragile Album. Adrian Sherwood, Alan Moulder And Dave Ogilvie Lend Mixes. more
	Things Falling Apart New - 12 - Halo Sixteen Sealed 2000 2x12" Single Housed In A Single Pocket Jacket With Custom Hype Sticker On Shrink. Features Tracks And Remixes From The Fragile Album. Adrian Sherwood, Alan Moulder And Dave Ogilvie Lend Mixes. more
	With Teeth New - LP - 455301 Factory 2005 Sealed 2LP Gatefold. Includes Fourteen New Tracks, Featuring "The Hand That Feeds," "Only" And "Everyday Is Exactly The Same." Also Includes "Home," Which Is Only Available On Vinyl. more
	Y34RZ3R0R3M1X3D New - LP - HALO25V Sealed 3LP 180gm In Deluxe Six-Panel Gatefold Jacket. Spun Off From Year Zero, The No. 2 Charting Album, Y34RZ3ROR3MIX3D Features A Stunning Diversity Of Remixers, From Joy Division And New Order's Stephen Morris To Classical Crossover Pioneer Kronos Quartet And Hip-Hop Poet Saul Williams; From Avant-Garde Leader Bill Laswell, Electronica's Olof Dreijer From The Knife, Interpol Drummer Sam Fogarino And Post-Punk Revivalists The Faint To An Unknown Fan Who Submitted A Remix Via The Internet. more
	Year Zero New - LP - B0008764 Factory Sealed 180gm Six-Panel Gatefold With 16-Page Insert & Vinyl Etching On One Side. An Over-The-Top Monster Package. more