Panic! At The Disco

Vinyl Records and Rare LPs:

	A Fever You Can't Sweat Out New - LP - 552015 Sealed 2017 Gatefold Reissue. more
	A Fever You Can't Sweat Out New - LP - 552015-1 Sealed, Latest Press Housed In A Gatefold Jacket. Mis-Printed Track List On Rear Jacket With Track 8 Listed As Being On Side B. "The State Of Pop-punk/emo In 2005: It's Hip To Be Self-aware. "Dear Studio Audience," Panic! At The Disco Vocalist Brendon Urie Quavers In "The Only Difference Between Martyrdom And Suicide Is Press Coverage." "I've An Announcement To Make/It Seems The Artists These Days Are Not Who You Think." He Goes On To Shout Out, "Applause! Applause!" His Lyrics Also Say He's The Narrator, But That's For Debate, Because Later On A Fever You Can't Sweat Out Urie Hoots About Meeting The Press And His Band Being A "Wet Dream For The Webzines," So Who's Worrying About Stardom Now, The Narrator Or Panic! At The Disco? With Fever It's Clear That The Myspace Revolution Has Come Full Circle -- No Longer Just A Convenient Promotional Tool, The Site Is Now Something To Sing About. Writing Music That Webzines Actually Want To Cover Should Be More Important That Assuming They Will And Then Obsessing Over It. But Bands Like Panic! At The Disco Don't See That. On Fever They Fill The Gaps Between Their Formulaic Guitars And Warbling Urgency (Interchangeable Groups Include The Academy Is... And Fall Out Boy) With Painstakingly Layered Vocals, Trumpet, Vocoder, And Weird Breakdowns Of Rickety Piano Or Synths. This Is A Band In Love With Making A Record -- Making A Statement -- But There's Nothing Unique Inside, Neither In Their Formula Nor The Vaunted And Sticky Production. Panic! At The Disco's Name Doesn't Even Ring True -- The Guitars, Keyboards, And Bittersweet Vocals Of The Panic Division Ring Close Enough To Cause Real Identity Problems." AMG Review By Johnny Loftus. more
	Death Of A Bachelor New - LP - 553138 Sealed 2016 Original With Custom Hype Sticker On Shrink Wrap. more
	Pray For The Wicked New - LP - 7567-86572-3 Sealed 2018 Gatefold With Download Code. "After Being Away In New York For Months Doing Kinky Boots, I Just Wanted To Hang Out At Home When I Got Back To La. I Was So Revved Up That I Asked Some Friends To Come Over To My Home Studio To Help Me Write About All The Incredible Things I've Experienced The Last Couple Of Years," Said Brendon Urie, Panic! At The Disco Front Man. "Pray For The Wicked Is My 'thank You' To Our Fans And The Most Fun I've Ever Had Making Album." more
	Pretty. Odd. New - LP - 1-430524 Sealed 2017 Or Later Vinyl Repress/Reissue. "Tempting As It May Be, Don't Read The Dropping Of The Exclamation Point From Panic At The Disco's Name As A Sign That The Emo Quartet Is In A Rush To Be Taken Seriously. Don't Even Take Their Blatant Aping Of Sgt. Pepper's On Pretty. Odd As Indication That Panic At The Disco Wants To Be Taken Seriously. There Doesn't Seem To Be A Serious Bone Within The Bodies Of Any Of The Four Members, But The Wondrous Thing About Pretty. Odd Is That It's Impossible To Discern What Silliness Is Intentional And What Is Accidental, The Product Of A Band Discovering The Beatles Long After Their 2005 Debut A Fever You Can't Sweat Out Turned Into A Hit. There's A Startling Naïveté To PATD's Sudden Immersion In Symphonic Psychedelic Pop; The Band Is Either Too Young Or Dumb To Not Realize That They're Putting Together Familiar Elements Wrong, Or That They Shouldn't Be Attempting The Baroque Ballads And Vaudeville Shuffles That Pepper This Album...But They're Smart Enough To Send-Up The Opening Of Pepper's, Twisting The Beatles' Declaration That They Were Now Sgt. Pepper's Lonely Hearts Club Band Around, Claiming That They're They Same Band They Always Were. Of Course This Is A Bald-Faced Lie, As The Only Clear Remnants From Patd's Debut Are The Overly Complicated Song Titles And Fussy Lyrics, But Few Will Complain As The Group Retain Their Theatrical Ridiculousness While Unveiling A Newfound Panache For Pop, All Derived From Their Desire To Pattern Themselves After The Beatles. Panic At The Disco Are Hardly The First Modern Rock Band To Slavishly Follow The Example Of Their Peers -- My Chemical Romance Copied Every One Of Queen's Exaggerated Moves For The Black Parade, While The Killers Treated Sam's Town As If It Was A Springsteen Coloring Book -- But Patd's Clueless, Audacious Thievery Of The Beatles Pays Back Far Greater Dividends, Partially Because Stealing From The Fab Four Guarantees An Emphasis On Melody Over Style, But Also Because Patd Shows Far More Humor Than Mcr Or The Killers. That Humor -- And It's Possible To Laugh At And Laugh Along With The Band In Equal Measure Here -- Makes Pretty. Odd A Giddy Absurdity, As Panic At The Disco Is Determined To Have It Both Ways: To Make Grand, Pompous Music While Retaining Their Identity As Pranksters. The Album Is So Out Of Control, It's Hard To Tell Whether The Group Planned Pretty. Odd To Be A Kaleidoscopic Mess, Or If Occurred By Happenstance, But That Raggedness Will Appeal To The Teens Who Loved A Fever You Can't Sweat Out, But This Bafflingly Blurred Brit-Pop Could Hook In Older Listeners, Too, Either Through Its Genuine Tunefulness Or Through Pop Junkies Who Will Marvel At How "Folkin' Around" Comes Startlingly Close To Re-creating The Sound Of The Byrds Circa Sweetheart Of The Rodeo, Or How "Do You Know What I'm Seeing" Is Equal Parts Morrissey Parody And Homage. It All Adds Up To A Pretty And Odd Record And It Erases No Suspicions That The Band Aren't Quite Sure Of What They're Doing, But The Glorious Thing About Pretty. Odd Is That The Album Works In Spite Of This...Or Perhaps Because Of It. Either Way, This Is A Deliriously Jumbled, Left-Field Delight." AMG - Stephen Thomas Erlewine. more
	Pretty. Odd. New - LP - 1-430524 Sealed 2017 (Or Later) Reissue. "Tempting As It May Be, Don't Read The Dropping Of The Exclamation Point From Panic At The Disco's Name As A Sign That The Emo Quartet Is In A Rush To Be Taken Seriously. Don't Even Take Their Blatant Aping Of Sgt. Pepper's On Pretty. Odd As Indication That Panic At The Disco Wants To Be Taken Seriously. There Doesn't Seem To Be A Serious Bone Within The Bodies Of Any Of The Four Members, But The Wondrous Thing About Pretty. Odd Is That It's Impossible To Discern What Silliness Is Intentional And What Is Accidental, The Product Of A Band Discovering The Beatles Long After Their 2005 Debut A Fever You Can't Sweat Out Turned Into A Hit. There's A Startling Naïveté To PATD's Sudden Immersion In Symphonic Psychedelic Pop; The Band Is Either Too Young Or Dumb To Not Realize That They're Putting Together Familiar Elements Wrong, Or That They Shouldn't Be Attempting The Baroque Ballads And Vaudeville Shuffles That Pepper This Album...But They're Smart Enough To Send-Up The Opening Of Pepper's, Twisting The Beatles' Declaration That They Were Now Sgt. Pepper's Lonely Hearts Club Band Around, Claiming That They're They Same Band They Always Were. Of Course This Is A Bald-Faced Lie, As The Only Clear Remnants From Patd's Debut Are The Overly Complicated Song Titles And Fussy Lyrics, But Few Will Complain As The Group Retain Their Theatrical Ridiculousness While Unveiling A Newfound Panache For Pop, All Derived From Their Desire To Pattern Themselves After The Beatles. Panic At The Disco Are Hardly The First Modern Rock Band To Slavishly Follow The Example Of Their Peers -- My Chemical Romance Copied Every One Of Queen's Exaggerated Moves For The Black Parade, While The Killers Treated Sam's Town As If It Was A Springsteen Coloring Book -- But Patd's Clueless, Audacious Thievery Of The Beatles Pays Back Far Greater Dividends, Partially Because Stealing From The Fab Four Guarantees An Emphasis On Melody Over Style, But Also Because Patd Shows Far More Humor Than Mcr Or The Killers. That Humor -- And It's Possible To Laugh At And Laugh Along With The Band In Equal Measure Here -- Makes Pretty. Odd A Giddy Absurdity, As Panic At The Disco Is Determined To Have It Both Ways: To Make Grand, Pompous Music While Retaining Their Identity As Pranksters. The Album Is So Out Of Control, It's Hard To Tell Whether The Group Planned Pretty. Odd To Be A Kaleidoscopic Mess, Or If Occurred By Happenstance, But That Raggedness Will Appeal To The Teens Who Loved A Fever You Can't Sweat Out, But This Bafflingly Blurred Brit-Pop Could Hook In Older Listeners, Too, Either Through Its Genuine Tunefulness Or Through Pop Junkies Who Will Marvel At How "Folkin' Around" Comes Startlingly Close To Re-creating The Sound Of The Byrds Circa Sweetheart Of The Rodeo, Or How "Do You Know What I'm Seeing" Is Equal Parts Morrissey Parody And Homage. It All Adds Up To A Pretty And Odd Record And It Erases No Suspicions That The Band Aren't Quite Sure Of What They're Doing, But The Glorious Thing About Pretty. Odd Is That The Album Works In Spite Of This...Or Perhaps Because Of It. Either Way, This Is A Deliriously Jumbled, Left-Field Delight." AMG - Stephen Thomas Erlewine. more
	Viva Las Vengeance Colored Vinyl - New - 075678637629 Sealed 2022 Gatefold Original. Limited Edition Coral Colour Vinyl. "To Say That Panic! At The Disco's Seventh Studio-album, 2022's Viva Las Vengeance, Is A Love Letter To Rock'N'Roll Is To State The Obvious On What Is Also One The Group's Most Thrilling And Enjoyable Albums. Essentially A Solo Vehicle For Singer Brendon Urie Since At Least 2016's Death Of A Bachelor, Panic! At The Disco Remains A Conduit For Urie's Varied Passions, Touching Upon Post-Emo Dance-Rock And Broadway-Esque Balladry. While Viva Las Vengeance Certainly Retains All Of These Hallmarks, It's Primarily Focused On Fist-Pumping Rock Anthems, The Kind That Band's Like Queen, T-Rex, And Cheap Trick Spilled Across Am Dials In The '70s And '80s. These Are Hooky Cuts, Where Urie Frames His Still Angelically Amped-Up Vocals In Crunchy Electric Guitar Riffs, Wrestle-Mania Drum Beats, Candy-Coated Synths, And Even The Occasional Brassy Flourish Of A Horn Line. It's Worth Noting That Urie Recorded Much Of The Album Live To Tape. And While There Were Surely Overdubs Done Later (Not To Mention Swaths Of Operatically Multi-tracked Vocals), The Album Has The Crackling Immediacy And Organic Texture Of A Classic Vinyl Album. The Crate-Digging Vibe Is Unabashed And You Can Almost Call Out The Specific Artists And Songs That Inspired Each Song Here. "Middle Of A Break Up" Has An Elvis Costello-Meets-Raspberries Energy, While "Sugar Soaker" Is Pure AC/DC Cock-Foolery. Similarly Evocative, The Bombastic "Star Spangled Banger" Has A Jazzy Verse That Borrows Knowingly From Thin Lizzy's "Boys Are Back In Town." Urie Has Always Been A Bigger-Than-Life Persona, A Romantic Who Self-Mythologized From The Start By Draping Himself In His Idols, As With His Early Beatles-Fixation, Or Painting Himself As The Doomed Sinatra-Esque Crooner On Death Of A Bachelor. Viva Las Vengeance Feels Like An Apotheosis Of That Process As Urie Looks Back At His Career And Ruminates On Who He Was Before His Success And Who He Has Become. It's A Sentiment He Underlines On "Local God," Contrasting Panic's Rise To Fame With Someone Who Balked At The Chance, Singing "It's 2021 And I'm Almost Famous/you Never Really Cared About That." A Cheeky Reference To Director Cameron Crowe's Film That Was Itself Described As A Love Letter To Rock'N'Roll, The Song Plays As A Wry Ode To Rock Failure. Ironically, Urie Was Anointed By The Golden Rock Gods, But What Did That Cost? And What Did It Feel Like When Emo's Asymmetrical-Haired Moment Faded And He Was Left To Evolve With His Core Fans Perhaps In Limbo. He Plays With These Themes Throughout Viva Las Vengeance, Flirting With Superstar Burnout As On The Title-track And Declaring Halfway Through The Album That "God Killed Rock And Roll," Screaming "No Blood On The Stage/no Plant, No Page/Kiss Them All Goodbye." Viva Las Vengeance Is Urie's Amorous Declaration To Everything Sumptuously Mythic, Exultant, Tragic, And Yes, Even Silly About Loving And Aspiring To Be A Part Of The Rock'N'Roll World. That Urie Is Completely Self-Aware About His Place In That World Makes Viva Las Vengeance All The More Delicious." AMG Review By Matt Collar. more
	Viva Las Vengeance New - LP - 075678637629 Sealed 2022 original in gatefold. Viva Las Vengeance is an album by the popular band Panic! At The Disco, and it was released in 2022. The album features a blend of high energy pop music, with a touch of electronic elements. more