Son Volt

Vinyl Records and Rare LPs:

Son Volt - Straightaways Straightaways
Pop New - LP 46518 Warner
Factory Sealed 1997 Original With Custom Song Sticker On The Shrink Wrap. Rare!... more details
 
Son Volt - Wide Swing Tremolo Wide Swing Tremolo
Pop New - LP 47059 Warner
Factory Sealed, Long Out Of Print 1998 Vinyl Rarity.... more details
 
Son Volt - Trace Trace
Pop Used - LP 46010 Warner
Pristine Copy Of This 1995 Vinyl Rarity. Nobody Wants To Part With Their Vinyl Copy Of This, Making It Very Hard To Find.... more details
 
Son Volt - Straightaways Straightaways
Pop Used - LP 46518 Warner
Hard To Find 1997 Vinyl.... more details
 
Son Volt - Wide Swing Tremolo Wide Swing Tremolo
Pop Used - LP 47059 Warner
Out Of Print 1998 Vinyl. Shrink Intact. Unplayed Condition.... more details
 
Son Volt - On Chant And Strum On Chant And Strum
Pop New - LP 12883 Sony
Sealed 2007 Deluxe Edition Of Son Volt's "The Search." "On Chant And Strum" Features The Complete 22 Tracks From "The Search" Studio Sessions On Two 180-Gram Audiophile LPs With Gatefold Cover. This LP Release Is Not Available On CD And Is Strictly Limited To 1,000 Copies.... more details
 
Son Volt - Honky Tonk Honky Tonk
Pop New - LP 9145 Rounder
Sealed 2013 Deluxe Gatefold Original. “Uncle Tupelo Pretty Much Established The Subgenre Of Alt-Country In 1990 With The Release Of No Depression, And The Band's Two Main Songwriters And Singers, Jay Farrar And Jeff Tweedy, Seemed To Fulfill The Promise That Gram Parsons, The Flying Burrito Brothers, And The Sweetheart Of The Rodeo-Era Byrds Had Mapped Out Over Two Decades Before, A Perfect Synthesis Of Rock And Country. When Uncle Tupelo Split In 1993, Tweedy, Always More On The Pop Side Of Things, Formed Wilco, Which Enjoyed Commercial And Critical Success, While Farrar, Who Mapped Out The Moodier, More Hangdog Country Side Of Things, Formed Son Volt, A Band With No Aspirations For The Charts, Indie Or Otherwise, And While Son Volt's Albums Have Been Strong, Interesting, And Decidedly Uncommercial Ever Since, They All Lead, It Seems, To This New One, Honky Tonk, Which Arrives At Last Squarely In Country Territory (More Specifically, The Bakersfield Country Of Buck Owens And Merle Haggard), With Nary An Electric Guitar In Sight. Full Of Slow And Midtempo Waltzes And Shuffles, And Framed And Led By Pedal Steel Guitars And Twin Fiddles, Along With Farrar's Weary, Never-In-A-Big-Hurry, Laid-Back (But Somehow Mysteriously Intense) Vocals, Honky Tonk Is Full Of A Beautiful, Thoughtful, And Almost Zen-Like Approach To Life, All Set Against A Classic Old-School Bakersfield Country Backdrop.” – Steve Leggett, AMG... more details
 

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