Steeleye Span

Vinyl Records and Rare LPs:

	All Around My Hat Audiophile - LP - MFSL 1-027 1980 Test Pressing Half-Speed Master. Their Biggest Selling And Hardest Rocking Album. more
	All Around My Hat Audiophile - LP - MFSL 1-027 1980 Original Master Recording Mastered At Half-Speed And Pressed In Japan By JVC. Glossy, Unplayed Condition. Comes With The Original Outer Baggy With "Super High Fidelity Sticker. Their Biggest Selling And Hardest Rocking Album. more
	All Around My Hat Audiophile - LP - MFSL 1-027 Sealed 1980 Original Master Recording Mastered At Half-Speed And Pressed In Japan By JVC. Comes With The Original Outer Baggy With "Super High Fidelity Sticker. Their Biggest Selling And Hardest Rocking Album. more
	All Around My Hat New - LP - CHR 1091 Sealed 1975 Original Which Includes The Rare Card Insert Which Is Used To View The Anamorphic Projections Of Maddy Prior, Tim Hart And Robert Johnson On The Front And Back Cover. more
	All Around My Hat New - LP - CHR 1091 Sealed 1975 Original. more
	All Around My Hat Audiophile - LP - MFSL 1-027 Factory Sealed Half-Speed Master. Their Biggest Selling And Hardest Rocking Album. more
	All Around My Hat Used - LP - CHR 1091 Beautiful 1975 Promo Label With The Rare Card Insert Which Is Used To View The Anamorphic Projections Of Maddy Prior, Tim Hart And Robert Johnson On The Front And Back Cover. Appears Unplayed. more
	All Around My Hat Used - LP - MFP 41 5706 Beautiful 1985 UK Reissue Of The 1975 Album. Record Appears Glossy, Unplayed. more
	All Around My Hat Audiophile - Used - MFSL 1-027 1980 Half-Speed Master Pressed By JVC In Japan, With Inserts & Still In Original Shrink. "The Biggest Selling Of All Steeleye Span Albums Is Also Their Hardest Rocking Record. They Sound Like Would-be Competitors To The Who On The Opening Bars Of "The Wife Of Usher's Well," With Bob Johnson's Electric Guitar Grinding Out Power Chords Like Nobody's Business. The Vocals Have Their Usual Elegance, The Harmonies Soaring Exquisitely, But Between The Choruses The Guitar Puts Out Lots Of Wattage. The Guitar Competes With Maddy Prior's Voice For Dominance On Tracks Like "Hard Times Of Old England," "Bachelor's Hall," And "Dance With Me." There's Some More Traditional-sounding Material Here, Including The Lovely "Cadgwith Anthem" And "Gamble Gold (Robin Hood)," Where The Group Returns To Acoustic Instruments. A Single Of The Upbeat Title Track Also Made The Charts In England, And The Overall Sound Was The Work Of Producer Mike Batt, Who Gave The Band A Raw, Stripped-down Style, With Only The Smallest Touching Up And The Very Lightest Of Overdubbed Strings." AMG Review By Bruce Eder. more
	All Around My Hat New - LP - CHR 1091 Sealed 1975 Original. Small Cut Out Hole. “The Biggest Selling Of All Steeleye Span Albums Is Also Their Hardest Rocking Record. They Sound Like Would-Be Competitors To The Who On The Opening Bars Of "The Wife Of Usher's Well," With Bob Johnson's Electric Guitar Grinding Out Power Chords Like Nobody's Business. The Vocals Have Their Usual Elegance, The Harmonies Soaring Exquisitely, But Between The Choruses The Guitar Puts Out Lots Of Wattage. The Guitar Competes With Maddy Prior's Voice For Dominance On Tracks Like "Hard Times Of Old England," "Bachelor's Hall," And "Dance With Me." There's Some More Traditional-Sounding Material Here, Including The Lovely "Cadgwith Anthem" And "Gamble Gold (Robin Hood)," Where The Group Returns To Acoustic Instruments. A Single Of The Upbeat Title Track Also Made The Charts In England, And The Overall Sound Was The Work Of Producer Mike Batt, Who Gave The Band A Raw, Stripped-Down Style, With Only The Smallest Touching Up And The Very Lightest Of Overdubbed Strings.” Bruce Eder, AMG. more
	All Around My Hat Audiophile - Used - MFSL 1-027 1980 Half-Speed Master Pressed By JVC In Japan, With Inserts & Still In Original Shrink. "The Biggest Selling Of All Steeleye Span Albums Is Also Their Hardest Rocking Record. They Sound Like Would-be Competitors To The Who On The Opening Bars Of "The Wife Of Usher's Well," With Bob Johnson's Electric Guitar Grinding Out Power Chords Like Nobody's Business. The Vocals Have Their Usual Elegance, The Harmonies Soaring Exquisitely, But Between The Choruses The Guitar Puts Out Lots Of Wattage. The Guitar Competes With Maddy Prior's Voice For Dominance On Tracks Like "Hard Times Of Old England," "Bachelor's Hall," And "Dance With Me." There's Some More Traditional-sounding Material Here, Including The Lovely "Cadgwith Anthem" And "Gamble Gold (Robin Hood)," Where The Group Returns To Acoustic Instruments. A Single Of The Upbeat Title Track Also Made The Charts In England, And The Overall Sound Was The Work Of Producer Mike Batt, Who Gave The Band A Raw, Stripped-down Style, With Only The Smallest Touching Up And The Very Lightest Of Overdubbed Strings." AMG Review By Bruce Eder. more
	All Around My Hat Audiophile - Used - MFSL 1-027 Crisp 1980 Half-Speed Master Pressed By JVC In Japan. Includes inserts. "The Biggest Selling Of All Steeleye Span Albums Is Also Their Hardest Rocking Record. They Sound Like Would-be Competitors To The Who On The Opening Bars Of "The Wife Of Usher's Well," With Bob Johnson's Electric Guitar Grinding Out Power Chords Like Nobody's Business. The Vocals Have Their Usual Elegance, The Harmonies Soaring Exquisitely, But Between The Choruses The Guitar Puts Out Lots Of Wattage. The Guitar Competes With Maddy Prior's Voice For Dominance On Tracks Like "Hard Times Of Old England," "Bachelor's Hall," And "Dance With Me." There's Some More Traditional-sounding Material Here, Including The Lovely "Cadgwith Anthem" And "Gamble Gold (Robin Hood)," Where The Group Returns To Acoustic Instruments. A Single Of The Upbeat Title Track Also Made The Charts In England, And The Overall Sound Was The Work Of Producer Mike Batt, Who Gave The Band A Raw, Stripped-down Style, With Only The Smallest Touching Up And The Very Lightest Of Overdubbed Strings." All Music Guide - Bruce Eder. more
	Almanack Used - LP - CS 12 1973 UK Mad Hatter Label With 1U/1U Stampers. The Original Recordings From 1969 To 1972. Appears Glossy, Unplayed. more
	Below The Salt Used - LP - 79039 Beautiful 1984 Reissue Of The 1972 Original. Includes Custom Insert. Hint Of Ring Wear On Front Cover. “The Most Successful Of All Steeleye Span Lineups, With Bob Johnson And Rick Kemp In Place Of Martin Carthy And Ashley Hutchings, Makes Its Debut On What Could Be Their Best Album. There's Not A Weak Note Here, And All Of Its Has A Harder, More Muscular Sound Courtesy Of Kemp And Johnson, Matched To Impeccable Vocals And Uniformly Excellent Material. Kemp's Bass Playing Makes It Possible To Overlook The Absence Of A Drummer, While The Match-Up Of Johnson And Hart Made Them One Of The Best Electric Guitar Teams In English Folk-Rock (And Helps Explain Steeleye's Successful Eclipsing Of The Post-Richard Thompson Fairport Convention). Prior's Voice Was Never Better Than On This Album, And While Carthy's Backing Vocals Are Missed, The Group's Singing Is Still Up To A Very High Standard, With "Rosebud In June" Perhaps The Best A Cappella Number In Their Repertory And "Royal Forester" Their Most Charmingly Lusty Performance. "John Barleycorn" -- Which Every Traffic Fan Should Hear -- Is In A Class By Itself, And The Dazzling "Gaudette" Actually Made The British Charts And Got Steeleye Span Onto Top Of The Pops.” Bruce Eder, All Music. more
	Below The Salt Used - LP - CHR 1008 1972 Green Label Gatefold Original. 1A/1B Stampers. Appears Unplayed. “The Most Successful Of All Steeleye Span Lineups, With Bob Johnson And Rick Kemp In Place Of Martin Carthy And Ashley Hutchings, Makes Its Debut On What Could Be Their Best Album. There's Not A Weak Note Here, And All Of Its Has A Harder, More Muscular Sound Courtesy Of Kemp And Johnson, Matched To Impeccable Vocals And Uniformly Excellent Material. Kemp's Bass Playing Makes It Possible To Overlook The Absence Of A Drummer, While The Match-Up Of Johnson And Hart Made Them One Of The Best Electric Guitar Teams In English Folk-Rock (And Helps Explain Steeleye's Successful Eclipsing Of The Post-Richard Thompson Fairport Convention). Prior's Voice Was Never Better Than On This Album, And While Carthy's Backing Vocals Are Missed, The Group's Singing Is Still Up To A Very High Standard, With "Rosebud In June" Perhaps The Best A Cappella Number In Their Repertory And "Royal Forester" Their Most Charmingly Lusty Performance. "John Barleycorn" -- Which Every Traffic Fan Should Hear -- Is In A Class By Itself, And The Dazzling "Gaudette" Actually Made The British Charts And Got Steeleye Span Onto Top Of The Pops.” Bruce Eder, All Music. more
	Below The Salt New - LP - CHR 1008 Sealed 1972 Green Label Gatefold Original. “The Most Successful Of All Steeleye Span Lineups, With Bob Johnson And Rick Kemp In Place Of Martin Carthy And Ashley Hutchings, Makes Its Debut On What Could Be Their Best Album. There's Not A Weak Note Here, And All Of Its Has A Harder, More Muscular Sound Courtesy Of Kemp And Johnson, Matched To Impeccable Vocals And Uniformly Excellent Material. Kemp's Bass Playing Makes It Possible To Overlook The Absence Of A Drummer, While The Match-Up Of Johnson And Hart Made Them One Of The Best Electric Guitar Teams In English Folk-Rock (And Helps Explain Steeleye's Successful Eclipsing Of The Post-Richard Thompson Fairport Convention). Prior's Voice Was Never Better Than On This Album, And While Carthy's Backing Vocals Are Missed, The Group's Singing Is Still Up To A Very High Standard, With "Rosebud In June" Perhaps The Best A Cappella Number In Their Repertory And "Royal Forester" Their Most Charmingly Lusty Performance. "John Barleycorn" -- Which Every Traffic Fan Should Hear -- Is In A Class By Itself, And The Dazzling "Gaudette" Actually Made The British Charts And Got Steeleye Span Onto Top Of The Pops.” Bruce Eder, All Music. more
	Commoner's Crown New - LP - CHR 1071 Sealed 1975 Original. Small, Clean Cut Out Hole. “From The Opening Bars Of "Little Sir Hugh" -- An Extraordinarily Brisk And Upbeat Sounding Treatment Of An Incredibly Grim Song -- The Band Playing On Commoner's Crown Scarcely Sounds Like The Same Group On Now We Are Six Or Parcel Of Rogues. Now A Full-Fledged Rock Group, Competing With The Likes Of Jethro Tull And Pumping Out Higher Amperage Than Fairport Convention, Steeleye Engages In Heavy Riffing, Savage Attacks On Their Instruments, And Generally Kicks Out The Jams On This Album. But They're Also Fairly Clever, Interweaving Bach With Traditional Irish Music -- Actually, Bach-Meets-The-Mooncoin-Jig From Their Previous Record -- On "Bach Goes To Limerick." There's Not A Bad Song Here, And Even If It Is More Rock Than Folk, It's All Very Substantial And Vibrant Music-Making, And Maybe The Classic Steeleye Span's Most Engaging Album.” – Bruce Eder, AMG more
	Commoner's Crown Used - LP - CHR 1071 1975 Original. “From The Opening Bars Of "Little Sir Hugh" -- An Extraordinarily Brisk And Upbeat Sounding Treatment Of An Incredibly Grim Song -- The Band Playing On Commoner's Crown Scarcely Sounds Like The Same Group On Now We Are Six Or Parcel Of Rogues. Now A Full-Fledged Rock Group, Competing With The Likes Of Jethro Tull And Pumping Out Higher Amperage Than Fairport Convention, Steeleye Engages In Heavy Riffing, Savage Attacks On Their Instruments, And Generally Kicks Out The Jams On This Album. But They're Also Fairly Clever, Interweaving Bach With Traditional Irish Music -- Actually, Bach-Meets-The-Mooncoin-Jig From Their Previous Record -- On "Bach Goes To Limerick." There's Not A Bad Song Here, And Even If It Is More Rock Than Folk, It's All Very Substantial And Vibrant Music-Making, And Maybe The Classic Steeleye Span's Most Engaging Album.” – Bruce Eder, AMG more
	Hark The Village Wait Used - LP - SF 8113 1970 UK Original With Insert. LP Appears Unplayed. Minor Cover Wear. Their Excellent Debut Album Featuring Maddy Prior, Ashley Hutchings, Tim Hart, Gary Woods And Terry Woods. more
	Hark The Village Wait Used - LP - CREST 22 Beautiful UK Pressing With Insert. Their Excellent Debut Album Featuring Maddy Prior, Ashley Hutchings, Tim Hart, Gary Woods And Terry Woods. Appears Unplayed. more
	Hark! The Village Wait New - LP - CHR 1120 Sealed 1976 Green Label Original (Recorded For RCA England In 1970). Pristine Copy. “Originally Released By British RCA, This Debut Album By Steeleye Span's Original Lineup -- Ashley Hutchings (Bass), Tim Hart (Electric Guitar, Electric Dulcimer, Banjo, Harmonium, Vocals), Maddy Prior (Vocals, Banjo), Terry Woods (Mandola, Mandolin, Electric Guitar, Vocals), And Gay Woods (Vocals, Concertina, Bodhran) -- Barely Made It Out The Door Before Gay And Terry Woods Exited. This Was Probably The Best Singing Edition Of Steeleye Span, With Gay Woods And Maddy Prior Melding Beautifully On Tracks Like "Dark-Eyed Sailor" And "My Johnnie Was A Shoemaker," And Terry Woods Adding Some Realistic Coarseness On "The Hills Of Greenmore." The Sound Is Fully Electric Here (With Superb Playing On The Epic "Lowlands Of Holland"), If Not As Aggressive Or Well Crafted As Later Albums -- Hart, Hutchings, And Woods Comprise A Good Core Band, And Gerry Conway And Fairport Convention's Dave Mattacks Sit In On Drums.” Bruce Eder, All Music. more
	Hark! The Village Wait Used - LP - 79052 1985 Reissue Still In Shrink Wrap. Glossy, Unplayed Condition. Pressed On 100% Pure Virgin Vinyl. more
	Now We Are Six Used - LP - CHR 1053 1974 Green Label Original. Appears Unplayed. more
	Now We Are Six Used - LP - CHR 1053 1974 US original on Green Chrysalis label. Light stress marks to vinyl surface, music dominates. Jacket in vibrant EX shape. "With Nigel Pegrum added permanently as drummer, the group rocks out for the first time, and from the thumping tom-toms and snare on the opening track, "Thomas the Rhymer," and Bob Johnson's power chords, it's clear that this is a record with balls. Actually, Now We Are Six is still a folk-rock album, albeit with a beat. This was the first Steeleye Span album that many Americans heard and it's a pretty good place to start -- in fact, it might've been the group's very best album, if not for the presence of drivel such as "Twinkle, Twinkle Little Star" and "To Know Him Is to Love Him" (the latter featuring David Bowie on sax), which still leaves 33 very solid minutes of great music to savor. For all of their rocking natures, "Drink Down the Moon" and "Two Magicians" (which can be heard in its more traditional form on Martin Carthy's first album) capture the mystery and lustiness, respectively, of their hundreds-of-years-old source material magnificently; "Long-a-Growing" is one of Maddy Prior's finest vocal performances; and "The Mooncoin Jig" -- which is alive with richly textured guitar and mandolin -- is one of the greatest instrumental folk-rock tracks ever recorded, vibrant enough to get even the clumsiest up and dancing." AMG - Bruce Eder. more
	Parcel Of Rogues Used - LP - CHR 1046 High Gloss Gatefold UK Original W/Insert Sheet. more
	Parcel Of Rogues New - LP - CHR 1046 Sealed 1973 White Label Promo Housed In A Gatefold Jacket With Promotional Sheet Under The Rear Shrink Wrap. “Parcel Of Rogues Is The Group's First Real Rock Album, Featuring A Sound Clearly Rooted In Modern Sensibilities, With The Guitars Turned Up Very Loud For The First Time. The Singing Is Still Modeled On Traditional Patterns, And Is Quite Beautiful (Especially "One Misty Moisty Morning" And "Allison Gross"), But The Resonances And Undertones Of Electric Guitars Are Everywhere -- The Result Is A Record That, In Some Ways, Recalls Fairport Convention's Liege & Lief (The Record That Led Indirectly To The Spawning Of Steeleye Span In The First Place), With Some Very Flashy Playing By Bob Johnson On Some Of The Breaks. The Rousing "The Ups And Downs" Is Played On Acoustic Instruments, And The Atmospheric "The Weaver And The Factory Maid" Could Have Come Off Of Any Of The Earlier Albums, While "The Bold Poachers" Is More Traditional Sounding, Starting Out On Acoustic Instruments Before The Amplified Guitars Chime In. It Sets The Tone For The Album, As Wah-Wah Pedals Punch Up Instrumentals Such As "Robbery With Violins" And "The Wee Wee Man" (Which Includes Drums). A Lot Of The Time It Works -- The Ominous And Dazzling "Cam Ye O'er Frae France" Would Not Have Succeeded Half As Well Without Amplification, And Every Fan Of The Group Should Hear This Track At Least Once.” Bruce Eder, All Music Guide. more
	Parcel Of Rogues Used - LP - CHR 1046 Beautful 1973 Green Label Gatefold Original. 1A/1A Stampers. Promo Insert. more
	Please To See The King Used - LP - BTS 2004 Beautiful 1971 Original. more
	Please To See The King New - LP - CHR 1119 Sealed Second Issue (Original Was On Big Tree). more
	Please To See The King New - LP - CREST 8 Sealed 1971 UK Import Housed In The Original Garrod & Loftohouse Jacket. Label Variation Unknown. more
	Please To See The King New - LP - BTS 2004 Sealed 1971 Original. Label Scan Is Of An Open Copy We Previously Had In Stock. more
	Rocket Cottage New - LP - CHR 1123 Sealed 1976 Original. Small, Clean Cut Out Hole. “The Second Of Steeleye Span's Mike Batt-Produced Albums Was Released At A Time (1976) When The Acceptance Of British Folk-Rock Was On A Rapid Downhill Slide. That Was Unfortunate Because Rocket Cottage Remains One Of The Strongest Yet Most Unappreciated Of Steeleye's Catalog. Their Knack For Adapting English Folk Songs To Rock & Roll Has Never Been More Adeptly Executed Than On This Record. Rob Johnson's Electric Guitar Work Became More Consistently Aggressive As Did Nigel Pegrum's Drumming And Rick Kemp's Bass Playing. Tracks Like "The Brown Girl," "The Twelve Witches," And The Instrumental "Sligo Maid" Are Indicative Of This More Muscular Batt Treatment. While Several Tracks From Steeleye Span's Past Repertoire Are Frequently Labeled As Definitive (Like "Alison Gross" And "All Around My Hat") When Describing Their Unique Style Of Folk-Rock, None Surpasses The Anthemic "Sir James The Rose." It Combines Their Trademark Macabre Lyrical Content With A Forceful Rock Arrangement, Innocent Sounding Vocal Harmonies, And A Timely Peter Knight Violin Interlude To Remind The Listener That This Song Actually Has Traditional Roots. So While This Album Was Greeted With Overwhelming Indifference In 1976, It Has Stood The Test Of Time As Well As Any "Classic" '70s Album.” All Music Guide - Dave Sleger more
	Sails Of Silver New - LP - TAK 7097 Sealed 1981 Original. Cut Corner. Exact press info unknown. “The First Of Steeleye Span's Many Comebacks, Sails Of Silver Restores The Classic Lineup From Their Mid-'70s Pinnacle. After Not Appearing On Storm Force 10 And Live At Last, Guitarist Bob Johnson And Multi-Instrumentalist Peter Knight Unseat Their Onetime Replacements, Martin Carthy And John Kirkpatrick. The Result Is A Surprisingly Well-Crafted Yet Largely Overlooked Album. In 1980, Re-Formed '60s And '70s Bands Of Marginal Renown Did Not Receive The Headlines -- The New Rebellious And Controversial Acts Did. At The Urging Of Producer Gus Dudgeon, Steeleye Span Wrote All Of The Songs On This Album, The First Release That Didn't Include Several If Not Solely Traditional Numbers. After A Decade Of Reconstructing English And Irish Folk Songs, Something Must Have Taken Hold Of This Band; Several Selections -- Including "Sails Of Silver," "Barnet Fair," "Let Her Go Down," And "Longbone" -- Definitely Possess A Traditional Feel, Both In Melody And Lyric. Expectedly, This Album Wouldn't Compete Directly With The Fashionable And Tiresome Music Trends Of 1980, But It Was Also A Grossly Underrated Album That, In Retrospect, Proves To Be A Key Release In The History Of This Storied Band -- Particularly When Considering All Of The Transformations They Subsequently Underwent.” All Music Guide - Dave Sleger. more
	Storm Force Ten Used - LP - CHR 1151 1977 Original With Gold Promo Stamp On Back Cover. more
	Storm Force Ten New - LP - CHR 1151 Sealed 1977 Original. No Cuts! "Due To The Rapidly Changing Musical Climate In 1977 This Album Was Largely Overlooked. Although Never Immensely Popular, Steeleye Span Were Successful And Still Part Of The Establishment That Many Young, Upstart Acts Like The Sex Pistols And Elvis Costello Sought To Topple. While Storm Force Ten Should Have Marked A New Beginning For The Band -- With The Return Of Martin Carthy And The Addition Of Accordionist John Kirkpatrick -- 1977 More Accurately Could Be Regarded As The Beginning Of The End Of Steeleye Span's First Reign (Ten Albums In Eight Years). They Returned To The Studio Sporadically To Record Four Albums In The Ensuing 20 Years, Including 1996's Delightful Comeback Time. To Some Storm Force Ten Represented All That Was Wrong With Contemporary Music At That Time; It Offered Only Eight (Rather Lengthy) Tracks, Ambitious Production, And All Traditional Songs Save For Two Bertolt Brecht Compositions. Perhaps The Passage Of Time Will Cause Some Critics To Re-evaluate Their Harsh Initial Stance. Steeleye's Impact On The Renewed Interest In British Folk And Celtic Music Cannot Be Ignored. Maddy Prior (Along With Sandy Denny) All But Defined The Standard By Which Female Folk Singers Are Judged. She Had The Versatility To Sound Demure, Sassy, Or Harsh As Each Song Dictated (See "Wife Of The Sailor" And "Black Freighter"); No One Could Deliver A Morbid Olde English Lyric As Innocently As She. Martin Carthy's Formidable Guitar Playing Has Never Been In Question, Although Some Surmised That His Motives For Joining An Established "Rock" Band Were Suspect. On This Album Carthy's Edgy Playing Could Rival That Of Many Of The New Breed Of Players Who Had No Use For Machismo, Hackneyed, And Self-promotional Guitar Licks. Like Them, Carthy Could Say What Needed To Be Said Within The Structure Of A Group, Albeit More Refined. His Wealth Of Knowledge Of Folk Music And Arranging Skill Added A Freshness To Steeleye That, Unfortunately, Didn't Jibe With The Trends Of The Latter '70s. John Kirkpatrick Proved That He Was Capable Of Playing More Than Morris Tunes. Despite The Bad Rap That The Accordion Has Endured, Kirkpatrick Was Able To Adapt To A Contemporary Setting Quite Smoothly. Absent Were The Gaudy Impressions Associated With That Instrument Back Then (Thanks To Myron Floren). One Could Make The Case That Kirkpatrick Was Partly Responsible For Transforming The Accordion Into The Hip, Frequently-used Instrument It Has Become In Recent Years. Longtime Members Tim Hart (Vocals And Guitar), Rick Kemp (Bass), And Nigel Pegrum (Drums) Round Out The Lineup In Reliable Fashion." AMG - Dave Sleger. more
	Tempted And Tried Used - LP - 64020 1989 Original Pressed On Pure Virgin Vinyl. Shrnk Wrap Intact. LP Appears New, Unplayed. First Copy We Have Ever Had In Stock. Not Released On UK Vinyl. more
	Ten Man Mop New - LP - Crest 9 Sealed 1976 Embossed Jacket Gatefold Second Issue. more
	Ten Man Mop Used - LP - CREST 9 1976 Reissue Of The Band's 1971 Release. Appears Unplayed. Small Top Center Seam Split, Hence Price. more
	Ten Man Mop Used - LP - 79049 1984 2nd Issue. Appears Unplayed. more
	Ten Man Mop New - LP - CHR 1121 Sealed 1976 Original. Ten Man Mop Opens With Possibly The Most Beautifully Sung Number Of Their Entire History, "Gower Wassail," Which Also Makes A Very Strong Case For The Use Of Electric Guitars In A Traditional Folk Setting. "Paddy Clancy's Jig/Four Nights Drunk" Was The Group's First Great Electric Adaptation Of Traditional Dance. Maddy Prior's Haunting Performance On "When I Was On Horseback", The Delightful "Marrowbones," The Riveting "Stewball," And The Rousing Reels "Dowd's Favourite," "£10 Float," And "The Morning Dew" Make This Album Well Worth Seeking Out. more
	Ten Man Mop Used - LP - PEG 9 Rare 1971 UK Original Housed In An Embossed Gatefold With 8 Page Full Size Booklet Bounded By The Cover. The Booklet Features Some Great Individual Pictures Of The Band Members. Record Appears Glossy, Unplayed With A-1U/B-1U Stampers. Cvoer Has Some Light Seam Wear/Ring Wear And A Small Sticker Pull On The Back Cover Accounted For In Price. more
	The Steeleye Span Story Original Masters Used - LP - V2X 41136 1977 2LP Gatefold Original. If You Have Interest In English Folk Rock This LP Is An Important Piece In Rounding Out The Collection. The Not As Well None Faction Of 'Fairport Convention' There Is Every Bit Of Exceptional Song Writing And Musicianship. 22 Songs Culled From 10 LPs. more
	Time Span Used - LP - CRD 1 1977 UK 2LP Gatefold Retrospective. First LP Appears Glossy, Unplayed; Second LP Has Just One Spindle Mark On One Label. more