Swift, Taylor

Vinyl Records and Rare LPs:

	1989 New - LP - BMRBD0500E Sealed 2022 2LP Gatefold, Repress. "When She Announced 1989 A Few Months Prior To Its October 2014 Release, Taylor Swift Called Her Sixth Record Her First "Documented, Official" Pop Album, Explicitly Severing Herself From Her Country Roots. Truth Be Told, Swift Already Made The Leap From Country To Pop With 2012's Red, A Nominally Country Lp Distinguished By Three Songs Co-Written And Produced By Max Martin And Shellback, A Team That Returns For Twice That Number On 1989 (Martin Has One Additional Non-Shellback Co-Write With Swift). Taylor Is Rarely Without Co-Writers Here: Only "This Love" Belongs To Her Alone, With The Other Major Collaborators Being Onerepublic's Ryan Tedder, Fun.'s Jack Antonoff, And Imogen Heap. This Busy Kitchen Is Typical Of Modern Pop Albums, As Is The Incessant Gleam Of 1989's Steely Productions, Every Element Of Which Blinds When Caught In The Sun. Swift Claims She Patterned The Album's Sound After The MTV-Ready Sound Of The Year 1989, And While Some Cuts Are Conceivably Anchored In The Era Of Debbie Gibson And George Michael -- "Shake It Off" Is Giddy On The Momentum Of Its Own Pom-poms, The Bonus Track "New Romantics" Effectively Conjures The Ghost Of 1983 New Wave, "Out Of The Woods" Veers Into Territory Previously Pioneered By One-Video Wonder T'Pau (Their Big Hit "Heart And Soul" Arrived In 1987, Two Years Before Taylor's Year Zero) -- This Is A Modern Album Through And Through. The Heavy Presence Of Martin, Who Wound Up Producing All The Vocals Along With Half The Record, Is Something Of A Feint. Swift Tailored 1989 After Tedder's Patterns, Constructing Nearly Every One Of The Album's 13 Tracks As A Glassy, Imposing Skyscraper That Deliberately Casts Its Shadow Upon On Its Predecessor. Considering That This Album Begins With The Fanfare Of "Welcome To New York," An Anthem For Carpetbaggers Reaping The Spoils Of Rampant Gentrification, That Progressive Escalation In Size Is Something To Behold, Even If The Towering Scale Winds Up Slightly Overwhelming. Warmth, Which Previously Was A Hallmark Of Swift's, Has Largely Been Substituted By Belligerent Ice: 1989 Emphasizes Its Reflective Surfaces, The Hyperactive Rhythm Tracks -- Dance By Definition But Rarely Danceable In Practice (The Effervescent "How You Get The Girl" Is An Exception) -- Functioning As An Aural Accent To The Surging Synthesizers And Processed Vocals. Underneath The Digital Clatter Lie Some Sturdy Songs Because, At Her Core, Swift Is A Canny Songsmith, But 1989 Isn't A Record About Songs, It's All About Sonic Style. Taylor Telegraphed As Much When She Called It An "Official Pop Record" And Its Problems Lie In The Details, Not The Big Picture. Undoubtedly, She Has The Charisma And Chops To Be Convincing On Both Bubblegum And Ballads But 1989 Is Something Else Entirely: A Cold, Somewhat Distant Celebration Of All The Transient Transparencies Of Modern Pop, Undercut By Its Own Desperate Desire To Be Nothing But A Sparkling Soundtrack To An Aspirational Lifestyle." AMG Review By Stephen Thomas Erlwine. more
	1989 Used - LP - BMRBD0500E 2022 2LP Gatefold Repress. Nice VG++ Copy. "When She Announced 1989 A Few Months Prior To Its October 2014 Release, Taylor Swift Called Her Sixth Record Her First "Documented, Official" Pop Album, Explicitly Severing Herself From Her Country Roots. Truth Be Told, Swift Already Made The Leap From Country To Pop With 2012's Red, A Nominally Country LP Distinguished By Three Songs Co-Written And Produced By Max Martin And Shellback, A Team That Returns For Twice That Number On 1989 (Martin Has One Additional Non-Shellback Co-Write With Swift). Taylor Is Rarely Without Co-Writers Here: Only "This Love" Belongs To Her Alone, With The Other Major Collaborators Being Onerepublic's Ryan Tedder, Fun.'s Jack Antonoff, And Imogen Heap. This Busy Kitchen Is Typical Of Modern Pop Albums, As Is The Incessant Gleam Of 1989's Steely Productions, Every Element Of Which Blinds When Caught In The Sun. Swift Claims She Patterned The Album's Sound After The MTV-Ready Sound Of The Year 1989, And While Some Cuts Are Conceivably Anchored In The Era Of Debbie Gibson And George Michael -- "Shake It Off" Is Giddy On The Momentum Of Its Own Pom-Poms, The Bonus Track "New Romantics" Effectively Conjures The Ghost Of 1983 New Wave, "Out Of The Woods" Veers Into Territory Previously Pioneered By One-Video Wonder T'Pau (Their Big Hit "Heart And Soul" Arrived In 1987, Two Years Before Taylor's Year Zero) -- This Is A Modern Album Through And Through. The Heavy Presence Of Martin, Who Wound Up Producing All The Vocals Along With Half The Record, Is Something Of A Feint. Swift Tailored 1989 After Tedder's Patterns, Constructing Nearly Every One Of The Album's 13 Tracks As A Glassy, Imposing Skyscraper That Deliberately Casts Its Shadow Upon On Its Predecessor. Considering That This Album Begins With The Fanfare Of "Welcome To New York," An Anthem For Carpetbaggers Reaping The Spoils Of Rampant Gentrification, That Progressive Escalation In Size Is Something To Behold, Even If The Towering Scale Winds Up Slightly Overwhelming. Warmth, Which Previously Was A Hallmark Of Swift's, Has Largely Been Substituted By Belligerent Ice: 1989 Emphasizes Its Reflective Surfaces, The Hyperactive Rhythm Tracks -- Dance By Definition But Rarely Danceable In Practice (The Effervescent "How You Get The Girl" Is An Exception) -- Functioning As An Aural Accent To The Surging Synthesizers And Processed Vocals. Underneath The Digital Clatter Lie Some Sturdy Songs Because, At Her Core, Swift Is A Canny Songsmith, But 1989 Isn't A Record About Songs, It's All About Sonic Style. Taylor Telegraphed As Much When She Called It An "Official Pop Record" And Its Problems Lie In The Details, Not The Big Picture. Undoubtedly, She Has The Charisma And Chops To Be Convincing On Both Bubblegum And Ballads But 1989 Is Something Else Entirely: A Cold, Somewhat Distant Celebration Of All The Transient Transparencies Of Modern Pop, Undercut By Its Own Desperate Desire To Be Nothing But A Sparkling Soundtrack To An Aspirational Lifestyle." AMG - Stephen Thomas Erlwine. more
	1989 New - LP - BMRBD0500E Sealed 2014 2LP Gatefold Original. more
	1989 New - LP - BMRBD0500E Sealed 2022 2LP Gatefold, Repress. "When She Announced 1989 A Few Months Prior To Its October 2014 Release, Taylor Swift Called Her Sixth Record Her First "Documented, Official" Pop Album, Explicitly Severing Herself From Her Country Roots. Truth Be Told, Swift Already Made The Leap From Country To Pop With 2012's Red, A Nominally Country Lp Distinguished By Three Songs Co-Written And Produced By Max Martin And Shellback, A Team That Returns For Twice That Number On 1989 (Martin Has One Additional Non-Shellback Co-Write With Swift). Taylor Is Rarely Without Co-Writers Here: Only "This Love" Belongs To Her Alone, With The Other Major Collaborators Being Onerepublic's Ryan Tedder, Fun.'s Jack Antonoff, And Imogen Heap. This Busy Kitchen Is Typical Of Modern Pop Albums, As Is The Incessant Gleam Of 1989's Steely Productions, Every Element Of Which Blinds When Caught In The Sun. Swift Claims She Patterned The Album's Sound After The MTV-Ready Sound Of The Year 1989, And While Some Cuts Are Conceivably Anchored In The Era Of Debbie Gibson And George Michael -- "Shake It Off" Is Giddy On The Momentum Of Its Own Pom-poms, The Bonus Track "New Romantics" Effectively Conjures The Ghost Of 1983 New Wave, "Out Of The Woods" Veers Into Territory Previously Pioneered By One-Video Wonder T'Pau (Their Big Hit "Heart And Soul" Arrived In 1987, Two Years Before Taylor's Year Zero) -- This Is A Modern Album Through And Through. The Heavy Presence Of Martin, Who Wound Up Producing All The Vocals Along With Half The Record, Is Something Of A Feint. Swift Tailored 1989 After Tedder's Patterns, Constructing Nearly Every One Of The Album's 13 Tracks As A Glassy, Imposing Skyscraper That Deliberately Casts Its Shadow Upon On Its Predecessor. Considering That This Album Begins With The Fanfare Of "Welcome To New York," An Anthem For Carpetbaggers Reaping The Spoils Of Rampant Gentrification, That Progressive Escalation In Size Is Something To Behold, Even If The Towering Scale Winds Up Slightly Overwhelming. Warmth, Which Previously Was A Hallmark Of Swift's, Has Largely Been Substituted By Belligerent Ice: 1989 Emphasizes Its Reflective Surfaces, The Hyperactive Rhythm Tracks -- Dance By Definition But Rarely Danceable In Practice (The Effervescent "How You Get The Girl" Is An Exception) -- Functioning As An Aural Accent To The Surging Synthesizers And Processed Vocals. Underneath The Digital Clatter Lie Some Sturdy Songs Because, At Her Core, Swift Is A Canny Songsmith, But 1989 Isn't A Record About Songs, It's All About Sonic Style. Taylor Telegraphed As Much When She Called It An "Official Pop Record" And Its Problems Lie In The Details, Not The Big Picture. Undoubtedly, She Has The Charisma And Chops To Be Convincing On Both Bubblegum And Ballads But 1989 Is Something Else Entirely: A Cold, Somewhat Distant Celebration Of All The Transient Transparencies Of Modern Pop, Undercut By Its Own Desperate Desire To Be Nothing But A Sparkling Soundtrack To An Aspirational Lifestyle." AMG Review By Stephen Thomas Erlwine. more
	1989 (Taylor's Version) Colored Vinyl - New - 0245554214 Sealed 2023 2LP gatefold "Crystal Blue Skies" edition. "When She Announced 1989 A Few Months Prior To Its October 2014 Release, Taylor Swift Called Her Sixth Record Her First "Documented, Official" Pop Album, Explicitly Severing Herself From Her Country Roots. Truth Be Told, Swift Already Made The Leap From Country To Pop With 2012's Red, A Nominally Country Lp Distinguished By Three Songs Co-Written And Produced By Max Martin And Shellback, A Team That Returns For Twice That Number On 1989 (Martin Has One Additional Non-Shellback Co-Write With Swift). Taylor Is Rarely Without Co-Writers Here: Only "This Love" Belongs To Her Alone, With The Other Major Collaborators Being Onerepublic's Ryan Tedder, Fun.'s Jack Antonoff, And Imogen Heap. This Busy Kitchen Is Typical Of Modern Pop Albums, As Is The Incessant Gleam Of 1989's Steely Productions, Every Element Of Which Blinds When Caught In The Sun. Swift Claims She Patterned The Album's Sound After The MTV-Ready Sound Of The Year 1989, And While Some Cuts Are Conceivably Anchored In The Era Of Debbie Gibson And George Michael -- "Shake It Off" Is Giddy On The Momentum Of Its Own Pom-poms, The Bonus Track "New Romantics" Effectively Conjures The Ghost Of 1983 New Wave, "Out Of The Woods" Veers Into Territory Previously Pioneered By One-Video Wonder T'Pau (Their Big Hit "Heart And Soul" Arrived In 1987, Two Years Before Taylor's Year Zero) -- This Is A Modern Album Through And Through. The Heavy Presence Of Martin, Who Wound Up Producing All The Vocals Along With Half The Record, Is Something Of A Feint. Swift Tailored 1989 After Tedder's Patterns, Constructing Nearly Every One Of The Album's 13 Tracks As A Glassy, Imposing Skyscraper That Deliberately Casts Its Shadow Upon On Its Predecessor. Considering That This Album Begins With The Fanfare Of "Welcome To New York," An Anthem For Carpetbaggers Reaping The Spoils Of Rampant Gentrification, That Progressive Escalation In Size Is Something To Behold, Even If The Towering Scale Winds Up Slightly Overwhelming. Warmth, Which Previously Was A Hallmark Of Swift's, Has Largely Been Substituted By Belligerent Ice: 1989 Emphasizes Its Reflective Surfaces, The Hyperactive Rhythm Tracks -- Dance By Definition But Rarely Danceable In Practice (The Effervescent "How You Get The Girl" Is An Exception) -- Functioning As An Aural Accent To The Surging Synthesizers And Processed Vocals. Underneath The Digital Clatter Lie Some Sturdy Songs Because, At Her Core, Swift Is A Canny Songsmith, But 1989 Isn't A Record About Songs, It's All About Sonic Style. Taylor Telegraphed As Much When She Called It An "Official Pop Record" And Its Problems Lie In The Details, Not The Big Picture. Undoubtedly, She Has The Charisma And Chops To Be Convincing On Both Bubblegum And Ballads But 1989 Is Something Else Entirely: A Cold, Somewhat Distant Celebration Of All The Transient Transparencies Of Modern Pop, Undercut By Its Own Desperate Desire To Be Nothing But A Sparkling Soundtrack To An Aspirational Lifestyle." AMG Review By Stephen Thomas Erlwine. more
	1989 (Taylor's Version) Colored Vinyl - New - 0245554214 Sealed 2023 2LP gatefold "Aquamarine" edition. "When She Announced 1989 A Few Months Prior To Its October 2014 Release, Taylor Swift Called Her Sixth Record Her First "Documented, Official" Pop Album, Explicitly Severing Herself From Her Country Roots. Truth Be Told, Swift Already Made The Leap From Country To Pop With 2012's Red, A Nominally Country Lp Distinguished By Three Songs Co-Written And Produced By Max Martin And Shellback, A Team That Returns For Twice That Number On 1989 (Martin Has One Additional Non-Shellback Co-Write With Swift). Taylor Is Rarely Without Co-Writers Here: Only "This Love" Belongs To Her Alone, With The Other Major Collaborators Being Onerepublic's Ryan Tedder, Fun.'s Jack Antonoff, And Imogen Heap. This Busy Kitchen Is Typical Of Modern Pop Albums, As Is The Incessant Gleam Of 1989's Steely Productions, Every Element Of Which Blinds When Caught In The Sun. Swift Claims She Patterned The Album's Sound After The MTV-Ready Sound Of The Year 1989, And While Some Cuts Are Conceivably Anchored In The Era Of Debbie Gibson And George Michael -- "Shake It Off" Is Giddy On The Momentum Of Its Own Pom-poms, The Bonus Track "New Romantics" Effectively Conjures The Ghost Of 1983 New Wave, "Out Of The Woods" Veers Into Territory Previously Pioneered By One-Video Wonder T'Pau (Their Big Hit "Heart And Soul" Arrived In 1987, Two Years Before Taylor's Year Zero) -- This Is A Modern Album Through And Through. The Heavy Presence Of Martin, Who Wound Up Producing All The Vocals Along With Half The Record, Is Something Of A Feint. Swift Tailored 1989 After Tedder's Patterns, Constructing Nearly Every One Of The Album's 13 Tracks As A Glassy, Imposing Skyscraper That Deliberately Casts Its Shadow Upon On Its Predecessor. Considering That This Album Begins With The Fanfare Of "Welcome To New York," An Anthem For Carpetbaggers Reaping The Spoils Of Rampant Gentrification, That Progressive Escalation In Size Is Something To Behold, Even If The Towering Scale Winds Up Slightly Overwhelming. Warmth, Which Previously Was A Hallmark Of Swift's, Has Largely Been Substituted By Belligerent Ice: 1989 Emphasizes Its Reflective Surfaces, The Hyperactive Rhythm Tracks -- Dance By Definition But Rarely Danceable In Practice (The Effervescent "How You Get The Girl" Is An Exception) -- Functioning As An Aural Accent To The Surging Synthesizers And Processed Vocals. Underneath The Digital Clatter Lie Some Sturdy Songs Because, At Her Core, Swift Is A Canny Songsmith, But 1989 Isn't A Record About Songs, It's All About Sonic Style. Taylor Telegraphed As Much When She Called It An "Official Pop Record" And Its Problems Lie In The Details, Not The Big Picture. Undoubtedly, She Has The Charisma And Chops To Be Convincing On Both Bubblegum And Ballads But 1989 Is Something Else Entirely: A Cold, Somewhat Distant Celebration Of All The Transient Transparencies Of Modern Pop, Undercut By Its Own Desperate Desire To Be Nothing But A Sparkling Soundtrack To An Aspirational Lifestyle." All Music Guide - Stephen Thomas Erlwine. more
	Evermore New - LP - B0033410-01 Sealed 2021 translucent green vinyl edition. Custom hype sticker on shrink; Album includes the single "Willow". Evermore is Taylor Swift's ninth studio album, released on December 11, 2020, just five months after her previous album, Folklore. The album features collaborations with musicians such as Bon Iver, Aaron Dessner, and Haim, and showcases Swift's continued growth and experimentation with new sounds. It includes tracks such as "Willow," "Champagne Problems," and "Evermore," which have received critical acclaim for their storytelling and emotional depth. The album's themes revolve around love, loss, and the complexities of relationships. Swift's introspective lyrics and haunting melodies create a dreamy and ethereal atmosphere that transports listeners to a world of nostalgia and introspection. Evermore represents a mature and introspective chapter in Swift's career, and combines her signature storytelling with a new sound that pushes the boundaries of contemporary pop music. more
	Evermore Colored Vinyl - New - B0033410-01 Sealed 2021 2LP Deluxe Edition, Pressed On Green Coloured Vinyl. Lacquer Cut At Sterling Sound. "Appearing A Mere Five Months After Folklore, Evermore Is A Direct Sequel To Its Predecessor, Recorded In A Similar Fashion During The 2020 Quarantine, Containing A Similar Supporting Cast And Exploring A Familiar Set Of Emotions. Evermore Isn't Quite A "Folklore, Vol. 2," Though. Where Folklore Was A Controlled Departure, An Album Where Every Element Fell Into Exact Place, Taylor Swift Is Quite A Bit Looser On Evermore, Playing With Narratives And Texture, Feeling So Comfortable In Her Moody Surroundings That She Throws Around Profanities Without Hesitation. The Explicit Language Serves As A Signal To Swift's Ongoing Maturation As A Songwriter -- More Than Ever, It's Clear That She Spins Stories In A Third Character -- But Evermore Benefits From A Slight Playfulness, A Quality She Deliberately Suppressed On Folklore. It Surfaces Strongly On "No Body, No Crime," A Murder Revenge Tale Told With The Assistance Of Haim, And Flows Through The Insistent Pulse Of "Long Story Short" And The Sweet Sway Of "Dorothea." Swift Still Leans Into Bittersweet Settings, Finding A Sympathetic Collaborator In Aaron Dessner, The Co-leader Of The National Who Produced And Co-wrote The Great Majority Of The Record. The National Themselves Are Featured On "Coney Island" -- Bryce Dessner's Grave Intonations Provide A Strikingly Effective Contrast To Swift's Gentle Phrasing -- But They, Like Dessner On The Rest Of The Album, Work As Expert Support To Taylor, Coaxing Out The Bittersweet Complexities Of Her Compositions. Evermore Reaches Something Of A Crescendo On "Marjorie," An Ode To Her Late Grandmother Where The Delicately Shifting Arrangement -- More Electronic Than Acoustic, Despite The Album's Rural Imagery -- Underscores Instead Of Heightens Swift's Open Grieving. While "Marjorie" Might Veer Toward The Melancholy, Evermore As A Whole Doesn't Play As A Sad Album. Swift Enjoys Playing With The New Musical And Emotional Colors On Her Palette For Evermore To Anything But A Warm Balm, A Record Suited For Contemplation, Not Loneliness." AMG Review By Stephen Thomas Erlewine. more
	Evermore Colored Vinyl - New - B0033439-01 Sealed 2021 2LP Gatefold Red Vinyl Pressing. Corner Ding/Crease. "Appearing A Mere Five Months After Folklore, Evermore Is A Direct Sequel To Its Predecessor, Recorded In A Similar Fashion During The 2020 Quarantine, Containing A Similar Supporting Cast And Exploring A Familiar Set Of Emotions. Evermore Isn't Quite A "Folklore, Vol. 2," Though. Where Folklore Was A Controlled Departure, An Album Where Every Element Fell Into Exact Place, Taylor Swift Is Quite A Bit Looser On Evermore, Playing With Narratives And Texture, Feeling So Comfortable In Her Moody Surroundings That She Throws Around Profanities Without Hesitation. The Explicit Language Serves As A Signal To Swift's Ongoing Maturation As A Songwriter -- More Than Ever, It's Clear That She Spins Stories In A Third Character -- But Evermore Benefits From A Slight Playfulness, A Quality She Deliberately Suppressed On Folklore. It Surfaces Strongly On "No Body, No Crime," A Murder Revenge Tale Told With The Assistance Of Haim, And Flows Through The Insistent Pulse Of "Long Story Short" And The Sweet Sway Of "Dorothea." Swift Still Leans Into Bittersweet Settings, Finding A Sympathetic Collaborator In Aaron Dessner, The Co-leader Of The National Who Produced And Co-wrote The Great Majority Of The Record. The National Themselves Are Featured On "Coney Island" -- Bryce Dessner's Grave Intonations Provide A Strikingly Effective Contrast To Swift's Gentle Phrasing -- But They, Like Dessner On The Rest Of The Album, Work As Expert Support To Taylor, Coaxing Out The Bittersweet Complexities Of Her Compositions. Evermore Reaches Something Of A Crescendo On "Marjorie," An Ode To Her Late Grandmother Where The Delicately Shifting Arrangement -- More Electronic Than Acoustic, Despite The Album's Rural Imagery -- Underscores Instead Of Heightens Swift's Open Grieving. While "Marjorie" Might Veer Toward The Melancholy, Evermore As A Whole Doesn't Play As A Sad Album. Swift Enjoys Playing With The New Musical And Emotional Colors On Her Palette For Evermore To Anything But A Warm Balm, A Record Suited For Contemplation, Not Loneliness." AMG - Stephen Thomas Erlewine. more
	Evermore Colored Vinyl - New - B0033439-01 Sealed 2021 2LP Gatefold Red Vinyl Pressing. "Appearing A Mere Five Months After Folklore, Evermore Is A Direct Sequel To Its Predecessor, Recorded In A Similar Fashion During The 2020 Quarantine, Containing A Similar Supporting Cast And Exploring A Familiar Set Of Emotions. Evermore Isn't Quite A "Folklore, Vol. 2," Though. Where Folklore Was A Controlled Departure, An Album Where Every Element Fell Into Exact Place, Taylor Swift Is Quite A Bit Looser On Evermore, Playing With Narratives And Texture, Feeling So Comfortable In Her Moody Surroundings That She Throws Around Profanities Without Hesitation. The Explicit Language Serves As A Signal To Swift's Ongoing Maturation As A Songwriter -- More Than Ever, It's Clear That She Spins Stories In A Third Character -- But Evermore Benefits From A Slight Playfulness, A Quality She Deliberately Suppressed On Folklore. It Surfaces Strongly On "No Body, No Crime," A Murder Revenge Tale Told With The Assistance Of Haim, And Flows Through The Insistent Pulse Of "Long Story Short" And The Sweet Sway Of "Dorothea." Swift Still Leans Into Bittersweet Settings, Finding A Sympathetic Collaborator In Aaron Dessner, The Co-leader Of The National Who Produced And Co-wrote The Great Majority Of The Record. The National Themselves Are Featured On "Coney Island" -- Bryce Dessner's Grave Intonations Provide A Strikingly Effective Contrast To Swift's Gentle Phrasing -- But They, Like Dessner On The Rest Of The Album, Work As Expert Support To Taylor, Coaxing Out The Bittersweet Complexities Of Her Compositions. Evermore Reaches Something Of A Crescendo On "Marjorie," An Ode To Her Late Grandmother Where The Delicately Shifting Arrangement -- More Electronic Than Acoustic, Despite The Album's Rural Imagery -- Underscores Instead Of Heightens Swift's Open Grieving. While "Marjorie" Might Veer Toward The Melancholy, Evermore As A Whole Doesn't Play As A Sad Album. Swift Enjoys Playing With The New Musical And Emotional Colors On Her Palette For Evermore To Anything But A Warm Balm, A Record Suited For Contemplation, Not Loneliness." AMG - Stephen Thomas Erlewine. more
	Fearless (Platinum Edition) New - LP - BMRTS0250A Sealed 2016 2LP 180gm Gatefold Reissue. more
	Fearless (Platinum Edition) Colored Vinyl - BMRTS0250B Sealed 2018 Limited Edition, Numbered Record Store Day Exclusive Crystal Clear And Metallic Gold Vinyl 2LP Gatefold. This Is Number 631. more
	Fearless (Platinum Edition) New - LP - BMRTS0250A Sealed, latest repress of the 2016 2LP 180gm gatefold reissue. more
	Fearless (Taylor's Version) New - LP - B0033579-01 Sealed 2021 3LP Pressing Of "Taylor's Version" On Gold Vinyl, Housed In A Deluxe Tri-Fold Jacket. The First Of 6 Albums To Be Re-Recorded By Her, In An Effort To Own Her Own Master Recordings, Af The Sale Of The Original Masters. Made In Germany Sticker On Rear Shrink. more
	Folklore New - LP - B0032823-01 Sealed 2020 2LP Limited Edition Red Vinyl Gatefold. Features Bon Iver. more
	Folklore Colored Vinyl - New - B0032752-01 Sealed 2021 2LP Limited Edition Reissue On Beige Coloured Vinyl. Housed In A Gatefold Jacket With Custom Printed Inner Sleeves. more
	Folklore New Import - 00602435034904 Sealed 2020 2LP, Edition #3 Out Of 8 Unique Collectible Gatefold Covers. Slight Corner Crease. more
	Folklore New - LP - B0032823-01 Sealed 2020 2LP Limited Edition Red Vinyl Gatefold. Features Bon Iver. more
	Folklore Colored Vinyl - Used - B0032823-01 2022 2LP gatefold repressing on Red vinyl. Small, light crease to top right corner & small splits to inner sleeves. This is the 2nd pressing of the "Meet Me Behind The Mall" Red vinyl variant. Two hype stickers affixed to front cover. All sides mastered by Ryan Smith (RKS). "Faced with some unexpected free time due to a lockdown inspired by a global pandemic, Taylor Swift turned inward. The result of her introspection was folklore, an album whose hushed atmosphere belies the speed of its composition and recording. Once she started the project, Swift turned to her longtime colleague Jack Antonoff for some input, but she also contacted an unexpected new collaborator: Aaron Dessner, the driving force behind the acclaimed indie rock band the National. Dessner's presence is a signal that folklore represents a shift for Taylor Swift, moving her away from the glittering pop mainstream and into gloomier territory. All of this is true, if perhaps a bit overstated. The 16 songs on folklore are recognizably her work, bearing telltale melodic phrases and a reliance on finely honed narratives that turn on exquisitely rendered lyrical details. Still, the vibe of the album is notably different. Sweetness has ripened into bittersweet beauty, regret has mellowed into a wistful sigh, the melodies don't clamor for attention but seep their way into the subconscious. None of these are precisely new tricks for Swift but her writing from the explicit vantage of other characters, as on the epic story-song "the last great american dynasty," is. Combined, the moodier, contemplative tone and the emphasis on songs that can't be parsed as autobiography make folklore feel not like a momentary diversion inspired by isolation but rather the first chapter of Swift's mature second act." All Music Guide - Stephen Thomas Erlewine. more
	Folklore New - LP - B0032823-01 Sealed 2020 2LP Limited Edition Red Vinyl Gatefold. Features Bon Iver. more
	Folklore Colored Vinyl - New - B0032752-01 Sealed 2021 2LP Deluxe Edition On Beige Coloured Vinyl. Housed In A Gatefold Jacket With Custom Printed Inner Sleeves. more
	Lover New - LP - B0030972-01 Sealed 2019 2LP Limited Edition Pressed On A Pink And A Blue Translucent Colored Vinyl, Housed In A Gatefold. Made In Canada Sticker On Rear Cover. more
	Lover Used - LP - 00602508148453 2019 2LP Blue/Pink Vinyl In Gatefold. Guest appearance By Dixie Chicks. more
	Lover Colored Vinyl - Used - 00602508148453 2021 2LP Blue/Pink Vinyl repress. Guest appearance by Dixie Chicks on the cut "Soon You'll Get Better". more
	Lover Colored Vinyl - New - B0030972-01 Sealed 2021 2LP Blue/Pink Vinyl repress. Guest appearance by Dixie Chicks on the cut "Soon You'll Get Better". more
	Lover Colored Vinyl - New - B0030972-01 2021 2LP Blue/Pink Vinyl repress. Guest appearance by Dixie Chicks on the cut "Soon You'll Get Better". The album "Lover" highlights a more romantic and introspective side of Taylor Swift's musical repertoire. Includes "Me!" & "You Need To Calm Down". It explores themes of love, relationships, and self-reflection, with tracks that range from upbeat pop anthems to heartfelt ballads. The production features a mix of synth-pop and indie-pop influences, showcasing Swift's continued evolution as a songwriter and artist. If you meant something else, please provide more context or details. more
	Lover New Import - 00602508148453 Sealed 2021 2LP Blue/Pink Vinyl reissue. Guest appearance by Dixie Chicks on the cut "Soon You'll Get Better". more
	Lover New - LP - B0030972-01 Sealed 2023 reissue, standard black pressing. Housed in a gatefold jacket, no hype sticker on shrink. Lover is the seventh studio album by American singer-songwriter Taylor Swift. The album was released on August 23, 2019, by Republic Records. Lover marks a departure from the darker themes and sounds of Swift's previous album, Reputation, and instead embraces a more optimistic and romantic tone. The album consists of 18 tracks, which include collaborations with artists such as Brendon Urie of Panic! at the Disco and the Dixie Chicks. The album has received critical acclaim for its musical diversity, lyrical depth, and its ability to capture the essence of love in its various forms. Fans have praised the album for its storytelling and the way it showcases Swift's growth as an artist. Lover debuted at number one on the US Billboard 200 chart, making it Swift's sixth consecutive album to do so. It also became the world's best-selling album of 2019, earning Swift several accolades and cementing her place as one of the most successful artists of our time. more
	Midnights Colored Vinyl - New - 2445790050 Sealed 2022 US Original Gatefold. This Is The "Marbled Jade Green" Pressing. "Midnights Isn't A Retreat So Much As A Return, A Revival Of The Moody Electro-pop That Kept Reputation Roiling. Where That 2017 Record Carried A Measure Of Defiance, The Vibe Of Midnights Is Contemplative Even When Beats Are Insistent, As They Are On Occasion. Despite These Fleeting Moments Of Urgency, The Record Is Clearly A Soundtrack To Be Played In The Wee Hours Of The Morning. In That Sense, Midnights Is A Kindred Spirit To Folklore And Evermore, The Twin 2020 Albums Swift Released During The Height Of The Covid-19 Pandemic, Yet Those Records Felt Like Collections Of Short Stories Where These Songs -- Whether In Their Standard 13-Song Variation Or The Lengthy "3 Am Edition" Which Runs An Additional Seven Tracks -- All Feel Like Confessions, Even If They Display The Sense Of Exacting Lyrical Detail She's Honed Since Lover. These Compositions Provide A Sturdy Foundation On A Record That Wants To Capture The Aimless Suspension Of Late-Night Insomnia, A Time Filled With Regret, Recriminations, And Resignations. Swift Spikes This Moodiness With Hints Of Steeliness -- Witness The Cool Swagger Of "Vigilante Shit" -- But That's Merely An Accent On An Album Designed To Deliver Variations On One Specific Mood. Although This Monochromatic Palette Tends To Highlight The Limits Of Co-Producer Jack Antonoff's Bag Of Tricks -- Nothing Here Feels Surprising, Even When He's Playing With Textures And Teasing Out The Music's Dream Pop Elements -- The Narrow Focus Is The Main Attribute Of Midnights, As It Plays To Swift's Sense Of Control And Craft: She May Be Singing About Messy Emotions But She Sculpts Those Tangled Feelings Into Shimmering, Resonant Songs." AMG Review By Stephen Thomas Erelwine. more
	Midnights Colored Vinyl - Used - 2445790050 2022 US Original Gatefold. This Is The "Marbled Jade Green" Pressing. Excellent Condition. Includes Custom Printed Booklet. "Midnights Isn't A Retreat So Much As A Return, A Revival Of The Moody Electro-pop That Kept Reputation Roiling. Where That 2017 Record Carried A Measure Of Defiance, The Vibe Of Midnights Is Contemplative Even When Beats Are Insistent, As They Are On Occasion. Despite These Fleeting Moments Of Urgency, The Record Is Clearly A Soundtrack To Be Played In The Wee Hours Of The Morning. In That Sense, Midnights Is A Kindred Spirit To Folklore And Evermore, The Twin 2020 Albums Swift Released During The Height Of The Covid-19 Pandemic, Yet Those Records Felt Like Collections Of Short Stories Where These Songs -- Whether In Their Standard 13-Song Variation Or The Lengthy "3 Am Edition" Which Runs An Additional Seven Tracks -- All Feel Like Confessions, Even If They Display The Sense Of Exacting Lyrical Detail She's Honed Since Lover. These Compositions Provide A Sturdy Foundation On A Record That Wants To Capture The Aimless Suspension Of Late-Night Insomnia, A Time Filled With Regret, Recriminations, And Resignations. Swift Spikes This Moodiness With Hints Of Steeliness -- Witness The Cool Swagger Of "Vigilante Shit" -- But That's Merely An Accent On An Album Designed To Deliver Variations On One Specific Mood. Although This Monochromatic Palette Tends To Highlight The Limits Of Co-Producer Jack Antonoff's Bag Of Tricks -- Nothing Here Feels Surprising, Even When He's Playing With Textures And Teasing Out The Music's Dream Pop Elements -- The Narrow Focus Is The Main Attribute Of Midnights, As It Plays To Swift's Sense Of Control And Craft: She May Be Singing About Messy Emotions But She Sculpts Those Tangled Feelings Into Shimmering, Resonant Songs." AMG Review By Stephen Thomas Erelwine. more
	Midnights Colored Vinyl - New - 2445790074 Sealed 2022 US Original Gatefold; Pressed On Marbled Lavender Vinyl. "Midnights Isn't A Retreat So Much As A Return, A Revival Of The Moody Electro-pop That Kept Reputation Roiling. Where That 2017 Record Carried A Measure Of Defiance, The Vibe Of Midnights Is Contemplative Even When Beats Are Insistent, As They Are On Occasion. Despite These Fleeting Moments Of Urgency, The Record Is Clearly A Soundtrack To Be Played In The Wee Hours Of The Morning. In That Sense, Midnights Is A Kindred Spirit To Folklore And Evermore, The Twin 2020 Albums Swift Released During The Height Of The Covid-19 Pandemic, Yet Those Records Felt Like Collections Of Short Stories Where These Songs -- Whether In Their Standard 13-Song Variation Or The Lengthy "3 Am Edition" Which Runs An Additional Seven Tracks -- All Feel Like Confessions, Even If They Display The Sense Of Exacting Lyrical Detail She's Honed Since Lover. These Compositions Provide A Sturdy Foundation On A Record That Wants To Capture The Aimless Suspension Of Late-Night Insomnia, A Time Filled With Regret, Recriminations, And Resignations. Swift Spikes This Moodiness With Hints Of Steeliness -- Witness The Cool Swagger Of "Vigilante Shit" -- But That's Merely An Accent On An Album Designed To Deliver Variations On One Specific Mood. Although This Monochromatic Palette Tends To Highlight The Limits Of Co-Producer Jack Antonoff's Bag Of Tricks -- Nothing Here Feels Surprising, Even When He's Playing With Textures And Teasing Out The Music's Dream Pop Elements -- The Narrow Focus Is The Main Attribute Of Midnights, As It Plays To Swift's Sense Of Control And Craft: She May Be Singing About Messy Emotions But She Sculpts Those Tangled Feelings Into Shimmering, Resonant Songs." AMG Review By Stephen Thomas Erelwine. more
	Midnights Colored Vinyl - New - 2445790074 Sealed 2022 US Original Gatefold; Pressed On Marbled Lavender Vinyl. "Midnights Isn't A Retreat So Much As A Return, A Revival Of The Moody Electro-pop That Kept Reputation Roiling. Where That 2017 Record Carried A Measure Of Defiance, The Vibe Of Midnights Is Contemplative Even When Beats Are Insistent, As They Are On Occasion. Despite These Fleeting Moments Of Urgency, The Record Is Clearly A Soundtrack To Be Played In The Wee Hours Of The Morning. In That Sense, Midnights Is A Kindred Spirit To Folklore And Evermore, The Twin 2020 Albums Swift Released During The Height Of The Covid-19 Pandemic, Yet Those Records Felt Like Collections Of Short Stories Where These Songs -- Whether In Their Standard 13-Song Variation Or The Lengthy "3 Am Edition" Which Runs An Additional Seven Tracks -- All Feel Like Confessions, Even If They Display The Sense Of Exacting Lyrical Detail She's Honed Since Lover. These Compositions Provide A Sturdy Foundation On A Record That Wants To Capture The Aimless Suspension Of Late-Night Insomnia, A Time Filled With Regret, Recriminations, And Resignations. Swift Spikes This Moodiness With Hints Of Steeliness -- Witness The Cool Swagger Of "Vigilante Shit" -- But That's Merely An Accent On An Album Designed To Deliver Variations On One Specific Mood. Although This Monochromatic Palette Tends To Highlight The Limits Of Co-Producer Jack Antonoff's Bag Of Tricks -- Nothing Here Feels Surprising, Even When He's Playing With Textures And Teasing Out The Music's Dream Pop Elements -- The Narrow Focus Is The Main Attribute Of Midnights, As It Plays To Swift's Sense Of Control And Craft: She May Be Singing About Messy Emotions But She Sculpts Those Tangled Feelings Into Shimmering, Resonant Songs." All Music Guide - Stephen Thomas Erelwine. more
	Midnights Colored Vinyl - New - 2445790050 Sealed 2022 US Original Gatefold. This Is The "Marbled Jade Green" Pressing. "Midnights Isn't A Retreat So Much As A Return, A Revival Of The Moody Electro-pop That Kept Reputation Roiling. Where That 2017 Record Carried A Measure Of Defiance, The Vibe Of Midnights Is Contemplative Even When Beats Are Insistent, As They Are On Occasion. Despite These Fleeting Moments Of Urgency, The Record Is Clearly A Soundtrack To Be Played In The Wee Hours Of The Morning. In That Sense, Midnights Is A Kindred Spirit To Folklore And Evermore, The Twin 2020 Albums Swift Released During The Height Of The Covid-19 Pandemic, Yet Those Records Felt Like Collections Of Short Stories Where These Songs -- Whether In Their Standard 13-Song Variation Or The Lengthy "3 Am Edition" Which Runs An Additional Seven Tracks -- All Feel Like Confessions, Even If They Display The Sense Of Exacting Lyrical Detail She's Honed Since Lover. These Compositions Provide A Sturdy Foundation On A Record That Wants To Capture The Aimless Suspension Of Late-Night Insomnia, A Time Filled With Regret, Recriminations, And Resignations. Swift Spikes This Moodiness With Hints Of Steeliness -- Witness The Cool Swagger Of "Vigilante Shit" -- But That's Merely An Accent On An Album Designed To Deliver Variations On One Specific Mood. Although This Monochromatic Palette Tends To Highlight The Limits Of Co-Producer Jack Antonoff's Bag Of Tricks -- Nothing Here Feels Surprising, Even When He's Playing With Textures And Teasing Out The Music's Dream Pop Elements -- The Narrow Focus Is The Main Attribute Of Midnights, As It Plays To Swift's Sense Of Control And Craft: She May Be Singing About Messy Emotions But She Sculpts Those Tangled Feelings Into Shimmering, Resonant Songs." AMG Review By Stephen Thomas Erelwine. more
	Midnights Colored Vinyl - New - 2445790074 Sealed 2022 US Original Gatefold. This Is The Marbled "Mahogany" Variant. "Midnights Isn't A Retreat So Much As A Return, A Revival Of The Moody Electro-pop That Kept Reputation Roiling. Where That 2017 Record Carried A Measure Of Defiance, The Vibe Of Midnights Is Contemplative Even When Beats Are Insistent, As They Are On Occasion. Despite These Fleeting Moments Of Urgency, The Record Is Clearly A Soundtrack To Be Played In The Wee Hours Of The Morning. In That Sense, Midnights Is A Kindred Spirit To Folklore And Evermore, The Twin 2020 Albums Swift Released During The Height Of The Covid-19 Pandemic, Yet Those Records Felt Like Collections Of Short Stories Where These Songs -- Whether In Their Standard 13-Song Variation Or The Lengthy "3 Am Edition" Which Runs An Additional Seven Tracks -- All Feel Like Confessions, Even If They Display The Sense Of Exacting Lyrical Detail She's Honed Since Lover. These Compositions Provide A Sturdy Foundation On A Record That Wants To Capture The Aimless Suspension Of Late-Night Insomnia, A Time Filled With Regret, Recriminations, And Resignations. Swift Spikes This Moodiness With Hints Of Steeliness -- Witness The Cool Swagger Of "Vigilante Shit" -- But That's Merely An Accent On An Album Designed To Deliver Variations On One Specific Mood. Although This Monochromatic Palette Tends To Highlight The Limits Of Co-Producer Jack Antonoff's Bag Of Tricks -- Nothing Here Feels Surprising, Even When He's Playing With Textures And Teasing Out The Music's Dream Pop Elements -- The Narrow Focus Is The Main Attribute Of Midnights, As It Plays To Swift's Sense Of Control And Craft: She May Be Singing About Messy Emotions But She Sculpts Those Tangled Feelings Into Shimmering, Resonant Songs." AMG Review By Stephen Thomas Erelwine. more
	Midnights Colored Vinyl - Used - 2445789825 2022 2LP Gatefold original. No signed photo!! Pressed On "Moonstone Blue" Marbled Vinyl. 1 Of 4 Editions. "Midnights Isn't A Retreat So Much As A Return, A Revival Of The Moody Electro-pop That Kept Reputation Roiling. Where That 2017 Record Carried A Measure Of Defiance, The Vibe Of Midnights Is Contemplative Even When Beats Are Insistent, As They Are On Occasion. Despite These Fleeting Moments Of Urgency, The Record Is Clearly A Soundtrack To Be Played In The Wee Hours Of The Morning. In That Sense, Midnights Is A Kindred Spirit To Folklore And Evermore, The Twin 2020 Albums Swift Released During The Height Of The Covid-19 Pandemic, Yet Those Records Felt Like Collections Of Short Stories Where These Songs -- Whether In Their Standard 13-Song Variation Or The Lengthy "3 Am Edition" Which Runs An Additional Seven Tracks -- All Feel Like Confessions, Even If They Display The Sense Of Exacting Lyrical Detail She's Honed Since Lover. These Compositions Provide A Sturdy Foundation On A Record That Wants To Capture The Aimless Suspension Of Late-Night Insomnia, A Time Filled With Regret, Recriminations, And Resignations. Swift Spikes This Moodiness With Hints Of Steeliness -- Witness The Cool Swagger Of "Vigilante Shit" -- But That's Merely An Accent On An Album Designed To Deliver Variations On One Specific Mood. Although This Monochromatic Palette Tends To Highlight The Limits Of Co-Producer Jack Antonoff's Bag Of Tricks -- Nothing Here Feels Surprising, Even When He's Playing With Textures And Teasing Out The Music's Dream Pop Elements -- The Narrow Focus Is The Main Attribute Of Midnights, As It Plays To Swift's Sense Of Control And Craft: She May Be Singing About Messy Emotions But She Sculpts Those Tangled Feelings Into Shimmering, Resonant Songs." All Music Guide - Stephen Thomas Erelwine. more
	Midnights Colored Vinyl - Used - 2445790074 2022 US Original Gatefold. This Is The Marbled "Mahogany" Variant. "Midnights Isn't A Retreat So Much As A Return, A Revival Of The Moody Electro-pop That Kept Reputation Roiling. Where That 2017 Record Carried A Measure Of Defiance, The Vibe Of Midnights Is Contemplative Even When Beats Are Insistent, As They Are On Occasion. Despite These Fleeting Moments Of Urgency, The Record Is Clearly A Soundtrack To Be Played In The Wee Hours Of The Morning. In That Sense, Midnights Is A Kindred Spirit To Folklore And Evermore, The Twin 2020 Albums Swift Released During The Height Of The Covid-19 Pandemic, Yet Those Records Felt Like Collections Of Short Stories Where These Songs -- Whether In Their Standard 13-Song Variation Or The Lengthy "3 Am Edition" Which Runs An Additional Seven Tracks -- All Feel Like Confessions, Even If They Display The Sense Of Exacting Lyrical Detail She's Honed Since Lover. These Compositions Provide A Sturdy Foundation On A Record That Wants To Capture The Aimless Suspension Of Late-Night Insomnia, A Time Filled With Regret, Recriminations, And Resignations. Swift Spikes This Moodiness With Hints Of Steeliness -- Witness The Cool Swagger Of "Vigilante Shit" -- But That's Merely An Accent On An Album Designed To Deliver Variations On One Specific Mood. Although This Monochromatic Palette Tends To Highlight The Limits Of Co-Producer Jack Antonoff's Bag Of Tricks -- Nothing Here Feels Surprising, Even When He's Playing With Textures And Teasing Out The Music's Dream Pop Elements -- The Narrow Focus Is The Main Attribute Of Midnights, As It Plays To Swift's Sense Of Control And Craft: She May Be Singing About Messy Emotions But She Sculpts Those Tangled Feelings Into Shimmering, Resonant Songs." All Music Guide - Stephen Thomas Erelwine. more
	Midnights Colored Vinyl - Used - 2445790067 2022 special edition gatefold pressed on Blood Moon vinyl. Owner retained hype sticker on an outer sleeve (not in the shrink seal) "Midnights isn't a retreat so much as a return, a revival of the moody electro-pop that kept Reputation roiling. Where that 2017 record carried a measure of defiance, the vibe of Midnights is contemplative even when beats are insistent, as they are on occasion. Despite these fleeting moments of urgency, the record is clearly a soundtrack to be played in the wee hours of the morning. In that sense, Midnights is a kindred spirit to Folklore and Evermore, the twin 2020 albums Swift released during the height of the COVID-19 pandemic, yet those records felt like collections of short stories where these songs -- whether in their standard 13-song variation or the lengthy "3 AM Edition" which runs an additional seven tracks -- all feel like confessions, even if they display the sense of exacting lyrical detail she's honed since Lover. These compositions provide a sturdy foundation on a record that wants to capture the aimless suspension of late-night insomnia, a time filled with regret, recriminations, and resignations. Swift spikes this moodiness with hints of steeliness -- witness the cool swagger of "Vigilante Shit" -- but that's merely an accent on an album designed to deliver variations on one specific mood. Although this monochromatic palette tends to highlight the limits of co-producer Jack Antonoff's bag of tricks -- nothing here feels surprising, even when he's playing with textures and teasing out the music's dream pop elements -- the narrow focus is the main attribute of Midnights, as it plays to Swift's sense of control and craft: she may be singing about messy emotions but she sculpts those tangled feelings into shimmering, resonant songs." All Music Guide - Stephen Thomas Erlewine. more
	Midnights Colored Vinyl - Used - 2445789825 2022 2LP Gatefold original with hype sticker affixed to jacket. NO SIGNED PHOTO!! Pressed On "Moonstone Blue" Marbled Vinyl. 1 Of 4 Editions. "Midnights Isn't A Retreat So Much As A Return, A Revival Of The Moody Electro-pop That Kept Reputation Roiling. Where That 2017 Record Carried A Measure Of Defiance, The Vibe Of Midnights Is Contemplative Even When Beats Are Insistent, As They Are On Occasion. Despite These Fleeting Moments Of Urgency, The Record Is Clearly A Soundtrack To Be Played In The Wee Hours Of The Morning. In That Sense, Midnights Is A Kindred Spirit To Folklore And Evermore, The Twin 2020 Albums Swift Released During The Height Of The Covid-19 Pandemic, Yet Those Records Felt Like Collections Of Short Stories Where These Songs -- Whether In Their Standard 13-Song Variation Or The Lengthy "3 Am Edition" Which Runs An Additional Seven Tracks -- All Feel Like Confessions, Even If They Display The Sense Of Exacting Lyrical Detail She's Honed Since Lover. These Compositions Provide A Sturdy Foundation On A Record That Wants To Capture The Aimless Suspension Of Late-Night Insomnia, A Time Filled With Regret, Recriminations, And Resignations. Swift Spikes This Moodiness With Hints Of Steeliness -- Witness The Cool Swagger Of "Vigilante Shit" -- But That's Merely An Accent On An Album Designed To Deliver Variations On One Specific Mood. Although This Monochromatic Palette Tends To Highlight The Limits Of Co-Producer Jack Antonoff's Bag Of Tricks -- Nothing Here Feels Surprising, Even When He's Playing With Textures And Teasing Out The Music's Dream Pop Elements -- The Narrow Focus Is The Main Attribute Of Midnights, As It Plays To Swift's Sense Of Control And Craft: She May Be Singing About Messy Emotions But She Sculpts Those Tangled Feelings Into Shimmering, Resonant Songs." All Music Guide - Stephen Thomas Erelwine. more
	Midnights Colored Vinyl - New - 2445789825 Sealed 2022 Special Edition 2LP Gatefold, Pressed On "Moonstone Blue" Marbled Vinyl. 1 Of 4 Editions. "Midnights Isn't A Retreat So Much As A Return, A Revival Of The Moody Electro-pop That Kept Reputation Roiling. Where That 2017 Record Carried A Measure Of Defiance, The Vibe Of Midnights Is Contemplative Even When Beats Are Insistent, As They Are On Occasion. Despite These Fleeting Moments Of Urgency, The Record Is Clearly A Soundtrack To Be Played In The Wee Hours Of The Morning. In That Sense, Midnights Is A Kindred Spirit To Folklore And Evermore, The Twin 2020 Albums Swift Released During The Height Of The Covid-19 Pandemic, Yet Those Records Felt Like Collections Of Short Stories Where These Songs -- Whether In Their Standard 13-Song Variation Or The Lengthy "3 Am Edition" Which Runs An Additional Seven Tracks -- All Feel Like Confessions, Even If They Display The Sense Of Exacting Lyrical Detail She's Honed Since Lover. These Compositions Provide A Sturdy Foundation On A Record That Wants To Capture The Aimless Suspension Of Late-Night Insomnia, A Time Filled With Regret, Recriminations, And Resignations. Swift Spikes This Moodiness With Hints Of Steeliness -- Witness The Cool Swagger Of "Vigilante Shit" -- But That's Merely An Accent On An Album Designed To Deliver Variations On One Specific Mood. Although This Monochromatic Palette Tends To Highlight The Limits Of Co-Producer Jack Antonoff's Bag Of Tricks -- Nothing Here Feels Surprising, Even When He's Playing With Textures And Teasing Out The Music's Dream Pop Elements -- The Narrow Focus Is The Main Attribute Of Midnights, As It Plays To Swift's Sense Of Control And Craft: She May Be Singing About Messy Emotions But She Sculpts Those Tangled Feelings Into Shimmering, Resonant Songs." AMG Review By Stephen Thomas Erelwine. more
	Midnights Colored Vinyl - Used - 2445789825 New, unplayed 2022 Special Edition 2LP Gatefold original. No signed photo!! Pressed On "Moonstone Blue" Marbled Vinyl. 1 Of 4 Editions. "Midnights Isn't A Retreat So Much As A Return, A Revival Of The Moody Electro-pop That Kept Reputation Roiling. Where That 2017 Record Carried A Measure Of Defiance, The Vibe Of Midnights Is Contemplative Even When Beats Are Insistent, As They Are On Occasion. Despite These Fleeting Moments Of Urgency, The Record Is Clearly A Soundtrack To Be Played In The Wee Hours Of The Morning. In That Sense, Midnights Is A Kindred Spirit To Folklore And Evermore, The Twin 2020 Albums Swift Released During The Height Of The Covid-19 Pandemic, Yet Those Records Felt Like Collections Of Short Stories Where These Songs -- Whether In Their Standard 13-Song Variation Or The Lengthy "3 Am Edition" Which Runs An Additional Seven Tracks -- All Feel Like Confessions, Even If They Display The Sense Of Exacting Lyrical Detail She's Honed Since Lover. These Compositions Provide A Sturdy Foundation On A Record That Wants To Capture The Aimless Suspension Of Late-Night Insomnia, A Time Filled With Regret, Recriminations, And Resignations. Swift Spikes This Moodiness With Hints Of Steeliness -- Witness The Cool Swagger Of "Vigilante Shit" -- But That's Merely An Accent On An Album Designed To Deliver Variations On One Specific Mood. Although This Monochromatic Palette Tends To Highlight The Limits Of Co-Producer Jack Antonoff's Bag Of Tricks -- Nothing Here Feels Surprising, Even When He's Playing With Textures And Teasing Out The Music's Dream Pop Elements -- The Narrow Focus Is The Main Attribute Of Midnights, As It Plays To Swift's Sense Of Control And Craft: She May Be Singing About Messy Emotions But She Sculpts Those Tangled Feelings Into Shimmering, Resonant Songs." All Music Guide - Stephen Thomas Erelwine. more
	Red New - LP - BMR 3104000 Sealed 2012 2LP 180gm HQ Gatefold Original. more
	Red New - LP - BMR 3104000 Sealed, latest reissue of the 2LP gatefold release. "Taylor Swift designed her 2012 album Red as her breakthrough into the pop market -- a crossover she pulled off with ease, elevating her to the rarefied air of superstars who can be identified by a single name. Red may not be flawless -- it runs just a shade too long as it sprints along in its quest to be everything to everyone -- but there's an empowering fearlessness in how Swift shakes off her country bona fides. Leaving Nashville behind, she rushes to collaborate with Britney Spears hitmaker Max Martin and Snow Patrol's Gary Lightbody, along with mainstream rock mainstays Dan Wilson and Butch Walker. Appropriately for an album featuring so many producers, Red isn't sequenced like a proper album, it's a buffet, offering every kind of sound or identity a Swift fan could possibly want. Taylor deftly shifts styles, adapting well to the insistent pulse of Martin, easing into a shimmering melancholy reminiscent of Mazzy Star ("Sad Beautiful Tragic"), and coolly riding a chilly new wave pulse ("The Lucky One"). Combined with the unabashed arena rock fanfare of "State of Grace," the dance-pop of "We Are Never Ever Getting Back Together," and the dubstep feint "I Knew You Were Trouble" -- not to mention the cheerfully ludicrous club-filler "22" -- Red barely winks at country, and it's a better album for it. It is, as all pop albums should be, recognizable primarily as the work of Taylor Swift alone: her girlish persona is at its center, allowing her to try on the latest fashions while always sounding like herself. Although she can still seem a little gangly in her lyrical details -- her relationship songs are too on the nose and she has an odd obsession about her perceived persecution by the cool kids -- these details hardly undermine the pristine pop confections surrounding them. If anything, these ungainly, awkward phrasings humanizes this mammoth pop monolith: she's constructed something so precise that its success seems preordained, but underneath it all, Taylor is still twitchy, which makes Red not just catchy but compelling." AMG - Stephen Thomas Erlewine. more
	Red (Taylor's Version) New - LP - B0034422-01 Sealed 2021 4LP Deluxe Edition, Cut At 45rpm. Two LP's Housed In Each Side Of The Gatefold, In Custom Printed Inner Sleeves. Updated Cover Art To Signify Her Version. "The Second In A Series Of Catalog Re-recordings And Revisions, Red [taylor's Version] Finds Taylor Swift Revisiting Her Self-styled Pop Breakthrough Red. Released Nine Years After The Original Album, Red [taylor's Version] Does Bear A Few Signs Of Maturation, Notably On The Explicitly Pop Moments, Such As "I Knew You Were Trouble," "22," And "We Are Never Ever Getting Back Together," Which Seem Ever So Slightly Muted When Compared To The 2012 Versions. Nevertheless, Much Of The Point Of The Re-recordings Is To Get These New Versions As Close To The Original Versions As Possible So They Can Be Easily Licensed And To That End, Swift Succeeds Admirably. The More Interesting Part Of Red [taylor's Version] Arrives In The Second Half When Swift Records Songs Left In The Vault, Including "Better Man" -- A Song She Gave To Little Big Town, Who Won A Grammy For Best Country/duo Group Performance In 2018 For Their Recording -- And Duets With Phoebe Bridgers ("Nothing New"), Chris Stapleton ("I Bet You Think About Me"), And Ed Sheeran ("Run"). The Highlight Of These Is A Ten-minute Version Of "All Too Well," A Bitter Ballad That Was Already One Of The Peaks Of Red And Is Now Turned Into An Epic Kiss-off. This, Along With Excavated Songs, Are Reason Enough For Swift To Revisit Red And They, Not The Re-recordings, Are The Reason To Return To Red [taylor's Version]." AMG - Stephen Thomas Erlewine. more
	Red (Taylor’s Version) New - LP - B0034422-01 Sealed 2021 4LP Deluxe Edition, Cut At 45rpm. Two LP's Housed In Each Side Of The Gatefold, In Custom Printed Inner Sleeves. Updated Cover Art To Signify Her Version. "The Second In A Series Of Catalog Re-recordings And Revisions, Red [taylor's Version] Finds Taylor Swift Revisiting Her Self-styled Pop Breakthrough Red. Released Nine Years After The Original Album, Red [taylor's Version] Does Bear A Few Signs Of Maturation, Notably On The Explicitly Pop Moments, Such As "I Knew You Were Trouble," "22," And "We Are Never Ever Getting Back Together," Which Seem Ever So Slightly Muted When Compared To The 2012 Versions. Nevertheless, Much Of The Point Of The Re-recordings Is To Get These New Versions As Close To The Original Versions As Possible So They Can Be Easily Licensed And To That End, Swift Succeeds Admirably. The More Interesting Part Of Red [taylor's Version] Arrives In The Second Half When Swift Records Songs Left In The Vault, Including "Better Man" -- A Song She Gave To Little Big Town, Who Won A Grammy For Best Country/duo Group Performance In 2018 For Their Recording -- And Duets With Phoebe Bridgers ("Nothing New"), Chris Stapleton ("I Bet You Think About Me"), And Ed Sheeran ("Run"). The Highlight Of These Is A Ten-minute Version Of "All Too Well," A Bitter Ballad That Was Already One Of The Peaks Of Red And Is Now Turned Into An Epic Kiss-off. This, Along With Excavated Songs, Are Reason Enough For Swift To Revisit Red And They, Not The Re-recordings, Are The Reason To Return To Red [taylor's Version]." AMG Review By Stephen Thomas Erlewine. more
	Red (Taylor’s Version) New - LP - B0034422-01 Sealed 2021 4LP Deluxe Edition, Cut At 45rpm. Two LP's Housed In Each Side Of The Gatefold, In Custom Printed Inner Sleeves. Updated Cover Art To Signify Her Version. Corner Ding & Small Crease Rear Corner. "The Second In A Series Of Catalog Re-Recordings And Revisions, Red [Taylor's Version] Finds Taylor Swift Revisiting Her Self-Styled Pop Breakthrough Red. Released Nine Years After The Original Album, Red [Taylor's Version] Does Bear A Few Signs Of Maturation, Notably On The Explicitly Pop Moments, Such As "I Knew You Were Trouble," "22," And "We Are Never Ever Getting Back Together," Which Seem Ever So Slightly Muted When Compared To The 2012 Versions. Nevertheless, Much Of The Point Of The Re-Recordings Is To Get These New Versions As Close To The Original Versions As Possible So They Can Be Easily Licensed And To That End, Swift Succeeds Admirably. The More Interesting Part Of Red [Taylor's Version] Arrives In The Second Half When Swift Records Songs Left In The Vault, Including "Better Man" -- A Song She Gave To Little Big Town, Who Won A Grammy For Best Country/duo Group Performance In 2018 For Their Recording -- And Duets With Phoebe Bridgers ("Nothing New"), Chris Stapleton ("I Bet You Think About Me"), And Ed Sheeran ("Run"). The Highlight Of These Is A Ten-minute Version Of "All Too Well," A Bitter Ballad That Was Already One Of The Peaks Of Red And Is Now Turned Into An Epic Kiss-Off. This, Along With Excavated Songs, Are Reason Enough For Swift To Revisit Red And They, Not The Re-Recordings, Are The Reason To Return To Red [Taylor's Version]." AMG Review By Stephen Thomas Erlewine. more
	Red (Taylor’s Version) New - LP - B0034422-01 Sealed 2021 4LP Deluxe Edition, Cut At 45rpm. Two LP's Housed In Each Side Of The Gatefold, In Custom Printed Inner Sleeves. Updated Cover Art To Signify Her Version. "The Second In A Series Of Catalog Re-recordings And Revisions, Red [taylor's Version] Finds Taylor Swift Revisiting Her Self-styled Pop Breakthrough Red. Released Nine Years After The Original Album, Red [taylor's Version] Does Bear A Few Signs Of Maturation, Notably On The Explicitly Pop Moments, Such As "I Knew You Were Trouble," "22," And "We Are Never Ever Getting Back Together," Which Seem Ever So Slightly Muted When Compared To The 2012 Versions. Nevertheless, Much Of The Point Of The Re-recordings Is To Get These New Versions As Close To The Original Versions As Possible So They Can Be Easily Licensed And To That End, Swift Succeeds Admirably. The More Interesting Part Of Red [taylor's Version] Arrives In The Second Half When Swift Records Songs Left In The Vault, Including "Better Man" -- A Song She Gave To Little Big Town, Who Won A Grammy For Best Country/duo Group Performance In 2018 For Their Recording -- And Duets With Phoebe Bridgers ("Nothing New"), Chris Stapleton ("I Bet You Think About Me"), And Ed Sheeran ("Run"). The Highlight Of These Is A Ten-minute Version Of "All Too Well," A Bitter Ballad That Was Already One Of The Peaks Of Red And Is Now Turned Into An Epic Kiss-off. This, Along With Excavated Songs, Are Reason Enough For Swift To Revisit Red And They, Not The Re-recordings, Are The Reason To Return To Red [taylor's Version]." AMG Review By Stephen Thomas Erlewine. more
	Reputation Picture Disc - BMRCO0600F 2017 2LP Gatefold Original Picture Disk Edition With Printed Inner Sleeves. Corner Bump, Hence Price. more
	Reputation Picture Disc - New - BMRCO0600F Sealed 2017 2LP picture disc pressing housed in a deluxe gatefold jacket. Custom hype sticker on shrink. Taylor Swift's sixth studio album Reputation was released in 2017 and was a departure from her usual sound. The album featured a more mature, electronic pop sound with themes of love, betrayal, and fame. The lead single "Look What You Made Me Do" was a massive hit, topping charts worldwide and announcing the arrival of a new Taylor Swift. The album also featured collaborations with Ed Sheeran and Future, with standout tracks including "Delicate", "End Game", and "Getaway Car". The album received mixed reviews from critics, but was a commercial success, becoming the best-selling album of 2017 in the United States. more
	Speak Now New - LP - BTMSR 0300C Sealed 2010 2LP Gatefold Original. more
	Speak Now (Taylor's Version) Colored Vinyl - New - 2448438034 Sealed 2023 3LP on orchid vinyl in gatefold sleeve. Includes 6 unreleased songs from the vault and new photos. Taylor Swift's re-recording of her 2010 album Speak Now, dubbed "Speak Now (Taylor's Version)," not only captures the nostalgia of the original but also marks a significant moment in her ongoing battle for ownership of her music. This album showcases Swift's growth as an artist, both vocally and lyrically, as well as her ability to re-interpret her own work. Highlights include "Mine," "Back to December," and "Enchanted," all of which sound fresh and polished with Swift's current vocal range and production values. The album also features six previously unreleased songs, including the standout track "Message in a Bottle," which showcases Swift's signature storytelling ability. "Speak Now (Taylor's Version)" is a brilliant reimagining of an already incredible album, and it serves as a reminder of Swift's talent as a songwriter and performer. It's a must-listen for both old and new fans alike. more
	Speak Now (Taylor's Version) New - LP - 2448438034 Sealed 2023 3LP on orchid vinyl in gatefold sleeve. Includes 6 unreleased songs from the vault and new photos. Taylor Swift's re-recording of her 2010 album Speak Now, dubbed "Speak Now (Taylor's Version)," not only captures the nostalgia of the original but also marks a significant moment in her ongoing battle for ownership of her music. This album showcases Swift's growth as an artist, both vocally and lyrically, as well as her ability to re-interpret her own work. Highlights include "Mine," "Back to December," and "Enchanted," all of which sound fresh and polished with Swift's current vocal range and production values. The album also features six previously unreleased songs, including the standout track "Message in a Bottle," which showcases Swift's signature storytelling ability. "Speak Now (Taylor's Version)" is a brilliant reimagining of an already incredible album, and it serves as a reminder of Swift's talent as a songwriter and performer. It's a must-listen for both old and new fans alike. more
	Speak Now (Taylor's Version) Colored Vinyl - New - 2448438034 Sealed 2023 3LP on orchid vinyl in gatefold sleeve. Includes 6 unreleased songs from the vault and new photos. Taylor Swift's re-recording of her 2010 album Speak Now, dubbed "Speak Now (Taylor's Version)," not only captures the nostalgia of the original but also marks a significant moment in her ongoing battle for ownership of her music. This album showcases Swift's growth as an artist, both vocally and lyrically, as well as her ability to re-interpret her own work. Highlights include "Mine," "Back to December," and "Enchanted," all of which sound fresh and polished with Swift's current vocal range and production values. The album also features six previously unreleased songs, including the standout track "Message in a Bottle," which showcases Swift's signature storytelling ability. "Speak Now (Taylor's Version)" is a brilliant reimagining of an already incredible album, and it serves as a reminder of Swift's talent as a songwriter and performer. It's a must-listen for both old and new fans alike. more
	Taylor Swift New - LP - BMRTS0150A Sealed 2016 2LP Gatefold Reissue. more
	Taylor Swift Colored Vinyl - BMRTS0150B Sealed 2018 Limited Edition, Numbered Record Store Day Exclusive Crystal Clear And Turquoise Vinyl 2LP Gatefold. more
	The Tortured Poets Department Colored Vinyl - New - 602458933345 Sealed 2024 2LP special edition pressed on "Parchment " Beige. Corner rubbing. Bonus track on this version is "The Bolter". Includes a 24-page book-bound jacket with printed inner sleeves. The picture on the cover is spot varnished. more
	The Tortured Poets Department Colored Vinyl - New - 602458933314 Sealed 2024 2LP special edition original on Ghosted White vinyl. Small stain on top right corner. Bonus track on this version is "The Manuscript". "For the most part, Taylor Swift’s various eras have been distinctive and well-defined. There were her country beginnings, a crossover to both sharp pop and global superstardom, the era of cozy indie folk she briefly detoured into with the 2020 albums Folklore and Evermore, and a deeper embrace of throwback synth pop on 2022’s Midnights, to name just a few. The era presented in Swift’s 11th studio album, The Tortured Poets Department, is harder to pin down. Produced with long-time collaborators Jack Antonoff and the National's Aaron Dessner, the album pulls from Swift’s previous phases rather than introducing any new overarching identity or sound, with songs loosely connected by scenes from a bitter, messy breakup. While heavy-handed poetics are ostensibly part of the core concept, seething breakup songs are nothing new for Swift, and the lack of a solid stylistic or narrative through-line makes the album feel like an incoherent vision board of every idea she had during the songwriting process. There’s more Midnights-esque neon pop on tracks like “Down Bad” and “Florida!!!” (the latter a duet with Florence + the Machine), aching quasi-folk balladry on “loml,” and inclusions like “Guilty as Sin?” or “Clara Bow,” which sound like they could be outtakes from 1989, Lover, or any post-2012 point in Swift’s discography. Antonoff’s production and Swift’s affected vocal phrasing repeatedly recall Lana Del Rey on moody tracks like “Fresh Out the Slammer” (which incorporates an interesting beat switch near the end) and “My Boy Only Breaks His Favorite Toys,” but Swift largely falls back on old songwriting tricks rather than fully inhabiting this style or making it her own. The Tortured Poets Department is tedious. Never mind the surprise-release double-album version The Anthology, which adds 15 extra songs and another hour to the run-time; the standard issue is already made up of 16 tracks that meander as they struggle to make their points. While something like Swift’s extended, ten-minute-long “Taylor’s Version” of Red standout “All Too Well” could maintain an emotional intensity that warranted its epic length, tunes like the flailing and confusing “But Daddy I Love Him” and the slogging “Who’s Afraid of Little Old Me” simply overstay their welcome. For a songwriter responsible for some of the biggest choruses and best-selling melodies of her generation, there’s a surprising lack of immediacy or even cheap, sure-thing pop hooks here. Songs like “Fortnight” (which is weighed down by a mushy Post Malone feature) and the tepid title track aim for the kind of memorable earworms Swift has created better than most, but they fall short. All of these various missteps culminate in an album that feels like a missed opportunity. While the feelings here are melodramatic and overexpressed, sometimes to the point of ridiculousness, so is some of Swift’s best work, but with far more interesting results. A better-organized, more thoughtfully edited version of the album, one that turned the best songs over a few more times until some hit-worthy elements emerged, could have taken Swift into a whole new era." AMG - Fred Thomas. more