Ten Years After

Vinyl Records and Rare LPs:

	A Space In Time Used - LP - KC 30801 1971 US Original Still In Shrink With Hype Sticker. Hard To Find The KC Version In This Condition. more
	A Space In Time New Import - CRVX1463 Sealed 2023 2LP Heavyweight Vinyl, Half-Speed Remastered Reissue Housed In A Gatefold Jacket With Custom Hype Sticker. Cut At Abbey Road Studios, In London. Features A Mix From Chris Kimsey & The Original 1971 Mix. "A Space In Time Was Ten Years After's Best-selling Album. This Was Due Primarily To The Strength Of "I'd Love To Change The World," The Band's Only Hit Single, And One Of The Most Ubiquitous Am And Fm Radio Cuts Of The Summer Of 1971. Tya's First Album For Columbia, A Space In Time Has More Of A Pop-oriented Feel Than Any Of Their Previous Releases Had. The Individual Cuts Are Shorter, And Alvin Lee Displays A Broader Instrumental Palette Than Before. In Fact, Six Of The Disc's Ten Songs Are Built Around Acoustic Guitar Riffs. However, There Are Still A Couple Of Barn-burning Jams. The Leadoff Track, "One Of These Days," Is A Particularly Scorching Workout, Featuring Extended Harmonica And Guitar Solos. After The Opener, However, The Album Settles Back Into A More Relaxed Mood Than One Would Have Expected From Ten Years After. Many Of The Cuts Make Effective Use Of Dynamic Shifts, And The Guitar Solos Are Generally More Understated Than On Previous Outings. The Production On A Space In Time Is Crisp And Clean, A Sound Quite Different From The Denseness Of Its Predecessors. Though Not As Consistent As Cricklewood Green, A Space In Time Has Its Share Of Sparkling Moments." AMG - Jim Newsom. more
	A Space In Time New Import - CRVX1463 Sealed 2023 2LP Heavyweight Vinyl, Half-Speed Remastered Reissue Housed In A Gatefold Jacket With Custom Hype Sticker. Cut At Abbey Road Studios, In London. Large Corner Crease. Features A Mix From Chris Kimsey & The Original 1971 Mix. "A Space In Time Was Ten Years After's Best-selling Album. This Was Due Primarily To The Strength Of "I'd Love To Change The World," The Band's Only Hit Single, And One Of The Most Ubiquitous Am And Fm Radio Cuts Of The Summer Of 1971. Tya's First Album For Columbia, A Space In Time Has More Of A Pop-oriented Feel Than Any Of Their Previous Releases Had. The Individual Cuts Are Shorter, And Alvin Lee Displays A Broader Instrumental Palette Than Before. In Fact, Six Of The Disc's Ten Songs Are Built Around Acoustic Guitar Riffs. However, There Are Still A Couple Of Barn-burning Jams. The Leadoff Track, "One Of These Days," Is A Particularly Scorching Workout, Featuring Extended Harmonica And Guitar Solos. After The Opener, However, The Album Settles Back Into A More Relaxed Mood Than One Would Have Expected From Ten Years After. Many Of The Cuts Make Effective Use Of Dynamic Shifts, And The Guitar Solos Are Generally More Understated Than On Previous Outings. The Production On A Space In Time Is Crisp And Clean, A Sound Quite Different From The Denseness Of Its Predecessors. Though Not As Consistent As Cricklewood Green, A Space In Time Has Its Share Of Sparkling Moments." AMG - Jim Newsom. more
	A Space In Time New Import - CRVX1463 Sealed 2023 2LP Heavyweight Vinyl, Half-Speed Remastered Reissue Housed In A Gatefold Jacket With Custom Hype Sticker. Cut At Abbey Road Studios, In London. Large Corner Crease. Features A Mix From Chris Kimsey & The Original 1971 Mix. "A Space In Time Was Ten Years After's Best-selling Album. This Was Due Primarily To The Strength Of "I'd Love To Change The World," The Band's Only Hit Single, And One Of The Most Ubiquitous Am And Fm Radio Cuts Of The Summer Of 1971. Tya's First Album For Columbia, A Space In Time Has More Of A Pop-oriented Feel Than Any Of Their Previous Releases Had. The Individual Cuts Are Shorter, And Alvin Lee Displays A Broader Instrumental Palette Than Before. In Fact, Six Of The Disc's Ten Songs Are Built Around Acoustic Guitar Riffs. However, There Are Still A Couple Of Barn-burning Jams. The Leadoff Track, "One Of These Days," Is A Particularly Scorching Workout, Featuring Extended Harmonica And Guitar Solos. After The Opener, However, The Album Settles Back Into A More Relaxed Mood Than One Would Have Expected From Ten Years After. Many Of The Cuts Make Effective Use Of Dynamic Shifts, And The Guitar Solos Are Generally More Understated Than On Previous Outings. The Production On A Space In Time Is Crisp And Clean, A Sound Quite Different From The Denseness Of Its Predecessors. Though Not As Consistent As Cricklewood Green, A Space In Time Has Its Share Of Sparkling Moments." AMG - Jim Newsom. more
	A Space In Time New Import - CRVX1463 Sealed 2023 2LP Clear Vinyl Edition. Pressed Heavyweight Vinyl, Half-Speed Remastered Reissue Housed In A Gatefold Jacket With Custom Hype Sticker. Cut At Abbey Road Studios, In London. Large Corner Crease. Features A Mix From Chris Kimsey & The Original 1971 Mix. "A Space In Time Was Ten Years After's Best-selling Album. This Was Due Primarily To The Strength Of "I'd Love To Change The World," The Band's Only Hit Single, And One Of The Most Ubiquitous Am And Fm Radio Cuts Of The Summer Of 1971. Tya's First Album For Columbia, A Space In Time Has More Of A Pop-oriented Feel Than Any Of Their Previous Releases Had. The Individual Cuts Are Shorter, And Alvin Lee Displays A Broader Instrumental Palette Than Before. In Fact, Six Of The Disc's Ten Songs Are Built Around Acoustic Guitar Riffs. However, There Are Still A Couple Of Barn-burning Jams. The Leadoff Track, "One Of These Days," Is A Particularly Scorching Workout, Featuring Extended Harmonica And Guitar Solos. After The Opener, However, The Album Settles Back Into A More Relaxed Mood Than One Would Have Expected From Ten Years After. Many Of The Cuts Make Effective Use Of Dynamic Shifts, And The Guitar Solos Are Generally More Understated Than On Previous Outings. The Production On A Space In Time Is Crisp And Clean, A Sound Quite Different From The Denseness Of Its Predecessors. Though Not As Consistent As Cricklewood Green, A Space In Time Has Its Share Of Sparkling Moments." All Music Guide - Jim Newsom more
	A Space In Time Audiophile - New - CRVX1463 Sealed 2023 50th anniversary half-speed mastered 2LP reissue pressed on 180gm heavyweight vinyl. Features a 2023 mix by Chris Kimsey on one disc and the original 1971 mix on the other. Gatefold jacket, custom hype sticker on shrink. "A Space in Time was Ten Years After's best-selling album. This was due primarily to the strength of "I'd Love to Change the World," the band's only hit single, and one of the most ubiquitous AM and FM radio cuts of the summer of 1971. TYA's first album for Columbia, A Space in Time has more of a pop-oriented feel than any of their previous releases had. The individual cuts are shorter, and Alvin Lee displays a broader instrumental palette than before. In fact, six of the disc's ten songs are built around acoustic guitar riffs. However, there are still a couple of barn-burning jams. The leadoff track, "One of These Days," is a particularly scorching workout, featuring extended harmonica and guitar solos. After the opener, however, the album settles back into a more relaxed mood than one would have expected from Ten Years After. Many of the cuts make effective use of dynamic shifts, and the guitar solos are generally more understated than on previous outings. The production on A Space in Time is crisp and clean, a sound quite different from the denseness of its predecessors. Though not as consistent as Cricklewood Green, A Space in Time has its share of sparkling moments." All Music Guide - Jim Newsom more
	A Space In Time Used - LP - CHR 1001 1971 UK Pressing With Blue & White Labels (Not The Green Label First Edition). Vinyl Appears Glossy, Unplayed. more
	A Space In Time Used - LP - CHR 1001 1971 UK Green Label First Pressing With 1U/1U Stampers. Appears Glossy, Unplayed. Best Copy We Have Ever Had In Stock. more
	A Space In Time Audiophile - LP - AFZLP 112 Sealed, Numbered, Limited Edition 2012 180gm Virgin Vinyl Housed In A Gatefold Cover. This Is Number 0795. more
	A Space In Time New - LP - PC 30801 Sealed 1971 Second Issue. more
	A Space In Time New - LP - PV 41001 Sealed Early 80's Reissue. more
	About Time Used - LP - 21722 Very Hard To Find 1989 Vinyl. Unplayed Condition. more
	About Time Used - LP - 21722 Hard To Find 1989 Vinyl With Song Hype Sticker On The Front Cover And Gold Promo Stamp On The Back Cover. Bottom Right Corner Crease, Hence Price. more
	Alvin Lee & Company New - LP - XDES 18064 Sealed 1972 Original. Clean COH, Crisp Corners. more
	Alvin Lee & Company New - LP - XDES 18064 Sealed 1972 Original. Pristine Copy. more
	Alvin Lee & Company Used - LP - XDES 18064 1972 Original Housed In A Promo Stickered, Laminated Jacket, With Clean Cut Out Hole. Appears Glossy, Unplayed. Back Cover Artwork Poorly Applied At Spine During Manufacturing, Causing It To Set Away From Cover And Slightly Tear. Tiny Bottom Corner Rub. "After Ten Years After found commercial success with a new record label, Columbia, and the hit single "I'd Love to Change the World," the band's former label released this collection of outtakes from earlier recording sessions. One listen shows why these tracks were not included on album releases at the time of their recording." All Music Guide - Jim Newsom more
	Alvin Lee And Company Used - LP - SML 1096 1972 UK Original, 1W/1W Stampers. more
	Cricklewood Green Used - LP - SML 1065 Stunning 1970 UK Gatefold Original. 1W/1W Stampers. more
	Cricklewood Green Audiophile - LP - SVLP 235 Sealed, Long Out Of Print 180gm Import. more
	Cricklewood Green New - LP - PV 41084 Sealed Early 80's Reissue. more
	Cricklewood Green Used - LP - DES 18038 Stunning 1970 Original Housed In A Heavy-Duty, Textured Gatefold With The Rare Poster. Appears Unplayed. “Cricklewood Green Provides The Best Example Of Ten Years After's Recorded Sound. On This Album, The Band And Engineer Andy Johns Mix Studio Tricks And Sound Effects, Blues-Based Song Structures, A Driving Rhythm Section, And Alvin Lee's Signature Lightning-Fast Guitar Licks Into A Unified Album That Flows Nicely From Start To Finish. Cricklewood Green Opens With A Pair Of Bluesy Rockers, With "Working On The Road" Propelled By A Guitar And Organ Riff That Holds The Listener's Attention Through The Use Of Tape Manipulation As The Song Develops. "50,000 Miles Beneath My Brain" And "Love Like A Man" Are Classics Of TYA's Jam Genre, With Lyrically Meaningless Verses Setting Up Extended Guitar Workouts That Build In Intensity, Rhythmically And Sonically. The Latter Was An FM-Radio Staple In The Early '70s. "Year 3000 Blues" Is A Country Romp Sprinkled With Lee's Silly Sci-Fi Lyrics, While "Me And My Baby" Concisely Showcases The Band's Jazz Licks Better Than Any Other TYA Studio Track, And Features A Tasty Piano Solo By Chick Churchill. It Has A Feel Similar To The Extended Pieces On Side One Of The Live Album Undead. "Circles" Is A Hippie-Ish Acoustic Guitar Piece, While "As The Sun Still Burns Away" Closes The Album By Building On Another Classic Guitar-Organ Riff And More Sci-Fi Sound Effects.” Jim Newsom, AMG. more
	Cricklewood Green Used - LP - CHR 1084 1975 2nd Issue Of The 1970 Album Still In Shrink Wrap. Vinyl Appears Unplayed. more
	Goin' Home! Used - LP - DES 18072 Mint 1975 Heavy Vinyl First Pressing. Their Greatest Hits. more
	Goin' Home! New - LP - DES 18072 Sealed 1975 Heavy Vinyl First Pressing With Cut Out Hole. Their Greatest Hits. more
	Goin' Home! Used - LP - DES 18072 1975 RCA Club Edition Of Their Greatest Hits. Appears Virtually Unplayed. more
	Greatest Hits Used - LP - LC 50008 1977 Blue label repress. 7 Track Hits Compilation from the bands early stages. Featuring "I'm Going Home"- recorded live at Woodstock. more
	Hear Me Calling New - LP - TAB 12 Hard To Find 1990 Holland Only Compilation. New, Unplayed Condition. more
	Legends Of Rock New - LP - 6.28560 Sealed 1981 2LP Gatefold Compilation. Top Spine Corner Dent, Lightly Rubbed Corners, Shrink Split Across Top Seam. more
	Original Recordings Vol 1 Used - LP - SEE 80 1987 Compilation Of Early Deram Recordings. 2" Bottom Center Seam Crack, Hence Price. more
	Recorded Live Used - LP - C2X 32288 1973 US 2LP Gatefold Original, Pitman Press. Glossy Vinyl, Jacket Shows Some Shelf/Ring Wear. "The Cover Of Ten Years After's 1973 Album Recorded Live Depicts A Giant Reel-To-Reel Recorder, Which Certainly Captures The Era When This Double-LP Set Was Recorded. Approaching The End Of Their Run -- Only One More Album Would Come, 1974's Positive Vibrations -- Ten Years After Were Deep Into The Thick Of '70s Arena Rock, So Everything They Played On-Stage Wound Up Stretching Well Beyond The Five-Minute Mark, Sometimes Reaching Upward Of 11 Minutes. Everything On This Double-LP Places Improvisation Over Groove -- A Sentiment That Is Accentuated On The 2013 Expansion, Which Winds Up Running 21 Tracks Over Two Discs, Adding Bonus Outtakes To The Original Double-LP Set. The Best Parts Here Are The Improvisations, Particularly Alvin Lee's Long, Languid Guitar Solos, But This Album -- Either In Its Original Incarnation Or In Its Expansion -- Is A Distinctly '70s Creation: It's Unhurried And Indulgent, Reveling In Its Slow, Steady March To A Virtuosic, Never-Ending Guitar Solo." AMG Review By Stephen Thomas Erlewine. more
	Recorded Live New - LP - C2X 32288 Sealed 1972 2LP Gatefold Original. Cut Out Hole. From The Rear Cover Notes: "This Album Is A Truthful Recording Of Ten Years After With No Overdubs Or Additives. What You Hear Is What Happened On The Night. Recorded Over Four Nights In Amsterdam, Rotterdam, Frankfurt And Paris With The Rolling Stones' Mobile Recording Truck And Later Mixed From Sixteen Track To Stereo At Olympic Studios In London. In Answer To The Inferior Live Recordings Sold Illegally: This Is The Official Ten Years After Bootleg." more
	Recorded Live New - LP - V2X 41049 Sealed 2nd Issue 2LP Gatefold With The Original Price Tag From Rolling Stones Record Store Still On The Shrink Wrap. more
	Recorded Live New - LP - C2X 32288 Sealed 2LP Gatefold Original With Custom Song Hype Sticker On The Shrink Wrap. Pristine Copy From The Collection Of A Columbia Record Exec. more
	Rock & Roll Music To The World New - LP - KC 31779 Sealed 1972 Gatefold Original. Weird Anomaly In Which The KC Prefix Is On The Spine And Back Cover Along With A Columbia Promo Sticker Under The Shrink Wrap. Also On The Back Cover Is The Chrysalis Butterfly Logo And The CHR 1009 Catalog Number. May Be A White Label Promo. more
	Rock & Roll Music To The World Used - LP - KC 31779 1972 US gatefold original; KC prefix. VG+ cover; No tears but moderate ring wear. more
	Ssssh New - LP - DES 18029 Factory Sealed 1969 Gatefold Original. Pristine Copy. more
	SSSSh Used - LP - SML 1052 Beautiful 1969 UK Laminated Gatefold Stereo Original. “Ssssh Was Ten Years After's New Release At The Time Of Their Incendiary Performance At The Woodstock Festival In August, 1969. As A Result, It Was Their First Hit Album In The U.S., Peaking At Number 20 In September Of That Year. This Recording Is A Primer Of British Blues-Rock Of The Era, Showcasing Alvin Lee's Guitar Pyrotechnics And The Band's Propulsive Rhythm Section. As With Most Of TYA's Work, The Lyrics Were Throwaways, But The Music Was Hot. Featured Is A Lengthy Cover Of Sonny Boy Williamson's "Good Morning Little Schoolgirl," With Reworked Lyrics Leaving Little Doubt As To What The Singer Had In Mind For The Title Character. Also Included Was A 12-Bar Blues Song With The Ultimate Generic Blues Title "I Woke Up This Morning." Ssssh Marked The Beginning Of The Band's Two-Year Run Of Popularity On The U.S. Album Charts And In The Underground FM-Radio Scene.” Jim Newsom, AMG. more
	Ssssh New - LP - PV 41083 Sealed Early 80's Pressing. “Ssssh Was Ten Years After's New Release At The Time Of Their Incendiary Performance At The Woodstock Festival In August, 1969. As A Result, It Was Their First Hit Album In The U.S., Peaking At Number 20 In September Of That Year. This Recording Is A Primer Of British Blues-Rock Of The Era, Showcasing Alvin Lee's Guitar Pyrotechnics And The Band's Propulsive Rhythm Section. As With Most Of TYA's Work, The Lyrics Were Throwaways, But The Music Was Hot. Featured Is A Lengthy Cover Of Sonny Boy Williamson's "Good Morning Little Schoolgirl," With Reworked Lyrics Leaving Little Doubt As To What The Singer Had In Mind For The Title Character. Also Included Was A 12-Bar Blues Song With The Ultimate Generic Blues Title "I Woke Up This Morning." Ssssh Marked The Beginning Of The Band's Two-Year Run Of Popularity On The U.S. Album Charts And In The Underground FM-Radio Scene.” Jim Newsom, AMG. more
	Ssssh Used - LP - DES 18029 1969 Gatefold Original Still In Shrink. Light Top Seam Wear And Jacket Mouth Wear, Hence Price. more
	SSSSH Audiophile - LP - WWS-40046 Beautiful 1969 Japan Pressing With Obi. Appears Unplayed. “Ssssh Was Ten Years After's New Release At The Time Of Their Incendiary Performance At The Woodstock Festival In August, 1969. As A Result, It Was Their First Hit Album In The U.S., Peaking At Number 20 In September Of That Year. This Recording Is A Primer Of British Blues-Rock Of The Era, Showcasing Alvin Lee's Guitar Pyrotechnics And The Band's Propulsive Rhythm Section. As With Most Of TYA's Work, The Lyrics Were Throwaways, But The Music Was Hot. Featured Is A Lengthy Cover Of Sonny Boy Williamson's "Good Morning Little Schoolgirl," With Reworked Lyrics Leaving Little Doubt As To What The Singer Had In Mind For The Title Character. Also Included Was A 12-Bar Blues Song With The Ultimate Generic Blues Title "I Woke Up This Morning." Ssssh Marked The Beginning Of The Band's Two-Year Run Of Popularity On The U.S. Album Charts And In The Underground FM-Radio Scene.” Jim Newsom, AMG. more
	Ssssh. New - LP - DES 18029 Beautiful Sealed 1969 Original. Light Corner Rubs. more
	Stonedhenge New - LP - DES 18021 Sealed 1969 Gatefold Original. 1 Inch Center Bottom Seam Split, Hence Price. more
	Stonedhenge Used - LP - SML 1029 Awesome 1968 UK Stereo Original Housed In A Fully Laminated Gatefold Cover Wioth The Original. 1W/4W Stampers. Appears Unplayed. "I'm Going Home" From Ten Years After's Previous Release Put Them On The Charts, At Least In The U.K. (The Band's U.S. Breakthrough Was At Woodstock A Year After Its Release), But The Four-Piece Was Already Experimenting With Ways To Expand Their Basic Boogie Rock Template. Stonedhenge Was The Result, As Producer Mike Vernon Helped Steer The Band Into A More Jazz- And Blues-Oriented Direction. That's Especially Evident In The Swinging "Woman Trouble," But This Set Is Generally More Prone To Broadening The Sound Without Losing TYA's Basic Concept. It Doesn't Always Gel -- The Four Short Pieces That Feature Each Musician Alone On Their Instrument Is An Interesting Idea That Ends Up As A Distraction -- Yet The Album Boasts Some Terrific Performances By A Group That Was Hitting Its Peak. Canned Heat, Who TYA Supported In America And Who Were Also Trying To Push Their Own Boogie Envelope, Were A Big Influence, Born Out By The Very Heat-Sounding "Hear Me Calling." Alvin Lee Keeps His Fleet Fingers In Check, Preferring To Work His Style Into A More Organic Fusion. Tracks Such As The Creeping "A Sad Song" Successfully Build Tension Without The Need For Speedy Guitar Solos. The Eight-Minute "No Title" Takes The Basic TYA Blueprint But Slowly Creates A Moody Atmosphere For Three Minutes Until Lee Cranks Out A Terse, Loud Extension On Its Main Riff That Sets The Stage For Chick Churchill's Eerie Organ Solo. The Quartet And Their Producer Also Experimented With Primitive Panning And Tape Manipulation To Impressive Results. The Closing "Speed Kills" Returns TYA To Its Basics, Perhaps As A Way To Let Its Existing Fans Know They Can Still Churn Out The Rocking When Needed.” Hal Horowitz, AMG. more
	Stonedhenge Used - LP - DES 18021 1969 Gatefold Original With Promo Stamp On Back Cover. LP Appears Glossy, Unplayed. 1A/1A Bell Sound Stampers. more
	Stonehenge (Stonedhenge) Used - LP - LAX 129 Beautiful And Rare 1978 Japanese Gatefold First Issue With Incorrect Title (Stonehenge Instead Of Stonedhenge) And Different Cover Art. more
	Ten Years After New - LP - DES 18009 Sealed 1967 Stereo Original. Clean Cut Out Hole. more
	Ten Years After New - LP - DES 18009 Sealed 1967 Stereo Original Store Stock Copy With The Original Price Code "E" Tag On The Shrink Wrap. more
	Ten Years After Colored Vinyl - LP 5266 Sealed 2018 Gold Vinyl Reissue Pressed By RTI From The Original UK Mono Masters. more
	Ten Years After Used - LP - DES 18009 Beautiful Wide Band Stereo Pressing. more
	Ten Years After New - LP - PLS-4 Factory Sealed 1967 Heavy Vinyl Stereo. Crisp Corners, No Cut-Out Hole (Common With This Title). more
	The Classic Performance Of New - LP - PC 34366 Sealed more
	Undead Used - LP - DES 18016 1968 Stereo original in shrink with inner sleeve. “Recorded Live In A Small London Club, Undead Contains The Original "I'm Going Home," The Song That Brought Ten Years After Its First Blush Of Popularity Following The Woodstock Festival And Film In Which It Was Featured. However, The Real Strength Of This Album Is Side One, Which Contains Two Extended Jazz Jams, "I May Be Wrong, But I Won't Be Wrong Always" And Woody Herman's "Woodchopper's Ball," Both Of Which Spotlight Guitarist Alvin Lee's Amazing Speed And Technique.” All Media Guide - Jim Newson more
	Undead New - LP - DES 18016 Sealed 1968 Stereo. COH. Label Variation Unknown, May Be A Second Issue. more
	Undead New Import - MOVLP1147 New, Unplayed 2014 Limited Edition 180gm 2LP Housed In A Resealable Bag With Custom Hype Sticker On Shrink. Side D Is An Etching. "Recorded Live In A Small London Club, Undead Contains The Original "I'm Going Home," The Song That Brought Ten Years After Its First Blush Of Popularity Following The Woodstock Festival And Film In Which It Was Featured. However, The Real Strength Of This Album Is Side One, Which Contains Two Extended Jazz Jams, "I May Be Wrong, But I Won't Be Wrong Always" And Woody Herman's "Woodchopper's Ball," Both Of Which Spotlight Guitarist Alvin Lee's Amazing Speed And Technique. Side Two Is Less Interesting, With An Extended Slow Blues Typical Of The Time, A Drum Solo Feature, And The Rock & Roll Rave-Up Of "I'm Going Home"." AMG Review by Jim Newsom. more
	Undead Used - LP - DES 18016 1968 Stereo Original. 1A/1A Bell Sound Stampers. Appears Unplayed. Small Corner Bump & Small Bumps To The Spine. “Recorded Live In A Small London Club, Undead Contains The Original "I'm Going Home," The Song That Brought Ten Years After Its First Blush Of Popularity Following The Woodstock Festival And Film In Which It Was Featured. However, The Real Strength Of This Album Is Side One, Which Contains Two Extended Jazz Jams, "I May Be Wrong, But I Won't Be Wrong Always" And Woody Herman's "Woodchopper's Ball," Both Of Which Spotlight Guitarist Alvin Lee's Amazing Speed And Technique.” Jim Newson, AMG. more
	Undead Used - LP - DES 18016 Beautiful 1968 Stereo Original. 1A/1A Bell Sound Stampers. Appears Unplayed. “Recorded Live In A Small London Club, Undead Contains The Original "I'm Going Home," The Song That Brought Ten Years After Its First Blush Of Popularity Following The Woodstock Festival And Film In Which It Was Featured. However, The Real Strength Of This Album Is Side One, Which Contains Two Extended Jazz Jams, "I May Be Wrong, But I Won't Be Wrong Always" And Woody Herman's "Woodchopper's Ball," Both Of Which Spotlight Guitarist Alvin Lee's Amazing Speed And Technique.” Jim Newson, AMG. more
	Undead Used - LP - SML 1023 Near Mint 1968 UK Stereo Original Housed In A Laminated Jacket. 1W/1W Stampers With No Spindle Marks On Either Label. more
	Undead New - LP - DES 18016 Sealed 1968 Stereo. Label Variation Unknown, May Be A Second Issue. more
	Watt New - LP - XDES 18050 Factory Sealed And Pristine 1970 Original Housed In A Heavy-Duty, Textured Gatefold Cover. more
	Watt Used - LP - PV 41085 Beautiful 2nd Issue With Shrink Wrap Intact. Appears Glossy, Unplayed. "Columbia NY" Machine Stamped In Dead Wax. more
	Watt Used - LP - XDES 18050 1970 Original Housed In A Heavy-Duty, Textured Gatefold Cover With Shrink-Wrap Intact. LP Appears Unplayed. more
	Watt New Import - MOVLP1096 Sealed 2014 180gm audiophile pressing from Music On Vinyl. Gatefold jacket. Watt is a phenomenal studio album by the English blues rock band Ten Years After. It was released in 1970 and features the band's signature sound of hard-hitting blues rock riffs, extensive guitar solos, and powerful vocals. The album showcases the band's musical prowess and their ability to create a unique blend of rock and blues that set them apart from many of their contemporaries. Watt is a must-listen for any music lover who is a fan of blues rock. The album features some of the band's most iconic songs such as "I Say Yeah," "My Baby Left Me," and "Love Like a Man." It also includes a cover of "Sweet Little Sixteen" by Chuck Berry, which the band puts their own spin on. With its infectious grooves and electrifying guitar work, Watt is a timeless classic that still sounds as fresh and exciting today as it did over 50 years ago. more

181506 Items in DB

SEARCH DATABASE
BY PERFORMER

SEARCH DATABASE
BY GENRE