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A Portrait Of
Used - LP - MH 68
Rare Swiss Promo-Only Gatefold With Discography Insert.
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Behind The Gardens
Used - LP - 28 3P 419
Mint Japanese Pressing With Obi.
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Behind The Gardens - Behind The Wall - Under The Tree
Audiophile - LP - CBS 85545
1981 Dutch Original.
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Behind The Gardens - Behind The Wall - Under The Tree
New - LP - PM 37793
Sealed 1981 Original.
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Behind The Gardens - Behind The Wall - Under The Tree
Used - LP - 85 545
1981 Original With Gold Promo Stamp On The Back Cover. Start Of Split On Bottom Seam, Hence Price.
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Behind The Gardens - Behind The Wall - Under The Tree
Used - LP - FM 37793
1981 Original With Insert. Appears Unplayed.
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Caverna Magica
Used - LP - FM 37827
Beautiful 1983 Original. An Audiophile "Guilty Pleasure" Par Excellence And An Outstanding Reference Recording For Seeing Just How Much Detail Your System Can Resolve. Appears Glossy, Unplayed.
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Caverna Magica
Used - LP - FM 37827
Beautiful 1983 Original. An Audiophile "Guilty Pleasure" Par Excellence. Appears Unplayed.
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Caverna Magica
New - LP - 28 3P-465
Sealed Japanese Pressing With Obi. Wondrous Sound!
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Caverna Magica
New - LP - FM 37827
Factory Sealed 1983 Original, Clean COH. Audiophile Quality Sound On This Masterpiece Of The Genre.
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Caverna Magica
Used - LP - FM 37827
Beautiful 1983 Original. An Audiophile "Guilty Pleasure" Par Excellence. Appears Unplayed. Shrink Wrap Intact With New Music Report Hype Sticker.
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Caverna Magica
Used - LP - FM 37827
1983 Original In Shrink Wrap. Audiophile Quality Sound With An Expansive Sound Stage On This Masterpiece Of The Genre. 1D/1C Columbia NY Stampers. Appears Glossy, Unplayed.
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Dancing With The Lion
New - LP - OC 45154
Sealed, Hard To Find 1989 Vinyl.
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Dancing With The Lion
Used - LP - OC 45154
Hard To Find 1989 Original With Custom Inner Sleeve. Unplayed Condition.
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Dancing With The Lion - Interchords
Used - LP - CAS 1522
Rare 1989 White Label Promo Only LP. Hint Of Ring Wear At Top Of Jacket. LP Appears Unplayed.
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Down To The Moon
New - LP - FM 42255
Factory Sealed 1986 Original With Insert. “Andreas Vollenweider's Grammy-Winning 1987 Effort Is Dominated By The Swiss Musician's Electrically Modified Harp. Its Distinctive Sound Runs Throughout The Album, Supported By The Usual Tinkering Synthesizer Effects And Light Percussion. After An Extended Introductory Interlude, The Title Track Zips Into A Vaguely Caribbean-Styled Rhythm. "Water Moon" Features A Different, More Organic Harp Sound; It's Mixed With The Windy Tones Of A Flute, Suggesting Ghostly Moonshafts Lancing Through Falling Rain. Vollenweider Plays The Harp Strings Off Of Guitar Strings On The Surprisingly Twangy (For New Age, Anyway) "Drown In Pale Light." The Composer Weaves The Album's Instrumentals Together With A Goody Bag Of Pan-Ethnic Influences; The Album's Margins Are Full Of These Little Touches That Nevertheless Make A Big Difference. Down To The Moon Will Appeal To Anyone Looking For Music That's As Interesting As It Is Soothing.” Johnny Loftus, All Music Guide.
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Down To The Moon
New - LP - 28 3P-759
Sealed 1986 Japanese Pressing With Obi. “Andreas Vollenweider's Grammy-Winning Effort Is Dominated By The Swiss Musician's Electrically Modified Harp. Its Distinctive Sound Runs Throughout The Album, Supported By The Usual Tinkering Synthesizer Effects And Light Percussion. After An Extended Introductory Interlude, The Title Track Zips Into A Vaguely Caribbean-Styled Rhythm. "Water Moon" Features A Different, More Organic Harp Sound; It's Mixed With The Windy Tones Of A Flute, Suggesting Ghostly Moonshafts Lancing Through Falling Rain. Vollenweider Plays The Harp Strings Off Of Guitar Strings On The Surprisingly Twangy (For New Age, Anyway) "Drown In Pale Light." The Composer Weaves The Album's Instrumentals Together With A Goody Bag Of Pan-Ethnic Influences; The Album's Margins Are Full Of These Little Touches That Nevertheless Make A Big Difference. Down To The Moon Will Appeal To Anyone Looking For Music That's As Interesting As It Is Soothing.” Johnny Loftus, AMG.
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Down To The Moon
Used - LP - 42255
Hard To Find 1986 Vinyl With Outstanding Sound.
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Down To The Moon
Used - LP - FM 42255
1986 Original Still In Shrink. Small Corner Ding. “Andreas Vollenweider's Grammy-Winning 1987 Effort Is Dominated By The Swiss Musician's Electrically Modified Harp. Its Distinctive Sound Runs Throughout The Album, Supported By The Usual Tinkering Synthesizer Effects And Light Percussion. After An Extended Introductory Interlude, The Title Track Zips Into A Vaguely Caribbean-Styled Rhythm. "Water Moon" Features A Different, More Organic Harp Sound; It's Mixed With The Windy Tones Of A Flute, Suggesting Ghostly Moonshafts Lancing Through Falling Rain. Vollenweider Plays The Harp Strings Off Of Guitar Strings On The Surprisingly Twangy (For New Age, Anyway) "Drown In Pale Light." The Composer Weaves The Album's Instrumentals Together With A Goody Bag Of Pan-Ethnic Influences; The Album's Margins Are Full Of These Little Touches That Nevertheless Make A Big Difference. Down To The Moon Will Appeal To Anyone Looking For Music That's As Interesting As It Is Soothing.” Johnny Loftus, All Music Guide.
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Down To The Moon
Used - LP - FM 42255
1986 Original. “Andreas Vollenweider's Grammy-Winning 1987 Effort Is Dominated By The Swiss Musician's Electrically Modified Harp. Its Distinctive Sound Runs Throughout The Album, Supported By The Usual Tinkering Synthesizer Effects And Light Percussion. After An Extended Introductory Interlude, The Title Track Zips Into A Vaguely Caribbean-Styled Rhythm. "Water Moon" Features A Different, More Organic Harp Sound; It's Mixed With The Windy Tones Of A Flute, Suggesting Ghostly Moonshafts Lancing Through Falling Rain. Vollenweider Plays The Harp Strings Off Of Guitar Strings On The Surprisingly Twangy (For New Age, Anyway) "Drown In Pale Light." The Composer Weaves The Album's Instrumentals Together With A Goody Bag Of Pan-Ethnic Influences; The Album's Margins Are Full Of These Little Touches That Nevertheless Make A Big Difference. Down To The Moon Will Appeal To Anyone Looking For Music That's As Interesting As It Is Soothing.” All Music Guide - Johnny Loftus
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Eine Art Suite In XIII Teilen
Used - LP - TLP 8001
Rare 1979 Austrian Original. Appears Unplayed.
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Pace Verde
Used - 12 - CBSA 12 3900
Rare Dutch 45rpm 12 Incher With Unreleased Live Version Of "Passanjah!"
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Pace Verde, Music For Living Beings
New - 12 - 44 05008
Sealed 1983 3 Track Mini LP.
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White Winds
New - LP - FM 39963
Sealed And Stunning 1984 Original. On A Par With His Masterpiece "Caverna Magica."
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White Winds
Used - LP - FM 39963
1984 US Original, Without White Border On Cover. Recorded And Remixed May & June 1984 At The Sinus Studio, Berne, Switzerland.
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White Winds
Used - LP - FM 39963
1984 Original. Second Only To "Caverna Magica." Appears Glossy, Unplayed.
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White Winds
Used - LP - FM 39963
1984 Original. Second Only To "Caverna Magica." Appears Glossy, Unplayed. Small Corner Bump.
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White Winds
New - LP - 28 3P 614
Sealed 1984 Japanese Pressing With Obi. Second Only To His Masterepiece "Caverna Magica."
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White Winds
New - LP - 26195
Sealed 1984 Original. “Andreas Vollenweider's 1985 Effort White Winds, Subtitled "Seeker's Journey," Features The Composer's Modified Electric Harp In Pieces That Are Much More Experimental Than What Would Later Emerge As The Prevailing Sound Of New Age. A Brief Introduction Features The Lapping Of A Boat In A Slip, But It Soon Fades Into The Angular Forays Of "Hall Of The Stairs," Which Itself Drifts Into The More Conventional Ethno-Jazz Of "Hall Of The Mosaics (Meeting You)." Vollenweider's Harp Is Joined By Full Percussion And A Bank Of Synthesizers For "The Glass Hall (Choose The Crystal)," Breaking The Song Down To Showcase The Unique Sound Of His Instrument. Even When It's Accessing The Soothing Tones Of New Age, White Winds Seems To Lie Closer To Contemporary Jazz Instrumentalism, As The Repeated Phrasing Of These Songs Suggests. Vollenweider Even Gets Lightly Funky On The Awesomely Named "Flight Feet & Root Hands." With His Early-'80s Work, The Swiss Performer Was Establishing Himself As A Leader Of The Burgeoning New Age Genre. White Winds Is A Good Example Of His Sound, Which Mixed Accessibility With Uniqueness And Some True Musical Exploration.” Johnny Loftus, AMG.
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