Winchester, Jesse

Vinyl Records and Rare LPs:

	Jesse Winchester New - LP - A 10104 Sealed 1970 Textured Jacket Gatefold Original. Pristine Copy. Produced By Robbie Robertson And Engineered By Todd Rundgren. “Jesse Winchester First Gained Notice As A Protégé Of The Band's Robbie Robertson, Who Produced And Played Guitar On His Debut Album And Brought Along Bandmate Levon Helm To Play Drums And Mandolin. The Album Had Much Of The Rustic Southern Charm And Rollicking Country-Rock Of The Band. Winchester's Other Immediate Appeal Was A Certain Sense Of Mystery. A Southern American Expatriate Living In Canada, He Was Unable To Appear In The U.S. To Promote The Album, Which Was Released In A Fold-Out LP Jacket That Featured The Same Sepia-Toned Portrait (Which Looked Like One Of Those Austere Matthew Brady Photos From The Civil War Era) On Each Of Its Four Sides. Winchester Emphasized The Dichotomy Between His Southern Origins And His Northern Exile In Songs Like "Snow" (Which Robertson Co-Wrote), "The Brand New Tennessee Waltz" ("I've A Sadness Too Sad To Be True"), And "Yankee Lady." Jesse Winchester Was Timely: It Spoke To A Disaffected American Generation That Sympathized With Winchester's Pacifism. But It Was Also Timeless: The Songs Revealed A Powerful Writing Talent (Recognized By The Numerous Artists Who Covered Them), And Winchester's Gentle Vocals Made A Wonderful Vehicle For Delivering Them.” - William Ruhlmann, All Music Guide more
	Jesse Winchester Used - LP - A 10104 1970 Textured Jacket, Deep Groove Original. Appears Unplayed. Produced By Robbie Robertson And Engineered By Todd Rundgren. “Jesse Winchester First Gained Notice As A Protégé Of The Band's Robbie Robertson, Who Produced And Played Guitar On His Debut Album And Brought Along Bandmate Levon Helm To Play Drums And Mandolin. The Album Had Much Of The Rustic Southern Charm And Rollicking Country-Rock Of The Band. Winchester's Other Immediate Appeal Was A Certain Sense Of Mystery. A Southern American Expatriate Living In Canada, He Was Unable To Appear In The U.S. To Promote The Album, Which Was Released In A Fold-Out LP Jacket That Featured The Same Sepia-Toned Portrait (Which Looked Like One Of Those Austere Matthew Brady Photos From The Civil War Era) On Each Of Its Four Sides. Winchester Emphasized The Dichotomy Between His Southern Origins And His Northern Exile In Songs Like "Snow" (Which Robertson Co-Wrote), "The Brand New Tennessee Waltz" ("I've A Sadness Too Sad To Be True"), And "Yankee Lady." Jesse Winchester Was Timely: It Spoke To A Disaffected American Generation That Sympathized With Winchester's Pacifism. But It Was Also Timeless: The Songs Revealed A Powerful Writing Talent (Recognized By The Numerous Artists Who Covered Them), And Winchester's Gentle Vocals Made A Wonderful Vehicle For Delivering Them.” - William Ruhlmann, All Music Guide more
	Jesse Winchester Used - LP - A-10104 1970 US Gatefold Original, Monarch Pressing. Textured Gatefold With Thin Saw Cut At Bottom Of Mouth Edge. Produced By Robbie Robertson, Engineered By Todd Rundgren. "Jesse Winchester First Gained Notice As A Protégé Of The Band's Robbie Robertson, Who Produced And Played Guitar On His Debut Album And Brought Along Bandmate Levon Helm To Play Drums And Mandolin. The Album Had Much Of The Rustic Southern Charm And Rollicking Country-Rock Of The Band. Winchester's Other Immediate Appeal Was A Certain Sense Of Mystery. A Southern American Expatriate Living In Canada, He Was Unable To Appear In The U.s. To Promote The Album, Which Was Released In A Fold-Out LP Jacket That Featured The Same Sepia-Toned Portrait (Which Looked Like One Of Those Austere Matthew Brady Photos From The Civil War Era) On Each Of Its Four Sides. Winchester Emphasized The Dichotomy Between His Southern Origins And His Northern Exile In Songs Like "Snow" (Which Robertson Co-Wrote), "The Brand New Tennessee Waltz" ("I've A Sadness Too Sad To Be True"), And "Yankee Lady." Jesse Winchester Was Timely: It Spoke To A Disaffected American Generation That Sympathized With Winchester's Pacifism. But It Was Also Timeless: The Songs Revealed A Powerful Writing Talent (Recognized By The Numerous Artists Who Covered Them), And Winchester's Gentle Vocals Made A Wonderful Vehicle For Delivering Them. [Originally Released By Ampex In 1970, Jesse Winchester Was Reissued By Bearsville Records In 1976, In 1988 By Rhino/Bearsville, In 1994 By Stony Plain, And In 2006 By Wounded Bird.]" AMG Review By William Ruhlmann. more
	Learn To Love It New - LP - BR 6953 Sealled 1974 Original. Exact press/label info unknown. more
	Learn To Love It Used - LP - BR 6953 Beautiful 1974 Original In Shrink Wrap. Appears Unplayed. more
	Let The Rough Side Drag Used - LP - BR 6964 1976 Original With Promo Sticker On Front Cover. Matrices Indicate It To Actually Be A Los Angeles Pressing. Gentle Corner Crease. more
	Nothing But A Breeze Used - LP - BR 6968 1977 Original Still In Shrink. Featuring Appearances By Emmylou Harris, Anne Murray And Ricky Skaggs. Small, Clean Cut Out Hole. Jesse Winchester's record "Nothing But A Breeze" is a must-listen for any music lover. Released in 1977, this album was Winchester's fourth studio album and features a mix of folk, rock, and country music. The title track "Nothing But A Breeze" is a standout song on the album, with its smooth melody and Winchester's soothing vocals. The album also includes other great tracks such as "Twigs And Seeds" and "It Takes A young Girl", which demonstrate Winchester's lyrical prowess and ability to tell a story through his music. Overall, "Nothing But A Breeze" is an often overlooked record for a talented musician. more
	Third Down, 110 To Go Used - LP - BR 2102 1972 Brown Label Original Housed In A Gatefold Jacket Still In Shrink Wrap. “If Jesse Winchester's Debut Album Was An Auspicious Introduction To A Powerful New Songwriting Talent, His Two-And-A-Half-Years-In-The-Making Follow-Up Was In Some Ways Even More Impressive. Without The Influence Of Robbie Robertson, Winchester, Who Produced Most Of The Album Himself (Three Tracks Were Handled By Todd Rundgren), Gave It A Homemade Feel, Using Small Collections Of Acoustic Instruments, An Appropriate Setting For A Group Of Short, Intimate Songs That Expressed A Deliberately Positive Worldview Set Against An Acknowledgement Of Desperate Times. Winchester Found Hope In Religion And Domesticity, But The Key To His Stance Was A Kind Of Good-Humored Accommodation. "If The Wheel Is Fixed," He Sang, "I Would Still Take A Chance. If We're Skating On Thin Ice, Then We Might As Well Dance." The Album Was Littered With Such Examples Of Aphoristic Folk Wisdom, Adding Up To A Portrait Of A Man, Cut Off From His Very Deep Roots And Yet Determined To Maintain His Dignity With Grace And Even Occasionally A Goofy Sense Of Humor.” All Music Guide - William Ruhlmann more
	Third Down, 110 To Go Used - LP - BR 2102 1972 Brown Label Original Housed In A Gatefold Jacket Still In Shrink Wrap. Unplayed Condition. “If Jesse Winchester's Debut Album Was An Auspicious Introduction To A Powerful New Songwriting Talent, His Two-And-A-Half-Years-In-The-Making Follow-Up Was In Some Ways Even More Impressive. Without The Influence Of Robbie Robertson, Winchester, Who Produced Most Of The Album Himself (Three Tracks Were Handled By Todd Rundgren), Gave It A Homemade Feel, Using Small Collections Of Acoustic Instruments, An Appropriate Setting For A Group Of Short, Intimate Songs That Expressed A Deliberately Positive Worldview Set Against An Acknowledgement Of Desperate Times. Winchester Found Hope In Religion And Domesticity, But The Key To His Stance Was A Kind Of Good-Humored Accommodation. "If The Wheel Is Fixed," He Sang, "I Would Still Take A Chance. If We're Skating On Thin Ice, Then We Might As Well Dance." The Album Was Littered With Such Examples Of Aphoristic Folk Wisdom, Adding Up To A Portrait Of A Man, Cut Off From His Very Deep Roots And Yet Determined To Maintain His Dignity With Grace And Even Occasionally A Goofy Sense Of Humor.” William Ruhlmann, AMG. more