Wyatt, Robert
Vinyl Records and Rare LPs:
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1982 To 1984
Used - LP - 25
Mint 1984 LP.
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1982-1984
Used - LP - RTSP 25
Rare 1984 Original, CC. Appears Unplayed.
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1982-1984
Used - LP - 25RTL-20
1984 Japanese First Pressing With Obi. LP Appears New, Unplayed.
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Comicopera
New Import - WIGLP202
Sealed 180gm 2LP 2nd Press, With Updated Hype Sticker And New Barcode Sticker On Rear Over Original. Divided Into Three Acts/Sides. Featuring A Cast Of Musicians Including Brian Eno, Paul Weller And Phil Manzanera, Robert Says He Was Keen For The Album To Capture The Sound Of A Group Of Musicians Playing In The Room Together, But More Importantly To Have Friends Playing Together. "Music Isn't Just An Abstract Pleasure, It Is A Company, When You Play A Record. Why I Like Duke Ellington And Charles Mingus, The Big Bands - Is Because Every Character In The Band Is Identifiable As That Person - There's This Group Of Humans In A Room" He Says. It Is This That Gives 'Comicopera' A Sense Of Spontaneity, Despite It's Deliberate Pacing And Construction As Something Of A Three Act 'Opera'. Side Four Is Etched Vinyl.
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Cuckooland
Used - LP - DNO 208
Mint 2008 2LP 180gm With Custom Card Inner Sleeves (No CD). Shrink Wrap Intact With Custom Hype Sticker.
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End Of An Ear
Used - LP - 31846
Mint UK 2nd Label (CBS Embassy) Of His Deadly Rare Debut Album.
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End Of An Ear
Used - LP - S 64189
Rare 1971 UK Original With A1/B1 Stampers. Record Appears Glossy, Unplayed. Cover Has Very Light Seam Wear. “Of All The Projects Robert Wyatt Created Apart From His Tenure With Soft Machine And Matching Mole, The End Of An Ear Has To Be The Strangest, And Among The Most Beautiful And Misunderstood Recordings Of His Career. Recorded Near The End Of His Membership In Soft Machine, End Of An Ear Finds Wyatt Experimenting Far More With Jazz And Avant-Garde Material Than In The Jazz-Rock-Structured Environment Of His Band. The Wyatt On The End Of An Ear (A Play On Words For The End Of The SM Era, And Another Session Called "Ear Of The Beholder") Is Still Very Much The Fiery Drummer And Percussionist Who Is Interested In Electronic Effects And Out Jazz And Not The Composer And Interpretive Singer Of His Post-Accident Years.” – Thom Jurek, AMG
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Las Vegas Fandango
Used - LP - 001
First Edition 1981 "Live" LP. This Is Number 302 Of Only 500 Pressed. Recorded Live At Drury Lanel Theatre, London, August, 1974.
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Nothing Can Stop Us
New - LP - 18 8164
Sealed 1986 Original With Custom Inner Sleeve. Features Elvis Costello.
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Nothing Can Stop Us
Used - LP - RR 9983
1982 Original With Rare Original Front Cover Art Featuring A Rolls Royce, Later Changed To The Shipbuilding Cover. Includes Insert. Appears Unplayed.
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Nothing Can Stop Us
Used Import - Rough 35
1982 Laminated Cover Original With Rare Original. EX jacket, corner dings. Front cover art featuring a Rolls Royce, later changed to the shipbuilding cover. Dead wax is inscribed "A Porky Prime Cut" & "Too Much Too Son" (Side One) And "A Porky Prime Cut" & "Too Little Too Late."
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Old Rottenhat
Used - LP - Rough 69
1985 Gatefold Original. Vinyl Appears Unplayed Condition. “Robert Wyatt Has Been Quoted As Declaring That This Record Was "A Conscious Attempt To Make Un-Misusable Music," I.E., Music That Couldn't Be Appropriated By The Right Or Broadcast On Voice Of America. VOA Doesn't Broadcast Uncommercial Music Such As This In Any Case, But Wyatt Did Succeed In Stating Some Of His Political Concerns -- Imperialism, The Carnage In East Timor, The Flaws Of Rigid Political Ideology -- In An Understated Manner. He Went Back To Writing His Own Material For This Album, After Having Focused On Eclectic "Covers" In The Early '80s, With Fair Success. It's Perhaps An Even Moodier Outing Than Usual For Wyatt, His Melancholia Amplified By The Foggy, Spooky Keyboards.” Richie Unterberger, AMG.
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Old Rottenhat
New - LP - 18 8604
Sealed 1986 Gatefold Original.
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Old Rottenhat
New - LP - 8604
Sealed 1986 Gatefold Original. Saw Cut. “Robert Wyatt Has Been Quoted As Declaring That This Record Was "A Conscious Attempt To Make Un-Misusable Music," I.E., Music That Couldn't Be Appropriated By The Right Or Broadcast On Voice Of America. VOA Doesn't Broadcast Uncommercial Music Such As This In Any Case, But Wyatt Did Succeed In Stating Some Of His Political Concerns -- Imperialism, The Carnage In East Timor, The Flaws Of Rigid Political Ideology -- In An Understated Manner. He Went Back To Writing His Own Material For This Album, After Having Focused On Eclectic "Covers" In The Early '80s, With Fair Success. It's Perhaps An Even Moodier Outing Than Usual For Wyatt, His Melancholia Amplified By The Foggy, Spooky Keyboards.” Richie Unterberger, AMG.
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Peel Sessions
Used - LP - SFPS 037
Rare, Limited Edition 45rpm 4 Track UK Original. Recorded In 1974. "Soup Song," "Alifib," "I'm A Believer" And "Sea Song."
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Robert Wyatt & Friends – Theatre Royal Drury Lane 8th September 1974
Used - LP - DNO 206
2008 2LP Release In Unplayed Condition. No CD. Beautiful Issue Of A One-Off Concert With An All-Star Band. The one-off backing band assembled for the concert, dubbed Robert Wyatt & Friends, included most of the musicians featured on Rock Bottom along with several other guests.[19] The band included Wyatt's "dream rhythm section" of Dave Stewart on keyboards, Laurie Allan on drums, and Hugh Hopper on bass guitar.[20] Other performers from the Rock Bottom sessions included Mongezi Feza on trumpet, Mike Oldfield on guitar, Fred Frith on several stringed instruments, and Ivor Cutler on spoken word vocals.[19] Nick Mason, the drummer of Pink Floyd and producer of Rock Bottom, made a guest appearance on drums.
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Rock Bottom
Used - LP - V 2017
Beautiful 1974 UK Original Featuring Fred Frith, Mike Oldfield And Others.
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Rock Bottom
Used - LP - V 2017
Beautiful 1974 UK Twin Girl Label Original. Appears Virtually Unplayed. David Greenberger Printed His Name On The Rear Cover. Good Old Dave....(W.NKER).
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Rock Bottom
New - LP - VR 13-112
Sealed 1974 Original. Small Cut Corner. “Recorded With A Star-Studded Cast Of Canterbury Musicians, Has Been Deservedly Acclaimed As One Of The Finest Art Rock Albums. Several Forces Surrounding Wyatt's Life Helped Shape Its Outcome. First, It Was Recorded After The Former Soft Machine Drummer And Singer Fell Out Of A Five-Story Window And Broke His Spine. Legend Had It That The Album Was A Chronicle Of His Stay In The Hospital. Wyatt Dispels This Notion In The Liner Notes Of The 1997 Thirsty Ear Reissue Of The Album, As Well As The Book Wrong Movements: A Robert Wyatt History. Much Of The Material Was Composed Prior To His Accident In Anticipation Of Rehearsals Of A New Lineup Of Matching Mole. The Writing Was Completed In The Hospital, Where Wyatt Realized That He Would Now Need To Sing More, Since He Could No Longer Be Solely The Drummer. Many Of Rock Bottom's Songs Are Very Personal And Introspective Love Songs, Since He Would Soon Marry Alfreda Benge. Benge Suggested To Wyatt That His Music Was Too Cluttered And Needed More Open Spaces. Therefore, Robert Wyatt Not Only Ploughed New Ground In Songwriting Territory, But He Presented The Songs Differently, Taking Time To Allow Songs Like "Sea Song" And "Alifib" To Develop Slowly. Previous Attempts At Love Songs, Like "O Caroline," While Earnest And Wistful, Were Very Literal And Lyrically Clumsy. Rock Bottom Was Robert Wyatt's Most Focused And Relaxed Album Up To Its Time Of Release. In 1974, It Won The French Grand Prix Charles Cros Record Of The Year Award. It Is Also Considered An Essential Record In Any Comprehensive Collection Of Psychedelic Or Progressive Rock. Concurrently Released Was The First Of His Two Singles To Reach The British Top 40, "I'm A Believer." Jim Powers, AMG.
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Rock Bottom / Ruth Is Stranger Than Richard
Used - LP - VGD 3505
Beautiful 1974 2LP Gatefold. 2 Classic Albums Combined In One Package. Both LPs Look Unplayed.
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Ruth Is Stranger Than Richard
Used - LP - DNO 201
Beautiful 2010 180gm Reissue With Custom Inner Sleeve. No CD. Ding On Mouth Edge. "There Was No Way That Wyatt's Follow-up To Rock Bottom Could Be As Personal And Searching, But This Album That Came Barely A Year Later Instead Collects Some Earlier Material To Be Revamped For This Release. "Soup Song," For Instance, Is A Rewrite Of "Slow Walkin' Talk," Written Before The Forming Of Soft Machine. "Team Spirit," Written With Phil Manzanera And Bill Maccormick Of Quiet Sun, Would Turn Up The Same Year As "Frontera" On Manzanera's Diamond Head. While Some Of The Songs Tend To Plod Along, The Dirge-like "Five Black Notes And One White Notes," A Lethargic Cover Of Offenbach's "Baccarole," Charlie Haden's "Song For Che," And Fred Frith's Piano Team-up With Wyatt On "Muddy Mouth" Are Magical. As Usual, The Assembled Band, Including The Underrated Gary Windo On Sax And Mongezi Feza On Trumpet, Never Dissapoint." AMG - Ted Mills.
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Shipbuilding
Used - 12 - 18 1212
1986 White Label Promo 2 Track 12 Inch.
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Shipbuilding / Memories Of You / Round Midnight
Used - 12 - RT 115T
1982 UK 45rpm Three Song Twelve Inch Housed In A Picture Sleeve. Appears Glossy, Unplayed.
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