Vinyl Record and Rare LP Resource Ideal For Serious Collectors

Most Recent Additions to the Vinyl Records DB

	Forever Now Used - Vinyl - ARC 38261 1982 original with inner sleeve. The Psychedelic Furs carved out a unique space within the late 1970s and early 1980s music landscape, emerging from the London post-punk scene with a sound both gritty and elegant. Fronted by Richard Butler's distinctive, gravelly baritone, the band wove together elements of art-rock, new wave, and a melancholic romanticism. Their music was often characterized by a brooding atmosphere, complex arrangements featuring prominent saxophone lines, and lyrics that explored themes of disillusionment and poetic beauty. They cultivated an aesthetic that was simultaneously dark and alluring, establishing themselves as masters of evocative soundscapes that balanced raw energy with sophisticated introspection. Their 1982 album, Forever Now, signified a pivotal moment in their career, showcasing a more refined and commercially accessible sound. With production helmed by the renowned Todd Rundgren, this production offered a brighter, more polished sheen without sacrificing the band's essential character. Tracks such as the enduring "Love My Way" highlight the album's blend of melodic appeal and the Furs' signature blend of introspection and soaring hooks. It successfully broadened their audience, demonstrating an evolution from their earlier, more abrasive post-punk leanings into a sophisticated, atmospheric rock that resonated widely. ... more
	Long After Dark Used - Vinyl - BSR-5360 1982 original with inner sleeve. Long After Dark finds Tom Petty and the Heartbreakers tightening their sound without losing the directness that made the band so effective. It was the first Heartbreakers album with Howie Epstein on bass and backing vocals, adding another strong harmony voice to the group. “You Got Lucky” became the album’s signature hit, while “Change of Heart,” “Straight Into Darkness,” and “Deliver Me” show Petty working comfortably between hard-edged rock, power pop, and the darker songwriting suggested by the album’s title. ... more
	Back In '72 Used - Vinyl - MS 2126 1973 Original. Back in ’72 captures Bob Seger before his national breakthrough, when he was still primarily a formidable Detroit-area rock figure. Recorded with contributions from the Muscle Shoals Rhythm Section, the album mixes hard-driving rock with soul and roots influences, including Seger’s original recording of “Turn the Page,” years before the live version became one of his signature performances. “Rosalie,” later covered by Thin Lizzy, and Seger’s take on Van Morrison’s “I’ve Been Working” add to an album that shows many of the ingredients of his later classic sound already firmly in place. ... more
	Non-Stop Erotic Cabaret Used - Vinyl - SRK 3647 1981 original with inner sleeve. Non-Stop Erotic Cabaret turned Soft Cell’s minimal electronic setup into something simultaneously seedy, theatrical, and enormously catchy. Marc Almond’s dramatic vocals and Dave Ball’s synthesizers gave the album a personality far removed from slicker early-’80s synth-pop, with “Tainted Love,” “Bedsitter,” and “Say Hello, Wave Goodbye” moving between dance-floor immediacy and decidedly darker subject matter. “Tainted Love” became an international phenomenon, but the album’s lasting appeal comes from how convincingly Soft Cell built an entire nocturnal world around it. ... more
	A Genuine Tong Funeral Used - Vinyl - LSP-3988 1968 pressing with inner sleeve. This ambitious project is entirely composed by the brilliant Carla Bley, whose distinctive writing style infuses the entire album with a dark, often whimsical, and deeply theatrical sensibility. While led by Burton's lyrical vibraphone, the core quartet – featuring Larry Coryell's innovative guitar, Steve Swallow's melodic bass, and Bob Moses's dynamic drumming – is augmented by a larger ensemble, including horns and additional percussion, transforming the sound into a rich, almost orchestral tapestry. The music blurs the lines between avant-garde jazz, chamber music, and even elements of a surrealistic jazz opera, creating a soundscape that was truly revolutionary for its time. The album unfolds as a suite of intricate movements, each contributing to a cohesive yet enigmatic narrative. Listeners are drawn into a world of melancholic beauty, stark contrasts, and unexpected twists, all held together by Bley's masterful arrangements and the quartet's virtuosic improvisation. Burton's vibraphone serves as a guiding voice, navigating Bley's complex harmonic and melodic structures with both precision and profound expressiveness. Far from a conventional jazz record, A Genuine Tong Funeral challenged prevailing notions of jazz composition and performance, cementing its status as a seminal work of the late 1960s. ... more
	Turn Up The Radio Used - Vinyl - RS-1-3047 1979 White label promo with hype sticker. The Rockets, a prominent fixture in the late 1970s rock landscape, carved out a distinct niche with their energetic, no-frills approach to arena rock. Hailing from the fertile music grounds of Detroit, the band was renowned for blending powerful guitar riffs with undeniably catchy melodies, crafting a sound that was both hard-hitting and radio-friendly. Their 1979 album, "Turn Up The Radio," stands as a definitive statement of their artistic vision, showcasing their ability to deliver anthemic rock 'n' roll that resonated with a broad audience and further solidified their place in the rock pantheon. And of particular interest to any Drive By Truckers, Patterson Hood fans, his dad the bass player on this album. This particular recording of "Turn Up The Radio" captures the group at a creative high point, presenting a collection of tracks brimming with raw vitality and polished hooks. The album's standout track, "Oh Well," became a signature song for the band, exemplifying their knack for crafting driving rhythms and memorable choruses that were perfectly suited for the airwaves. Throughout the record, the instrumentation is tight and assertive, propelled by strong vocals and a consistent energy that makes it a quintessential listen for fans of classic American rock. It remains a testament to their enduring appeal and songwriting prowess. ... more
	Reflection Used - Vinyl - BN 26490 1969 original with inner sleeve. The British blues-rock outfit Steamhammer burst onto the scene with their impactful 1969 U.K. self-titled debut. With a typographer foible The U.S. pressing title became Reflection. This initial offering immediately established their credentials within the thriving U.K. blues revival. Driven by the powerful guitar work of Martin Pugh and Kieran White's distinctive vocals, the album delivered a raw and energetic blend of electric blues, infused with early progressive rock sensibilities. Tracks like "Junior's Wailing" showcased their heavy, no-nonsense approach, while extended instrumental passages hinted at the sophisticated arrangements they would further explore. It was a confident and promising start, rooted firmly in the blues but with an adventurous spirit that set them apart. ... more
	The Best Of Otis Redding Used - Vinyl - SD 2-801 1972 2LP Original promotional pressing in gatefold with inner sleeve. Saw cut. The Best Of Otis Redding, stands as a cornerstone compilation for any soul music enthusiast, widely acclaimed collection masterfully encapsulates the unparalleled vocal prowess and emotional depth of the legendary Otis Redding. Featuring an expertly curated selection of his most iconic recordings, the album serves as a definitive introduction to his tragically short but immensely impactful career, presenting a cohesive narrative of the artist who solidified his status as a true pioneer of soul music. It's a testament to the enduring power of his performances, showcasing the breadth and brilliance of his Stax/Volt era output. From the raw, electrifying energy of "Respect" to the poignant, universally beloved introspection of "(Sittin' On) The Dock Of The Bay," each track pulsates with Redding's signature blend of gospel fervor and blues grit. Critics consistently highlight his extraordinary ability to imbue every lyric with profound and authentic feeling, making his performances resonate deeply across generations. This collection isn't merely a greatest hits package; it's a vital historical document that demonstrates why Otis Redding's voice transcended genres and continues to influence countless artists. ... more
	Mountains Used Import - 201.006 1975 reissue in textured cover. Mountains, stands as a significant entry in the early progressive rock and blues-rock canon. Often lauded as their creative peak, the record showcases a more ambitious and intricate sound compared to their earlier, more straightforward blues offerings. Frontman Kieran White's distinctive vocals, coupled with Martin Pugh's fluid, often improvisational guitar work, define much of its sonic landscape. The band masterfully blends extended instrumental passages with a raw, bluesy core, creating an atmospheric yet powerful listening experience that resonates with fans of vintage hard rock and psychedelic exploration. Critics from sources like AllMusic have consistently praised the album for its instrumental prowess and innovative spirit. From the driving rhythms and harmonica-laden blues of tracks like "Riding on the L&M" to the sprawling, more exploratory title track, Mountains demonstrates Steamhammer's versatility and willingness to push genre boundaries. The album's rich tapestry of sounds, incorporating elements of jazz, folk, and heavy rock, cemented its reputation as a cult classic. Its sophisticated arrangements and dynamic shifts marked a clear evolution for the group, distinguishing them in a crowded field of late '60s/early '70s rock acts. ... more
	Hard Promises Used - Vinyl - BSR-5160 1981 original with inner sleeve. Hard Promises is the Tom Petty album that somehow gets treated like the record between bigger records, which is ridiculous once you actually put it on. Coming off the monster success of Damn the Torpedoes, Petty and the Heartbreakers could have simply chased another round of arena-ready hits. Instead, they made a leaner, moodier, more lived-in rock record, full of bruised confidence, sharp hooks and a band playing with the kind of chemistry that can’t be manufactured. “The Waiting” is the obvious knockout, but “A Woman in Love (It’s Not Me),” “Nightwatchman,” “Something Big” and “King’s Road” prove there’s far more going on here than one radio staple. Mike Campbell’s guitar work cuts and curls around the songs, Benmont Tench adds color without crowding them, and the rhythm section keeps everything snapping forward. ... more