Edmunds, Dave

Vinyl Records and Rare LPs:

	Closer To The Flame Used - LP - 90372 1989 Vinyl Featuring The Memphis Horns. more
	Closer To The Flame New - LP - 90372 First Copy We Have Ever Seen of This 1989 Vinyl Rarity. This Copy Is Factory Sealed! Tiny Saw Cut. more
	College Radio Network Presents Dave Edmunds And Rockpile Used - LP - PR 320 1978 White Label Promo Only Release In Support Of "Tracks On Wax 4." Appears Unplayed. Features Interviews, Three Albums Tracks And A Live Version Of "I Hear You Knocking" Recorded At The Bottom Line In NYC. more
	D. E. 7th Used Import - SPART 1184 1982 Original. LP Appears Glossy. Cover has wear on the edges and corners more
	D.E. 7th New - LP - PC 37930 Sealed 1982 Original. more
	Dave Edmunds, Rocker: Early Works 1968/1972 New - LP - 2C 150 - 99.546/7 Sealed 1977 2LP Compilation. more
	Get It New - LP - SS 8418 Sealed 1977 Original. more
	Get It Used - LP - SS 8418 1977 Original. COH. more
	Get It Used Import - SS 59 404 1977 Original. "Get It Marks A Significant Departure From Dave Edmunds' Early Records, As It Is The First Time He's Backed By A Full Band. Most Of Get It Was Recorded With A Fledgling Version Of Rockpile, With Other Sessionmen Filling In When Necessary, And The Live Band Gives The Album An Energetic Feel Which Edmunds' Had Previously Ignored. Just As Importantly, The Song Selection Is More Carefully Considered Than Before, Containing Only A Handful Of Classics And Obscure Rock & Roll Tunes, But Concentrating On Pub Rock Staples ("Get Out Of Denver," "Back To School Days," "Juju Man"), And Songs Written Or Co-written By Nick Lowe, Which Gives The Album A Freshness Lacking On His Early Records. Lowe's Homages To The Everly Brothers ("Here Comes The Weekend"), Chuck Berry ("I Knew The Bride"), And Phil Spector ("Little Darlin'") Are More Appealing Than Edmunds' Re-creations Of The Originals, Because Lowe's Songs Are Lyrically And Musically Clever. But Edmunds Knows How To Make Them Sound Like Forgotten Classics, And That's Why Get It Is One Of His Very Best Albums." Stephen Thomas Erlewine, AMG more
	Get It Used Import - SS 59 404 1977 Original. Tiny Corner Crease And Side Crease. "Get It Marks A Significant Departure From Dave Edmunds' Early Records, As It Is The First Time He's Backed By A Full Band. Most Of Get It Was Recorded With A Fledgling Version Of Rockpile, With Other Sessionmen Filling In When Necessary, And The Live Band Gives The Album An Energetic Feel Which Edmunds' Had Previously Ignored. Just As Importantly, The Song Selection Is More Carefully Considered Than Before, Containing Only A Handful Of Classics And Obscure Rock & Roll Tunes, But Concentrating On Pub Rock Staples ("Get Out Of Denver," "Back To School Days," "Juju Man"), And Songs Written Or Co-written By Nick Lowe, Which Gives The Album A Freshness Lacking On His Early Records. Lowe's Homages To The Everly Brothers ("Here Comes The Weekend"), Chuck Berry ("I Knew The Bride"), And Phil Spector ("Little Darlin'") Are More Appealing Than Edmunds' Re-creations Of The Originals, Because Lowe's Songs Are Lyrically And Musically Clever. But Edmunds Knows How To Make Them Sound Like Forgotten Classics, And That's Why Get It Is One Of His Very Best Albums." Stephen Thomas Erlewine, AMG more
	I Hear You Rockin' Used - LP - FC 40603 1987 Original Recorded Live In New York, London And New Jersey. Includes Custom Inner Sleeve. Vinyl Appears Glossy, Unplayed. Cover Has A Push On The Spine And The Upper Left Corner Has Been Creased. more
	Information New - LP - FC 38651 Sealed 1983 Original With Custom Hype Sticker On Shrink. Produced By Jeff Lynne. more
	Information Used - LP - FC 38651 1983 Original With Custom Hype Sticker On Shrink. Produced By Jeff Lynne. more
	Information Picture Disc - New - AS99 1725 New, Unplayed 1983 Limited Edition 12 Inch Picture Disc Promo Housed In A Plastic Wallet. Plays Same Track On Both Sides. more
	Information Used - LP - FC 38651 1983 US Original Pitman Pressing, Still In Shrink. Custom Hype Sticker On Shrink. Produced By Jeff Lynne. more
	Plugged In Used - LP - 477333 Very Limited 1994 Original. Glossy, Unplayed Condition. “Returning To The One-Man Band Approach Of His Early Records, Dave Edmunds Crafted A Fine Comeback With Plugged In. Though His Method Is Similar In Execution To Subtle As A Flying Mallet, The Impact Is Different, Primarily Because He Has Stripped Away Much Of His Spector-Ian Pop Influences And Sticks To A Menu Of Ready-Made Roots-Rockers. Alternating Between Covers And Originals, The Song Selection Is Solid, Even If Only A Handful Of Songs Stand Out. Among The Highlights Is An Exciting Version Of Jerry Reed's Instrumental "The Claw," A Sweet Cover Of Al Anderson's "Better Word For Love," And The Sunny Pop Of "Beach Boy Blood (In My Veins)." While The Studied, Solitary Performance On Plugged In Can Be A Little Stiff, It's Songs Like These That Make The Album His Best Record In Years. Still, "Sabre Dance '94" Was Entirely Unnecessary.” Stephen Thomas Erlewine, All Music Guide. more
	Repeat When Necessary Used - LP - SS 8507 1979 Original. Radio Station Timing Strip And Gold Promo Stamp On Front Cover. more
	Repeat When Necessary Used - LP - SS 8507 1979 Original With Custom Inner Sleeve. Saw Cut. Appears Unplayed. more
	Repeat When Necessary New - LP - SS 8507 Seaked 1979 Original. Clean COH. “Recorded Simultaneously With Nick Lowe's Labour Of Lust, Dave Edmunds' Repeat When Necessary Continues The Winning Streak Of Get It And Tracks On Wax 4 Simply By Sticking To The Formula. Though Rockpile's Sound Is A Little Cleaner Here Than Before, Nothing's Changed But The Songs, Which Are Uniformly Excellent. Culled Primarily From Pub Rock Contemporaries (And Containing No Lowe Songs Whatsoever), The Record Contains Four Classics: Elvis Costello's Galloping "Girls Talk," And Graham Parker's Relentless "Crawling From The Wreckage," The Funny (A Rarity Of Edmunds) "Creature From The Black Lagoon," And The Country-Rocker "Queen Of Hearts," Which Would Later Become A Hit For Juice Newton In Exactly The Same Arrangement. A Few Songs Come Close To Meeting This High Standard, But They Are Occasionally Hampered By A Tightness Similar To The Pinched Rhythms Of Subtle As A Flying Mallet; In Particular, The Early Huey Lewis Song "Bad Is Bad" And The Old Brinsley Schwarz Number "Home In My Hand" Are Hurt By This. But These Are Minor Flaws — Repeat When Necessary Is An Energetic, Old-Fashioned Rock & Roll Record That Ranks As Edmunds' Last Great Album.” - Stephen Thomas Erlewine, All Music Guide more
	Repeat When Necessary New - LP - SS 8507 Sealed 1979 Original. “Recorded Simultaneously With Nick Lowe's Labour Of Lust, Dave Edmunds' Repeat When Necessary Continues The Winning Streak Of Get It And Tracks On Wax 4 Simply By Sticking To The Formula. Though Rockpile's Sound Is A Little Cleaner Here Than Before, Nothing's Changed But The Songs, Which Are Uniformly Excellent. Culled Primarily From Pub Rock Contemporaries (And Containing No Lowe Songs Whatsoever), The Record Contains Four Classics: Elvis Costello's Galloping "Girls Talk," And Graham Parker's Relentless "Crawling From The Wreckage," The Funny (A Rarity Of Edmunds) "Creature From The Black Lagoon," And The Country-Rocker "Queen Of Hearts," Which Would Later Become A Hit For Juice Newton In Exactly The Same Arrangement. A Few Songs Come Close To Meeting This High Standard, But They Are Occasionally Hampered By A Tightness Similar To The Pinched Rhythms Of Subtle As A Flying Mallet; In Particular, The Early Huey Lewis Song "Bad Is Bad" And The Old Brinsley Schwarz Number "Home In My Hand" Are Hurt By This. But These Are Minor Flaws — Repeat When Necessary Is An Energetic, Old-Fashioned Rock & Roll Record That Ranks As Edmunds' Last Great Album.” - Stephen Thomas Erlewine, All Music Guide more
	Repeat When Necessary Used Import - SSK 59409 1979 Original With Custom Inner Sleeve. LP Appears Glossy. "Recorded Simultaneously With Nick Lowe's Labour Of Lust, Dave Edmunds' Repeat When Necessary Continues The Winning Streak Of Get It And Tracks On Wax 4 Simply By Sticking To The Formula. Though Rockpile's Sound Is A Little Cleaner Here Than Before, Nothing's Changed But The Songs, Which Are Uniformly Excellent. Culled Primarily From Pub Rock Contemporaries (And Containing No Lowe Songs Whatsoever), The Record Contains Four Classics: Elvis Costello's Galloping "Girls Talk," And Graham Parker's Relentless "Crawling From The Wreckage," The Funny (A Rarity Of Edmunds) "Creature From The Black Lagoon," And The Country-rocker "Queen Of Hearts," Which Would Later Become A Hit For Juice Newton In Exactly The Same Arrangement. A Few Songs Come Close To Meeting This High Standard, But They Are Occasionally Hampered By A Tightness Similar To The Pinched Rhythms Of Subtle As A Flying Mallet; In Particular, The Early Huey Lewis Song "Bad Is Bad" And The Old Brinsley Schwarz Number "Home In My Hand" Are Hurt By This. But These Are Minor Flaws -- Repeat When Necessary Is An Energetic, Old-fashioned Rock & Roll Record That Ranks As Edmunds' Last Great Album." Stephen Thomas Erlewine, AMG more
	Riff Raff New - LP - FC 39273 Sealed 1984 Original With Song Hype Sticker On The Shrink Wrap. No Cuts! more
	Riff Raff Used - LP - FC 39273 1984 Original. A Very Solid Record. With Dave And Jeff Lynne At The Controls You Know It Sounds Good. more
	Riff Raff Used - LP - FC 39273 1984 US Original. A Very Solid Record. With Dave And Jeff Lynne At The Controls You Know It Sounds Good. more
	Rockpile Used Import - 5C 038 93282 1978 Yellow Label Pressing. Small Corner Crease. "Dave Edmunds' Debut Album Rockpile Established His Sound -- Not Only His Revivalist Tendencies, But Also His Method Of Meticulously Recreating The Sound And Style Of Classic Early Rock & Roll, R&b, And Country Records. Edmunds Plays Nearly Every Instrument On The Album, With Bassist John Williams Being The Only Full-time Collaborator. As A Result, The Record Doesn't Sound "Live," It Has A Pinched, Precise Quality That May Contradict The Spontaneity That Was At The Core Of The Original Singles, But It Does Offer An Otherworldly Quality That Makes The Record Distinctive. Take The Hit "I Hear You Knocking," Which Has A Mechanical Rhythm And A Weird, Out-of-phase Vocal That Qualifies As An Original Interpretation, Unlike His By-the-book Take On Chuck Berry's "The Promised Land," Which Suffers From The Stiff Rhythms. Still, The Best Moments On Rockpile Come From Songs Like "Down, Down, Down," An Obscure Gem That Manages To Recreate Not Only The Sound, But The Feeling Of Classic Rock & Roll, Perhaps Because Edmunds Wasn't Concerned With Recreating One Of His Beloved Singles." Stephen Thomas Erlewine, AMG more
	Rockpile Used - LP - MAM 3 Beautiful 1972 Stereo Original. “Dave Edmunds' Debut Album Rockpile Established His Sound — Not Only His Revivalist Tendencies, But Also His Method Of Meticulously Recreating The Sound And Style Of Classic Early Rock & Roll, R&B, And Country Records. Edmunds Plays Nearly Every Instrument On The Album, With Bassist John Williams Being The Only Full-Time Collaborator. As A Result, The Record Doesn't Sound "Live," It Has A Pinched, Precise Quality That May Contradict The Spontaneity That Was At The Core Of The Original Singles, But It Does Offer An Otherworldly Quality That Makes The Record Distinctive. Take The Hit "I Hear You Knocking," Which Has A Mechanical Rhythm And A Weird, Out-Of-Phase Vocal That Qualifies As An Original Interpretation, Unlike His By-The-Book Take On Chuck Berry's "The Promised Land," Which Suffers From The Stiff Rhythms. Still, The Best Moments On Rockpile Come From Songs Like "Down, Down, Down," An Obscure Gem That Manages To Recreate Not Only The Sound, But The Feeling Of Classic Rock & Roll, Perhaps Because Edmunds Wasn't Concerned With Recreating One Of His Beloved Singles.” - Stephen Thomas Erlewine, All Music Guide more
	Rockpile Used - LP - MAM 3 Beautiful 1972 Stereo Original. Clean Cut Out Hole. “Dave Edmunds' Debut Album Rockpile Established His Sound — Not Only His Revivalist Tendencies, But Also His Method Of Meticulously Recreating The Sound And Style Of Classic Early Rock & Roll, R&B, And Country Records. Edmunds Plays Nearly Every Instrument On The Album, With Bassist John Williams Being The Only Full-Time Collaborator. As A Result, The Record Doesn't Sound "Live," It Has A Pinched, Precise Quality That May Contradict The Spontaneity That Was At The Core Of The Original Singles, But It Does Offer An Otherworldly Quality That Makes The Record Distinctive. Take The Hit "I Hear You Knocking," Which Has A Mechanical Rhythm And A Weird, Out-Of-Phase Vocal That Qualifies As An Original Interpretation, Unlike His By-The-Book Take On Chuck Berry's "The Promised Land," Which Suffers From The Stiff Rhythms. Still, The Best Moments On Rockpile Come From Songs Like "Down, Down, Down," An Obscure Gem That Manages To Recreate Not Only The Sound, But The Feeling Of Classic Rock & Roll, Perhaps Because Edmunds Wasn't Concerned With Recreating One Of His Beloved Singles.” - Stephen Thomas Erlewine, All Music Guide more
	Subtle As A Flying Mallet Used - LP - LPL1 5003 1975 Gold Label Original, Small Saw Cut. Appears Unplayed. more
	Subtle As A Flying Mallet New - LP - AYL1-4238 Sealed 80's Era 2nd Issue (Bar Code On Back) With Gold Promo Stamp On Rear Jacket. more
	Subtle As A Flying Mallet Used - LP - AYL1 4238 80's Era Reissue Of His 1975 Album. Previously Released As LPL1-5003. more
	Subtle As A Flying Mallet Used - LP - LPL1-5003 1975 Gold Label Original. Embossed Promo Stamp On Rear Jacket. Touch Of Ring Wear. "Taking The One-man Band Aesthetic To An Extreme, Dave Edmunds Recorded Nearly All Of His Second Album, Subtle As A Flying Mallet, On His Own, Hiring A Bassist And A Drummer For Only A Pair Of Tracks. Edmunds Took Several Years To Complete The Record, Probably Because It Took A Considerable Amount Of Effort To Re-create These Songs So Thoroughly -- He Spends So Much Attention On Detail That He Refuses To Change The Sex On "Da Doo Ron Ron." Alternating Between Spector Classics, The Everly Brothers, Chuck Berry, And A Variety Of R&b, Country, And Pop Numbers, Edmunds Hits On All The Styles Of The Late '50s And Early '60s, But He Spends So Much Time On Duplicating The Sound That He Sucks The Joy Out Of The Music; It Is Positively Eerie To Hear These Songs Performed By One Man, Who Spent Weeks Overdubbing Himself To Sound Like His Own Wall Of Sound. And The Main Problem With Subtle As A Flying Mallet Is That These Are Not Reinterpretations; They Are Re-creations, And There's Little Point In Hearing A One-man Version Of Rock Classics If He Offers No New Ideas. When Edmunds Works With Obscure Material, Like The Chordettes' "Born To Be With You," Or With Newer Items Like Nick Lowe's "She's My Baby," The Results Are Better, Because The Songs Are Less Familiar, Which Makes His Painstaking Production Exciting, But His Isolation Makes Subtle As A Flying Mallet Sound Less Like A Revival And More Like A Creepy Science Experiment." All Music Guide – Stephen Thomas Erlewine. more
	Subtle As A Flying Mallet Used Import - PL 25129 1975 UK Original With Insert. LP Appears Glossy. Cover Has Minor Corner Wear more
	Subtle As A Flying Mallet Used Import - PL 25129 Mid to late 70's pressing. LP appears glossy. Cover has minor corner wear and corner ding. more
	The Best Of Dave Edmunds Used - LP - SS 8510 1981 US Original, AR Press Still In Shrink. VG++/EX Vinyl. "The Best Of Dave Edmunds Is A Terrific Single-Disc Retrospective Picking Highlights From Edmunds' Best Albums, Which Were All Recorded With Rockpile. While Edmunds' Tight-Assed Covers Of "Singin' The Blues" And John Fogerty's "Almost Saturday Night" Should Never Have Been Included, The Rest Of The Album Captures The Rock Revivalist At His Best, Containing Nearly All Of His Finest Moments ("Deborah," "Girls Talk," "I Knew The Bride [when She Used To Rock & Roll]," "Here Comes The Weekend," "Trouble Boys," "Crawling From The Wreckage," "Ju Ju Man," "Queen Of Hearts")." All Music Guide – Stephen Thomas Erlewine. more
	Tracks On Wax Used - LP - SS 8505 Beautiful 1978 Original. more
	Tracks On Wax 4 New - LP - SS 8505 Sealed 1978 Original, Clean Cut-Out Hole. more
	Twangin' Used - LP - 16034 Beautiful 1981 Original, Gold Promo Stamp And Timing Strip On Front Cover. more
	Twangin... New - LP - SS 16034 Sealed 1981 Original With Custom Hype Sticker On Shrink. more
	Twangin... Used Import - SSK 59411 1981 UK Original. LP Appears Glossy. Cover has small tear on mouth of cover more