Replacements

Vinyl Records and Rare LPs:

	All Shook Down New - LP - ORGM 1014 Sealed 2013 First Ever US Vinyl Release Mastered From The Original Analog Tapes. Their 4 1/2 Star Swan Song. more
	All Shook Down New - LP - ORGM 1014 Sealed 2013 Reissue Of 1990 Recording With Hype Sticker. more
	All Shook Down Colored Vinyl - New - RCV1 26298 Sealed 2019 Rhino Reissue On Translucent Red Vinyl. Part Of The Rhino Records "Rocktober" Series. more
	Boink!! New Import - MGLALP 016 Sealed 1986 Pristine UK Original. Compiles Eight Tracks From EPs And Previously Unissued Songs. more
	Dead Man's Pop Box Set - New - 603497851133 Sealed 2019 1LP, 4CD Box Set, Non-Cassette Version. The Heart Of Dead Man’s Pop Is A New Mix And Sequence Of Don’t Tell A Soul Inspired By The Original Producer Matt Wallace, Just Before He Exited The Project. more
	Dead Man's Pop Box Set - New - 603497851133 Sealed 2019 1LP, 4CD Box Set, Non-Cassette Version. The Heart Of Dead Man’s Pop Is A New Mix And Sequence Of Don’t Tell A Soul Inspired By The Original Producer Matt Wallace, Just Before He Exited The Project. more
	Don't Tell A Soul New - LP - 9 25831-1 Sealed 1989 Original With Custom Inner Sleeve. Tiny Saw Notch. Unknown Pressing Plant I.D. more
	Don't Tell A Soul New - LP - 25831-1 Sealed 1989 Original With Custom Inner Sleeve. The Mat's Stab At Big Label Respect Left New And Old Fans Lingering Somewhere In The Middle. 30 Years Later The LP Seems To Have Now Become A Respected Pop Album. more
	Don't Tell A Soul New - LP - RCV1 25831 Sealed Rhino Reissue On Clear Vinyl. more
	Don't Tell A Soul Used - LP - 25831-1 1989 Original With Custom Inner Sleeve. The Mat's Stab At Big Label Respect Left New And Old Fans Lingering Somewhere In The Middle. 30 Years Later The LP Seems To Have Now Become A Respected Pop Album. more
	Don't Tell A Soul Used - LP - 25831 Beautiful 1989 Vinyl In Shrink Wrap. Tiny COH. more
	Hootenanny New - LP - TTR 8332 Hard To Find Late 80's Sealed Copy. Not The Red Vinyl. “Hootenanny Is The Place Where The Replacements Began To Branch Out From The Breakneck Punk That Characterized Their First Two Records -- Which Isn't Quite The Same Thing As Growing Up, However. The Brilliant Thing About Hootenanny Is That It Teeters At The Brink Of Maturity But Never Makes The Dive Into That Deep Pool. Paul Westerberg Nevertheless Dips A Toe Into Those Murky Waters With "Color Me Impressed," As Good An Angst-Ridden Rocker As He Would Ever Write. Hootenanny Offers The Manic, Reckless Spirit So Key To The Replacements' Legend. It Is The Only Record Of Theirs Where It Seems Like They May Not Make It To The End Of The Album, So Ragged And Reckless It Is. It Lurches To Life With The Folk Piss-Take "Hootenanny" Before Spinning Out Of Control With "Run It," A Piece Of Faux-Core Harder And Funnier Than Anything On Stink. Hootenanny Continues To Bounce From Extreme To Extreme, Stopping For A Beatles Parody On "Mr. Whirly" And The Instrumental "Buck Hill" Before Westerberg Reads Out Personal Ads On "Lovelines." Almost All Of The Album's 12 Songs Could Be Seen As Slight On Their Own Merits, But The Whole Is Greater Than Its Individual Parts, Not Just In How It Is A Breathless Good Time, But How This Album Offers A Messy Break From American Punk Traditions, Ushering In An Era Of Irony And Self-Deprecation That Came To Define Much Of American Underground Rock In The Next Decade. Nowhere Is The Replacements' Influence Clearer Than On Hootenanny, And Although They Made Better Records, No Other One Captures What The Band Was All About Better Than This.” Stephen Thomas Erlewine, AMG. more
	Hootenanny Used - LP - TTR 8332 Hard To Find 1983 Original In Shrink Wrap. LP is NM. “Hootenanny Is The Place Where The Replacements Began To Branch Out From The Breakneck Punk That Characterized Their First Two Records -- Which Isn't Quite The Same Thing As Growing Up, However. The Brilliant Thing About Hootenanny Is That It Teeters At The Brink Of Maturity But Never Makes The Dive Into That Deep Pool. Paul Westerberg Nevertheless Dips A Toe Into Those Murky Waters With "Color Me Impressed," As Good An Angst-Ridden Rocker As He Would Ever Write. Hootenanny Offers The Manic, Reckless Spirit So Key To The Replacements' Legend. It Is The Only Record Of Theirs Where It Seems Like They May Not Make It To The End Of The Album, So Ragged And Reckless It Is. It Lurches To Life With The Folk Piss-Take "Hootenanny" Before Spinning Out Of Control With "Run It," A Piece Of Faux-Core Harder And Funnier Than Anything On Stink. Hootenanny Continues To Bounce From Extreme To Extreme, Stopping For A Beatles Parody On "Mr. Whirly" And The Instrumental "Buck Hill" Before Westerberg Reads Out Personal Ads On "Lovelines." Almost All Of The Album's 12 Songs Could Be Seen As Slight On Their Own Merits, But The Whole Is Greater Than Its Individual Parts, Not Just In How It Is A Breathless Good Time, But How This Album Offers A Messy Break From American Punk Traditions, Ushering In An Era Of Irony And Self-Deprecation That Came To Define Much Of American Underground Rock In The Next Decade. Nowhere Is The Replacements' Influence Clearer Than On Hootenanny, And Although They Made Better Records, No Other One Captures What The Band Was All About Better Than This.” Stephen Thomas Erlewine, AMG. more
	Hootenanny Used - LP - TTR 8332 Hard To Find 1983 Original. Cover Shows Slight Distress. “Hootenanny Is The Place Where The Replacements Began To Branch Out From The Breakneck Punk That Characterized Their First Two Records -- Which Isn't Quite The Same Thing As Growing Up, However. The Brilliant Thing About Hootenanny Is That It Teeters At The Brink Of Maturity But Never Makes The Dive Into That Deep Pool. Paul Westerberg Nevertheless Dips A Toe Into Those Murky Waters With "Color Me Impressed," As Good An Angst-Ridden Rocker As He Would Ever Write. Hootenanny Offers The Manic, Reckless Spirit So Key To The Replacements' Legend. It Is The Only Record Of Theirs Where It Seems Like They May Not Make It To The End Of The Album, So Ragged And Reckless It Is. It Lurches To Life With The Folk Piss-Take "Hootenanny" Before Spinning Out Of Control With "Run It," A Piece Of Faux-Core Harder And Funnier Than Anything On Stink. Hootenanny Continues To Bounce From Extreme To Extreme, Stopping For A Beatles Parody On "Mr. Whirly" And The Instrumental "Buck Hill" Before Westerberg Reads Out Personal Ads On "Lovelines." Almost All Of The Album's 12 Songs Could Be Seen As Slight On Their Own Merits, But The Whole Is Greater Than Its Individual Parts, Not Just In How It Is A Breathless Good Time, But How This Album Offers A Messy Break From American Punk Traditions, Ushering In An Era Of Irony And Self-Deprecation That Came To Define Much Of American Underground Rock In The Next Decade. Nowhere Is The Replacements' Influence Clearer Than On Hootenanny, And Although They Made Better Records, No Other One Captures What The Band Was All About Better Than This.” Stephen Thomas Erlewine, AMG. more
	I Will Dare Used - 12 - TTR-8440 Classic 1984 45 RPM 3-Track EP Picture Sleeve. A-Side Features "I Will Dare" In All Of Its Three Minutes & 11 Seconds Glory; Flip Contains Two Covers-Studio Version Of "20th Century Boy" And A Live Version Of "Hey Good Lookin'." Brilliant. more
	I Will Dare Used - 12 - TTR 8440 Classic 1984 45 RPM 3-Track Picture Sleeve. A-Side Features "I Will Dare" In All Of Its Three Minutes & 11 Seconds Glory; Flip Contains Two Covers-Studio Version Of "20th Century Boy" And A Live Version Of "Hey Good Lookin'." Brilliant. more
	Let It Be Used - LP - TTR 8441 1984 Original With Custom Inner Sleeve. There Are A Couple Surface Markings, But The Album Plays Quietly. more
	Let It Be Used - LP - TTR 8841 1984 Original. Does Not Include Inner Sleeve. Vinyl Appears Glossy. more
	Let It Be New - LP - 081227954710 Sealed Latest Run Of The 2016 Vinyl Reissue; EU Import. "Let It Be Looms Large Among '80s Rock Albums, Generally Regarded As One Of The Greatest Records Of The Decade. So Large Is Its Legend And So Universal Its Acclaim That All The Praise Tends To Give The Impression That The Replacements' Fourth Album Was Designed As A Major Statement, Intended To Be Something Important When Its Genius, Like So Many Things Involving The 'mats, Feels Accidental. Compared To Other Underground Landmarks From 1984, Let It Be Feels Small Scale, As It Lacks The Grand, Sprawling Ambition Of The Minutemen's Double Nickels On The Dime Or The Dramatic Intensity Of Hüsker Dü's Zen Arcade, Or If The Other Side Of The Atlantic Is Taken Into Equation, The Clean Sense Of Purpose Of The Smiths. Nothing About Let It Be Is Clean; It's All A Ragged Mess, Careening Wildly From Dirty Jokes To Wounded Ballads, From Utter Throwaways To Songs Haunting In Their Power. Unlike Other Classics, Let It Be Needs Those Throwaways -- That Kiss Cover, Those Songs About Tommy Getting His Tonsils Out And Gary's Boner, That Rant About Phony Rock & Roll -- To Lighten The Mood And Give The Album Its Breathless Pacing, But Also Because Without These Asides, The Album Wouldn't Be True To The Replacements, Who Never Separated High And Low Culture, Who Celebrated Pure Junk And Reluctantly Bared Their Soul. This Blend Of Bluster And Vulnerability Is Why The Replacements Were Perhaps The Most Beloved Band Of Their Era, As They Captured All The Chaos And Confusion Of Coming Of Age In The Midst Of Reaganomics, And Let It Be Is Nothing If Not A Coming-Of-Age Album, Perched Precisely Between Adolescence And Adulthood. There's Just Enough Angst And Tastelessness To Have The Album Speak To Teenagers Of All Generations And Just Enough Complicated Emotion To Make This Music Resonate With Listeners Long Past Those Awkward Years, Whether They Grew Up With This Album Or Not." AMG - Stephen Thomas Erlewine. more
	Let It Be New - LP - R1 773761 Sealed 2016 Reissue. Pressed On Vinyl For The First Time In Over 20 Years. more
	Let It Be Used - LP - TTR-8441 1984 US Original On The First White Twin/Tone Label. Top Right Corner Cut, Tiny Bottom Corner Ding. "Let It Be Looms Large Among '80s Rock Albums, Generally Regarded As One Of The Greatest Records Of The Decade. So Large Is Its Legend And So Universal Its Acclaim That All The Praise Tends To Give The Impression That The Replacements' Fourth Album Was Designed As A Major Statement, Intended To Be Something Important When Its Genius, Like So Many Things Involving The 'mats, Feels Accidental. Compared To Other Underground Landmarks From 1984, Let It Be Feels Small Scale, As It Lacks The Grand, Sprawling Ambition Of The Minutemen's Double Nickels On The Dime Or The Dramatic Intensity Of Hüsker Dü's Zen Arcade, Or If The Other Side Of The Atlantic Is Taken Into Equation, The Clean Sense Of Purpose Of The Smiths. Nothing About Let It Be Is Clean; It's All A Ragged Mess, Careening Wildly From Dirty Jokes To Wounded Ballads, From Utter Throwaways To Songs Haunting In Their Power. Unlike Other Classics, Let It Be Needs Those Throwaways -- That Kiss Cover, Those Songs About Tommy Getting His Tonsils Out And Gary's Boner, That Rant About Phony Rock & Roll -- To Lighten The Mood And Give The Album Its Breathless Pacing, But Also Because Without These Asides, The Album Wouldn't Be True To The Replacements, Who Never Separated High And Low Culture, Who Celebrated Pure Junk And Reluctantly Bared Their Soul. This Blend Of Bluster And Vulnerability Is Why The Replacements Were Perhaps The Most Beloved Band Of Their Era, As They Captured All The Chaos And Confusion Of Coming Of Age In The Midst Of Reaganomics, And Let It Be Is Nothing If Not A Coming-Of-Age Album, Perched Precisely Between Adolescence And Adulthood. There's Just Enough Angst And Tastelessness To Have The Album Speak To Teenagers Of All Generations And Just Enough Complicated Emotion To Make This Music Resonate With Listeners Long Past Those Awkward Years, Whether They Grew Up With This Album Or Not." AMG - Stephen Thomas Erlewine. more
	Pleased To Meet Me Used - LP - 25557-1 1987 Original With Inner Sleeve. To Argue Or Determine What's The Best Mat's LP Is Useless, For The Replacements' Fan This Is A Clean Copy. Enjoy! more
	Pleased To Meet Me New - LP - 8122-79547-7 Sealed, Latest Repress Of The 2017 Reissue. Black Vinyl, EU Import. "All Things Considered, Tim Was An Easy Transition To The Majors For The Replacements, At Least As Far As The Making Of The Album Goes: Things Went Wrong After The Release, As The Band Botched Big Showcases Like Its Saturday Night Live Spot, Leading Up To The Dismissal Of Bob Stinson At The Conclusion Of The Tim Tour. The Dust Hadn't Settled When The 'Mats Headed Down To Memphis To Record Pleased To Meet Me With Producer Jim Dickinson At Ardent Studios -- Or To Phrase It In Alex Chilton-Speak, To Record With Big Star's 3rd Producer At The Studio Where All Three Big Star Albums Were Made. All This Fanboy Worship Perhaps Naturally Led To A Full-blown Mash Note To Paul Westerberg's Idol, Who Also Turned Up To Play A Couple Of Licks On A Finally Finished "Can't Hardly Wait," Which Initially Was Attempted With Chilton As A Producer Before Tim, But Pleased To Meet Me Didn't Resemble Either The Crystalline Pop Of #1 Record Or The Narcissistic Black Hole Of 3rd. Dickinson Gave The Replacements A Full-blooded, Muscular Production, Cranking Up Guitars, Hauling Out An Upright Bass For Tommy Stinson, And Bringing In Horns -- Even Strings -- To Flesh Out Westerberg's Songs. This Was The Replacements As Professionals And, Ever The Contrarians, They Strained Against It -- Albeit Only Sporadically And Underneath The Surface -- With Westerberg's Outsider Stance Calcifying Into The Invigorating Bitterness Of "I.O.U." And "I Don't Know." These Two Proto-Slacker Anti-Anthems -- Quite The Inverse Of The Call To Arms Of "Bastards Of Young" And "Left Of The Dial" -- Are The Only Times The Group's Self-Sabotage Surfaces Here, As The Bandmembers Pretty Much Give Themselves Over To Dickinson's Studio Savvy, Leading To The Ominous Pulse Of "The Ledge" And The Brilliant, Shining Power Pop Of "Never Mind," "Alex Chilton," And "Valentine," Along With Such Left-Field Twists As The Mock Jazz Of "Nightclub Jitters." This Kind Of Colorful, Almost Cinematic Production -- Even The Greasy Rocker "Shooting Dirty Pool" Is Enhanced By The Sound Of Breaking Glass -- Was Unheard Of On A Replacements Record And It All Came To A Head On "Can't Hardly Wait," Which Was Glossed Over With Swelling Strings And The Memphis Horns. All These Fancy Accoutrements Would Seem Like The Antithesis Of The Replacements' Spirit, But Dickinson's Grand Production Merely Blows The 'mats Up To Epic Scale, Leaving Their Essence Intact: Westerberg Even Gets A Lovely Fragile Acoustic Moment In "Skyway" And There Are Down-and-dirty Rockers Like "Shooting Dirty Pool" And "Red Red Wine" That Feel Like Throwaways, But Are Necessary To The Spirit Of The Record. The Replacements Never Sounded Better With A Bigger Production Than They Did On Pleased To Meet Me, So It's Hard Not To See It As The One That Got Away, The Record That Should Have Been The Breakthrough, Especially In The Year When Fellow American Underground Rockers R.e.m. Leaped Into The Top Ten (But, It's Also True That "The Ledge" May Not Have Been The Best Single Choice, As Songs About Suicides Don't Often Provide Entry Into The Top 40). Then Again, The Replacements Don't Make Sense As A Success Story, So The Failure Of The Gleaming, Glistening Pleased To Meet Me Winds Up Making Its Polish Kind Of Heart-rending. As It Turns Out, This Was The Last Time They Could Still Shoot For The Stars And Seem Like Their Scrappy Selves And, In Many Ways, It Was The Last True Replacements Album." AMG Review By Stephen Thomas Erlewine. more
	Pleased To Meet Me Used - LP - 1-25557 1987 US Original, SRC Pressing, With Original Inner Sleeve. Jacket Has Clean Hole Punch And Ring Wear. "All Things Considered, Tim Was An Easy Transition To The Majors For The Replacements, At Least As Far As The Making Of The Album Goes: Things Went Wrong After The Release, As The Band Botched Big Showcases Like Its Saturday Night Live Spot, Leading Up To The Dismissal Of Bob Stinson At The Conclusion Of The Tim Tour. The Dust Hadn't Settled When The 'mats Headed Down To Memphis To Record Pleased To Meet Me With Producer Jim Dickinson At Ardent Studios -- Or To Phrase It In Alex Chilton-Speak, To Record With Big Star's 3rd Producer At The Studio Where All Three Big Star Albums Were Made. All This Fanboy Worship Perhaps Naturally Led To A Full-blown Mash Note To Paul Westerberg's Idol, Who Also Turned Up To Play A Couple Of Licks On A Finally Finished "Can't Hardly Wait," Which Initially Was Attempted With Chilton As A Producer Before Tim, But Pleased To Meet Me Didn't Resemble Either The Crystalline Pop Of #1 Record Or The Narcissistic Black Hole Of 3rd. Dickinson Gave The Replacements A Full-Blooded, Muscular Production, Cranking Up Guitars, Hauling Out An Upright Bass For Tommy Stinson, And Bringing In Horns -- Even Strings -- To Flesh Out Westerberg's Songs. This Was The Replacements As Professionals And, Ever The Contrarians, They Strained Against It -- Albeit Only Sporadically And Underneath The Surface -- With Westerberg's Outsider Stance Calcifying Into The Invigorating Bitterness Of "I.O.U." And "I Don't Know." These Two Proto-Slacker Anti-Anthems -- Quite The Inverse Of The Call To Arms Of "Bastards Of Young" And "Left Of The Dial" -- Are The Only Times The Group's Self-Sabotage Surfaces Here, As The Bandmembers Pretty Much Give Themselves Over To Dickinson's Studio Savvy, Leading To The Ominous Pulse Of "The Ledge" And The Brilliant, Shining Power Pop Of "Never Mind," "Alex Chilton," And "Valentine," Along With Such Left-field Twists As The Mock Jazz Of "Nightclub Jitters"." AMG - Stephen Thomas Erlewine. more
	Pleased To Meet Me Used Import - R1 25557 2008 Repress. The Replacements was an American rock band formed in Minneapolis, Minnesota in 1979. The band members were Paul Westerberg (lead vocals, guitar), Chris Mars (drums), Bob Stinson (guitar), and Tommy Stinson (bass). The band gained a cult following in the 1980s, known for their raucous live shows and irreverent attitude. The album was produced by Jim Dickinson and features guest appearances from Alex Chilton and John Cale. The album features some of the band's most popular songs, including "Alex Chilton," "Can't Hardly Wait," and "The Ledge." The album's cover art features a photograph of the band members in front of a mural in Memphis, Tennessee. more
	Pleased To Meet Me New - LP - R1 25557 Sealed 180gm Reissue Of The 1987 Album. more
	Pleased To Meet Me New - LP - RCV1 25557 Sealed Rhino Reissue On Translucent Blue Vinyl. more
	Pleased To Meet Me New - LP - 25557 Sealed 1987 Original. Considered The 'Mats Transition To A Major Label And Looked Upon As A Pivotal Album. Hard To Find In This Kind Of Condition. more
	Songs For Slim Colored Vinyl - NW4017 Sealed 2013 Red Vinyl 12" EP. more
	Sorry Ma, Forgot To Take Out The Trash Used - LP - TTR 8123 Beautiful 1981 Original Debut Album. No Bar Code On Back. Does Not Include The Original Inner Sleeve. Vinyl Appears Glossy. more
	Sorry Ma, Forgot To Take Out The Trash New - LP - TTR 8123 Sealed Late 80's Pressing Of Their Debut Album. Does Not Include The Original Inner Sleeve. Not The Red Vinyl Pressing. more
	Stink New - LP - TTR 8228 Factory Sealed 1982 8-Track 45 RPM Original In Pre-Printed Jacket. Pristine Store Stock Copy. Could Be A Grey Marbled Vinyl But Not Sure. more
	Stink Used - LP - TTR 8228 1982 8-Track 45 RPM Vinyl In Pre-Printed Jacket. Vinyl Appears Glossy, Unplayed. more
	Stink (Kids Don't Follow Plus Seven) New - 12 - R1 773763 Sealed 2016 Mini Album Reissue. Pressed On Vinyl For The First Time In Over 20 Years. Stink Is A Rough And Ready 8-Track EP Of Punk Rock Finery! Custom Hype Sticker On Shrink. more
	The Sire Years New - LP - 548945 Sealed 2016 Numbered Limited Edition 4LP Boxed Set. Includes All Four Albums From The Sire Years, 1985-1990. more
	The Twin\Tone Years New - LP - R1 548944 Sealed, 2015 Numbered Limited Edition 180gm 4LP Box Set. Their First Four Records Before They Were Signed To The Sire Label, A Must Have For True Fans! Custom Hype Sticker On Shrink. more
	Tim Used - LP - 25330 Beautiful 1985 Original. Features The Hits "Bastards Of Young" And "Left Of The Dial." Vinyl Appears Glossy. more
	Tim New - LP - R1 25330 Factory Sealed 2009 180gm Reissue With Custom Hype Sticker On Shrink. Features The Hits "Bastards Of Young" And "Left Of The Dial." more
	Tim New - LP - RCV1 25330 Sealed Rhino Reissue On Translucent Magenta Vinyl. more
	Tim New - LP - 25330 Factory Sealed 1985 Original With Hype Sticker. Features The Hits "Bastards Of Young" And "Left Of The Dial." Slight Creasing On Bottom Back Corner. more