Savoy Brown
Vinyl Records and Rare LPs:
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Blue Matter
Used - LP - PAS 71027
Mint 1969 Gatefold Original. A Five Star Blues-Rock Album Featuring The Vocal Talents Of Chris Youlden. 1C/1C Bell Sound Stampers.
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Blue Matter
Used - LP - SKL 4994
Beautiful 1969 Blues-Psych UK Wide Band FFSS Label Stereo Original With 1W/1W Stampers. Comes Housed In A Laminated Jacket. Appears Glossy, Unplayed.
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Boogie Brothers
New - LP - APS 638
Sealed 1974 Heavy Vinyl Original With Custom "Everybody Loves A Drinking Man" Hype Sticker On Shrink Wrap.
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Boogie Brothers
Used - LP - APS 638
1974 Blue & Silver Wide Band Label Heavy Vinyl Original.
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Getting To The Point
Used - LP - SKL 4935
Beautiful 1968 UK Wide Band Stereo Original Housed In A Laminated Jacket. 1W/1W Stampers. Some Slight Lifting Of The Laminate (Jacket Overall VG++). LP Appears Unplayed.
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Getting To The Point
New - LP - PAS 71024
Factory Sealed 1968 Stereo Original. Alternate Cover Art To UK Issue. Label Scan Is Of An Open Copy We Previously Had In Stock. Pristine Copy.
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Getting To The Point
Used - LP - SKL 4935
Finest Copy We Have Ever Seen Of This 1968 UK Deep Groove Wide Band Stereo Original Housed In A Laminated Jacket. 1W/1W Stampers. Appears Glossy, Unplayed. Small Area On Front Jacket Where Laminated Has Started To Lift.
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Getting To The Point
Used - LP - SKL 4935 / PAS 71024
This Is An ED1 UK Export Decca Pressing With 1W/1W Stampers. These First Pressings Were Shipped To The States With Decca Inner Sleeves, But Without Covers Whereupon They Were Placed In The US Parrot/London Covers That Featured Completely Different Artwork. This Copy Has Just One feint Spindle Line On The Side One Label With Glossy, Unmarked Surfaces. This LP Represents Some Of the Finest British Blues Guitar Work Of The Era.
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Getting To The Point
Used - LP - PAS 71024
1972 Reissue. Tiny Corner Bump. Small Corner Crease. "Getting To The Point Marks The Debut Of A Vastly Different Lineup, Still Led By Simmonds But Now Fronted By New Vocalist Chris Youlden. The Pair Got Off To A Good Start By Writing Or Co-writing Most Of The Album. The Playing Is Solid Blues Revival, And Though Youlden's Vocals Are Often Overly Imitative Of B.b. King And Muddy Waters, He Has A Confident Voice And Frontman Persona. Originals Like "Flood In Houston" And "Mr. Downchild" Provide The Highlights."
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Getting To The Point
Used - LP - PAS-71024
1968 Original Still In Shrink. "Getting To The Point Marks The Debut Of A Vastly Different Lineup, Still Led By Simmonds But Now Fronted By New Vocalist Chris Youlden. The Pair Got Off To A Good Start By Writing Or Co-writing Most Of The Album. The Playing Is Solid Blues Revival, And Though Youlden's Vocals Are Often Overly Imitative Of B.b. King And Muddy Waters, He Has A Confident Voice And Frontman Persona. Originals Like "Flood In Houston" And "Mr. Downchild" Provide The Highlights."
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Greatest Hits Live In Concert
New - LP - SKBK 7003
Sealed 1981 2LP Gatefold. Tiny Saw Notch.
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Hellbound Train
Used - LP - TXS 107
Beautiful 1972 UK Green Label Gatefold Original. 1W/2W Stampers.
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Hellbound Train
Used - LP - XPAS 71052
1972 Gatefold Original. Appears Unplayed. “Comprising The Same Lineup As Street Corner Talking, Savoy Brown Released Hellbound Train A Year Later. For This Effort, Kim Simmonds' Guitar Theatrics Are Toned Down A Bit And The Rest Of The Band Seems To Be A Little Less Vivid And Passionate With Their Music. The Songs Are Still Draped With Savoy Brown's Sleek, Bluesy Feel, But The Deep-Rooted Blues Essence That So Easily Emerged From Their Last Album Doesn't Rise As High Throughout Hellbound Train's Tracks. The Title Cut Is Most Definitely The Strongest, With Dave Walker, Simmonds, And Paul Raymond Sounding Tighter Than On Any Other Song, And From A Wider Perspective, Andy Silvester's Bass Playing Is Easily Hellbound's Most Complimenting Asset. On Tracks Like "Lost And Lonely Child," "Doin' Fine," And "If I Could See An End," The Lifeblood Of The Band Doesn't Quite Surge Into The Music As It Did Before, And The Tracks Become Only Average-Sounding Blues Efforts. Because Of Savoy Brown's Depth Of Talent, This Rather Nonchalant Approach Doesn't Make Hellbound Train A "Bad" Album By Any Means — It Just Fails To Equal The Potency Of Its Predecessor. But There Is A Noticeable Difference In The Albums That Followed This One, As The Band And Especially Simmonds Himself Was Beginning To Show Signs Of Fatigue, And A Significant Decline In The Group's Overall Sound Was Rapidly Becoming Apparent.” – Mike Degagne, All Music Guide.
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Hellbound Train
Used - LP - XPAS 71052
1972 Original Housed In A Heavy-Duty Gatefold Cover In Shrink Wrap. Appears Glossy, Unplayed. “Comprising The Same Lineup As Street Corner Talking, Savoy Brown Released Hellbound Train A Year Later. For This Effort, Kim Simmonds' Guitar Theatrics Are Toned Down A Bit And The Rest Of The Band Seems To Be A Little Less Vivid And Passionate With Their Music. The Songs Are Still Draped With Savoy Brown's Sleek, Bluesy Feel, But The Deep-Rooted Blues Essence That So Easily Emerged From Their Last Album Doesn't Rise As High Throughout Hellbound Train's Tracks. The Title Cut Is Most Definitely The Strongest, With Dave Walker, Simmonds, And Paul Raymond Sounding Tighter Than On Any Other Song, And From A Wider Perspective, Andy Silvester's Bass Playing Is Easily Hellbound's Most Complimenting Asset. On Tracks Like "Lost And Lonely Child," "Doin' Fine," And "If I Could See An End," The Lifeblood Of The Band Doesn't Quite Surge Into The Music As It Did Before, And The Tracks Become Only Average-Sounding Blues Efforts. Because Of Savoy Brown's Depth Of Talent, This Rather Nonchalant Approach Doesn't Make Hellbound Train A "Bad" Album By Any Means — It Just Fails To Equal The Potency Of Its Predecessor. But There Is A Noticeable Difference In The Albums That Followed This One, As The Band And Especially Simmonds Himself Was Beginning To Show Signs Of Fatigue, And A Significant Decline In The Group's Overall Sound Was Rapidly Becoming Apparent.” – Mike Degagne, All Music Guide.
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Hellbound Train
Used - LP - XPAS 71052
1972 Gatefold Original. Moderate Edge Wear, Hence Price. “Comprising The Same Lineup As Street Corner Talking, Savoy Brown Released Hellbound Train A Year Later. For This Effort, Kim Simmonds' Guitar Theatrics Are Toned Down A Bit And The Rest Of The Band Seems To Be A Little Less Vivid And Passionate With Their Music. The Songs Are Still Draped With Savoy Brown's Sleek, Bluesy Feel, But The Deep-Rooted Blues Essence That So Easily Emerged From Their Last Album Doesn't Rise As High Throughout Hellbound Train's Tracks. The Title Cut Is Most Definitely The Strongest, With Dave Walker, Simmonds, And Paul Raymond Sounding Tighter Than On Any Other Song, And From A Wider Perspective, Andy Silvester's Bass Playing Is Easily Hellbound's Most Complimenting Asset. On Tracks Like "Lost And Lonely Child," "Doin' Fine," And "If I Could See An End," The Lifeblood Of The Band Doesn't Quite Surge Into The Music As It Did Before, And The Tracks Become Only Average-Sounding Blues Efforts. Because Of Savoy Brown's Depth Of Talent, This Rather Nonchalant Approach Doesn't Make Hellbound Train A "Bad" Album By Any Means — It Just Fails To Equal The Potency Of Its Predecessor. But There Is A Noticeable Difference In The Albums That Followed This One, As The Band And Especially Simmonds Himself Was Beginning To Show Signs Of Fatigue, And A Significant Decline In The Group's Overall Sound Was Rapidly Becoming Apparent.” – Mike Degagne, All Music Guide.
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Hellbound Train
Used - LP - XPAS 71052
1972 Gatefold Original. “Comprising The Same Lineup As Street Corner Talking, Savoy Brown Released Hellbound Train A Year Later. For This Effort, Kim Simmonds' Guitar Theatrics Are Toned Down A Bit And The Rest Of The Band Seems To Be A Little Less Vivid And Passionate With Their Music. The Songs Are Still Draped With Savoy Brown's Sleek, Bluesy Feel, But The Deep-Rooted Blues Essence That So Easily Emerged From Their Last Album Doesn't Rise As High Throughout Hellbound Train's Tracks. The Title Cut Is Most Definitely The Strongest, With Dave Walker, Simmonds, And Paul Raymond Sounding Tighter Than On Any Other Song, And From A Wider Perspective, Andy Silvester's Bass Playing Is Easily Hellbound's Most Complimenting Asset. On Tracks Like "Lost And Lonely Child," "Doin' Fine," And "If I Could See An End," The Lifeblood Of The Band Doesn't Quite Surge Into The Music As It Did Before, And The Tracks Become Only Average-Sounding Blues Efforts. Because Of Savoy Brown's Depth Of Talent, This Rather Nonchalant Approach Doesn't Make Hellbound Train A "Bad" Album By Any Means — It Just Fails To Equal The Potency Of Its Predecessor. But There Is A Noticeable Difference In The Albums That Followed This One, As The Band And Especially Simmonds Himself Was Beginning To Show Signs Of Fatigue, And A Significant Decline In The Group's Overall Sound Was Rapidly Becoming Apparent.” – Mike Degagne, AllMusic Guide.
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Jack The Toad
Used - LP - TXS 112
1973 Heavy Vinyl Green Label UK First Pressing Gatefold. 1W/1W Matrixes. Vinyl Appears Glossy, Unplayed.
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Jack The Toad
Used - LP - XPAS 71059
Beautiful 1973 Gatefold Original Still In Shrink Wrap.
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Jack The Toad
Used - LP - XPAS 71059
Beautiful 1973 Gatefold Original, Clean COH, Promo Sticker On Back Cover. Appears Unplayed.
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Kings Of Boogie
New - LP - GNPS 2196
Sealed, Rare 1989 Original. Clean Cut Out Hole.
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Lion's Share
Used - LP - SKL 5152
Beautiful 1972 UK Laminated Cover Stereo Original. 1W/1W Stampers. Vinyl Appears Glossy, But There Is A Spindle Mark On Each Side.
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Lion's Share
New - LP - XPAS 71057
Sealed 1972 Die-Cut Flip Top Cover Original With Custom Inner Sleeve. "Shot In The Head," The Slide Guitar Showcase That Opens This Solid Set, Became A Staple Of This Veteran English Band's Live Act. In His Only Full-Time Stint As Singer For Demanding Bandleader Kim Simmonds, Dave Walker Proves A Serviceable, If Unremarkable, Successor To Chris Youlden. Besides Their Own Tunes, The Lads Cover Howlin' Wolf And Little Walter." Mark Allan, AMG.
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Live In Central Park
Used - LP - RRLP 2014
Hard To Find 1985 Original With Shrink Still Intact. Record Appears Unplayed. Recording Is From The Band's Peak In 1972.
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Looking In
Used - LP - PAS 71042
Gorgeous 1970 Gatefold Original. Appears Unplayed. “Savoy Brown's Blues-Rock Sound Takes On A Much More Defined Feel On 1970's Looking In And Is One Of This Band's Best Efforts. Kim Simmonds Is Utterly Bewildering On Guitar, While Lonesome Dave Peverett Does A Fine Job Taking Over Lead Singing Duties From Chris Youlden Who Left Halfway Through The Year. But It's The Captivating Arrangements And Alluring Ease Of The Music That Makes This A Superb Listen. The Pleading Strain Transformed Through Simmonds' Guitar On "Money Can't Save Your Soul" Is Mud-Thick With Raw Blues, And The Comfort Of "Sunday Night" Is Extremely Smooth And Laid Back. "Take It Easy" Sounds Like It Could Have Been A B.B. King Tune As It's Doused With Relaxed Guitar Fingering. The Entire Album Is Saturated With A Simple, British Blues Sound But The Pace And The Marbled Strands Of Bubbly Instrumental Perkiness Fill It With Life. Even The Yardbirds-Flavored "Leaving Again" Is Appealing With Its Naïve Hooks, Capped Off With A Heart-Stopping Guitar Solo. This Album Along With Street Corner Talking Best Exemplify Savoy Brown's Tranquilizing Style.” Mike DeGagne, All Music Guide.
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Looking In
New - LP - PAS 71042
Sealed 1970 Gatefold Original. COH. “Savoy Brown's Blues-Rock Sound Takes On A Much More Defined Feel On 1970's Looking In And Is One Of This Band's Best Efforts. Kim Simmonds Is Utterly Bewildering On Guitar, While Lonesome Dave Peverett Does A Fine Job Taking Over Lead Singing Duties From Chris Youlden Who Left Halfway Through The Year. But It's The Captivating Arrangements And Alluring Ease Of The Music That Makes This A Superb Listen. The Pleading Strain Transformed Through Simmonds' Guitar On "Money Can't Save Your Soul" Is Mud-Thick With Raw Blues, And The Comfort Of "Sunday Night" Is Extremely Smooth And Laid Back. "Take It Easy" Sounds Like It Could Have Been A B.B. King Tune As It's Doused With Relaxed Guitar Fingering. The Entire Album Is Saturated With A Simple, British Blues Sound But The Pace And The Marbled Strands Of Bubbly Instrumental Perkiness Fill It With Life. Even The Yardbirds-Flavored "Leaving Again" Is Appealing With Its Naïve Hooks, Capped Off With A Heart-Stopping Guitar Solo. This Album Along With Street Corner Talking Best Exemplify Savoy Brown's Tranquilizing Style.” Mike DeGagne, All Music Guide.
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Looking In
Used - LP - SKL 5066
Beautiful 1970 UK Decca In Box Stereo Label. Laminated Gatefold Cover. 1W/1W Stampers.
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Make Me Sweat
New - LP - GNPS 2193
Sealed 1988 Vinyl Rarity Featuring Super Cheesecake Shots Front & Back.
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Prime Cuts From Rock 'N' Roll Warriors
Used - LP - SPRO 7562
1981 Promo Only 4 Song Mini LP. Appears Unplayed.
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Raw Sienna
Used - LP - PAS 71036
1970 Gatefold Original. Slight Seam Wear. "This High-Water Mark By The Band Finds Them Softening Their Rougher Edges And Stretching Out Into Jazz Territory, Yet Still Retaining A Blues Foundation. There's Not A Bad Cut Here, With Enough Variety (Bottleneck Slide, Acoustic Guitar, Horns, And Strings) To Warrant Frequent Late-Night Listenings. "A Hard Way To Go," "Needle And Spoon," And "Stay While The Night Is Young" Are Especially Strong, As Are Two Instrumental Numbers. Unfortunately, Leader Kim Simmonds Lost His Greatest Asset When Vocalist Chris Youlden Quit For An Ill-Fated Solo Career After This Recording. Youlden Had One Of The Most Distinctive Voices In British Blues, And Savoy Would Never Fully Recover From His Exit." Peter Kurtz, AMG.
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Raw Sienna
New - LP - PAS 71036
Sealed 1970 Gatefold Original. Pristine Copy. "This High-Water Mark By The Band Finds Them Softening Their Rougher Edges And Stretching Out Into Jazz Territory, Yet Still Retaining A Blues Foundation. There's Not A Bad Cut Here, With Enough Variety (Bottleneck Slide, Acoustic Guitar, Horns, And Strings) To Warrant Frequent Late-Night Listenings. "A Hard Way To Go," "Needle And Spoon," And "Stay While The Night Is Young" Are Especially Strong, As Are Two Instrumental Numbers. Unfortunately, Leader Kim Simmonds Lost His Greatest Asset When Vocalist Chris Youlden Quit For An Ill-Fated Solo Career After This Recording. Youlden Had One Of The Most Distinctive Voices In British Blues, And Savoy Would Never Fully Recover From His Exit." Peter Kurtz, AMG.
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Raw Sienna
Used - LP - SKL 5043
Stunning, Unplayed Store Stock Copy Of This 1970 UK Boxed Logo Original Housed In A Laminated Jacket. 1W/1W Stampers. "This High-Water Mark By The Band Finds Them Softening Their Rougher Edges And Stretching Out Into Jazz Territory, Yet Still Retaining A Blues Foundation. There's Not A Bad Cut Here, With Enough Variety (Bottleneck Slide, Acoustic Guitar, Horns, And Strings) To Warrant Frequent Late-Night Listenings. "A Hard Way To Go," "Needle And Spoon," And "Stay While The Night Is Young" Are Especially Strong, As Are Two Instrumental Numbers. Unfortunately, Leader Kim Simmonds Lost His Greatest Asset When Vocalist Chris Youlden Quit For An Ill-Fated Solo Career After This Recording. Youlden Had One Of The Most Distinctive Voices In British Blues, And Savoy Would Never Fully Recover From His Exit." Peter Kurtz, AMG.
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Raw Sienna
Used - LP - SKLA 5043
Rare Australian Red Label Wide Band FFSS Original Housed In A Laminated Cover. Appears Glossy, Unplayed. "This High-Water Mark By The Band Finds Them Softening Their Rougher Edges And Stretching Out Into Jazz Territory, Yet Still Retaining A Blues Foundation. There's Not A Bad Cut Here, With Enough Variety (Bottleneck Slide, Acoustic Guitar, Horns, And Strings) To Warrant Frequent Late-Night Listenings. "A Hard Way To Go," "Needle And Spoon," And "Stay While The Night Is Young" Are Especially Strong, As Are Two Instrumental Numbers. Unfortunately, Leader Kim Simmonds Lost His Greatest Asset When Vocalist Chris Youlden Quit For An Ill-Fated Solo Career After This Recording. Youlden Had One Of The Most Distinctive Voices In British Blues, And Savoy Would Never Fully Recover From His Exit." Peter Kurtz, AMG.
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Rock 'N' Roll Warriors
New - LP - ST 7002
Sealed 1981 US Original. Pressing/Label Info Unknown. Clean Cut Out Hole & Corner Dings. Custom Song Hype Sticker On The Shrink Wrap. "Though Savoy Brown Is Primarily Known As A Blues Band, Rock 'n' Roll Warriors Says In The Title What This Is All About, As Kim Simmonds' Aggregation Obtained In Vocalist Ralph Mormon A Major Component From The Joe Perry Project's First Solo Album, Let The Music Do The Talking, Released The Year Before This. With Producer Richie Wise, Himself The Lead Singer Of The Heavy Metal Band Dust And Co-producer Of The First Two Albums From Kiss, There Is A Decidedly Different Edge To This Release On Capitol/town House. The Bandmembers Look Like They Are The Prototype For The 1984 Film Streets Of Fire On The Cover, And Though The Three Live Tracks Tacked Onto The End Of The Lp On Tko Magnum's Cd Release Has This Group Truer To Its Blues Roots, The Original Ten Studio Tunes Include Some Variety That Savoy Brown's Followers May Not Have Been Accustomed To. Those Bonus Tracks, "Street Corner Talkin'," "I'm Tired," And "Hellbound Train," Were Recorded Live At Denver's Rainbow Music Hall On June 27, 1981. They Make A Great Reference Point To Hear How This Version Of The Band Tackled Familiar Territory, But Original Material Like "Shot Down By Love" Could Easily Have Found Itself On Joe Perry's Disc And Shows The Bite Producer Wise Infused Into This Version Of The Group. This Is The Last Savoy Brown Album To Chart In The U.s., Which Is Validation Of Its Quality But Still A Shame, Since The Music Here Is Vital Enough To Have Jump-started Sb's Storied Career. Mormon Sounds Comfortable And In Control; That He Had The Opportunity To Front Bands Featuring Two Guitar Greats Is Something You Can Feel He Embraced Wholeheartedly. Michael Heatley's Year 2000 Liner Notes To The Cd Reissue Give Some History And The Chinn/chapman Tune That Hit For The U.k. Band Smokie, "Lay Back In The Arms Of Someone," Is A Real Treat -- Pure Pop That Is Wildly Different From The Band's Minor '70s Radio Hit, "Tell Mama," Or Anything Else Here. The Songs Are Mostly Composed By Kim Simmonds, Were Recorded In North Hollywood, And Shift From Rock To Blues To Rock. Though Viewed As An Anomaly In The Band's Catalog, Rock 'n' Roll Warriors Has Gained Credibility And Much-deserved Respect Over The Years." AMG - Joe Viglione.
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Savage Return
New - LP - PS 718
Sealed 1978 Wide Band Blue & Silver Label Original. Small Cut Corner.
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Savage Return
Used - LP - PS 718
1978 Wide Band Blue & Silver Label Original. Hint Of Ring Wear, LP Appears Unplayed.
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Savage Return
New - LP - PS 718
Sealed 1978 Wide Band Blue & Silver Label Original.
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Savage Return
New - LP - PS 718
Sealed 1978 Wide Band Blue & Silver Label Original. Clean Cut Out Hole.
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Shake Down
Used - LP - SKL 4883
1974 UK Blue Label 2nd Issue Of The 1967 Recording Narrow Band (Boxed Logo) Stereo Housed In A Laminated Jacket With The Importer's Shrink Wrap Intact. 1W/1W Stampers. Glossy Unplayed Condition. No U.S. Release. Kim Simmonds Assembled A Multiracial Band In 1965/66 And By 1967 Had Recorded "Shake Down". It's A Traditional Blues Album That Is Very Reminiscent Of Getting To The Point, Savoy Brown's Second Album (First In America). Shake Down Consists Mostly Of Electrified Blues Rockers With A Great Edge And Spark, One Of The Best Tracks Is "Doormouse Rides The Rails", Featuring The Band's First-Rate Second Guitarist, Martin Stone. His Interplay With Savoy Brown Guitarist (& Band Leader) Kim Simmonds On Such Tracks As "It's All My Fault," "Shake 'Em On Down," And Especially On The Traditional Blues Opus "Black Night" Are Among The High Points Of The Album. Singer Bryce Portius Works Very Well For This Material. His Highlights Include The Howlin' Wolf Classic "I Ain't Superstitious," And The Willie Dixon-Penned Tune, "Little Girl". Kim Is Already Showing Maturity Beyond His Teenage Years In Terms Of Track Selection And Musical Direction; As A Guitarist, He Shows His Chops Very Nicely On "Shake 'Em On Down," Already Clearly Grasping The Less-Is-More Concept That Makes For Great Blues. Shake Down Is A Blues Gem.
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Shake Down
Used - LP - SKL 4883
1967 UK Wide Band (Unboxed Logo) Stereo Original Housed In A Laminated Jacket 1W/1W Stampers. Glossy Unplayed Condition. No U.S. Release. Kim Simmonds Assembled A Multiracial Band In 1965/66 And By 1967 Had Recorded "Shake Down". It's A Traditional Blues Album That Is Very Reminiscent Of Getting To The Point, Savoy Brown's Second Album (First In America). Shake Down Consists Mostly Of Electrified Blues Rockers With A Great Edge And Spark, One Of The Best Tracks Is "Doormouse Rides The Rails", Featuring The Band's First-Rate Second Guitarist, Martin Stone. His Interplay With Savoy Brown Guitarist (& Band Leader) Kim Simmonds On Such Tracks As "It's All My Fault," "Shake 'Em On Down," And Especially On The Traditional Blues Opus "Black Night" Are Among The High Points Of The Album. Singer Bryce Portius Works Very Well For This Material. His Highlights Include The Howlin' Wolf Classic "I Ain't Superstitious," And The Willie Dixon-Penned Tune, "Little Girl". Kim Is Already Showing Maturity Beyond His Teenage Years In Terms Of Track Selection And Musical Direction; As A Guitarist, He Shows His Chops Very Nicely On "Shake 'Em On Down," Already Clearly Grasping The Less-Is-More Concept That Makes For Great Blues. Shake Down Is A Blues Gem.
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Skin 'N' Bone
New - LP - PS 670
Sealed 1976 Wide Band Blue & Silver Label Heavy Vinyl Original From The British Blues-Rockers. (Unable To Confirm Exact Press Info).
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Skin 'N' Bone
Used - LP - PS 670
Beautiful 1976 Wide Band Blue & Silver Label, Heavy Vinyl Original From The British Blues-Rockers. Promo Sticker And Clean COH On The Front Cover. Appears Unplayed. "Sterling" In Dead Wax.
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Slow Train
Used - LP - RRLP 2023
Very Hard To Find 1986 Original. Savoy Brown Return To Their Roots And Record An Album Of Acoustic Blues Based Tunes. Light Corner Crease. Vinyl Appears Glossy.
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Step Further
New - LP - PAS 71029
Sealed 1969 Heavy Vinyl Stereo Original Housed In A Gatefold Cover. 4 Stars In All Music Guide.
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Step Further
Used - LP - PAS 71029
1969 Stereo Original Housed In A Gatefold Cover. Appears Unplayed. 4 Stars In All Music Guide.
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Step Further
Used - LP - SKL 5013
Beautiful 1969 UK Decca In Box Label Stereo. High Gloss Cover. 1W/1W Stampers.
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Street Corner Talking
Used - LP - PAS 71047
Beautiful 1971 Gatefold Original. Appears Unplayed.
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Street Corner Talking
Used - LP - TXS 104
1971 UK Green Label Boxed Decca Logo Stereo Original Housed In A Gatefold Jacket. VG+/VG+. Plays M-.
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The Best Of Savoy Brown
Used - LP - LC 50000
1977 Compilation. VG++ Copy. Small Top Seam Split. Featuring Hits "Hellbound Train", "Tell Mama", "Train to Nowhere" & "Louisiana Blues".
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Wire Fire
Used - LP - PS 659
Beautiful 1975 Wide Band Blue & Silver Label Original, Clean Cut Out Hole, Promo Sticker On Front Cover.
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Wire Fire
New - LP - PS 659
Sealed 1975 Original. Featuring Former Chicken Shack-er Paul Raymond. Pristine Store Stock Copy.
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Wire Fire
Used - LP - PS 659
Beautiful Wide Band Blue & Silver Label 1975 Original Still In Shrink Wrap.
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Wire Fire
New - LP - PS 659
Sealed 1975 Original. Featuring Former Chicken Shack-er Paul Raymond. Cut Out Hole
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